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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEF641 it is the complementary color #0109BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEF641. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEF641 shade: #FFF63C, #FFFF4F, #FFFF62, #FFFF75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEF641. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEF641 shade: #FEF641, #EDE42E, #DCD21B, #CBC008 and #BAAE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEF641 shade: #FEF643, #FEC443, #FE9143, #FE5F43 and #FE4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEF641 shade: #FEF643, #D4FE43, #A1FE43, #6FFE43 and #43FE4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEF641 shade matches the following richer shades: #FEF643

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEF641 shade: #FEF643, #EFE853, #E0DA62, #D0CC71 and #C1BE80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEF641 shade: #FE9143, #FEC343, #FEF543, #D6FE43 and #A4FE43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEF641 shade: #EEE401, #FEF41A, #FEF643, #FEF86C and #FEFA95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEF641 shade: #FEF641, #43FE5F and #AA43FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEF641 shade: #FEF641, #43FEF5 and #F543FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEF641 shade: #FEF641, #43FE5F, #434DFE and #FE43E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEF641 shade: #FEF641, #43FE97, #434DFE and #FE43AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 74 / 0

HEX #FEF641

RGB 254 246 65

HSL 57.46, 0.99%, 0.63%

LAB 94.89, -16.39, 81.59

 

Complementary color

CMYK 99 / 95 / 0 / 25

HEX #0109BE

RGB 1 9 190

HSL 237.46, 0.99%, 0.37%

LAB 23.4, 61.42, -85.3

 

CMYK 0 / 4 / 76 / 0

HEX #FFF63C

RGB 255 246 60

HSL 57.23, 1%, 0.62%

LAB 94.95, -16.17, 83.16

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 3 / 74 / 0

HEX #FEF641

RGB 254 246 65

HSL 57.46, 0.99%, 0.63%

LAB 94.89, -16.39, 81.59

 

CMYK 0 / 4 / 81 / 7

HEX #EDE42E

RGB 237 228 46

HSL 57.17, 0.84%, 0.55%

LAB 88.78, -15.29, 80.97

 

CMYK 0 / 5 / 88 / 14

HEX #DCD21B

RGB 220 210 27

HSL 56.89, 0.78%, 0.48%

LAB 82.59, -14.02, 79.43

 

CMYK 0 / 5 / 96 / 20

HEX #CBC008

RGB 203 192 8

HSL 56.62, 0.92%, 0.41%

LAB 76.32, -12.56, 76.59

 

CMYK 0 / 6 / 100 / 27

HEX #BAAE00

RGB 186 174 0

HSL 56.13, 1%, 0.36%

LAB 69.97, -10.88, 72.15

 

CMYK 0 / 3 / 74 / 0

HEX #FEF643

RGB 254 246 67

HSL 57.43, 0.99%, 0.63%

LAB 94.9, -16.31, 80.97

 

CMYK 0 / 23 / 74 / 0

HEX #FEC443

RGB 254 196 67

HSL 41.39, 0.99%, 0.63%

LAB 82.36, 8.81, 69.05

 

CMYK 0 / 43 / 74 / 0

HEX #FE9143

RGB 254 145 67

HSL 25.03, 0.99%, 0.63%

LAB 70.68, 35.34, 57.38

 

CMYK 0 / 63 / 74 / 0

HEX #FE5F43

RGB 254 95 67

HSL 8.98, 0.99%, 0.63%

LAB 61.36, 59.05, 47.53

 

CMYK 0 / 74 / 74 / 0

HEX #FE4343

RGB 254 67 67

HSL 0, 0.99%, 0.63%

LAB 57.55, 69.45, 43.33

 

CMYK 0 / 3 / 74 / 0

HEX #FEF643

RGB 254 246 67

HSL 57.43, 0.99%, 0.63%

LAB 94.9, -16.31, 80.97

 

CMYK 17 / 0 / 74 / 0

HEX #D4FE43

RGB 212 254 67

HSL 73.48, 0.99%, 0.63%

LAB 94.01, -36.82, 79.05

 

CMYK 37 / 0 / 74 / 0

HEX #A1FE43

RGB 161 254 67

HSL 89.84, 0.99%, 0.63%

LAB 91.17, -55.25, 75.35

 

CMYK 56 / 0 / 74 / 0

HEX #6FFE43

RGB 111 254 67

HSL 105.88, 0.99%, 0.63%

LAB 89.24, -69.74, 72.8

 

CMYK 74 / 0 / 71 / 0

HEX #43FE4A

RGB 67 254 74

HSL 122.25, 0.99%, 0.63%

LAB 88.24, -77.8, 69.09

 

CMYK 0 / 3 / 74 / 0

HEX #FEF643

RGB 254 246 67

HSL 57.43, 0.99%, 0.63%

LAB 94.9, -16.31, 80.97

 

CMYK 0 / 3 / 74 / 0

HEX #FEF643

RGB 254 246 67

HSL 57.43, 0.99%, 0.63%

LAB 94.9, -16.31, 80.97

 

CMYK 0 / 3 / 65 / 6

HEX #EFE853

RGB 239 232 83

HSL 57.31, 0.83%, 0.63%

LAB 90.18, -14.87, 70.32

 

CMYK 0 / 3 / 56 / 12

HEX #E0DA62

RGB 224 218 98

HSL 57.14, 0.67%, 0.63%

LAB 85.44, -13.1, 58.6

 

CMYK 0 / 2 / 46 / 18

HEX #D0CC71

RGB 208 204 113

HSL 57.47, 0.5%, 0.63%

LAB 80.62, -11.27, 45.59

 

CMYK 0 / 2 / 34 / 24

HEX #C1BE80

RGB 193 190 128

HSL 57.23, 0.34%, 0.63%

LAB 75.9, -8.44, 31.74

 

CMYK 0 / 43 / 74 / 0

HEX #FE9143

RGB 254 145 67

HSL 25.03, 0.99%, 0.63%

LAB 70.68, 35.34, 57.38

 

CMYK 0 / 23 / 74 / 0

HEX #FEC343

RGB 254 195 67

HSL 41.07, 0.99%, 0.63%

LAB 82.11, 9.33, 68.81

 

CMYK 0 / 4 / 74 / 0

HEX #FEF543

RGB 254 245 67

HSL 57.11, 0.99%, 0.63%

LAB 94.65, -15.83, 80.73

 

CMYK 16 / 0 / 74 / 0

HEX #D6FE43

RGB 214 254 67

HSL 72.83, 0.99%, 0.63%

LAB 94.13, -36.05, 79.22

 

CMYK 35 / 0 / 74 / 0

HEX #A4FE43

RGB 164 254 67

HSL 88.88, 0.99%, 0.63%

LAB 91.32, -54.25, 75.54

 

CMYK 0 / 4 / 100 / 7

HEX #EEE401

RGB 238 228 1

HSL 57.47, 0.99%, 0.47%

LAB 88.76, -15.6, 87.69

 

CMYK 0 / 4 / 90 / 0

HEX #FEF41A

RGB 254 244 26

HSL 57.37, 0.99%, 0.55%

LAB 94.25, -16.45, 89.91

 

CMYK 0 / 3 / 74 / 0

HEX #FEF643

RGB 254 246 67

HSL 57.43, 0.99%, 0.63%

LAB 94.9, -16.31, 80.97

 

CMYK 0 / 2 / 57 / 0

HEX #FEF86C

RGB 254 248 108

HSL 57.53, 0.99%, 0.71%

LAB 95.7, -15.06, 66.39

 

CMYK 0 / 2 / 41 / 0

HEX #FEFA95

RGB 254 250 149

HSL 57.71, 0.98%, 0.79%

LAB 96.66, -12.58, 48.8

 

CMYK 0 / 3 / 74 / 0

HEX #FEF641

RGB 254 246 65

HSL 57.46, 0.99%, 0.63%

LAB 94.89, -16.39, 81.59

 

CMYK 74 / 0 / 63 / 0

HEX #43FE5F

RGB 67 254 95

HSL 128.98, 0.99%, 0.63%

LAB 88.4, -75.87, 61.24

 

CMYK 33 / 74 / 0 / 0

HEX #AA43FE

RGB 170 67 254

HSL 273.05, 0.99%, 0.63%

LAB 51.51, 72.33, -75.14

 

CMYK 0 / 3 / 74 / 0

HEX #FEF641

RGB 254 246 65

HSL 57.46, 0.99%, 0.63%

LAB 94.89, -16.39, 81.59

 

CMYK 74 / 0 / 4 / 0

HEX #43FEF5

RGB 67 254 245

HSL 177.11, 0.99%, 0.63%

LAB 91.08, -46.85, -8.94

 

CMYK 4 / 74 / 0 / 0

HEX #F543FE

RGB 245 67 254

HSL 297.11, 0.99%, 0.63%

LAB 62.15, 86.14, -57.45

 

CMYK 0 / 3 / 74 / 0

HEX #FEF641

RGB 254 246 65

HSL 57.46, 0.99%, 0.63%

LAB 94.89, -16.39, 81.59

 

CMYK 74 / 0 / 63 / 0

HEX #43FE5F

RGB 67 254 95

HSL 128.98, 0.99%, 0.63%

LAB 88.4, -75.87, 61.24

 

CMYK 74 / 70 / 0 / 0

HEX #434DFE

RGB 67 77 254

HSL 236.79, 0.99%, 0.63%

LAB 43.74, 53.45, -88.25

 

CMYK 0 / 74 / 11 / 0

HEX #FE43E2

RGB 254 67 226

HSL 308.98, 0.99%, 0.63%

LAB 62.15, 83.83, -41.79

 

CMYK 0 / 3 / 74 / 0

HEX #FEF641

RGB 254 246 65

HSL 57.46, 0.99%, 0.63%

LAB 94.89, -16.39, 81.59

 

CMYK 74 / 0 / 41 / 0

HEX #43FE97

RGB 67 254 151

HSL 146.95, 0.99%, 0.63%

LAB 89.07, -68.03, 36.34

 

CMYK 74 / 70 / 0 / 0

HEX #434DFE

RGB 67 77 254

HSL 236.79, 0.99%, 0.63%

LAB 43.74, 53.45, -88.25

 

CMYK 0 / 74 / 33 / 0

HEX #FE43AA

RGB 254 67 170

HSL 326.95, 0.99%, 0.63%

LAB 59.88, 76.94, -13.35

 

Description

Color code: HEX #FEF641 | qconv.com Color code: HEX #FEF641 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 246 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 246 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 74 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 74% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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