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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF1566 it is the complementary color #00EA99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF1566. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FF1566: #FF1561, #FF2774, #FF3987, #FF4B9A and #FF5DAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF1566. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FF1566: #FF1566, #EE0353, #DD0040, #CC002D and #BB001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 60 / 0

HEX #FF1566

RGB 255 21 102

HSL 339.23, 1%, 0.54%

LAB 54.82, 81.26, 19.62

 

Complementary color

CMYK 100 / 0 / 35 / 8

HEX #00EA99

RGB 0 234 153

HSL 159.23, 1%, 0.46%

LAB 82.46, -65.41, 26.41

 

CMYK 0 / 92 / 62 / 0

HEX #FF1561

RGB 255 21 97

HSL 340.51, 1%, 0.54%

LAB 54.72, 80.98, 22.49

 

CMYK 0 / 85 / 55 / 0

HEX #FF2774

RGB 255 39 116

HSL 338.61, 1%, 0.58%

LAB 56.06, 79.44, 12.93

 

CMYK 0 / 78 / 47 / 0

HEX #FF3987

RGB 255 57 135

HSL 336.36, 1%, 0.61%

LAB 57.98, 76.74, 4.35

 

CMYK 0 / 71 / 40 / 0

HEX #FF4B9A

RGB 255 75 154

HSL 333.67, 1%, 0.65%

LAB 60.45, 72.99, -3.19

 

CMYK 0 / 64 / 32 / 0

HEX #FF5DAD

RGB 255 93 173

HSL 330.37, 1%, 0.68%

LAB 63.43, 68.39, -9.73

 

CMYK 0 / 92 / 60 / 0

HEX #FF1566

RGB 255 21 102

HSL 339.23, 1%, 0.54%

LAB 54.82, 81.26, 19.62

 

CMYK 0 / 99 / 65 / 7

HEX #EE0353

RGB 238 3 83

HSL 339.57, 0.98%, 0.47%

LAB 50.53, 77.83, 24.83

 

CMYK 0 / 100 / 71 / 13

HEX #DD0040

RGB 221 0 64

HSL 342.62, 1%, 0.43%

LAB 46.63, 73.25, 30.76

 

CMYK 0 / 100 / 78 / 20

HEX #CC002D

RGB 204 0 45

HSL 346.76, 1%, 0.4%

LAB 42.8, 68.49, 36.84

 

CMYK 0 / 100 / 86 / 27

HEX #BB001A

RGB 187 0 26

HSL 351.66, 1%, 0.37%

LAB 38.97, 63.8, 42.52

 

CMYK 0 / 92 / 60 / 0

HEX #FF1566

RGB 255 21 102

HSL 339.23, 1%, 0.54%

LAB 54.82, 81.26, 19.62

 

CMYK 0 / 92 / 75 / 0

HEX #FF143F

RGB 255 20 63

HSL 349.02, 1%, 0.54%

LAB 54.15, 79.62, 41.85

 

CMYK 0 / 92 / 91 / 0

HEX #FF1418

RGB 255 20 24

HSL 358.98, 1%, 0.54%

LAB 53.84, 78.75, 60.82

 

CMYK 0 / 78 / 92 / 0

HEX #FF3714

RGB 255 55 20

HSL 8.94, 1%, 0.54%

LAB 56.13, 72.13, 63.62

 

CMYK 0 / 63 / 92 / 0

HEX #FF5E14

RGB 255 94 20

HSL 18.89, 1%, 0.54%

LAB 61.06, 58.61, 66.77

 

CMYK 0 / 92 / 60 / 0

HEX #FF1566

RGB 255 21 102

HSL 339.23, 1%, 0.54%

LAB 54.82, 81.26, 19.62

 

CMYK 0 / 92 / 61 / 80

HEX #330414

RGB 51 4 20

HSL 339.57, 0.85%, 0.11%

LAB 7.6, 24.67, 2.47

 

CMYK 0 / 92 / 60 / 60

HEX #660829

RGB 102 8 41

HSL 338.94, 0.85%, 0.22%

LAB 20.67, 40.66, 7.2

 

CMYK 0 / 92 / 60 / 40

HEX #990D3D

RGB 153 13 61

HSL 339.43, 0.84%, 0.33%

LAB 32.69, 54.94, 11.87

 

CMYK 0 / 92 / 60 / 20

HEX #CC1152

RGB 204 17 82

HSL 339.14, 0.85%, 0.43%

LAB 44.01, 68.48, 15.54

 

CMYK 0 / 92 / 60 / 0

HEX #FF1566

RGB 255 21 102

HSL 339.23, 1%, 0.54%

LAB 54.82, 81.26, 19.62

 

CMYK 0 / 14 / 92 / 0

HEX #FFDB14

RGB 255 219 20

HSL 50.81, 1%, 0.54%

LAB 87.96, -3.77, 85.98

 

CMYK 92 / 23 / 0 / 0

HEX #14C4FF

RGB 20 196 255

HSL 195.06, 1%, 0.54%

LAB 74.09, -19.74, -40.13

 

CMYK 0 / 92 / 60 / 0

HEX #FF1566

RGB 255 21 102

HSL 339.23, 1%, 0.54%

LAB 54.82, 81.26, 19.62

 

CMYK 60 / 0 / 92 / 0

HEX #66FF14

RGB 102 255 20

HSL 99.06, 1%, 0.54%

LAB 89.11, -74.14, 83.14

 

CMYK 92 / 60 / 0 / 0

HEX #1466FF

RGB 20 102 255

HSL 219.06, 1%, 0.54%

LAB 48.1, 35.7, -81.7

 

CMYK 0 / 92 / 60 / 0

HEX #FF1566

RGB 255 21 102

HSL 339.23, 1%, 0.54%

LAB 54.82, 81.26, 19.62

 

CMYK 0 / 14 / 92 / 0

HEX #FFDB14

RGB 255 219 20

HSL 50.81, 1%, 0.54%

LAB 87.96, -3.77, 85.98

 

CMYK 92 / 0 / 33 / 0

HEX #14FFAC

RGB 20 255 172

HSL 158.81, 1%, 0.54%

LAB 89.23, -68.26, 25.96

 

CMYK 92 / 78 / 0 / 0

HEX #1437FF

RGB 20 55 255

HSL 231.06, 1%, 0.54%

LAB 38.02, 63.07, -98.31

 

CMYK 0 / 92 / 60 / 0

HEX #FF1566

RGB 255 21 102

HSL 339.23, 1%, 0.54%

LAB 54.82, 81.26, 19.62

 

CMYK 14 / 0 / 92 / 0

HEX #DBFF14

RGB 219 255 20

HSL 69.19, 1%, 0.54%

LAB 94.58, -35.9, 89.83

 

CMYK 92 / 0 / 33 / 0

HEX #14FFAC

RGB 20 255 172

HSL 158.81, 1%, 0.54%

LAB 89.23, -68.26, 25.96

 

CMYK 78 / 92 / 0 / 0

HEX #3714FF

RGB 55 20 255

HSL 248.94, 1%, 0.54%

LAB 35.07, 76.66, -103.2

 

Description

Color code: HEX #FF1566 | qconv.com Color code: HEX #FF1566 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 21 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 21 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 60 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 60% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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