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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF03A4 it is the complementary color #00FC5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF03A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF03A4 shade: #FF039F, #FF15B2, #FF27C5, #FF39D8 and #FF4BEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF03A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF03A4 shade: #FF03A4, #EE0091, #DD007E, #CC006B and #BB0058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF03A4 shade: #FF05A5, #FF0561, #FF051E and #FF0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF03A4 shade: #FF05A5, #FF05E8, #D205FF, #8F05FF and #4C05FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF03A4 shade matches the following richer shades: #FF05A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF03A4 shade: #FF05A5, #EB199F, #D72E9A, #C24294 and #AE568E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF03A4 shade: #D105FF, #FF05EA, #FF05A8, #FF0565 and #FF0522

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF03A4 shade: #B20071, #DB008C, #FF05A5, #FF2EB4 and #FF58C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF03A4 shade: #FF03A4, #FF8F05 and #05FFF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF03A4 shade: #FF03A4, #A8FF05 and #05A8FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF03A4 shade: #FF03A4, #FF8F05, #05FF5D and #0576FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF03A4 shade: #FF03A4, #FFDA05, #05FF5D and #052BFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 36 / 0

HEX #FF03A4

RGB 255 3 164

HSL 321.67, 1%, 0.51%

LAB 56.09, 87.35, -15.55

 

Complementary color

CMYK 100 / 0 / 64 / 1

HEX #00FC5B

RGB 0 252 91

HSL 141.67, 1%, 0.49%

LAB 87.18, -80.66, 61.35

 

CMYK 0 / 99 / 38 / 0

HEX #FF039F

RGB 255 3 159

HSL 322.86, 1%, 0.51%

LAB 55.92, 86.89, -12.87

 

CMYK 0 / 92 / 30 / 0

HEX #FF15B2

RGB 255 21 178

HSL 319.74, 1%, 0.54%

LAB 57.09, 87.37, -22.23

 

CMYK 0 / 85 / 23 / 0

HEX #FF27C5

RGB 255 39 197

HSL 316.11, 1%, 0.58%

LAB 58.73, 86.92, -30.66

 

CMYK 0 / 78 / 15 / 0

HEX #FF39D8

RGB 255 57 216

HSL 311.82, 1%, 0.61%

LAB 60.91, 85.4, -38.09

 

CMYK 0 / 71 / 8 / 0

HEX #FF4BEB

RGB 255 75 235

HSL 306.67, 1%, 0.65%

LAB 63.58, 82.9, -44.55

 

CMYK 0 / 99 / 36 / 0

HEX #FF03A4

RGB 255 3 164

HSL 321.67, 1%, 0.51%

LAB 56.09, 87.35, -15.55

 

CMYK 0 / 100 / 39 / 7

HEX #EE0091

RGB 238 0 145

HSL 323.45, 1%, 0.47%

LAB 52.09, 82.37, -10.64

 

CMYK 0 / 100 / 43 / 13

HEX #DD007E

RGB 221 0 126

HSL 325.79, 1%, 0.43%

LAB 48.11, 77.16, -5.44

 

CMYK 0 / 100 / 48 / 20

HEX #CC006B

RGB 204 0 107

HSL 328.53, 1%, 0.4%

LAB 44.09, 71.93, -0.02

 

CMYK 0 / 100 / 53 / 27

HEX #BB0058

RGB 187 0 88

HSL 331.76, 1%, 0.37%

LAB 40.03, 66.67, 5.67

 

CMYK 0 / 98 / 35 / 0

HEX #FF05A5

RGB 255 5 165

HSL 321.6, 1%, 0.51%

LAB 56.17, 87.32, -16.02

 

CMYK 0 / 98 / 62 / 0

HEX #FF0561

RGB 255 5 97

HSL 337.92, 1%, 0.51%

LAB 54.27, 82.28, 21.9

 

CMYK 0 / 98 / 88 / 0

HEX #FF051E

RGB 255 5 30

HSL 354, 1%, 0.51%

LAB 53.45, 80.05, 58.14

 

CMYK 0 / 98 / 98 / 0

HEX #FF0505

RGB 255 5 5

HSL 0, 1%, 0.51%

LAB 53.36, 79.8, 66.02

 

CMYK 0 / 98 / 35 / 0

HEX #FF05A5

RGB 255 5 165

HSL 321.6, 1%, 0.51%

LAB 56.17, 87.32, -16.02

 

CMYK 0 / 98 / 9 / 0

HEX #FF05E8

RGB 255 5 232

HSL 305.52, 1%, 0.51%

LAB 59.15, 94.88, -49.87

 

CMYK 18 / 98 / 0 / 0

HEX #D205FF

RGB 210 5 255

HSL 289.2, 1%, 0.51%

LAB 52.98, 91.44, -73.05

 

CMYK 44 / 98 / 0 / 0

HEX #8F05FF

RGB 143 5 255

HSL 273.12, 1%, 0.51%

LAB 43.02, 83.89, -89.76

 

CMYK 70 / 98 / 0 / 0

HEX #4C05FF

RGB 76 5 255

HSL 257.04, 1%, 0.51%

LAB 35.72, 79.73, -102.07

 

CMYK 0 / 98 / 35 / 0

HEX #FF05A5

RGB 255 5 165

HSL 321.6, 1%, 0.51%

LAB 56.17, 87.32, -16.02

 

CMYK 0 / 98 / 35 / 0

HEX #FF05A5

RGB 255 5 165

HSL 321.6, 1%, 0.51%

LAB 56.17, 87.32, -16.02

 

CMYK 0 / 89 / 32 / 8

HEX #EB199F

RGB 235 25 159

HSL 321.71, 0.84%, 0.51%

LAB 52.8, 80.84, -17.96

 

CMYK 0 / 79 / 28 / 16

HEX #D72E9A

RGB 215 46 154

HSL 321.66, 0.68%, 0.51%

LAB 50.37, 71.72, -19.02

 

CMYK 0 / 66 / 24 / 24

HEX #C24294

RGB 194 66 148

HSL 321.56, 0.51%, 0.51%

LAB 48.89, 59, -18.03

 

CMYK 0 / 51 / 18 / 32

HEX #AE568E

RGB 174 86 142

HSL 321.82, 0.35%, 0.51%

LAB 49.02, 42.94, -14.53

 

CMYK 18 / 98 / 0 / 0

HEX #D105FF

RGB 209 5 255

HSL 288.96, 1%, 0.51%

LAB 52.82, 91.31, -73.32

 

CMYK 0 / 98 / 8 / 0

HEX #FF05EA

RGB 255 5 234

HSL 305.04, 1%, 0.51%

LAB 59.26, 95.14, -50.83

 

CMYK 0 / 98 / 34 / 0

HEX #FF05A8

RGB 255 5 168

HSL 320.88, 1%, 0.51%

LAB 56.28, 87.61, -17.61

 

CMYK 0 / 98 / 60 / 0

HEX #FF0565

RGB 255 5 101

HSL 336.96, 1%, 0.51%

LAB 54.35, 82.5, 19.59

 

CMYK 0 / 98 / 87 / 0

HEX #FF0522

RGB 255 5 34

HSL 353.04, 1%, 0.51%

LAB 53.48, 80.11, 56.38

 

CMYK 0 / 100 / 37 / 30

HEX #B20071

RGB 178 0 113

HSL 321.91, 1%, 0.35%

LAB 39, 66.84, -11.92

 

CMYK 0 / 100 / 36 / 14

HEX #DB008C

RGB 219 0 140

HSL 321.64, 1%, 0.43%

LAB 48.2, 78.02, -13.85

 

CMYK 0 / 98 / 35 / 0

HEX #FF05A5

RGB 255 5 165

HSL 321.6, 1%, 0.51%

LAB 56.17, 87.32, -16.02

 

CMYK 0 / 82 / 29 / 0

HEX #FF2EB4

RGB 255 46 180

HSL 321.53, 1%, 0.59%

LAB 58.52, 83.65, -21.2

 

CMYK 0 / 65 / 24 / 0

HEX #FF58C3

RGB 255 88 195

HSL 321.56, 1%, 0.67%

LAB 63.49, 72.96, -22.19

 

CMYK 0 / 99 / 36 / 0

HEX #FF03A4

RGB 255 3 164

HSL 321.67, 1%, 0.51%

LAB 56.09, 87.35, -15.55

 

CMYK 0 / 44 / 98 / 0

HEX #FF8F05

RGB 255 143 5

HSL 33.12, 1%, 0.51%

LAB 70.12, 35.35, 75.23

 

CMYK 98 / 0 / 5 / 0

HEX #05FFF3

RGB 5 255 243

HSL 177.12, 1%, 0.51%

LAB 90.79, -51.36, -8.4

 

CMYK 0 / 99 / 36 / 0

HEX #FF03A4

RGB 255 3 164

HSL 321.67, 1%, 0.51%

LAB 56.09, 87.35, -15.55

 

CMYK 34 / 0 / 98 / 0

HEX #A8FF05

RGB 168 255 5

HSL 80.88, 1%, 0.51%

LAB 91.62, -55.11, 87.53

 

CMYK 98 / 34 / 0 / 0

HEX #05A8FF

RGB 5 168 255

HSL 200.88, 1%, 0.51%

LAB 65.95, -4.97, -52.93

 

CMYK 0 / 99 / 36 / 0

HEX #FF03A4

RGB 255 3 164

HSL 321.67, 1%, 0.51%

LAB 56.09, 87.35, -15.55

 

CMYK 0 / 44 / 98 / 0

HEX #FF8F05

RGB 255 143 5

HSL 33.12, 1%, 0.51%

LAB 70.12, 35.35, 75.23

 

CMYK 98 / 0 / 64 / 0

HEX #05FF5D

RGB 5 255 93

HSL 141.12, 1%, 0.51%

LAB 88.13, -81.16, 61.6

 

CMYK 98 / 54 / 0 / 0

HEX #0576FF

RGB 5 118 255

HSL 212.88, 1%, 0.51%

LAB 52.07, 25.19, -75.22

 

CMYK 0 / 99 / 36 / 0

HEX #FF03A4

RGB 255 3 164

HSL 321.67, 1%, 0.51%

LAB 56.09, 87.35, -15.55

 

CMYK 0 / 15 / 98 / 0

HEX #FFDA05

RGB 255 218 5

HSL 51.12, 1%, 0.51%

LAB 87.69, -3.4, 87.25

 

CMYK 98 / 0 / 64 / 0

HEX #05FF5D

RGB 5 255 93

HSL 141.12, 1%, 0.51%

LAB 88.13, -81.16, 61.6

 

CMYK 98 / 83 / 0 / 0

HEX #052BFF

RGB 5 43 255

HSL 230.88, 1%, 0.51%

LAB 35.95, 68.33, -101.78

 

Description

Color code: HEX #FF03A4 | qconv.com Color code: HEX #FF03A4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 3 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 3 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 36 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 36% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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