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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF2A6F it is the complementary color #00D590. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF2A6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF2A6F shade: #FF2A6A, #FF3C7D, #FF4E90, #FF60A3 and #FF72B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF2A6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF2A6F shade: #FF2A6F, #EE185C, #DD0649, #CC0036 and #BB0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF2A6F shade: #FF296E, #FF2934 and #FF2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF2A6F shade: #FF296E, #FF29A8, #FF29E2, #E329FF and #A929FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF2A6F shade matches the following richer shades: #FF296E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF2A6F shade: #FF296E, #EE3A74, #DC4B7A, #CB5D80 and #BA6E87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF2A6F shade: #FF29E2, #FF29A9, #FF2970, #FF2937 and #FF5429

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF2A6F shade: #D50045, #FF0052, #FF296E, #FF528A and #FF7BA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF2A6F shade: #FF2A6F, #FFE229 and #29C6FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF2A6F shade: #FF2A6F, #70FF29 and #2970FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF2A6F shade: #FF2A6F, #FFE229, #29FFB8 and #2945FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF2A6F shade: #FF2A6F, #DBFF29, #29FFB8 and #4D29FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 56 / 0

HEX #FF2A6F

RGB 255 42 111

HSL 340.56, 1%, 0.58%

LAB 56.15, 78.52, 16.04

 

Complementary color

CMYK 100 / 0 / 32 / 16

HEX #00D590

RGB 0 213 144

HSL 160.56, 1%, 0.42%

LAB 75.82, -59.85, 22.05

 

CMYK 0 / 84 / 58 / 0

HEX #FF2A6A

RGB 255 42 106

HSL 341.97, 1%, 0.58%

LAB 56.04, 78.21, 18.88

 

CMYK 0 / 76 / 51 / 0

HEX #FF3C7D

RGB 255 60 125

HSL 340, 1%, 0.62%

LAB 58.01, 75.13, 10.31

 

CMYK 0 / 69 / 44 / 0

HEX #FF4E90

RGB 255 78 144

HSL 337.63, 1%, 0.65%

LAB 60.54, 71.02, 2.77

 

CMYK 0 / 62 / 36 / 0

HEX #FF60A3

RGB 255 96 163

HSL 334.72, 1%, 0.69%

LAB 63.57, 66.07, -3.8

 

CMYK 0 / 55 / 29 / 0

HEX #FF72B6

RGB 255 114 182

HSL 331.06, 1%, 0.72%

LAB 67.03, 60.53, -9.48

 

CMYK 0 / 84 / 56 / 0

HEX #FF2A6F

RGB 255 42 111

HSL 340.56, 1%, 0.58%

LAB 56.15, 78.52, 16.04

 

CMYK 0 / 90 / 61 / 7

HEX #EE185C

RGB 238 24 92

HSL 340.93, 0.86%, 0.51%

LAB 51.39, 76.32, 20.48

 

CMYK 0 / 97 / 67 / 13

HEX #DD0649

RGB 221 6 73

HSL 341.3, 0.95%, 0.45%

LAB 46.95, 73.15, 25.65

 

CMYK 0 / 100 / 74 / 20

HEX #CC0036

RGB 204 0 54

HSL 344.12, 1%, 0.4%

LAB 42.92, 68.8, 31.57

 

CMYK 0 / 100 / 81 / 27

HEX #BB0023

RGB 187 0 35

HSL 348.77, 1%, 0.37%

LAB 39.05, 64.02, 37.64

 

CMYK 0 / 84 / 57 / 0

HEX #FF296E

RGB 255 41 110

HSL 340.65, 1%, 0.58%

LAB 56.06, 78.66, 16.51

 

CMYK 0 / 84 / 80 / 0

HEX #FF2934

RGB 255 41 52

HSL 356.92, 1%, 0.58%

LAB 55.17, 76.04, 48.96

 

CMYK 0 / 84 / 84 / 0

HEX #FF2929

RGB 255 41 41

HSL 0, 1%, 0.58%

LAB 55.08, 75.77, 54.43

 

CMYK 0 / 84 / 57 / 0

HEX #FF296E

RGB 255 41 110

HSL 340.65, 1%, 0.58%

LAB 56.06, 78.66, 16.51

 

CMYK 0 / 84 / 34 / 0

HEX #FF29A8

RGB 255 41 168

HSL 324.39, 1%, 0.58%

LAB 57.73, 83.41, -15.42

 

CMYK 0 / 84 / 11 / 0

HEX #FF29E2

RGB 255 41 226

HSL 308.13, 1%, 0.58%

LAB 60.19, 90.15, -44.86

 

CMYK 11 / 84 / 0 / 0

HEX #E329FF

RGB 227 41 255

HSL 292.15, 1%, 0.58%

LAB 57.21, 89.47, -66.09

 

CMYK 34 / 84 / 0 / 0

HEX #A929FF

RGB 169 41 255

HSL 275.89, 1%, 0.58%

LAB 48.56, 80.8, -80.52

 

CMYK 0 / 84 / 57 / 0

HEX #FF296E

RGB 255 41 110

HSL 340.65, 1%, 0.58%

LAB 56.06, 78.66, 16.51

 

CMYK 0 / 84 / 57 / 0

HEX #FF296E

RGB 255 41 110

HSL 340.65, 1%, 0.58%

LAB 56.06, 78.66, 16.51

 

CMYK 0 / 76 / 51 / 7

HEX #EE3A74

RGB 238 58 116

HSL 340.67, 0.84%, 0.58%

LAB 54.52, 70.51, 10.3

 

CMYK 0 / 66 / 45 / 14

HEX #DC4B7A

RGB 220 75 122

HSL 340.55, 0.67%, 0.58%

LAB 53.66, 59.99, 5.06

 

CMYK 0 / 54 / 37 / 20

HEX #CB5D80

RGB 203 93 128

HSL 340.91, 0.51%, 0.58%

LAB 54.12, 47.2, 1.82

 

CMYK 0 / 41 / 27 / 27

HEX #BA6E87

RGB 186 110 135

HSL 340.26, 0.36%, 0.58%

LAB 55.42, 33.33, -0.68

 

CMYK 0 / 84 / 11 / 0

HEX #FF29E2

RGB 255 41 226

HSL 308.13, 1%, 0.58%

LAB 60.19, 90.15, -44.86

 

CMYK 0 / 84 / 34 / 0

HEX #FF29A9

RGB 255 41 169

HSL 324.11, 1%, 0.58%

LAB 57.76, 83.51, -15.95

 

CMYK 0 / 84 / 56 / 0

HEX #FF2970

RGB 255 41 112

HSL 340.09, 1%, 0.58%

LAB 56.1, 78.78, 15.38

 

CMYK 0 / 84 / 78 / 0

HEX #FF2937

RGB 255 41 55

HSL 356.07, 1%, 0.58%

LAB 55.2, 76.12, 47.39

 

CMYK 0 / 67 / 84 / 0

HEX #FF5429

RGB 255 84 41

HSL 12.06, 1%, 0.58%

LAB 59.67, 62.98, 58.4

 

CMYK 0 / 100 / 68 / 16

HEX #D50045

RGB 213 0 69

HSL 340.56, 1%, 0.42%

LAB 45.05, 71.58, 25.36

 

CMYK 0 / 100 / 68 / 0

HEX #FF0052

RGB 255 0 82

HSL 340.71, 1%, 0.5%

LAB 53.89, 81.89, 30.41

 

CMYK 0 / 84 / 57 / 0

HEX #FF296E

RGB 255 41 110

HSL 340.65, 1%, 0.58%

LAB 56.06, 78.66, 16.51

 

CMYK 0 / 68 / 46 / 0

HEX #FF528A

RGB 255 82 138

HSL 340.58, 1%, 0.66%

LAB 60.9, 69.05, 6.78

 

CMYK 0 / 52 / 35 / 0

HEX #FF7BA6

RGB 255 123 166

HSL 340.45, 1%, 0.74%

LAB 68.15, 54.45, 1.21

 

CMYK 0 / 84 / 56 / 0

HEX #FF2A6F

RGB 255 42 111

HSL 340.56, 1%, 0.58%

LAB 56.15, 78.52, 16.04

 

CMYK 0 / 11 / 84 / 0

HEX #FFE229

RGB 255 226 41

HSL 51.87, 1%, 0.58%

LAB 89.77, -6.9, 83.62

 

CMYK 84 / 22 / 0 / 0

HEX #29C6FF

RGB 41 198 255

HSL 195.98, 1%, 0.58%

LAB 74.88, -19.65, -38.9

 

CMYK 0 / 84 / 56 / 0

HEX #FF2A6F

RGB 255 42 111

HSL 340.56, 1%, 0.58%

LAB 56.15, 78.52, 16.04

 

CMYK 56 / 0 / 84 / 0

HEX #70FF29

RGB 112 255 41

HSL 100.09, 1%, 0.58%

LAB 89.45, -71.16, 80.06

 

CMYK 84 / 56 / 0 / 0

HEX #2970FF

RGB 41 112 255

HSL 220.09, 1%, 0.58%

LAB 51.01, 30.48, -76.92

 

CMYK 0 / 84 / 56 / 0

HEX #FF2A6F

RGB 255 42 111

HSL 340.56, 1%, 0.58%

LAB 56.15, 78.52, 16.04

 

CMYK 0 / 11 / 84 / 0

HEX #FFE229

RGB 255 226 41

HSL 51.87, 1%, 0.58%

LAB 89.77, -6.9, 83.62

 

CMYK 84 / 0 / 28 / 0

HEX #29FFB8

RGB 41 255 184

HSL 160.09, 1%, 0.58%

LAB 89.6, -64.55, 20.4

 

CMYK 84 / 73 / 0 / 0

HEX #2945FF

RGB 41 69 255

HSL 232.15, 1%, 0.58%

LAB 41.13, 56.45, -93.14

 

CMYK 0 / 84 / 56 / 0

HEX #FF2A6F

RGB 255 42 111

HSL 340.56, 1%, 0.58%

LAB 56.15, 78.52, 16.04

 

CMYK 14 / 0 / 84 / 0

HEX #DBFF29

RGB 219 255 41

HSL 70.09, 1%, 0.58%

LAB 94.63, -35.49, 86.55

 

CMYK 84 / 0 / 28 / 0

HEX #29FFB8

RGB 41 255 184

HSL 160.09, 1%, 0.58%

LAB 89.6, -64.55, 20.4

 

CMYK 70 / 84 / 0 / 0

HEX #4D29FF

RGB 77 41 255

HSL 250.09, 1%, 0.58%

LAB 38.52, 71.54, -97.41

 

Description

Color code: HEX #FF2A6F | qconv.com Color code: HEX #FF2A6F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 42 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 42 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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