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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF27F5 it is the complementary color #00D80A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF27F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF27F5 shade: #FF27F0, #FF39FF, #FF4BFF, #FF5DFF and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF27F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF27F5 shade: #FF27F5, #EE15E2, #DD03CF, #CC00BC and #BB00A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF27F5 shade: #FF29F5, #FF29BB, #FF2982, #FF2948 and #FF2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF27F5 shade: #FF29F5, #CF29FF, #9529FF, #5C29FF and #2929FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF27F5 shade matches the following richer shades: #FF29F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF27F5 shade: #FF29F5, #EE3AE5, #DC4BD6, #CB5DC6 and #BA6EB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF27F5 shade: #9429FF, #CD29FF, #FF29F8, #FF29BF and #FF2986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF27F5 shade: #D500CB, #FF00F3, #FF29F5, #FF52F7 and #FF7BF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF27F5 shade: #FF27F5, #FF5B29 and #29FFB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF27F5 shade: #FF27F5, #F8FF29 and #29F8FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF27F5 shade: #FF27F5, #FF5B29, #29FF30 and #29CDFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF27F5 shade: #FF27F5, #FF9B29, #29FF30 and #298DFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 4 / 0

HEX #FF27F5

RGB 255 39 245

HSL 302.78, 1%, 0.58%

LAB 61.05, 93.08, -54.13

 

Complementary color

CMYK 100 / 0 / 95 / 15

HEX #00D80A

RGB 0 216 10

HSL 122.78, 1%, 0.42%

LAB 75.53, -75.86, 72.43

 

CMYK 0 / 85 / 6 / 0

HEX #FF27F0

RGB 255 39 240

HSL 304.17, 1%, 0.58%

LAB 60.78, 92.39, -51.77

 

CMYK 0 / 78 / 0 / 0

HEX #FF39FF

RGB 255 57 255

HSL 300, 1%, 0.61%

LAB 62.85, 90.84, -56.8

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 85 / 4 / 0

HEX #FF27F5

RGB 255 39 245

HSL 302.78, 1%, 0.58%

LAB 61.05, 93.08, -54.13

 

CMYK 0 / 91 / 5 / 7

HEX #EE15E2

RGB 238 21 226

HSL 303.32, 0.86%, 0.51%

LAB 56.29, 90.01, -51.22

 

CMYK 0 / 99 / 6 / 13

HEX #DD03CF

RGB 221 3 207

HSL 303.85, 0.97%, 0.44%

LAB 51.77, 86.02, -47.77

 

CMYK 0 / 100 / 8 / 20

HEX #CC00BC

RGB 204 0 188

HSL 304.71, 1%, 0.4%

LAB 47.58, 80.8, -43.6

 

CMYK 0 / 100 / 10 / 27

HEX #BB00A9

RGB 187 0 169

HSL 305.78, 1%, 0.37%

LAB 43.4, 75.27, -39.22

 

CMYK 0 / 84 / 4 / 0

HEX #FF29F5

RGB 255 41 245

HSL 302.8, 1%, 0.58%

LAB 61.17, 92.73, -53.94

 

CMYK 0 / 84 / 27 / 0

HEX #FF29BB

RGB 255 41 187

HSL 319.07, 1%, 0.58%

LAB 58.45, 85.42, -25.35

 

CMYK 0 / 84 / 49 / 0

HEX #FF2982

RGB 255 41 130

HSL 335.05, 1%, 0.58%

LAB 56.54, 80.05, 5.26

 

CMYK 0 / 84 / 72 / 0

HEX #FF2948

RGB 255 41 72

HSL 351.31, 1%, 0.58%

LAB 55.39, 76.71, 38.11

 

CMYK 0 / 84 / 84 / 0

HEX #FF2929

RGB 255 41 41

HSL 0, 1%, 0.58%

LAB 55.08, 75.77, 54.43

 

CMYK 0 / 84 / 4 / 0

HEX #FF29F5

RGB 255 41 245

HSL 302.8, 1%, 0.58%

LAB 61.17, 92.73, -53.94

 

CMYK 19 / 84 / 0 / 0

HEX #CF29FF

RGB 207 41 255

HSL 286.54, 1%, 0.58%

LAB 54.1, 86.3, -71.26

 

CMYK 42 / 84 / 0 / 0

HEX #9529FF

RGB 149 41 255

HSL 270.28, 1%, 0.58%

LAB 45.9, 78.24, -84.98

 

CMYK 64 / 84 / 0 / 0

HEX #5C29FF

RGB 92 41 255

HSL 254.3, 1%, 0.58%

LAB 39.72, 72.57, -95.4

 

CMYK 84 / 84 / 0 / 0

HEX #2929FF

RGB 41 41 255

HSL 240, 1%, 0.58%

LAB 36.51, 69.84, -100.81

 

CMYK 0 / 84 / 4 / 0

HEX #FF29F5

RGB 255 41 245

HSL 302.8, 1%, 0.58%

LAB 61.17, 92.73, -53.94

 

CMYK 0 / 84 / 4 / 0

HEX #FF29F5

RGB 255 41 245

HSL 302.8, 1%, 0.58%

LAB 61.17, 92.73, -53.94

 

CMYK 0 / 76 / 4 / 7

HEX #EE3AE5

RGB 238 58 229

HSL 303, 0.84%, 0.58%

LAB 58.84, 83.47, -48.86

 

CMYK 0 / 66 / 3 / 14

HEX #DC4BD6

RGB 220 75 214

HSL 302.48, 0.67%, 0.58%

LAB 57.18, 71.87, -43.21

 

CMYK 0 / 54 / 2 / 20

HEX #CB5DC6

RGB 203 93 198

HSL 302.73, 0.51%, 0.58%

LAB 56.69, 57.4, -35.05

 

CMYK 0 / 41 / 2 / 27

HEX #BA6EB6

RGB 186 110 182

HSL 303.16, 0.36%, 0.58%

LAB 57.04, 41.02, -25.5

 

CMYK 42 / 84 / 0 / 0

HEX #9429FF

RGB 148 41 255

HSL 270, 1%, 0.58%

LAB 45.77, 78.12, -85.2

 

CMYK 20 / 84 / 0 / 0

HEX #CD29FF

RGB 205 41 255

HSL 285.98, 1%, 0.58%

LAB 53.8, 85.99, -71.76

 

CMYK 0 / 84 / 3 / 0

HEX #FF29F8

RGB 255 41 248

HSL 301.96, 1%, 0.58%

LAB 61.33, 93.16, -55.35

 

CMYK 0 / 84 / 25 / 0

HEX #FF29BF

RGB 255 41 191

HSL 317.94, 1%, 0.58%

LAB 58.61, 85.87, -27.41

 

CMYK 0 / 84 / 47 / 0

HEX #FF2986

RGB 255 41 134

HSL 333.93, 1%, 0.58%

LAB 56.65, 80.37, 3.03

 

CMYK 0 / 100 / 5 / 16

HEX #D500CB

RGB 213 0 203

HSL 302.82, 1%, 0.42%

LAB 50.05, 84.37, -48.3

 

CMYK 0 / 100 / 5 / 0

HEX #FF00F3

RGB 255 0 243

HSL 302.82, 1%, 0.5%

LAB 59.64, 96.62, -55.25

 

CMYK 0 / 84 / 4 / 0

HEX #FF29F5

RGB 255 41 245

HSL 302.8, 1%, 0.58%

LAB 61.17, 92.73, -53.94

 

CMYK 0 / 68 / 3 / 0

HEX #FF52F7

RGB 255 82 247

HSL 302.77, 1%, 0.66%

LAB 64.97, 82.38, -49.02

 

CMYK 0 / 52 / 2 / 0

HEX #FF7BF9

RGB 255 123 249

HSL 302.73, 1%, 0.74%

LAB 71.05, 66.24, -40.57

 

CMYK 0 / 85 / 4 / 0

HEX #FF27F5

RGB 255 39 245

HSL 302.78, 1%, 0.58%

LAB 61.05, 93.08, -54.13

 

CMYK 0 / 64 / 84 / 0

HEX #FF5B29

RGB 255 91 41

HSL 14.02, 1%, 0.58%

LAB 60.7, 60.21, 59.28

 

CMYK 84 / 0 / 31 / 0

HEX #29FFB0

RGB 41 255 176

HSL 157.85, 1%, 0.58%

LAB 89.45, -66.25, 24.26

 

CMYK 0 / 85 / 4 / 0

HEX #FF27F5

RGB 255 39 245

HSL 302.78, 1%, 0.58%

LAB 61.05, 93.08, -54.13

 

CMYK 3 / 0 / 84 / 0

HEX #F8FF29

RGB 248 255 41

HSL 61.96, 1%, 0.58%

LAB 96.67, -23.88, 89.08

 

CMYK 84 / 3 / 0 / 0

HEX #29F8FF

RGB 41 248 255

HSL 181.96, 1%, 0.58%

LAB 89.31, -43.6, -16.82

 

CMYK 0 / 85 / 4 / 0

HEX #FF27F5

RGB 255 39 245

HSL 302.78, 1%, 0.58%

LAB 61.05, 93.08, -54.13

 

CMYK 0 / 64 / 84 / 0

HEX #FF5B29

RGB 255 91 41

HSL 14.02, 1%, 0.58%

LAB 60.7, 60.21, 59.28

 

CMYK 84 / 0 / 81 / 0

HEX #29FF30

RGB 41 255 48

HSL 121.96, 1%, 0.58%

LAB 88.07, -82.8, 76.66

 

CMYK 84 / 20 / 0 / 0

HEX #29CDFF

RGB 41 205 255

HSL 194.02, 1%, 0.58%

LAB 76.89, -23.24, -35.77

 

CMYK 0 / 85 / 4 / 0

HEX #FF27F5

RGB 255 39 245

HSL 302.78, 1%, 0.58%

LAB 61.05, 93.08, -54.13

 

CMYK 0 / 39 / 84 / 0

HEX #FF9B29

RGB 255 155 41

HSL 31.96, 1%, 0.58%

LAB 72.8, 29.71, 69.53

 

CMYK 84 / 0 / 81 / 0

HEX #29FF30

RGB 41 255 48

HSL 121.96, 1%, 0.58%

LAB 88.07, -82.8, 76.66

 

CMYK 84 / 45 / 0 / 0

HEX #298DFF

RGB 41 141 255

HSL 211.96, 1%, 0.58%

LAB 58.73, 12.49, -64.43

 

Description

Color code: HEX #FF27F5 | qconv.com Color code: HEX #FF27F5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 39 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 39 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 4 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 4% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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