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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEF9F1 it is the complementary color #01060E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEF9F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEF9F1 shade: #FFF9EC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEF9F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEF9F1 shade: #FEF9F1, #EDE7DE, #DCD5CB, #CBC3B8 and #BAB1A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEF9F1 shade: #FEF9F1, #FEF5F1, #FEF2F1 and #FEF1F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEF9F1 shade: #FEF9F1, #FEFCF1, #FCFEF1, #F8FEF1 and #F5FEF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEF9F1 shade matches the following richer shades: #FEF9F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEF9F1 shade: #FEF9F1, #FDF9F2, #FCF8F3, #FAF8F4 and #F9F8F6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEF9F1 shade: #FEF2F1, #FEF5F1, #FEF9F1, #FEFCF1 and #FCFEF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEF9F1 shade: #F9D8A4, #FBE8CA, #FEF9F1 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEF9F1 shade: #FEF9F1, #F3FEF1 and #F3F1FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEF9F1 shade: #FEF9F1, #F1FEF9 and #F9F1FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEF9F1 shade: #FEF9F1, #F3FEF1, #F1F6FE and #FBF1FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEF9F1 shade: #FEF9F1, #F1FEF2, #F1F6FE and #FEF1FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

Complementary color

CMYK 93 / 57 / 0 / 95

HEX #01060E

RGB 1 6 14

HSL 216.92, 0.87%, 0.03%

LAB 1.52, -0.13, -3.67

 

CMYK 0 / 2 / 7 / 0

HEX #FFF9EC

RGB 255 249 236

HSL 41.05, 1%, 0.96%

LAB 98.06, -0.19, 6.93

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 0 / 3 / 6 / 7

HEX #EDE7DE

RGB 237 231 222

HSL 36, 0.29%, 0.9%

LAB 91.88, 0.48, 5.08

 

CMYK 0 / 3 / 8 / 14

HEX #DCD5CB

RGB 220 213 203

HSL 35.29, 0.2%, 0.83%

LAB 85.56, 0.68, 5.78

 

CMYK 0 / 4 / 9 / 20

HEX #CBC3B8

RGB 203 195 184

HSL 34.74, 0.15%, 0.76%

LAB 79.15, 0.89, 6.51

 

CMYK 0 / 5 / 11 / 27

HEX #BAB1A5

RGB 186 177 165

HSL 34.29, 0.13%, 0.69%

LAB 72.63, 1.12, 7.27

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 0 / 4 / 5 / 0

HEX #FEF5F1

RGB 254 245 241

HSL 18.46, 0.87%, 0.97%

LAB 97.12, 2.33, 2.98

 

CMYK 0 / 5 / 5 / 0

HEX #FEF2F1

RGB 254 242 241

HSL 4.62, 0.87%, 0.97%

LAB 96.38, 3.86, 1.91

 

CMYK 0 / 5 / 5 / 0

HEX #FEF1F1

RGB 254 241 241

HSL 0, 0.87%, 0.97%

LAB 96.13, 4.37, 1.55

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 0 / 1 / 5 / 0

HEX #FEFCF1

RGB 254 252 241

HSL 50.77, 0.87%, 0.97%

LAB 98.84, -1.21, 5.48

 

CMYK 1 / 0 / 5 / 0

HEX #FCFEF1

RGB 252 254 241

HSL 69.23, 0.87%, 0.97%

LAB 99.19, -2.89, 5.97

 

CMYK 2 / 0 / 5 / 0

HEX #F8FEF1

RGB 248 254 241

HSL 87.69, 0.87%, 0.97%

LAB 98.9, -4.23, 5.51

 

CMYK 4 / 0 / 5 / 0

HEX #F5FEF1

RGB 245 254 241

HSL 101.54, 0.87%, 0.97%

LAB 98.69, -5.23, 5.18

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 0 / 2 / 4 / 1

HEX #FDF9F2

RGB 253 249 242

HSL 38.18, 0.73%, 0.97%

LAB 98.05, 0.13, 3.81

 

CMYK 0 / 2 / 4 / 1

HEX #FCF8F3

RGB 252 248 243

HSL 33.33, 0.6%, 0.97%

LAB 97.75, 0.47, 2.86

 

CMYK 0 / 1 / 2 / 2

HEX #FAF8F4

RGB 250 248 244

HSL 40, 0.37%, 0.97%

LAB 97.63, -0.03, 2.14

 

CMYK 0 / 0 / 1 / 2

HEX #F9F8F6

RGB 249 248 246

HSL 40, 0.2%, 0.97%

LAB 97.6, -0.01, 1.06

 

CMYK 0 / 5 / 5 / 0

HEX #FEF2F1

RGB 254 242 241

HSL 4.62, 0.87%, 0.97%

LAB 96.38, 3.86, 1.91

 

CMYK 0 / 4 / 5 / 0

HEX #FEF5F1

RGB 254 245 241

HSL 18.46, 0.87%, 0.97%

LAB 97.12, 2.33, 2.98

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 0 / 1 / 5 / 0

HEX #FEFCF1

RGB 254 252 241

HSL 50.77, 0.87%, 0.97%

LAB 98.84, -1.21, 5.48

 

CMYK 1 / 0 / 5 / 0

HEX #FCFEF1

RGB 252 254 241

HSL 69.23, 0.87%, 0.97%

LAB 99.19, -2.89, 5.97

 

CMYK 0 / 13 / 34 / 2

HEX #F9D8A4

RGB 249 216 164

HSL 36.71, 0.88%, 0.81%

LAB 87.94, 4.23, 29.89

 

CMYK 0 / 8 / 20 / 2

HEX #FBE8CA

RGB 251 232 202

HSL 36.73, 0.86%, 0.89%

LAB 92.79, 1.79, 16.93

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 4 / 0 / 5 / 0

HEX #F3FEF1

RGB 243 254 241

HSL 110.77, 0.87%, 0.97%

LAB 98.55, -5.89, 4.95

 

CMYK 4 / 5 / 0 / 0

HEX #F3F1FE

RGB 243 241 254

HSL 249.23, 0.87%, 0.97%

LAB 95.63, 3.01, -6.01

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 5 / 0 / 2 / 0

HEX #F1FEF9

RGB 241 254 249

HSL 156.92, 0.87%, 0.97%

LAB 98.6, -5.14, 0.91

 

CMYK 2 / 5 / 0 / 0

HEX #F9F1FE

RGB 249 241 254

HSL 276.92, 0.87%, 0.97%

LAB 96.08, 4.97, -5.3

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 4 / 0 / 5 / 0

HEX #F3FEF1

RGB 243 254 241

HSL 110.77, 0.87%, 0.97%

LAB 98.55, -5.89, 4.95

 

CMYK 5 / 3 / 0 / 0

HEX #F1F6FE

RGB 241 246 254

HSL 216.92, 0.87%, 0.97%

LAB 96.73, -0.19, -4.42

 

CMYK 1 / 5 / 0 / 0

HEX #FBF1FE

RGB 251 241 254

HSL 286.15, 0.87%, 0.97%

LAB 96.24, 5.63, -5.05

 

CMYK 0 / 2 / 5 / 0

HEX #FEF9F1

RGB 254 249 241

HSL 36.92, 0.87%, 0.97%

LAB 98.1, 0.3, 4.41

 

CMYK 5 / 0 / 5 / 0

HEX #F1FEF2

RGB 241 254 242

HSL 124.62, 0.87%, 0.97%

LAB 98.43, -6.38, 4.25

 

CMYK 5 / 3 / 0 / 0

HEX #F1F6FE

RGB 241 246 254

HSL 216.92, 0.87%, 0.97%

LAB 96.73, -0.19, -4.42

 

CMYK 0 / 5 / 0 / 0

HEX #FEF1FD

RGB 254 241 253

HSL 304.62, 0.87%, 0.97%

LAB 96.44, 6.44, -4.21

 

Description

Color code: HEX #FEF9F1 | qconv.com Color code: HEX #FEF9F1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 249 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 249 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 5 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 5% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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