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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FECE5C it is the complementary color #0131A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FECE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FECE5C shade: #FFCE57, #FFE06A, #FFF27D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FECE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FECE5C shade: #FECE5C, #EDBC49, #DCAA36, #CB9823 and #BA8610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FECE5C shade: #FECE5C, #FEA25C, #FE775C and #FE5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FECE5C shade: #FECE5C, #FEF95C, #D6FE5C, #ABFE5C and #7FFE5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FECE5C shade matches the following richer shades: #FECE5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FECE5C shade: #FECE5C, #F0C869, #E3C377, #D6BE84 and #C9B891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FECE5C shade: #FE775C, #FEA25C, #FECD5C, #FEF85C and #D8FE5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FECE5C shade: #FDB50A, #FDC133, #FECE5C, #FEDA85 and #FEE6AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FECE5C shade: #FECE5C, #6CFE5C and #8D5CFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FECE5C shade: #FECE5C, #5CFECD and #CD5CFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FECE5C shade: #FECE5C, #6CFE5C, #5C8DFE and #EE5CFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FECE5C shade: #FECE5C, #5CFE7C, #5C8DFE and #FE5CDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

Complementary color

CMYK 99 / 70 / 0 / 36

HEX #0131A3

RGB 1 49 163

HSL 222.22, 0.99%, 0.32%

LAB 26.3, 34.24, -64.31

 

CMYK 0 / 19 / 66 / 0

HEX #FFCE57

RGB 255 206 87

HSL 42.5, 1%, 0.67%

LAB 85.04, 5.06, 63.75

 

CMYK 0 / 12 / 58 / 0

HEX #FFE06A

RGB 255 224 106

HSL 47.52, 1%, 0.71%

LAB 89.68, -2.91, 60.53

 

CMYK 0 / 5 / 51 / 0

HEX #FFF27D

RGB 255 242 125

HSL 54, 1%, 0.75%

LAB 94.42, -10.44, 57.39

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

CMYK 0 / 21 / 69 / 7

HEX #EDBC49

RGB 237 188 73

HSL 42.07, 0.82%, 0.61%

LAB 78.72, 6.1, 62.47

 

CMYK 0 / 23 / 75 / 14

HEX #DCAA36

RGB 220 170 54

HSL 41.93, 0.7%, 0.54%

LAB 72.38, 7.45, 63.12

 

CMYK 0 / 25 / 83 / 20

HEX #CB9823

RGB 203 152 35

HSL 41.79, 0.71%, 0.47%

LAB 65.96, 9.02, 63.18

 

CMYK 0 / 28 / 91 / 27

HEX #BA8610

RGB 186 134 16

HSL 41.65, 0.84%, 0.4%

LAB 59.46, 10.84, 62.09

 

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

CMYK 0 / 36 / 64 / 0

HEX #FEA25C

RGB 254 162 92

HSL 25.93, 0.99%, 0.68%

LAB 74.63, 27.85, 49.86

 

CMYK 0 / 53 / 64 / 0

HEX #FE775C

RGB 254 119 92

HSL 10, 0.99%, 0.68%

LAB 65.78, 49.52, 39.37

 

CMYK 0 / 64 / 64 / 0

HEX #FE5C5C

RGB 254 92 92

HSL 0, 0.99%, 0.68%

LAB 61.22, 61.51, 33.75

 

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

CMYK 0 / 2 / 64 / 0

HEX #FEF95C

RGB 254 249 92

HSL 58.15, 0.99%, 0.68%

LAB 95.83, -16.56, 73.05

 

CMYK 16 / 0 / 64 / 0

HEX #D6FE5C

RGB 214 254 92

HSL 74.81, 0.99%, 0.68%

LAB 94.29, -34.64, 70.56

 

CMYK 33 / 0 / 64 / 0

HEX #ABFE5C

RGB 171 254 92

HSL 90.74, 0.99%, 0.68%

LAB 91.83, -50.22, 67.19

 

CMYK 50 / 0 / 64 / 0

HEX #7FFE5C

RGB 127 254 92

HSL 107.04, 0.99%, 0.68%

LAB 89.94, -63.71, 64.59

 

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

CMYK 0 / 17 / 56 / 6

HEX #F0C869

RGB 240 200 105

HSL 42.22, 0.82%, 0.68%

LAB 82.3, 3.15, 52.13

 

CMYK 0 / 14 / 48 / 11

HEX #E3C377

RGB 227 195 119

HSL 42.22, 0.66%, 0.68%

LAB 80.01, 1.63, 42.21

 

CMYK 0 / 11 / 38 / 16

HEX #D6BE84

RGB 214 190 132

HSL 42.44, 0.5%, 0.68%

LAB 77.75, 0.36, 32.42

 

CMYK 0 / 8 / 28 / 21

HEX #C9B891

RGB 201 184 145

HSL 41.79, 0.34%, 0.68%

LAB 75.29, 0.03, 22.04

 

CMYK 0 / 53 / 64 / 0

HEX #FE775C

RGB 254 119 92

HSL 10, 0.99%, 0.68%

LAB 65.78, 49.52, 39.37

 

CMYK 0 / 36 / 64 / 0

HEX #FEA25C

RGB 254 162 92

HSL 25.93, 0.99%, 0.68%

LAB 74.63, 27.85, 49.86

 

CMYK 0 / 19 / 64 / 0

HEX #FECD5C

RGB 254 205 92

HSL 41.85, 0.99%, 0.68%

LAB 84.74, 5.45, 61.23

 

CMYK 0 / 2 / 64 / 0

HEX #FEF85C

RGB 254 248 92

HSL 57.78, 0.99%, 0.68%

LAB 95.57, -16.07, 72.78

 

CMYK 15 / 0 / 64 / 0

HEX #D8FE5C

RGB 216 254 92

HSL 74.07, 0.99%, 0.68%

LAB 94.42, -33.88, 70.73

 

CMYK 0 / 28 / 96 / 1

HEX #FDB50A

RGB 253 181 10

HSL 42.22, 0.98%, 0.52%

LAB 78.43, 14.82, 80.14

 

CMYK 0 / 24 / 80 / 1

HEX #FDC133

RGB 253 193 51

HSL 42.18, 0.98%, 0.6%

LAB 81.44, 9.36, 73.73

 

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

CMYK 0 / 14 / 48 / 0

HEX #FEDA85

RGB 254 218 133

HSL 42.15, 0.98%, 0.76%

LAB 88.4, 1.9, 46.26

 

CMYK 0 / 9 / 31 / 0

HEX #FEE6AE

RGB 254 230 174

HSL 42, 0.98%, 0.84%

LAB 92.01, 0.18, 30.31

 

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

CMYK 57 / 0 / 64 / 0

HEX #6CFE5C

RGB 108 254 92

HSL 114.07, 0.99%, 0.68%

LAB 89.32, -68.48, 63.74

 

CMYK 44 / 64 / 0 / 0

HEX #8D5CFE

RGB 141 92 254

HSL 258.15, 0.99%, 0.68%

LAB 52.37, 55.67, -73.9

 

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

CMYK 64 / 0 / 19 / 0

HEX #5CFECD

RGB 92 254 205

HSL 161.85, 0.99%, 0.68%

LAB 90.58, -53.44, 11.11

 

CMYK 19 / 64 / 0 / 0

HEX #CD5CFE

RGB 205 92 254

HSL 281.85, 0.99%, 0.68%

LAB 59.7, 68.8, -61.7

 

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

CMYK 57 / 0 / 64 / 0

HEX #6CFE5C

RGB 108 254 92

HSL 114.07, 0.99%, 0.68%

LAB 89.32, -68.48, 63.74

 

CMYK 64 / 44 / 0 / 0

HEX #5C8DFE

RGB 92 141 254

HSL 221.85, 0.99%, 0.68%

LAB 60.32, 18.24, -61.24

 

CMYK 6 / 64 / 0 / 0

HEX #EE5CFE

RGB 238 92 254

HSL 294.07, 0.99%, 0.68%

LAB 64.15, 76.11, -54.34

 

CMYK 0 / 19 / 64 / 0

HEX #FECE5C

RGB 254 206 92

HSL 42.22, 0.99%, 0.68%

LAB 84.99, 4.94, 61.5

 

CMYK 64 / 0 / 51 / 0

HEX #5CFE7C

RGB 92 254 124

HSL 131.85, 0.99%, 0.68%

LAB 89.21, -68.2, 49.58

 

CMYK 64 / 44 / 0 / 0

HEX #5C8DFE

RGB 92 141 254

HSL 221.85, 0.99%, 0.68%

LAB 60.32, 18.24, -61.24

 

CMYK 0 / 64 / 13 / 0

HEX #FE5CDD

RGB 254 92 221

HSL 312.22, 0.99%, 0.68%

LAB 64.92, 74.7, -34.66

 

Description

Color code: HEX #FECE5C | qconv.com Color code: HEX #FECE5C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 206 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 206 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 64 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 64% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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