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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEDA3E it is the complementary color #0125C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEDA3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEDA3E shade: #FFDA39, #FFEC4C, #FFFE5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEDA3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEDA3E shade: #FEDA3E, #EDC82B, #DCB618, #CBA405 and #BA9200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEDA3E shade: #FEDA3E, #FEA63E, #FE723E, #FE3E3E and #FE3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEDA3E shade: #FEDA3E, #EEFE3E, #BAFE3E, #86FE3E and #53FE3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEDA3E shade matches the following richer shades: #FEDA3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEDA3E shade: #FEDA3E, #EED04D, #DEC65D, #CEBC6D and #BFB27C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEDA3E shade: #FE713E, #FEA43E, #FED73E, #F1FE3E and #BEFE3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEDA3E shade: #E8BD01, #FDD215, #FEDA3E, #FEE167 and #FEE990

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEDA3E shade: #FEDA3E, #3EFE3E and #8A3EFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEDA3E shade: #FEDA3E, #3EFED7 and #D73EFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEDA3E shade: #FEDA3E, #3EFE3E, #3E64FE and #FE3EFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEDA3E shade: #FEDA3E, #3EFE77, #3E64FE and #FE3EC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

Complementary color

CMYK 99 / 81 / 0 / 24

HEX #0125C1

RGB 1 37 193

HSL 228.75, 0.99%, 0.38%

LAB 27.24, 51.99, -80.68

 

CMYK 0 / 15 / 78 / 0

HEX #FFDA39

RGB 255 218 57

HSL 48.79, 1%, 0.61%

LAB 87.82, -2.41, 77.64

 

CMYK 0 / 7 / 70 / 0

HEX #FFEC4C

RGB 255 236 76

HSL 53.63, 1%, 0.65%

LAB 92.47, -10.63, 75.66

 

CMYK 0 / 0 / 63 / 0

HEX #FFFE5F

RGB 255 254 95

HSL 59.63, 1%, 0.69%

LAB 97.22, -18.39, 73.35

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 0 / 16 / 82 / 7

HEX #EDC82B

RGB 237 200 43

HSL 48.56, 0.84%, 0.55%

LAB 81.56, -1.31, 75.58

 

CMYK 0 / 17 / 89 / 14

HEX #DCB618

RGB 220 182 24

HSL 48.37, 0.8%, 0.48%

LAB 75.29, 0.24, 74.24

 

CMYK 0 / 19 / 98 / 20

HEX #CBA405

RGB 203 164 5

HSL 48.18, 0.95%, 0.41%

LAB 68.94, 2.01, 71.53

 

CMYK 0 / 22 / 100 / 27

HEX #BA9200

RGB 186 146 0

HSL 47.1, 1%, 0.36%

LAB 62.5, 4.04, 66.86

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 0 / 35 / 76 / 0

HEX #FEA63E

RGB 254 166 62

HSL 32.5, 0.99%, 0.62%

LAB 75.26, 24.25, 64.09

 

CMYK 0 / 55 / 76 / 0

HEX #FE723E

RGB 254 114 62

HSL 16.25, 0.99%, 0.62%

LAB 64.53, 50.41, 53.37

 

CMYK 0 / 76 / 76 / 0

HEX #FE3E3E

RGB 254 62 62

HSL 0, 0.99%, 0.62%

LAB 56.94, 70.81, 45.39

 

CMYK 0 / 76 / 76 / 0

HEX #FE3E3E

RGB 254 62 62

HSL 0, 0.99%, 0.62%

LAB 56.94, 70.81, 45.39

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 6 / 0 / 76 / 0

HEX #EEFE3E

RGB 238 254 62

HSL 65, 0.99%, 0.62%

LAB 95.75, -26.8, 82.82

 

CMYK 27 / 0 / 76 / 0

HEX #BAFE3E

RGB 186 254 62

HSL 81.25, 0.99%, 0.62%

LAB 92.43, -46.81, 78.54

 

CMYK 47 / 0 / 76 / 0

HEX #86FE3E

RGB 134 254 62

HSL 97.5, 0.99%, 0.62%

LAB 90, -63.92, 75.37

 

CMYK 67 / 0 / 76 / 0

HEX #53FE3E

RGB 83 254 62

HSL 113.44, 0.99%, 0.62%

LAB 88.48, -76.04, 73.38

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 0 / 13 / 68 / 7

HEX #EED04D

RGB 238 208 77

HSL 48.82, 0.83%, 0.62%

LAB 83.87, -3.6, 66.17

 

CMYK 0 / 11 / 58 / 13

HEX #DEC65D

RGB 222 198 93

HSL 48.84, 0.66%, 0.62%

LAB 80.02, -4.15, 54.68

 

CMYK 0 / 9 / 47 / 19

HEX #CEBC6D

RGB 206 188 109

HSL 48.87, 0.5%, 0.62%

LAB 76.19, -4.24, 42.08

 

CMYK 0 / 7 / 35 / 25

HEX #BFB27C

RGB 191 178 124

HSL 48.36, 0.34%, 0.62%

LAB 72.48, -3.44, 29.31

 

CMYK 0 / 56 / 76 / 0

HEX #FE713E

RGB 254 113 62

HSL 15.94, 0.99%, 0.62%

LAB 64.35, 50.88, 53.18

 

CMYK 0 / 35 / 76 / 0

HEX #FEA43E

RGB 254 164 62

HSL 31.88, 0.99%, 0.62%

LAB 74.81, 25.3, 63.65

 

CMYK 0 / 15 / 76 / 0

HEX #FED73E

RGB 254 215 62

HSL 47.81, 0.99%, 0.62%

LAB 87.01, -1.13, 75.25

 

CMYK 5 / 0 / 76 / 0

HEX #F1FE3E

RGB 241 254 62

HSL 64.06, 0.99%, 0.62%

LAB 95.97, -25.59, 83.1

 

CMYK 25 / 0 / 76 / 0

HEX #BEFE3E

RGB 190 254 62

HSL 80, 0.99%, 0.62%

LAB 92.65, -45.34, 78.83

 

CMYK 0 / 19 / 100 / 9

HEX #E8BD01

RGB 232 189 1

HSL 48.83, 0.99%, 0.46%

LAB 78.2, 1.54, 79.88

 

CMYK 0 / 17 / 92 / 1

HEX #FDD215

RGB 253 210 21

HSL 48.88, 0.98%, 0.54%

LAB 85.52, -0.05, 83.93

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 0 / 11 / 59 / 0

HEX #FEE167

RGB 254 225 103

HSL 48.48, 0.99%, 0.7%

LAB 89.81, -4.03, 61.99

 

CMYK 0 / 8 / 43 / 0

HEX #FEE990

RGB 254 233 144

HSL 48.55, 0.98%, 0.78%

LAB 92.29, -4.65, 45.73

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 76 / 0 / 76 / 0

HEX #3EFE3E

RGB 62 254 62

HSL 120, 0.99%, 0.62%

LAB 88.09, -79.37, 72.87

 

CMYK 46 / 76 / 0 / 0

HEX #8A3EFE

RGB 138 62 254

HSL 263.75, 0.99%, 0.62%

LAB 46.98, 69.32, -82.7

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 76 / 0 / 15 / 0

HEX #3EFED7

RGB 62 254 215

HSL 167.81, 0.99%, 0.62%

LAB 90.24, -55.11, 5.37

 

CMYK 15 / 76 / 0 / 0

HEX #D73EFE

RGB 215 62 254

HSL 287.81, 0.99%, 0.62%

LAB 57.12, 81.98, -65.77

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 76 / 0 / 76 / 0

HEX #3EFE3E

RGB 62 254 62

HSL 120, 0.99%, 0.62%

LAB 88.09, -79.37, 72.87

 

CMYK 76 / 61 / 0 / 0

HEX #3E64FE

RGB 62 100 254

HSL 228.13, 0.99%, 0.62%

LAB 48.63, 39.35, -80.23

 

CMYK 0 / 76 / 0 / 0

HEX #FE3EFE

RGB 254 62 254

HSL 300, 0.99%, 0.62%

LAB 63.07, 89.25, -55.91

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 76 / 0 / 53 / 0

HEX #3EFE77

RGB 62 254 119

HSL 137.81, 0.99%, 0.62%

LAB 88.56, -73.65, 50.95

 

CMYK 76 / 61 / 0 / 0

HEX #3E64FE

RGB 62 100 254

HSL 228.13, 0.99%, 0.62%

LAB 48.63, 39.35, -80.23

 

CMYK 0 / 76 / 23 / 0

HEX #FE3EC4

RGB 254 62 196

HSL 318.13, 0.99%, 0.62%

LAB 60.34, 81.35, -27.62

 

Description

Color code: HEX #FEDA3E | qconv.com Color code: HEX #FEDA3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 218 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 218 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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