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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEFD74 it is the complementary color #01028B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEFD74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEFD74 shade: #FFFD6F, #FFFF82, #FFFF95, #FFFFA8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEFD74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEFD74 shade: #FEFD74, #EDEB61, #DCD94E, #CBC73B and #BAB528

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEFD74 shade: #FEFD76, #FED976, #FEB476, #FE8F76 and #FE7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEFD74 shade: #FEFD76, #DBFE76, #B6FE76, #91FE76 and #76FE80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEFD74 shade matches the following richer shades: #FEFD76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEFD74 shade: #FEFD76, #F3F281, #E8E78C, #DDDC97 and #D2D1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEFD74 shade: #FEB376, #FED876, #FEFC76, #DCFE76 and #B8FE76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEFD74 shade: #FEFC24, #FEFD4D, #FEFD76, #FFFE9F and #FFFEC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEFD74 shade: #FEFD74, #76FE8F and #C676FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEFD74 shade: #FEFD74, #76FEFC and #FC76FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEFD74 shade: #FEFD74, #76FE8F, #7678FE and #FE76E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEFD74 shade: #FEFD74, #76FEB8, #7678FE and #FE76BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 54 / 0

HEX #FEFD74

RGB 254 253 116

HSL 59.57, 0.99%, 0.73%

LAB 97.06, -16.91, 64.47

 

Complementary color

CMYK 99 / 99 / 0 / 45

HEX #01028B

RGB 1 2 139

HSL 239.57, 0.99%, 0.27%

LAB 15.03, 49.7, -68.23

 

CMYK 0 / 1 / 56 / 0

HEX #FFFD6F

RGB 255 253 111

HSL 59.17, 1%, 0.72%

LAB 97.09, -16.88, 66.68

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 54 / 0

HEX #FEFD74

RGB 254 253 116

HSL 59.57, 0.99%, 0.73%

LAB 97.06, -16.91, 64.47

 

CMYK 0 / 1 / 59 / 7

HEX #EDEB61

RGB 237 235 97

HSL 59.14, 0.8%, 0.65%

LAB 90.91, -16.29, 65.39

 

CMYK 0 / 1 / 65 / 14

HEX #DCD94E

RGB 220 217 78

HSL 58.73, 0.67%, 0.58%

LAB 84.69, -15.56, 66.13

 

CMYK 0 / 2 / 71 / 20

HEX #CBC73B

RGB 203 199 59

HSL 58.33, 0.58%, 0.51%

LAB 78.38, -14.7, 66.52

 

CMYK 0 / 3 / 78 / 27

HEX #BAB528

RGB 186 181 40

HSL 57.95, 0.65%, 0.44%

LAB 71.99, -13.66, 66.32

 

CMYK 0 / 0 / 54 / 0

HEX #FEFD76

RGB 254 253 118

HSL 59.56, 0.99%, 0.73%

LAB 97.08, -16.76, 63.61

 

CMYK 0 / 15 / 54 / 0

HEX #FED976

RGB 254 217 118

HSL 43.68, 0.99%, 0.73%

LAB 87.97, 1.13, 52.99

 

CMYK 0 / 29 / 54 / 0

HEX #FEB476

RGB 254 180 118

HSL 27.35, 0.99%, 0.73%

LAB 79.05, 20.31, 42.12

 

CMYK 0 / 44 / 54 / 0

HEX #FE8F76

RGB 254 143 118

HSL 11.03, 0.99%, 0.73%

LAB 70.89, 39.51, 31.73

 

CMYK 0 / 54 / 54 / 0

HEX #FE7676

RGB 254 118 118

HSL 0, 0.99%, 0.73%

LAB 66.01, 51.8, 25.31

 

CMYK 0 / 0 / 54 / 0

HEX #FEFD76

RGB 254 253 118

HSL 59.56, 0.99%, 0.73%

LAB 97.08, -16.76, 63.61

 

CMYK 14 / 0 / 54 / 0

HEX #DBFE76

RGB 219 254 118

HSL 75.44, 0.99%, 0.73%

LAB 94.84, -30.75, 60.39

 

CMYK 28 / 0 / 54 / 0

HEX #B6FE76

RGB 182 254 118

HSL 91.76, 0.99%, 0.73%

LAB 92.64, -44.15, 57.25

 

CMYK 43 / 0 / 54 / 0

HEX #91FE76

RGB 145 254 118

HSL 108.09, 0.99%, 0.73%

LAB 90.88, -56, 54.74

 

CMYK 54 / 0 / 50 / 0

HEX #76FE80

RGB 118 254 128

HSL 124.41, 0.99%, 0.73%

LAB 90, -62.03, 48.84

 

CMYK 0 / 0 / 54 / 0

HEX #FEFD76

RGB 254 253 118

HSL 59.56, 0.99%, 0.73%

LAB 97.08, -16.76, 63.61

 

CMYK 0 / 0 / 54 / 0

HEX #FEFD76

RGB 254 253 118

HSL 59.56, 0.99%, 0.73%

LAB 97.08, -16.76, 63.61

 

CMYK 0 / 0 / 47 / 5

HEX #F3F281

RGB 243 242 129

HSL 59.47, 0.83%, 0.73%

LAB 93.51, -14.82, 54.23

 

CMYK 0 / 0 / 40 / 9

HEX #E8E78C

RGB 232 231 140

HSL 59.35, 0.67%, 0.73%

LAB 89.95, -12.62, 44.37

 

CMYK 0 / 0 / 32 / 13

HEX #DDDC97

RGB 221 220 151

HSL 59.14, 0.51%, 0.73%

LAB 86.4, -10.1, 34.1

 

CMYK 0 / 0 / 22 / 18

HEX #D2D1A3

RGB 210 209 163

HSL 58.72, 0.34%, 0.73%

LAB 82.89, -7.09, 23.01

 

CMYK 0 / 30 / 54 / 0

HEX #FEB376

RGB 254 179 118

HSL 26.91, 0.99%, 0.73%

LAB 78.82, 20.83, 41.83

 

CMYK 0 / 15 / 54 / 0

HEX #FED876

RGB 254 216 118

HSL 43.24, 0.99%, 0.73%

LAB 87.72, 1.64, 52.69

 

CMYK 0 / 1 / 54 / 0

HEX #FEFC76

RGB 254 252 118

HSL 59.12, 0.99%, 0.73%

LAB 96.82, -16.28, 63.32

 

CMYK 13 / 0 / 54 / 0

HEX #DCFE76

RGB 220 254 118

HSL 75, 0.99%, 0.73%

LAB 94.91, -30.38, 60.49

 

CMYK 28 / 0 / 54 / 0

HEX #B8FE76

RGB 184 254 118

HSL 90.88, 0.99%, 0.73%

LAB 92.74, -43.46, 57.41

 

CMYK 0 / 1 / 86 / 0

HEX #FEFC24

RGB 254 252 36

HSL 59.45, 0.99%, 0.57%

LAB 96.34, -20.12, 89.95

 

CMYK 0 / 0 / 70 / 0

HEX #FEFD4D

RGB 254 253 77

HSL 59.66, 0.99%, 0.65%

LAB 96.76, -19.25, 79.46

 

CMYK 0 / 0 / 54 / 0

HEX #FEFD76

RGB 254 253 118

HSL 59.56, 0.99%, 0.73%

LAB 97.08, -16.76, 63.61

 

CMYK 0 / 0 / 38 / 0

HEX #FFFE9F

RGB 255 254 159

HSL 59.38, 1%, 0.81%

LAB 97.89, -13.12, 45.54

 

CMYK 0 / 0 / 22 / 0

HEX #FFFEC8

RGB 255 254 200

HSL 58.91, 1%, 0.89%

LAB 98.56, -8.11, 26.02

 

CMYK 0 / 0 / 54 / 0

HEX #FEFD74

RGB 254 253 116

HSL 59.57, 0.99%, 0.73%

LAB 97.06, -16.91, 64.47

 

CMYK 54 / 0 / 44 / 0

HEX #76FE8F

RGB 118 254 143

HSL 131.03, 0.99%, 0.73%

LAB 90.19, -59.91, 41.94

 

CMYK 22 / 54 / 0 / 0

HEX #C676FE

RGB 198 118 254

HSL 275.29, 0.99%, 0.73%

LAB 63.44, 54.8, -55.78

 

CMYK 0 / 0 / 54 / 0

HEX #FEFD74

RGB 254 253 116

HSL 59.57, 0.99%, 0.73%

LAB 97.06, -16.91, 64.47

 

CMYK 54 / 0 / 1 / 0

HEX #76FEFC

RGB 118 254 252

HSL 179.12, 0.99%, 0.73%

LAB 92.47, -37.48, -10.38

 

CMYK 1 / 54 / 0 / 0

HEX #FC76FE

RGB 252 118 254

HSL 299.12, 0.99%, 0.73%

LAB 70.04, 68.54, -44.91

 

CMYK 0 / 0 / 54 / 0

HEX #FEFD74

RGB 254 253 116

HSL 59.57, 0.99%, 0.73%

LAB 97.06, -16.91, 64.47

 

CMYK 54 / 0 / 44 / 0

HEX #76FE8F

RGB 118 254 143

HSL 131.03, 0.99%, 0.73%

LAB 90.19, -59.91, 41.94

 

CMYK 54 / 53 / 0 / 0

HEX #7678FE

RGB 118 120 254

HSL 239.12, 0.99%, 0.73%

LAB 56.53, 35.5, -67.26

 

CMYK 0 / 54 / 10 / 0

HEX #FE76E5

RGB 254 118 229

HSL 311.03, 0.99%, 0.73%

LAB 69.24, 65.02, -32.4

 

CMYK 0 / 0 / 54 / 0

HEX #FEFD74

RGB 254 253 116

HSL 59.57, 0.99%, 0.73%

LAB 97.06, -16.91, 64.47

 

CMYK 54 / 0 / 28 / 0

HEX #76FEB8

RGB 118 254 184

HSL 149.12, 0.99%, 0.73%

LAB 90.87, -52.85, 22.39

 

CMYK 54 / 53 / 0 / 0

HEX #7678FE

RGB 118 120 254

HSL 239.12, 0.99%, 0.73%

LAB 56.53, 35.5, -67.26

 

CMYK 0 / 54 / 26 / 0

HEX #FE76BC

RGB 254 118 188

HSL 329.12, 0.99%, 0.73%

LAB 67.77, 59.16, -11.77

 

Description

Color code: HEX #FEFD74 | qconv.com Color code: HEX #FEFD74 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 253 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 253 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 54 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 54% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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