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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEFE05 it is the complementary color #0101FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEFE05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEFE05 shade: #FFFE00, #FFFF13, #FFFF26, #FFFF39 and #FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEFE05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEFE05 shade: #FEFE05, #EDEC00, #DCDA00, #CBC800 and #BAB600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEFE05 shade: #FDFD06, #FDBB06, #FD7806, #FD3506 and #FD0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEFE05 shade: #FDFD06, #BBFD06, #78FD06, #35FD06 and #06FD19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEFE05 shade matches the following richer shades: #FDFD06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEFE05 shade: #FDFD06, #E9E91A, #D5D52E, #C1C143 and #ACAC57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEFE05 shade: #FD7906, #FDBB06, #FDFD06, #BBFD06 and #79FD06

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEFE05 shade: #B0B000, #D9D901, #FDFD06, #FDFD2F and #FEFE58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEFE05 shade: #FEFE05, #06FD37 and #9A06FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEFE05 shade: #FEFE05, #06FDFD and #FD06FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEFE05 shade: #FEFE05, #06FD37, #0606FD and #FD06CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEFE05 shade: #FEFE05, #06FD82, #0606FD and #FD0682

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 98 / 0

HEX #FEFE05

RGB 254 254 5

HSL 60, 0.99%, 0.51%

LAB 96.81, -21.46, 93.86

 

Complementary color

CMYK 100 / 100 / 0 / 2

HEX #0101FA

RGB 1 1 250

HSL 240, 0.99%, 0.49%

LAB 31.65, 77.87, -106.15

 

CMYK 0 / 0 / 100 / 0

HEX #FFFE00

RGB 255 254 0

HSL 59.76, 1%, 0.5%

LAB 96.88, -21.08, 94.29

 

CMYK 0 / 0 / 93 / 0

HEX #FFFF13

RGB 255 255 19

HSL 60, 1%, 0.54%

LAB 97.16, -21.4, 93.04

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF26

RGB 255 255 38

HSL 60, 1%, 0.57%

LAB 97.2, -21.1, 90.31

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF39

RGB 255 255 57

HSL 60, 1%, 0.61%

LAB 97.26, -20.59, 86.04

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 98 / 0

HEX #FEFE05

RGB 254 254 5

HSL 60, 0.99%, 0.51%

LAB 96.81, -21.46, 93.86

 

CMYK 0 / 0 / 100 / 7

HEX #EDEC00

RGB 237 236 0

HSL 59.75, 1%, 0.46%

LAB 90.78, -19.91, 89.2

 

CMYK 0 / 1 / 100 / 14

HEX #DCDA00

RGB 220 218 0

HSL 59.45, 1%, 0.43%

LAB 84.67, -18.3, 84.12

 

CMYK 0 / 1 / 100 / 20

HEX #CBC800

RGB 203 200 0

HSL 59.11, 1%, 0.4%

LAB 78.46, -16.66, 78.97

 

CMYK 0 / 2 / 100 / 27

HEX #BAB600

RGB 186 182 0

HSL 58.71, 1%, 0.36%

LAB 72.16, -14.98, 73.74

 

CMYK 0 / 0 / 98 / 1

HEX #FDFD06

RGB 253 253 6

HSL 60, 0.98%, 0.51%

LAB 96.47, -21.38, 93.51

 

CMYK 0 / 26 / 98 / 1

HEX #FDBB06

RGB 253 187 6

HSL 43.97, 0.98%, 0.51%

LAB 79.86, 11.66, 81.54

 

CMYK 0 / 53 / 98 / 1

HEX #FD7806

RGB 253 120 6

HSL 27.69, 0.98%, 0.51%

LAB 65.22, 46.01, 71.89

 

CMYK 0 / 79 / 98 / 1

HEX #FD3506

RGB 253 53 6

HSL 11.42, 0.98%, 0.51%

LAB 55.52, 71.98, 66.53

 

CMYK 0 / 98 / 98 / 1

HEX #FD0606

RGB 253 6 6

HSL 0, 0.98%, 0.51%

LAB 52.98, 79.26, 65.37

 

CMYK 0 / 0 / 98 / 1

HEX #FDFD06

RGB 253 253 6

HSL 60, 0.98%, 0.51%

LAB 96.47, -21.38, 93.51

 

CMYK 26 / 0 / 98 / 1

HEX #BBFD06

RGB 187 253 6

HSL 76.03, 0.98%, 0.51%

LAB 92.06, -47.46, 88.22

 

CMYK 53 / 0 / 98 / 1

HEX #78FD06

RGB 120 253 6

HSL 92.31, 0.98%, 0.51%

LAB 89.04, -69.22, 84.57

 

CMYK 79 / 0 / 98 / 1

HEX #35FD06

RGB 53 253 6

HSL 108.58, 0.98%, 0.51%

LAB 87.5, -82.25, 82.68

 

CMYK 98 / 0 / 90 / 1

HEX #06FD19

RGB 6 253 25

HSL 124.62, 0.98%, 0.51%

LAB 87.17, -85.05, 80.33

 

CMYK 0 / 0 / 98 / 1

HEX #FDFD06

RGB 253 253 6

HSL 60, 0.98%, 0.51%

LAB 96.47, -21.38, 93.51

 

CMYK 0 / 0 / 98 / 1

HEX #FDFD06

RGB 253 253 6

HSL 60, 0.98%, 0.51%

LAB 96.47, -21.38, 93.51

 

CMYK 0 / 0 / 89 / 9

HEX #E9E91A

RGB 233 233 26

HSL 60, 0.82%, 0.51%

LAB 89.71, -19.85, 85.66

 

CMYK 0 / 0 / 78 / 16

HEX #D5D52E

RGB 213 213 46

HSL 60, 0.67%, 0.51%

LAB 82.88, -17.97, 75.09

 

CMYK 0 / 0 / 65 / 24

HEX #C1C143

RGB 193 193 67

HSL 60, 0.5%, 0.51%

LAB 76, -15.47, 60.84

 

CMYK 0 / 0 / 49 / 33

HEX #ACAC57

RGB 172 172 87

HSL 60, 0.34%, 0.51%

LAB 68.73, -12.06, 43.31

 

CMYK 0 / 52 / 98 / 1

HEX #FD7906

RGB 253 121 6

HSL 27.94, 0.98%, 0.51%

LAB 65.41, 45.53, 72.01

 

CMYK 0 / 26 / 98 / 1

HEX #FDBB06

RGB 253 187 6

HSL 43.97, 0.98%, 0.51%

LAB 79.86, 11.66, 81.54

 

CMYK 0 / 0 / 98 / 1

HEX #FDFD06

RGB 253 253 6

HSL 60, 0.98%, 0.51%

LAB 96.47, -21.38, 93.51

 

CMYK 26 / 0 / 98 / 1

HEX #BBFD06

RGB 187 253 6

HSL 76.03, 0.98%, 0.51%

LAB 92.06, -47.46, 88.22

 

CMYK 52 / 0 / 98 / 1

HEX #79FD06

RGB 121 253 6

HSL 92.06, 0.98%, 0.51%

LAB 89.08, -68.95, 84.62

 

CMYK 0 / 0 / 100 / 31

HEX #B0B000

RGB 176 176 0

HSL 60, 1%, 0.35%

LAB 69.67, -16.32, 71.54

 

CMYK 0 / 0 / 100 / 15

HEX #D9D901

RGB 217 217 1

HSL 60, 0.99%, 0.43%

LAB 84.16, -19.07, 83.56

 

CMYK 0 / 0 / 98 / 1

HEX #FDFD06

RGB 253 253 6

HSL 60, 0.98%, 0.51%

LAB 96.47, -21.38, 93.51

 

CMYK 0 / 0 / 81 / 1

HEX #FDFD2F

RGB 253 253 47

HSL 60, 0.98%, 0.59%

LAB 96.55, -20.75, 87.84

 

CMYK 0 / 0 / 65 / 0

HEX #FEFE58

RGB 254 254 88

HSL 60, 0.99%, 0.67%

LAB 97.09, -19.18, 75.87

 

CMYK 0 / 0 / 98 / 0

HEX #FEFE05

RGB 254 254 5

HSL 60, 0.99%, 0.51%

LAB 96.81, -21.46, 93.86

 

CMYK 98 / 0 / 78 / 1

HEX #06FD37

RGB 6 253 55

HSL 131.9, 0.98%, 0.51%

LAB 87.27, -83.75, 73.98

 

CMYK 39 / 98 / 0 / 1

HEX #9A06FD

RGB 154 6 253

HSL 275.95, 0.98%, 0.51%

LAB 44.36, 84.43, -86.37

 

CMYK 0 / 0 / 98 / 0

HEX #FEFE05

RGB 254 254 5

HSL 60, 0.99%, 0.51%

LAB 96.81, -21.46, 93.86

 

CMYK 98 / 0 / 0 / 1

HEX #06FDFD

RGB 6 253 253

HSL 180, 0.98%, 0.51%

LAB 90.5, -47.68, -14.03

 

CMYK 0 / 98 / 0 / 1

HEX #FD06FD

RGB 253 6 253

HSL 300, 0.98%, 0.51%

LAB 59.98, 97.32, -60.29

 

CMYK 0 / 0 / 98 / 0

HEX #FEFE05

RGB 254 254 5

HSL 60, 0.99%, 0.51%

LAB 96.81, -21.46, 93.86

 

CMYK 98 / 0 / 78 / 1

HEX #06FD37

RGB 6 253 55

HSL 131.9, 0.98%, 0.51%

LAB 87.27, -83.75, 73.98

 

CMYK 98 / 98 / 0 / 1

HEX #0606FD

RGB 6 6 253

HSL 240, 0.98%, 0.51%

LAB 32.39, 77.85, -106.59

 

CMYK 0 / 98 / 19 / 1

HEX #FD06CC

RGB 253 6 204

HSL 311.9, 0.98%, 0.51%

LAB 57.44, 91.01, -36.72

 

CMYK 0 / 0 / 98 / 0

HEX #FEFE05

RGB 254 254 5

HSL 60, 0.99%, 0.51%

LAB 96.81, -21.46, 93.86

 

CMYK 98 / 0 / 49 / 1

HEX #06FD82

RGB 6 253 130

HSL 150.12, 0.98%, 0.51%

LAB 87.92, -75.66, 44.93

 

CMYK 98 / 98 / 0 / 1

HEX #0606FD

RGB 6 6 253

HSL 240, 0.98%, 0.51%

LAB 32.39, 77.85, -106.59

 

CMYK 0 / 98 / 49 / 1

HEX #FD0682

RGB 253 6 130

HSL 329.88, 0.98%, 0.51%

LAB 54.68, 83.88, 2.52

 

Description

Color code: HEX #FEFE05 | qconv.com Color code: HEX #FEFE05 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 254 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 254 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 98% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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