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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEEBDD it is the complementary color #011422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEEBDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FEEBDD: #FFEBD8, #FFFDEB, #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEEBDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FEEBDD: #FEEBDD, #EDD9CA, #DCC7B7, #CBB5A4 and #BAA391

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 13 / 0

HEX #FEEBDD

RGB 254 235 221

HSL 25.45, 0.94%, 0.93%

LAB 94.19, 4.18, 9.1

 

Complementary color

CMYK 97 / 41 / 0 / 87

HEX #011422

RGB 1 20 34

HSL 205.45, 0.94%, 0.07%

LAB 5.62, -1.64, -11.76

 

CMYK 0 / 8 / 15 / 0

HEX #FFEBD8

RGB 255 235 216

HSL 29.23, 1%, 0.92%

LAB 94.16, 3.76, 11.66

 

CMYK 0 / 1 / 8 / 0

HEX #FFFDEB

RGB 255 253 235

HSL 54, 1%, 0.96%

LAB 99.03, -2.36, 8.84

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 7 / 13 / 0

HEX #FEEBDD

RGB 254 235 221

HSL 25.45, 0.94%, 0.93%

LAB 94.19, 4.18, 9.1

 

CMYK 0 / 8 / 15 / 7

HEX #EDD9CA

RGB 237 217 202

HSL 25.71, 0.49%, 0.86%

LAB 87.92, 4.47, 9.87

 

CMYK 0 / 10 / 17 / 14

HEX #DCC7B7

RGB 220 199 183

HSL 25.95, 0.35%, 0.79%

LAB 81.56, 4.78, 10.68

 

CMYK 0 / 11 / 19 / 20

HEX #CBB5A4

RGB 203 181 164

HSL 26.15, 0.27%, 0.72%

LAB 75.09, 5.13, 11.53

 

CMYK 0 / 12 / 22 / 27

HEX #BAA391

RGB 186 163 145

HSL 26.34, 0.23%, 0.65%

LAB 68.52, 5.52, 12.43

 

CMYK 0 / 7 / 13 / 0

HEX #FEEBDD

RGB 254 235 221

HSL 25.45, 0.94%, 0.93%

LAB 94.19, 4.18, 9.1

 

CMYK 0 / 6 / 13 / 1

HEX #FDEFDC

RGB 253 239 220

HSL 34.55, 0.89%, 0.93%

LAB 95.07, 1.63, 10.87

 

CMYK 0 / 3 / 13 / 1

HEX #FDF5DC

RGB 253 245 220

HSL 45.45, 0.89%, 0.93%

LAB 96.56, -1.4, 12.99

 

CMYK 0 / 1 / 13 / 1

HEX #FDFBDC

RGB 253 251 220

HSL 56.36, 0.89%, 0.93%

LAB 98.05, -4.42, 15.11

 

CMYK 1 / 0 / 13 / 1

HEX #FBFDDC

RGB 251 253 220

HSL 63.64, 0.89%, 0.93%

LAB 98.4, -6.11, 15.58

 

CMYK 0 / 7 / 13 / 0

HEX #FEEBDD

RGB 254 235 221

HSL 25.45, 0.94%, 0.93%

LAB 94.19, 4.18, 9.1

 

CMYK 0 / 8 / 12 / 80

HEX #322E2C

RGB 50 46 44

HSL 20, 0.06%, 0.18%

LAB 19.28, 1.36, 1.93

 

CMYK 0 / 8 / 13 / 60

HEX #655D58

RGB 101 93 88

HSL 23.08, 0.07%, 0.37%

LAB 40.08, 2.25, 4.02

 

CMYK 0 / 7 / 13 / 40

HEX #988D84

RGB 152 141 132

HSL 27, 0.09%, 0.56%

LAB 59.33, 2.49, 6.27

 

CMYK 0 / 7 / 13 / 20

HEX #CBBCB1

RGB 203 188 177

HSL 25.38, 0.2%, 0.75%

LAB 77.18, 3.44, 7.46

 

CMYK 0 / 7 / 13 / 0

HEX #FEEBDD

RGB 254 235 221

HSL 25.45, 0.94%, 0.93%

LAB 94.19, 4.18, 9.1

 

CMYK 8 / 0 / 13 / 1

HEX #E9FDDC

RGB 233 253 220

HSL 96.36, 0.89%, 0.93%

LAB 97.12, -12.29, 13.59

 

CMYK 13 / 13 / 0 / 1

HEX #DCDCFD

RGB 220 220 253

HSL 240, 0.89%, 0.93%

LAB 88.68, 6.34, -16.02

 

CMYK 0 / 7 / 13 / 0

HEX #FEEBDD

RGB 254 235 221

HSL 25.45, 0.94%, 0.93%

LAB 94.19, 4.18, 9.1

 

CMYK 13 / 0 / 8 / 1

HEX #DCFDEA

RGB 220 253 234

HSL 145.45, 0.89%, 0.93%

LAB 96.58, -14.16, 5.51

 

CMYK 8 / 13 / 0 / 1

HEX #EADCFD

RGB 234 220 253

HSL 265.45, 0.89%, 0.93%

LAB 89.75, 10.79, -14.3

 

CMYK 0 / 7 / 13 / 0

HEX #FEEBDD

RGB 254 235 221

HSL 25.45, 0.94%, 0.93%

LAB 94.19, 4.18, 9.1

 

CMYK 8 / 0 / 13 / 1

HEX #E9FDDC

RGB 233 253 220

HSL 96.36, 0.89%, 0.93%

LAB 97.12, -12.29, 13.59

 

CMYK 13 / 6 / 0 / 1

HEX #DCEFFD

RGB 220 239 253

HSL 205.45, 0.89%, 0.93%

LAB 93.47, -3.5, -8.88

 

CMYK 5 / 13 / 0 / 1

HEX #F1DCFD

RGB 241 220 253

HSL 278.18, 0.89%, 0.93%

LAB 90.31, 13.05, -13.41

 

CMYK 0 / 7 / 13 / 0

HEX #FEEBDD

RGB 254 235 221

HSL 25.45, 0.94%, 0.93%

LAB 94.19, 4.18, 9.1

 

CMYK 12 / 0 / 13 / 1

HEX #DFFDDC

RGB 223 253 220

HSL 114.55, 0.89%, 0.93%

LAB 96.45, -15.65, 12.55

 

CMYK 13 / 6 / 0 / 1

HEX #DCEFFD

RGB 220 239 253

HSL 205.45, 0.89%, 0.93%

LAB 93.47, -3.5, -8.88

 

CMYK 1 / 13 / 0 / 1

HEX #FBDCFD

RGB 251 220 253

HSL 296.36, 0.89%, 0.93%

LAB 91.14, 16.32, -12.09

 

Description

Color code: HEX #FEEBDD | qconv.com Color code: HEX #FEEBDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 235 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 235 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 13 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 13% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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