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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEF876 it is the complementary color #010789. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEF876. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEF876 shade: #FFF871, #FFFF84, #FFFF97, #FFFFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEF876. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEF876 shade: #FEF876, #EDE663, #DCD450, #CBC23D and #BAB02A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEF876 shade: #FEF876, #FED476, #FEAF76, #FE8A76 and #FE7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEF876 shade: #FEF876, #E0FE76, #BBFE76, #96FE76 and #76FE7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEF876 shade matches the following richer shades: #FEF876

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEF876 shade: #FEF876, #F3EE81, #E8E48C, #DDDA97 and #D2D0A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEF876 shade: #FEAF76, #FED376, #FEF776, #E1FE76 and #BCFE76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEF876 shade: #FEF424, #FEF64D, #FEF876, #FFFA9F and #FFFCC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEF876 shade: #FEF876, #76FE8A and #C176FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEF876 shade: #FEF876, #76FEF7 and #F776FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEF876 shade: #FEF876, #76FE8A, #767DFE and #FE76EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEF876 shade: #FEF876, #76FEB3, #767DFE and #FE76C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

Complementary color

CMYK 99 / 95 / 0 / 46

HEX #010789

RGB 1 7 137

HSL 237.35, 0.99%, 0.27%

LAB 15.3, 47.35, -66.52

 

CMYK 0 / 3 / 56 / 0

HEX #FFF871

RGB 255 248 113

HSL 57.04, 1%, 0.72%

LAB 95.83, -14.31, 64.4

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

CMYK 0 / 3 / 58 / 7

HEX #EDE663

RGB 237 230 99

HSL 56.96, 0.79%, 0.66%

LAB 89.63, -13.7, 63.13

 

CMYK 0 / 4 / 64 / 14

HEX #DCD450

RGB 220 212 80

HSL 56.57, 0.67%, 0.59%

LAB 83.38, -12.96, 63.96

 

CMYK 0 / 4 / 70 / 20

HEX #CBC23D

RGB 203 194 61

HSL 56.2, 0.58%, 0.52%

LAB 77.05, -12.07, 64.49

 

CMYK 0 / 5 / 77 / 27

HEX #BAB02A

RGB 186 176 42

HSL 55.83, 0.63%, 0.45%

LAB 70.63, -11.01, 64.49

 

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

CMYK 0 / 17 / 54 / 0

HEX #FED476

RGB 254 212 118

HSL 41.47, 0.99%, 0.73%

LAB 86.73, 3.68, 51.51

 

CMYK 0 / 31 / 54 / 0

HEX #FEAF76

RGB 254 175 118

HSL 25.15, 0.99%, 0.73%

LAB 77.9, 22.93, 40.67

 

CMYK 0 / 46 / 54 / 0

HEX #FE8A76

RGB 254 138 118

HSL 8.82, 0.99%, 0.73%

LAB 69.86, 42.04, 30.39

 

CMYK 0 / 54 / 54 / 0

HEX #FE7676

RGB 254 118 118

HSL 0, 0.99%, 0.73%

LAB 66.01, 51.8, 25.31

 

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

CMYK 12 / 0 / 54 / 0

HEX #E0FE76

RGB 224 254 118

HSL 73.24, 0.99%, 0.73%

LAB 95.18, -28.86, 60.86

 

CMYK 26 / 0 / 54 / 0

HEX #BBFE76

RGB 187 254 118

HSL 89.56, 0.99%, 0.73%

LAB 92.91, -42.41, 57.64

 

CMYK 41 / 0 / 54 / 0

HEX #96FE76

RGB 150 254 118

HSL 105.88, 0.99%, 0.73%

LAB 91.09, -54.52, 55.04

 

CMYK 54 / 0 / 52 / 0

HEX #76FE7B

RGB 118 254 123

HSL 122.21, 0.99%, 0.73%

LAB 89.94, -62.67, 51.09

 

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

CMYK 0 / 2 / 47 / 5

HEX #F3EE81

RGB 243 238 129

HSL 57.37, 0.83%, 0.73%

LAB 92.48, -12.86, 52.98

 

CMYK 0 / 2 / 40 / 9

HEX #E8E48C

RGB 232 228 140

HSL 57.39, 0.67%, 0.73%

LAB 89.18, -11.12, 43.38

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 0 / 1 / 22 / 18

HEX #D2D0A3

RGB 210 208 163

HSL 57.45, 0.34%, 0.73%

LAB 82.62, -6.57, 22.66

 

CMYK 0 / 31 / 54 / 0

HEX #FEAF76

RGB 254 175 118

HSL 25.15, 0.99%, 0.73%

LAB 77.9, 22.93, 40.67

 

CMYK 0 / 17 / 54 / 0

HEX #FED376

RGB 254 211 118

HSL 41.03, 0.99%, 0.73%

LAB 86.49, 4.2, 51.21

 

CMYK 0 / 3 / 54 / 0

HEX #FEF776

RGB 254 247 118

HSL 56.91, 0.99%, 0.73%

LAB 95.54, -13.85, 61.85

 

CMYK 11 / 0 / 54 / 0

HEX #E1FE76

RGB 225 254 118

HSL 72.79, 0.99%, 0.73%

LAB 95.24, -28.48, 60.96

 

CMYK 26 / 0 / 54 / 0

HEX #BCFE76

RGB 188 254 118

HSL 89.12, 0.99%, 0.73%

LAB 92.96, -42.06, 57.72

 

CMYK 0 / 4 / 86 / 0

HEX #FEF424

RGB 254 244 36

HSL 57.25, 0.99%, 0.57%

LAB 94.27, -16.27, 88.29

 

CMYK 0 / 3 / 70 / 0

HEX #FEF64D

RGB 254 246 77

HSL 57.29, 0.99%, 0.65%

LAB 94.96, -15.88, 77.71

 

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

CMYK 0 / 2 / 38 / 0

HEX #FFFA9F

RGB 255 250 159

HSL 56.88, 1%, 0.81%

LAB 96.88, -11.16, 44.24

 

CMYK 0 / 1 / 22 / 0

HEX #FFFCC8

RGB 255 252 200

HSL 56.73, 1%, 0.89%

LAB 98.05, -7.12, 25.33

 

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

CMYK 54 / 0 / 46 / 0

HEX #76FE8A

RGB 118 254 138

HSL 128.82, 0.99%, 0.73%

LAB 90.12, -60.64, 44.27

 

CMYK 24 / 54 / 0 / 0

HEX #C176FE

RGB 193 118 254

HSL 273.09, 0.99%, 0.73%

LAB 62.89, 53.56, -56.69

 

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

CMYK 54 / 0 / 3 / 0

HEX #76FEF7

RGB 118 254 247

HSL 176.91, 0.99%, 0.73%

LAB 92.33, -38.74, -8

 

CMYK 3 / 54 / 0 / 0

HEX #F776FE

RGB 247 118 254

HSL 296.91, 0.99%, 0.73%

LAB 69.39, 67.26, -45.98

 

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

CMYK 54 / 0 / 46 / 0

HEX #76FE8A

RGB 118 254 138

HSL 128.82, 0.99%, 0.73%

LAB 90.12, -60.64, 44.27

 

CMYK 54 / 51 / 0 / 0

HEX #767DFE

RGB 118 125 254

HSL 236.91, 0.99%, 0.73%

LAB 57.73, 32.54, -65.33

 

CMYK 0 / 54 / 8 / 0

HEX #FE76EA

RGB 254 118 234

HSL 308.82, 0.99%, 0.73%

LAB 69.45, 65.8, -34.85

 

CMYK 0 / 2 / 54 / 0

HEX #FEF876

RGB 254 248 118

HSL 57.35, 0.99%, 0.73%

LAB 95.79, -14.34, 62.14

 

CMYK 54 / 0 / 30 / 0

HEX #76FEB3

RGB 118 254 179

HSL 146.91, 0.99%, 0.73%

LAB 90.78, -53.81, 24.8

 

CMYK 54 / 51 / 0 / 0

HEX #767DFE

RGB 118 125 254

HSL 236.91, 0.99%, 0.73%

LAB 57.73, 32.54, -65.33

 

CMYK 0 / 54 / 24 / 0

HEX #FE76C1

RGB 254 118 193

HSL 326.91, 0.99%, 0.73%

LAB 67.93, 59.82, -14.34

 

Description

Color code: HEX #FEF876 | qconv.com Color code: HEX #FEF876 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 248 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 248 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 54 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 54% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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