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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF2BD5 it is the complementary color #00D42A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF2BD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF2BD5 shade: #FF2BD0, #FF3DE3, #FF4FF6, #FF61FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF2BD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF2BD5 shade: #FF2BD5, #EE19C2, #DD07AF, #CC009C and #BB0089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF2BD5 shade: #FF29D5, #FF299B, #FF2961 and #FF2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF2BD5 shade: #FF29D5, #F029FF, #B629FF, #7C29FF and #4229FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF2BD5 shade matches the following richer shades: #FF29D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF2BD5 shade: #FF29D5, #EE3ACA, #DC4BC0, #CB5DB5 and #BA6EAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF2BD5 shade: #B429FF, #ED29FF, #FF29D8, #FF299F and #FF2965

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF2BD5 shade: #D500AB, #FF00CC, #FF29D5, #FF52DD and #FF7BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF2BD5 shade: #FF2BD5, #FF7B29 and #29FFD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF2BD5 shade: #FF2BD5, #D8FF29 and #29D8FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF2BD5 shade: #FF2BD5, #FF7B29, #29FF50 and #29ADFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF2BD5 shade: #FF2BD5, #FFBB29, #29FF50 and #296DFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 16 / 0

HEX #FF2BD5

RGB 255 43 213

HSL 311.89, 1%, 0.58%

LAB 59.7, 88.11, -38.28

 

Complementary color

CMYK 100 / 0 / 80 / 17

HEX #00D42A

RGB 0 212 42

HSL 131.89, 1%, 0.42%

LAB 74.35, -73.59, 65.4

 

CMYK 0 / 83 / 18 / 0

HEX #FF2BD0

RGB 255 43 208

HSL 313.3, 1%, 0.58%

LAB 59.47, 87.49, -35.8

 

CMYK 0 / 76 / 11 / 0

HEX #FF3DE3

RGB 255 61 227

HSL 308.66, 1%, 0.62%

LAB 61.78, 85.84, -42.92

 

CMYK 0 / 69 / 4 / 0

HEX #FF4FF6

RGB 255 79 246

HSL 303.07, 1%, 0.65%

LAB 64.57, 83.23, -49.1

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 83 / 16 / 0

HEX #FF2BD5

RGB 255 43 213

HSL 311.89, 1%, 0.58%

LAB 59.7, 88.11, -38.28

 

CMYK 0 / 89 / 18 / 7

HEX #EE19C2

RGB 238 25 194

HSL 312.39, 0.86%, 0.52%

LAB 54.83, 85.38, -35.25

 

CMYK 0 / 97 / 21 / 13

HEX #DD07AF

RGB 221 7 175

HSL 312.9, 0.94%, 0.45%

LAB 50.24, 81.64, -31.58

 

CMYK 0 / 100 / 24 / 20

HEX #CC009C

RGB 204 0 156

HSL 314.12, 1%, 0.4%

LAB 45.96, 76.75, -27.2

 

CMYK 0 / 100 / 27 / 27

HEX #BB0089

RGB 187 0 137

HSL 316.04, 1%, 0.37%

LAB 41.8, 71.26, -22.38

 

CMYK 0 / 84 / 16 / 0

HEX #FF29D5

RGB 255 41 213

HSL 311.78, 1%, 0.58%

LAB 59.57, 88.49, -38.49

 

CMYK 0 / 84 / 39 / 0

HEX #FF299B

RGB 255 41 155

HSL 328.04, 1%, 0.58%

LAB 57.28, 82.16, -8.47

 

CMYK 0 / 84 / 62 / 0

HEX #FF2961

RGB 255 41 97

HSL 344.3, 1%, 0.58%

LAB 55.8, 77.89, 23.92

 

CMYK 0 / 84 / 84 / 0

HEX #FF2929

RGB 255 41 41

HSL 0, 1%, 0.58%

LAB 55.08, 75.77, 54.43

 

CMYK 0 / 84 / 16 / 0

HEX #FF29D5

RGB 255 41 213

HSL 311.78, 1%, 0.58%

LAB 59.57, 88.49, -38.49

 

CMYK 6 / 84 / 0 / 0

HEX #F029FF

RGB 240 41 255

HSL 295.79, 1%, 0.58%

LAB 59.28, 91.61, -62.65

 

CMYK 29 / 84 / 0 / 0

HEX #B629FF

RGB 182 41 255

HSL 279.53, 1%, 0.58%

LAB 50.39, 82.59, -77.45

 

CMYK 51 / 84 / 0 / 0

HEX #7C29FF

RGB 124 41 255

HSL 263.27, 1%, 0.58%

LAB 42.9, 75.43, -90.03

 

CMYK 74 / 84 / 0 / 0

HEX #4229FF

RGB 66 41 255

HSL 247.01, 1%, 0.58%

LAB 37.78, 70.9, -98.67

 

CMYK 0 / 84 / 16 / 0

HEX #FF29D5

RGB 255 41 213

HSL 311.78, 1%, 0.58%

LAB 59.57, 88.49, -38.49

 

CMYK 0 / 84 / 16 / 0

HEX #FF29D5

RGB 255 41 213

HSL 311.78, 1%, 0.58%

LAB 59.57, 88.49, -38.49

 

CMYK 0 / 76 / 15 / 7

HEX #EE3ACA

RGB 238 58 202

HSL 312, 0.84%, 0.58%

LAB 57.53, 79.67, -35.63

 

CMYK 0 / 66 / 13 / 14

HEX #DC4BC0

RGB 220 75 192

HSL 311.59, 0.67%, 0.58%

LAB 56.14, 68.51, -32.27

 

CMYK 0 / 54 / 11 / 20

HEX #CB5DB5

RGB 203 93 181

HSL 312, 0.51%, 0.58%

LAB 55.95, 54.57, -26.43

 

CMYK 0 / 41 / 8 / 27

HEX #BA6EAB

RGB 186 110 171

HSL 311.84, 0.36%, 0.58%

LAB 56.62, 39.05, -19.83

 

CMYK 29 / 84 / 0 / 0

HEX #B429FF

RGB 180 41 255

HSL 278.97, 1%, 0.58%

LAB 50.11, 82.31, -77.93

 

CMYK 7 / 84 / 0 / 0

HEX #ED29FF

RGB 237 41 255

HSL 294.95, 1%, 0.58%

LAB 58.8, 91.11, -63.45

 

CMYK 0 / 84 / 15 / 0

HEX #FF29D8

RGB 255 41 216

HSL 310.93, 1%, 0.58%

LAB 59.71, 88.87, -39.97

 

CMYK 0 / 84 / 38 / 0

HEX #FF299F

RGB 255 41 159

HSL 326.92, 1%, 0.58%

LAB 57.41, 82.54, -10.62

 

CMYK 0 / 84 / 60 / 0

HEX #FF2965

RGB 255 41 101

HSL 343.18, 1%, 0.58%

LAB 55.87, 78.11, 21.64

 

CMYK 0 / 100 / 20 / 16

HEX #D500AB

RGB 213 0 171

HSL 311.83, 1%, 0.42%

LAB 48.37, 80.22, -32.25

 

CMYK 0 / 100 / 20 / 0

HEX #FF00CC

RGB 255 0 204

HSL 312, 1%, 0.5%

LAB 57.67, 91.74, -36.33

 

CMYK 0 / 84 / 16 / 0

HEX #FF29D5

RGB 255 41 213

HSL 311.78, 1%, 0.58%

LAB 59.57, 88.49, -38.49

 

CMYK 0 / 68 / 13 / 0

HEX #FF52DD

RGB 255 82 221

HSL 311.79, 1%, 0.66%

LAB 63.77, 78.59, -36.44

 

CMYK 0 / 52 / 10 / 0

HEX #FF7BE5

RGB 255 123 229

HSL 311.82, 1%, 0.74%

LAB 70.23, 63.02, -30.86

 

CMYK 0 / 83 / 16 / 0

HEX #FF2BD5

RGB 255 43 213

HSL 311.89, 1%, 0.58%

LAB 59.7, 88.11, -38.28

 

CMYK 0 / 52 / 84 / 0

HEX #FF7B29

RGB 255 123 41

HSL 22.99, 1%, 0.58%

LAB 66.2, 45.84, 63.97

 

CMYK 84 / 0 / 18 / 0

HEX #29FFD1

RGB 41 255 209

HSL 167.1, 1%, 0.58%

LAB 90.13, -58.8, 8.29

 

CMYK 0 / 83 / 16 / 0

HEX #FF2BD5

RGB 255 43 213

HSL 311.89, 1%, 0.58%

LAB 59.7, 88.11, -38.28

 

CMYK 15 / 0 / 84 / 0

HEX #D8FF29

RGB 216 255 41

HSL 70.93, 1%, 0.58%

LAB 94.43, -36.66, 86.3

 

CMYK 84 / 15 / 0 / 0

HEX #29D8FF

RGB 41 216 255

HSL 190.93, 1%, 0.58%

LAB 80.07, -28.71, -30.87

 

CMYK 0 / 83 / 16 / 0

HEX #FF2BD5

RGB 255 43 213

HSL 311.89, 1%, 0.58%

LAB 59.7, 88.11, -38.28

 

CMYK 0 / 52 / 84 / 0

HEX #FF7B29

RGB 255 123 41

HSL 22.99, 1%, 0.58%

LAB 66.2, 45.84, 63.97

 

CMYK 84 / 0 / 69 / 0

HEX #29FF50

RGB 41 255 80

HSL 130.93, 1%, 0.58%

LAB 88.24, -80.58, 66.83

 

CMYK 84 / 32 / 0 / 0

HEX #29ADFF

RGB 41 173 255

HSL 202.99, 1%, 0.58%

LAB 67.71, -6.2, -50.13

 

CMYK 0 / 83 / 16 / 0

HEX #FF2BD5

RGB 255 43 213

HSL 311.89, 1%, 0.58%

LAB 59.7, 88.11, -38.28

 

CMYK 0 / 27 / 84 / 0

HEX #FFBB29

RGB 255 187 41

HSL 40.93, 1%, 0.58%

LAB 80.16, 13.04, 75.67

 

CMYK 84 / 0 / 69 / 0

HEX #29FF50

RGB 41 255 80

HSL 130.93, 1%, 0.58%

LAB 88.24, -80.58, 66.83

 

CMYK 84 / 57 / 0 / 0

HEX #296DFF

RGB 41 109 255

HSL 220.93, 1%, 0.58%

LAB 50.25, 32.36, -78.16

 

Description

Color code: HEX #FF2BD5 | qconv.com Color code: HEX #FF2BD5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 43 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 43 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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