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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF1493 it is the complementary color #00EB6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF1493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF1493 shade: #FF148E, #FF26A1, #FF38B4, #FF4AC7 and #FF5CDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF1493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF1493 shade: #FF1493, #EE0280, #DD006D, #CC005A and #BB0047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF1493 shade: #FF1493, #FF1453, #FF1414 and #FF1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF1493 shade: #FF1493, #FF14D2, #EC14FF, #AD14FF and #6D14FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF1493 shade matches the following richer shades: #FF1493

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF1493 shade: #FF1493, #EC2791, #D93A90, #C64D8E and #B3608D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF1493 shade: #EB14FF, #FF14D3, #FF1495, #FF1456 and #FF1418

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF1493 shade: #C00068, #EA007E, #FF1493, #FF3DA6 and #FF66B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF1493 shade: #FF1493, #FFAC14 and #14F3FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF1493 shade: #FF1493, #95FF14 and #1495FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF1493 shade: #FF1493, #FFAC14, #14FF7D and #1466FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF1493 shade: #FF1493, #FFF314, #14FF7D and #1420FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

Complementary color

CMYK 100 / 0 / 54 / 8

HEX #00EB6C

RGB 0 235 108

HSL 147.57, 1%, 0.46%

LAB 82.11, -73.55, 48.08

 

CMYK 0 / 92 / 44 / 0

HEX #FF148E

RGB 255 20 142

HSL 328.85, 1%, 0.54%

LAB 55.8, 84.14, -2.97

 

CMYK 0 / 85 / 37 / 0

HEX #FF26A1

RGB 255 38 161

HSL 325.99, 1%, 0.57%

LAB 57.29, 83.28, -11.98

 

CMYK 0 / 78 / 29 / 0

HEX #FF38B4

RGB 255 56 180

HSL 322.61, 1%, 0.61%

LAB 59.33, 81.33, -19.96

 

CMYK 0 / 71 / 22 / 0

HEX #FF4AC7

RGB 255 74 199

HSL 318.56, 1%, 0.65%

LAB 61.9, 78.35, -26.92

 

CMYK 0 / 64 / 15 / 0

HEX #FF5CDA

RGB 255 92 218

HSL 313.62, 1%, 0.68%

LAB 64.94, 74.52, -32.93

 

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

CMYK 0 / 99 / 46 / 7

HEX #EE0280

RGB 238 2 128

HSL 327.97, 0.98%, 0.47%

LAB 51.59, 80.79, -1.14

 

CMYK 0 / 100 / 51 / 13

HEX #DD006D

RGB 221 0 109

HSL 330.41, 1%, 0.43%

LAB 47.59, 75.81, 4.26

 

CMYK 0 / 100 / 56 / 20

HEX #CC005A

RGB 204 0 90

HSL 333.53, 1%, 0.4%

LAB 43.62, 70.68, 9.97

 

CMYK 0 / 100 / 62 / 27

HEX #BB0047

RGB 187 0 71

HSL 337.22, 1%, 0.37%

LAB 39.61, 65.55, 15.96

 

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

CMYK 0 / 92 / 67 / 0

HEX #FF1453

RGB 255 20 83

HSL 343.91, 1%, 0.54%

LAB 54.43, 80.4, 30.5

 

CMYK 0 / 92 / 92 / 0

HEX #FF1414

RGB 255 20 20

HSL 0, 1%, 0.54%

LAB 53.83, 78.7, 62.22

 

CMYK 0 / 92 / 92 / 0

HEX #FF1414

RGB 255 20 20

HSL 0, 1%, 0.54%

LAB 53.83, 78.7, 62.22

 

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

CMYK 0 / 92 / 18 / 0

HEX #FF14D2

RGB 255 20 210

HSL 311.49, 1%, 0.54%

LAB 58.43, 91.05, -38.57

 

CMYK 7 / 92 / 0 / 0

HEX #EC14FF

RGB 236 20 255

HSL 295.15, 1%, 0.54%

LAB 57.61, 93.98, -65.36

 

CMYK 32 / 92 / 0 / 0

HEX #AD14FF

RGB 173 20 255

HSL 279.06, 1%, 0.54%

LAB 47.76, 85.38, -81.81

 

CMYK 57 / 92 / 0 / 0

HEX #6D14FF

RGB 109 20 255

HSL 262.72, 1%, 0.54%

LAB 39.53, 79.31, -95.65

 

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 0 / 73 / 34 / 15

HEX #D93A90

RGB 217 58 144

HSL 327.55, 0.68%, 0.54%

LAB 51.6, 67.55, -11.16

 

CMYK 0 / 61 / 28 / 22

HEX #C64D8E

RGB 198 77 142

HSL 327.77, 0.51%, 0.54%

LAB 51, 54.74, -11.19

 

CMYK 0 / 46 / 21 / 30

HEX #B3608D

RGB 179 96 141

HSL 327.47, 0.35%, 0.54%

LAB 51.69, 39.25, -9.83

 

CMYK 8 / 92 / 0 / 0

HEX #EB14FF

RGB 235 20 255

HSL 294.89, 1%, 0.54%

LAB 57.45, 93.83, -65.64

 

CMYK 0 / 92 / 17 / 0

HEX #FF14D3

RGB 255 20 211

HSL 311.23, 1%, 0.54%

LAB 58.47, 91.17, -39.07

 

CMYK 0 / 92 / 42 / 0

HEX #FF1495

RGB 255 20 149

HSL 327.06, 1%, 0.54%

LAB 56.02, 84.73, -6.81

 

CMYK 0 / 92 / 66 / 0

HEX #FF1456

RGB 255 20 86

HSL 343.15, 1%, 0.54%

LAB 54.48, 80.54, 28.77

 

CMYK 0 / 92 / 91 / 0

HEX #FF1418

RGB 255 20 24

HSL 358.98, 1%, 0.54%

LAB 53.84, 78.75, 60.82

 

CMYK 0 / 100 / 46 / 25

HEX #C00068

RGB 192 0 104

HSL 327.5, 1%, 0.38%

LAB 41.54, 69.04, -2.16

 

CMYK 0 / 100 / 46 / 8

HEX #EA007E

RGB 234 0 126

HSL 327.69, 1%, 0.46%

LAB 50.69, 79.92, -1.34

 

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

CMYK 0 / 76 / 35 / 0

HEX #FF3DA6

RGB 255 61 166

HSL 327.53, 1%, 0.62%

LAB 59.3, 78.51, -11.89

 

CMYK 0 / 60 / 27 / 0

HEX #FF66B9

RGB 255 102 185

HSL 327.45, 1%, 0.7%

LAB 65.17, 66.14, -13.96

 

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

CMYK 0 / 33 / 92 / 0

HEX #FFAC14

RGB 255 172 20

HSL 38.81, 1%, 0.54%

LAB 76.57, 20.47, 77.57

 

CMYK 92 / 5 / 0 / 0

HEX #14F3FF

RGB 20 243 255

HSL 183.06, 1%, 0.54%

LAB 87.71, -42.37, -19.25

 

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

CMYK 42 / 0 / 92 / 0

HEX #95FF14

RGB 149 255 20

HSL 87.06, 1%, 0.54%

LAB 90.76, -61.23, 85.17

 

CMYK 92 / 42 / 0 / 0

HEX #1495FF

RGB 20 149 255

HSL 207.06, 1%, 0.54%

LAB 60.66, 6.5, -61.35

 

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

CMYK 0 / 33 / 92 / 0

HEX #FFAC14

RGB 255 172 20

HSL 38.81, 1%, 0.54%

LAB 76.57, 20.47, 77.57

 

CMYK 92 / 0 / 51 / 0

HEX #14FF7D

RGB 20 255 125

HSL 146.81, 1%, 0.54%

LAB 88.52, -76.6, 48.03

 

CMYK 92 / 60 / 0 / 0

HEX #1466FF

RGB 20 102 255

HSL 219.06, 1%, 0.54%

LAB 48.1, 35.7, -81.7

 

CMYK 0 / 92 / 42 / 0

HEX #FF1493

RGB 255 20 147

HSL 327.57, 1%, 0.54%

LAB 55.95, 84.56, -5.71

 

CMYK 0 / 5 / 92 / 0

HEX #FFF314

RGB 255 243 20

HSL 56.94, 1%, 0.54%

LAB 94.06, -15.63, 90.58

 

CMYK 92 / 0 / 51 / 0

HEX #14FF7D

RGB 20 255 125

HSL 146.81, 1%, 0.54%

LAB 88.52, -76.6, 48.03

 

CMYK 92 / 87 / 0 / 0

HEX #1420FF

RGB 20 32 255

HSL 236.94, 1%, 0.54%

LAB 34.81, 72.62, -103.67

 

Description

Color code: HEX #FF1493 | qconv.com Color code: HEX #FF1493 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as DeepPink1.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 20 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 20 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 42% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

55% - 【楽天市場】天然石・パワーストーン・雑貨...
Link: http://www.rakuten.co.jp

49% - Testing Platform — J...
Link: http://loiltyrewards.com

80% - The Useless Web
Link: http://www.theuselessweb.com

98% - サイト“EROエロNAVI”の始まりは…
Link: http://www.eroeronavi.com

67% - 解剖生理学を分かりやすく学ぶ:心理学、ヒ...
Link: http://kaibouseirigaku.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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