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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEE681 it is the complementary color #01197E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEE681. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEE681 shade: #FFE67C, #FFF88F, #FFFFA2, #FFFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEE681. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEE681 shade: #FEE681, #EDD46E, #DCC25B, #CBB048 and #BA9E35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEE681 shade: #FEE681, #FEC481, #FEA281 and #FE8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEE681 shade: #FEE681, #F4FE81, #D2FE81, #B1FE81 and #8FFE81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEE681 shade matches the following richer shades: #FEE681

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEE681 shade: #FEE681, #F3DF8B, #E9D995, #DFD3A0 and #D4CCAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEE681 shade: #FEA281, #FEC381, #FEE581, #F5FE81 and #D4FE81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEE681 shade: #FDD52F, #FDDE58, #FEE681, #FEEEAA and #FFF6D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEE681 shade: #FEE681, #81FE81 and #B381FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEE681 shade: #FEE681, #81FEE5 and #E581FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEE681 shade: #FEE681, #81FE81, #819AFE and #FE81FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEE681 shade: #FEE681, #81FEA6, #819AFE and #FE81D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

Complementary color

CMYK 99 / 80 / 0 / 51

HEX #01197E

RGB 1 25 126

HSL 228.48, 0.98%, 0.25%

LAB 16.54, 35.45, -57.48

 

CMYK 0 / 10 / 51 / 0

HEX #FFE67C

RGB 255 230 124

HSL 48.55, 1%, 0.74%

LAB 91.37, -4.56, 54.24

 

CMYK 0 / 3 / 44 / 0

HEX #FFF88F

RGB 255 248 143

HSL 56.25, 1%, 0.78%

LAB 96.15, -11.8, 51.06

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

CMYK 0 / 11 / 54 / 7

HEX #EDD46E

RGB 237 212 110

HSL 48.19, 0.78%, 0.68%

LAB 85.11, -3.85, 53

 

CMYK 0 / 12 / 59 / 14

HEX #DCC25B

RGB 220 194 91

HSL 47.91, 0.65%, 0.61%

LAB 78.78, -3.06, 54.15

 

CMYK 0 / 13 / 65 / 20

HEX #CBB048

RGB 203 176 72

HSL 47.63, 0.56%, 0.54%

LAB 72.37, -2.13, 55.2

 

CMYK 0 / 15 / 72 / 27

HEX #BA9E35

RGB 186 158 53

HSL 47.37, 0.56%, 0.47%

LAB 65.87, -1.02, 55.98

 

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

CMYK 0 / 23 / 49 / 0

HEX #FEC481

RGB 254 196 129

HSL 32.16, 0.98%, 0.75%

LAB 82.99, 12.89, 41.46

 

CMYK 0 / 36 / 49 / 0

HEX #FEA281

RGB 254 162 129

HSL 15.84, 0.98%, 0.75%

LAB 75.14, 30.67, 31.35

 

CMYK 0 / 49 / 49 / 0

HEX #FE8181

RGB 254 129 129

HSL 0, 0.98%, 0.75%

LAB 68.28, 47.44, 22.2

 

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

CMYK 4 / 0 / 49 / 0

HEX #F4FE81

RGB 244 254 129

HSL 64.8, 0.98%, 0.75%

LAB 96.7, -20.24, 58.06

 

CMYK 17 / 0 / 49 / 0

HEX #D2FE81

RGB 210 254 129

HSL 81.12, 0.98%, 0.75%

LAB 94.39, -33.07, 54.73

 

CMYK 30 / 0 / 49 / 0

HEX #B1FE81

RGB 177 254 129

HSL 96.96, 0.98%, 0.75%

LAB 92.49, -44.68, 52

 

CMYK 44 / 0 / 49 / 0

HEX #8FFE81

RGB 143 254 129

HSL 113.28, 0.98%, 0.75%

LAB 90.92, -55.28, 49.72

 

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

CMYK 0 / 8 / 43 / 5

HEX #F3DF8B

RGB 243 223 139

HSL 48.46, 0.81%, 0.75%

LAB 88.78, -4.41, 43.56

 

CMYK 0 / 7 / 36 / 9

HEX #E9D995

RGB 233 217 149

HSL 48.57, 0.66%, 0.75%

LAB 86.56, -4.2, 35.52

 

CMYK 0 / 5 / 28 / 13

HEX #DFD3A0

RGB 223 211 160

HSL 48.57, 0.5%, 0.75%

LAB 84.39, -3.62, 26.8

 

CMYK 0 / 4 / 20 / 17

HEX #D4CCAA

RGB 212 204 170

HSL 48.57, 0.33%, 0.75%

LAB 81.88, -2.75, 17.96

 

CMYK 0 / 36 / 49 / 0

HEX #FEA281

RGB 254 162 129

HSL 15.84, 0.98%, 0.75%

LAB 75.14, 30.67, 31.35

 

CMYK 0 / 23 / 49 / 0

HEX #FEC381

RGB 254 195 129

HSL 31.68, 0.98%, 0.75%

LAB 82.75, 13.41, 41.15

 

CMYK 0 / 10 / 49 / 0

HEX #FEE581

RGB 254 229 129

HSL 48, 0.98%, 0.75%

LAB 91.1, -4.03, 51.51

 

CMYK 4 / 0 / 49 / 0

HEX #F5FE81

RGB 245 254 129

HSL 64.32, 0.98%, 0.75%

LAB 96.77, -19.85, 58.16

 

CMYK 17 / 0 / 49 / 0

HEX #D4FE81

RGB 212 254 129

HSL 80.16, 0.98%, 0.75%

LAB 94.51, -32.34, 54.92

 

CMYK 0 / 16 / 81 / 1

HEX #FDD52F

RGB 253 213 47

HSL 48.35, 0.98%, 0.59%

LAB 86.34, -1.04, 79.18

 

CMYK 0 / 12 / 65 / 1

HEX #FDDE58

RGB 253 222 88

HSL 48.73, 0.98%, 0.67%

LAB 88.84, -3.86, 67.3

 

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

CMYK 0 / 6 / 33 / 0

HEX #FEEEAA

RGB 254 238 170

HSL 48.57, 0.98%, 0.83%

LAB 93.94, -4.34, 34.92

 

CMYK 0 / 4 / 18 / 0

HEX #FFF6D2

RGB 255 246 210

HSL 48, 1%, 0.91%

LAB 96.75, -2.7, 18.42

 

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

CMYK 49 / 0 / 49 / 0

HEX #81FE81

RGB 129 254 129

HSL 120, 0.98%, 0.75%

LAB 90.38, -59.12, 48.94

 

CMYK 30 / 49 / 0 / 0

HEX #B381FE

RGB 179 129 254

HSL 264, 0.98%, 0.75%

LAB 63.7, 44.2, -55.48

 

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

CMYK 49 / 0 / 10 / 0

HEX #81FEE5

RGB 129 254 229

HSL 168, 0.98%, 0.75%

LAB 92.22, -40.84, 1.21

 

CMYK 10 / 49 / 0 / 0

HEX #E581FE

RGB 229 129 254

HSL 288, 0.98%, 0.75%

LAB 69.12, 57.32, -46.56

 

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

CMYK 49 / 0 / 49 / 0

HEX #81FE81

RGB 129 254 129

HSL 120, 0.98%, 0.75%

LAB 90.38, -59.12, 48.94

 

CMYK 49 / 39 / 0 / 0

HEX #819AFE

RGB 129 154 254

HSL 228, 0.98%, 0.75%

LAB 65.7, 17.8, -52.56

 

CMYK 0 / 49 / 0 / 0

HEX #FE81FE

RGB 254 129 254

HSL 300, 0.98%, 0.75%

LAB 72.18, 64.04, -41.55

 

CMYK 0 / 9 / 49 / 0

HEX #FEE681

RGB 254 230 129

HSL 48.48, 0.98%, 0.75%

LAB 91.35, -4.53, 51.82

 

CMYK 49 / 0 / 35 / 0

HEX #81FEA6

RGB 129 254 166

HSL 137.76, 0.98%, 0.75%

LAB 90.92, -53.55, 31.62

 

CMYK 49 / 39 / 0 / 0

HEX #819AFE

RGB 129 154 254

HSL 228, 0.98%, 0.75%

LAB 65.7, 17.8, -52.56

 

CMYK 0 / 49 / 15 / 0

HEX #FE81D8

RGB 254 129 216

HSL 318.24, 0.98%, 0.75%

LAB 70.68, 57.93, -22.99

 

Description

Color code: HEX #FEE681 | qconv.com Color code: HEX #FEE681 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 230 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 230 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 49 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 49% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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