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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF1ED2 it is the complementary color #00E12D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF1ED2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF1ED2 shade: #FF1ECD, #FF30E0, #FF42F3, #FF54FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF1ED2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF1ED2 shade: #FF1ED2, #EE0CBF, #DD00AC, #CC0099 and #BB0086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF1ED2 shade: #FF1FD2, #FF1F96, #FF1F59 and #FF1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF1ED2 shade: #FF1FD2, #EF1FFF, #B31FFF, #761FFF and #3A1FFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF1ED2 shade matches the following richer shades: #FF1FD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF1ED2 shade: #FF1FD2, #ED31C7, #DB43BC, #C955B1 and #B667A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF1ED2 shade: #B41FFF, #F01FFF, #FF1FD2, #FF1F96 and #FF1F5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF1ED2 shade: #CB00A2, #F400C3, #FF1FD2, #FF48DA and #FF71E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF1ED2 shade: #FF1ED2, #FF781F and #1FFFD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF1ED2 shade: #FF1ED2, #D2FF1F and #1FD2FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF1ED2 shade: #FF1ED2, #FF781F, #1FFF4B and #1FA5FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF1ED2 shade: #FF1ED2, #FFBC1F, #1FFF4B and #1F62FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 18 / 0

HEX #FF1ED2

RGB 255 30 210

HSL 312, 1%, 0.56%

LAB 58.83, 89.88, -37.95

 

Complementary color

CMYK 100 / 0 / 80 / 12

HEX #00E12D

RGB 0 225 45

HSL 132, 1%, 0.44%

LAB 78.48, -76.97, 68.45

 

CMYK 0 / 88 / 20 / 0

HEX #FF1ECD

RGB 255 30 205

HSL 313.33, 1%, 0.56%

LAB 58.6, 89.28, -35.45

 

CMYK 0 / 81 / 12 / 0

HEX #FF30E0

RGB 255 48 224

HSL 308.99, 1%, 0.59%

LAB 60.57, 88.52, -43.14

 

CMYK 0 / 74 / 5 / 0

HEX #FF42F3

RGB 255 66 243

HSL 303.81, 1%, 0.63%

LAB 63.03, 86.74, -49.87

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 88 / 18 / 0

HEX #FF1ED2

RGB 255 30 210

HSL 312, 1%, 0.56%

LAB 58.83, 89.88, -37.95

 

CMYK 0 / 95 / 20 / 7

HEX #EE0CBF

RGB 238 12 191

HSL 312.48, 0.9%, 0.49%

LAB 54.24, 86.35, -34.44

 

CMYK 0 / 100 / 22 / 13

HEX #DD00AC

RGB 221 0 172

HSL 313.3, 1%, 0.43%

LAB 49.92, 81.82, -30.31

 

CMYK 0 / 100 / 25 / 20

HEX #CC0099

RGB 204 0 153

HSL 315, 1%, 0.4%

LAB 45.82, 76.41, -25.61

 

CMYK 0 / 100 / 28 / 27

HEX #BB0086

RGB 187 0 134

HSL 317.01, 1%, 0.37%

LAB 41.67, 70.92, -20.74

 

CMYK 0 / 88 / 18 / 0

HEX #FF1FD2

RGB 255 31 210

HSL 312.05, 1%, 0.56%

LAB 58.88, 89.74, -37.87

 

CMYK 0 / 88 / 41 / 0

HEX #FF1F96

RGB 255 31 150

HSL 328.13, 1%, 0.56%

LAB 56.53, 83.43, -6.64

 

CMYK 0 / 88 / 65 / 0

HEX #FF1F59

RGB 255 31 89

HSL 344.46, 1%, 0.56%

LAB 55.03, 79.24, 27.69

 

CMYK 0 / 88 / 88 / 0

HEX #FF1F1F

RGB 255 31 31

HSL 0, 1%, 0.56%

LAB 54.38, 77.39, 58.4

 

CMYK 0 / 88 / 18 / 0

HEX #FF1FD2

RGB 255 31 210

HSL 312.05, 1%, 0.56%

LAB 58.88, 89.74, -37.87

 

CMYK 6 / 88 / 0 / 0

HEX #EF1FFF

RGB 239 31 255

HSL 295.71, 1%, 0.56%

LAB 58.56, 93.1, -63.82

 

CMYK 30 / 88 / 0 / 0

HEX #B31FFF

RGB 179 31 255

HSL 279.64, 1%, 0.56%

LAB 49.23, 84.34, -79.36

 

CMYK 54 / 88 / 0 / 0

HEX #761FFF

RGB 118 31 255

HSL 263.3, 1%, 0.56%

LAB 41.3, 77.65, -92.7

 

CMYK 77 / 88 / 0 / 0

HEX #3A1FFF

RGB 58 31 255

HSL 247.23, 1%, 0.56%

LAB 36.18, 73.91, -101.35

 

CMYK 0 / 88 / 18 / 0

HEX #FF1FD2

RGB 255 31 210

HSL 312.05, 1%, 0.56%

LAB 58.88, 89.74, -37.87

 

CMYK 0 / 88 / 18 / 0

HEX #FF1FD2

RGB 255 31 210

HSL 312.05, 1%, 0.56%

LAB 58.88, 89.74, -37.87

 

CMYK 0 / 79 / 16 / 7

HEX #ED31C7

RGB 237 49 199

HSL 312.13, 0.84%, 0.56%

LAB 56.41, 81.39, -35.67

 

CMYK 0 / 69 / 14 / 14

HEX #DB43BC

RGB 219 67 188

HSL 312.24, 0.68%, 0.56%

LAB 54.77, 70.59, -32.12

 

CMYK 0 / 58 / 12 / 21

HEX #C955B1

RGB 201 85 177

HSL 312.41, 0.52%, 0.56%

LAB 54.12, 57.06, -26.96

 

CMYK 0 / 43 / 8 / 29

HEX #B667A7

RGB 182 103 167

HSL 311.39, 0.35%, 0.56%

LAB 54.49, 40.79, -20.81

 

CMYK 29 / 88 / 0 / 0

HEX #B41FFF

RGB 180 31 255

HSL 279.91, 1%, 0.56%

LAB 49.38, 84.47, -79.12

 

CMYK 6 / 88 / 0 / 0

HEX #F01FFF

RGB 240 31 255

HSL 295.98, 1%, 0.56%

LAB 58.72, 93.26, -63.55

 

CMYK 0 / 88 / 18 / 0

HEX #FF1FD2

RGB 255 31 210

HSL 312.05, 1%, 0.56%

LAB 58.88, 89.74, -37.87

 

CMYK 0 / 88 / 41 / 0

HEX #FF1F96

RGB 255 31 150

HSL 328.13, 1%, 0.56%

LAB 56.53, 83.43, -6.64

 

CMYK 0 / 88 / 65 / 0

HEX #FF1F5A

RGB 255 31 90

HSL 344.2, 1%, 0.56%

LAB 55.05, 79.29, 27.12

 

CMYK 0 / 100 / 20 / 20

HEX #CB00A2

RGB 203 0 162

HSL 312.12, 1%, 0.4%

LAB 46.05, 77.27, -30.66

 

CMYK 0 / 100 / 20 / 4

HEX #F400C3

RGB 244 0 195

HSL 312.05, 1%, 0.48%

LAB 55.25, 88.72, -35.09

 

CMYK 0 / 88 / 18 / 0

HEX #FF1FD2

RGB 255 31 210

HSL 312.05, 1%, 0.56%

LAB 58.88, 89.74, -37.87

 

CMYK 0 / 72 / 15 / 0

HEX #FF48DA

RGB 255 72 218

HSL 312.13, 1%, 0.64%

LAB 62.47, 81.46, -36.78

 

CMYK 0 / 56 / 11 / 0

HEX #FF71E3

RGB 255 113 227

HSL 311.83, 1%, 0.72%

LAB 68.47, 67.21, -32.48

 

CMYK 0 / 88 / 18 / 0

HEX #FF1ED2

RGB 255 30 210

HSL 312, 1%, 0.56%

LAB 58.83, 89.88, -37.95

 

CMYK 0 / 53 / 88 / 0

HEX #FF781F

RGB 255 120 31

HSL 23.84, 1%, 0.56%

LAB 65.59, 47.07, 66.86

 

CMYK 88 / 0 / 18 / 0

HEX #1FFFD2

RGB 31 255 210

HSL 167.95, 1%, 0.56%

LAB 90.07, -59.16, 7.68

 

CMYK 0 / 88 / 18 / 0

HEX #FF1ED2

RGB 255 30 210

HSL 312, 1%, 0.56%

LAB 58.83, 89.88, -37.95

 

CMYK 18 / 0 / 88 / 0

HEX #D2FF1F

RGB 210 255 31

HSL 72.05, 1%, 0.56%

LAB 94.02, -39.24, 87.64

 

CMYK 88 / 18 / 0 / 0

HEX #1FD2FF

RGB 31 210 255

HSL 192.05, 1%, 0.56%

LAB 78.23, -26.35, -33.71

 

CMYK 0 / 88 / 18 / 0

HEX #FF1ED2

RGB 255 30 210

HSL 312, 1%, 0.56%

LAB 58.83, 89.88, -37.95

 

CMYK 0 / 53 / 88 / 0

HEX #FF781F

RGB 255 120 31

HSL 23.84, 1%, 0.56%

LAB 65.59, 47.07, 66.86

 

CMYK 88 / 0 / 71 / 0

HEX #1FFF4B

RGB 31 255 75

HSL 131.79, 1%, 0.56%

LAB 88.12, -81.77, 68.48

 

CMYK 88 / 35 / 0 / 0

HEX #1FA5FF

RGB 31 165 255

HSL 204.11, 1%, 0.56%

LAB 65.3, -2.32, -53.96

 

CMYK 0 / 88 / 18 / 0

HEX #FF1ED2

RGB 255 30 210

HSL 312, 1%, 0.56%

LAB 58.83, 89.88, -37.95

 

CMYK 0 / 26 / 88 / 0

HEX #FFBC1F

RGB 255 188 31

HSL 42.05, 1%, 0.56%

LAB 80.36, 12.3, 78.29

 

CMYK 88 / 0 / 71 / 0

HEX #1FFF4B

RGB 31 255 75

HSL 131.79, 1%, 0.56%

LAB 88.12, -81.77, 68.48

 

CMYK 88 / 62 / 0 / 0

HEX #1F62FF

RGB 31 98 255

HSL 222.05, 1%, 0.56%

LAB 47.3, 38.67, -83

 

Description

Color code: HEX #FF1ED2 | qconv.com Color code: HEX #FF1ED2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 30 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 30 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 18 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 18% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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