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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FECB954C it is the complementary color #01346A4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FECB954C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FECB954C shade: #FFCB904C, #FFDDA34C, #FFEFB64C, #FFFFC94C and #FFFFDC4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FECB954C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FECB954C shade: #FECB954C, #EDB9824C, #DCA76F4C, #CB955C4C and #BA83494C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FECB954C shade: #FECB95, #FEAF95 and #FE9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FECB954C shade: #FECB95, #FEE795, #F8FE95, #DCFE95 and #C0FE95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FECB954C shade matches the following richer shades: #FECB95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FECB954C shade: #FECB95, #F5CB9E, #EDCAA6, #E4CAAF and #DBCAB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FECB954C shade: #FE9598, #FEAD95, #FEC995, #FEE595 and #FAFE95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FECB954C shade: #FDA343, #FEB76C, #FECB95, #FEDFBE and #FFF3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FECB954C shade: #FECB95, #B4FE95 and #9F95FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FECB954C shade: #FECB95, #95FEC9 and #C995FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FECB954C shade: #FECB95, #B4FE95, #95C9FE and #DE95FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FECB954C shade: #FECB95, #95FE95, #95C9FE and #FE95FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 12 / 0

HEX #FECB954C

RGBA 254 203 149 0.3

HSLA 30.86, 0.98%, 0.79%, 0.3

LABA 84.97, 11.21, 33.78, 0.3

 

Complementary color

CMYK 30 / 15 / 0 / 18

HEX #01346A4C

RGBA 1 52 106 0.3

HSLA 210.86, 0.98%, 0.21%, 0.3

LABA 21.96, 8, -35.77, 0.3

 

CMYK 0 / 6 / 13 / 0

HEX #FFCB904C

RGBA 255 203 144 0.3

HSLA 31.89, 1%, 0.78%, 0.3

LABA 84.99, 11.08, 36.39, 0.3

 

CMYK 0 / 4 / 11 / 0

HEX #FFDDA34C

RGBA 255 221 163 0.3

HSLA 37.83, 1%, 0.82%, 0.3

LABA 89.68, 3.85, 32.84, 0.3

 

CMYK 0 / 2 / 9 / 0

HEX #FFEFB64C

RGBA 255 239 182 0.3

HSLA 46.85, 1%, 0.86%, 0.3

LABA 94.47, -3, 29.58, 0.3

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFC94C

RGBA 255 255 201 0.3

HSLA 60, 1%, 0.89%, 0.3

LABA 98.83, -8.47, 25.89, 0.3

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFDC4C

RGBA 255 255 220 0.3

HSLA 60, 1%, 0.93%, 0.3

LABA 99.2, -5.72, 16.75, 0.3

 

CMYK 0 / 6 / 12 / 0

HEX #FECB954C

RGBA 254 203 149 0.3

HSLA 30.86, 0.98%, 0.79%, 0.3

LABA 84.97, 11.21, 33.78, 0.3

 

CMYK 0 / 7 / 14 / 2

HEX #EDB9824C

RGBA 237 185 130 0.3

HSLA 30.84, 0.75%, 0.72%, 0.3

LABA 78.64, 11.97, 35.04, 0.3

 

CMYK 0 / 7 / 15 / 4

HEX #DCA76F4C

RGBA 220 167 111 0.3

HSLA 30.83, 0.61%, 0.65%, 0.3

LABA 72.23, 12.84, 36.39, 0.3

 

CMYK 0 / 8 / 16 / 6

HEX #CB955C4C

RGBA 203 149 92 0.3

HSLA 30.81, 0.52%, 0.58%, 0.3

LABA 65.72, 13.85, 37.82, 0.3

 

CMYK 0 / 9 / 18 / 8

HEX #BA83494C

RGBA 186 131 73 0.3

HSLA 30.8, 0.45%, 0.51%, 0.3

LABA 59.12, 15.02, 39.32, 0.3

 

CMYK 0 / 20 / 41 / 0

HEX #FECB95

RGB 254 203 149

HSL 30.86, 0.98%, 0.79%

LAB 84.97, 11.21, 33.78

 

CMYK 0 / 31 / 41 / 0

HEX #FEAF95

RGB 254 175 149

HSL 14.86, 0.98%, 0.79%

LAB 78.4, 25.85, 25

 

CMYK 0 / 41 / 41 / 0

HEX #FE9595

RGB 254 149 149

HSL 0, 0.98%, 0.79%

LAB 72.72, 39.36, 17.19

 

CMYK 0 / 20 / 41 / 0

HEX #FECB95

RGB 254 203 149

HSL 30.86, 0.98%, 0.79%

LAB 84.97, 11.21, 33.78

 

CMYK 0 / 9 / 41 / 0

HEX #FEE795

RGB 254 231 149

HSL 46.86, 0.98%, 0.79%

LAB 91.86, -3.14, 42.72

 

CMYK 2 / 0 / 41 / 0

HEX #F8FE95

RGB 248 254 149

HSL 63.43, 0.98%, 0.79%

LAB 97.23, -16.81, 49.42

 

CMYK 13 / 0 / 41 / 0

HEX #DCFE95

RGB 220 254 149

HSL 79.43, 0.98%, 0.79%

LAB 95.27, -27.28, 46.54

 

CMYK 24 / 0 / 41 / 0

HEX #C0FE95

RGB 192 254 149

HSL 95.43, 0.98%, 0.79%

LAB 93.56, -37.22, 44.01

 

CMYK 0 / 20 / 41 / 0

HEX #FECB95

RGB 254 203 149

HSL 30.86, 0.98%, 0.79%

LAB 84.97, 11.21, 33.78

 

CMYK 0 / 20 / 41 / 0

HEX #FECB95

RGB 254 203 149

HSL 30.86, 0.98%, 0.79%

LAB 84.97, 11.21, 33.78

 

CMYK 0 / 17 / 36 / 4

HEX #F5CB9E

RGB 245 203 158

HSL 31.03, 0.81%, 0.79%

LAB 84.27, 8.72, 28.02

 

CMYK 0 / 15 / 30 / 7

HEX #EDCAA6

RGB 237 202 166

HSL 30.42, 0.66%, 0.79%

LAB 83.44, 7.16, 22.56

 

CMYK 0 / 11 / 23 / 11

HEX #E4CAAF

RGB 228 202 175

HSL 30.57, 0.5%, 0.79%

LAB 82.82, 4.98, 16.82

 

CMYK 0 / 8 / 16 / 14

HEX #DBCAB8

RGB 219 202 184

HSL 30.86, 0.33%, 0.79%

LAB 82.25, 2.99, 11.12

 

CMYK 0 / 41 / 40 / 0

HEX #FE9598

RGB 254 149 152

HSL 358.29, 0.98%, 0.79%

LAB 72.78, 39.68, 15.63

 

CMYK 0 / 32 / 41 / 0

HEX #FEAD95

RGB 254 173 149

HSL 13.71, 0.98%, 0.79%

LAB 77.95, 26.9, 24.38

 

CMYK 0 / 21 / 41 / 0

HEX #FEC995

RGB 254 201 149

HSL 29.71, 0.98%, 0.79%

LAB 84.49, 12.25, 33.14

 

CMYK 0 / 10 / 41 / 0

HEX #FEE595

RGB 254 229 149

HSL 45.71, 0.98%, 0.79%

LAB 91.36, -2.13, 42.08

 

CMYK 2 / 0 / 41 / 0

HEX #FAFE95

RGB 250 254 149

HSL 62.29, 0.98%, 0.79%

LAB 97.38, -16.05, 49.64

 

CMYK 0 / 36 / 74 / 1

HEX #FDA343

RGB 253 163 67

HSL 30.97, 0.98%, 0.63%

LAB 74.5, 25.62, 61.23

 

CMYK 0 / 28 / 57 / 0

HEX #FEB76C

RGB 254 183 108

HSL 30.82, 0.99%, 0.71%

LAB 79.63, 17.96, 47.85

 

CMYK 0 / 20 / 41 / 0

HEX #FECB95

RGB 254 203 149

HSL 30.86, 0.98%, 0.79%

LAB 84.97, 11.21, 33.78

 

CMYK 0 / 12 / 25 / 0

HEX #FEDFBE

RGB 254 223 190

HSL 30.94, 0.97%, 0.87%

LAB 90.58, 5.81, 20.11

 

CMYK 0 / 5 / 9 / 0

HEX #FFF3E7

RGB 255 243 231

HSL 30, 1%, 0.95%

LAB 96.46, 2.04, 7.21

 

CMYK 0 / 20 / 41 / 0

HEX #FECB95

RGB 254 203 149

HSL 30.86, 0.98%, 0.79%

LAB 84.97, 11.21, 33.78

 

CMYK 29 / 0 / 41 / 0

HEX #B4FE95

RGB 180 254 149

HSL 102.29, 0.98%, 0.79%

LAB 92.91, -41.25, 43.04

 

CMYK 37 / 41 / 0 / 0

HEX #9F95FE

RGB 159 149 254

HSL 245.71, 0.98%, 0.79%

LAB 66.54, 27.88, -51.1

 

CMYK 0 / 20 / 41 / 0

HEX #FECB95

RGB 254 203 149

HSL 30.86, 0.98%, 0.79%

LAB 84.97, 11.21, 33.78

 

CMYK 41 / 0 / 21 / 0

HEX #95FEC9

RGB 149 254 201

HSL 149.71, 0.98%, 0.79%

LAB 92.35, -42, 15.93

 

CMYK 21 / 41 / 0 / 0

HEX #C995FE

RGB 201 149 254

HSL 269.71, 0.98%, 0.79%

LAB 70.22, 39.17, -45.04

 

CMYK 0 / 20 / 41 / 0

HEX #FECB95

RGB 254 203 149

HSL 30.86, 0.98%, 0.79%

LAB 84.97, 11.21, 33.78

 

CMYK 29 / 0 / 41 / 0

HEX #B4FE95

RGB 180 254 149

HSL 102.29, 0.98%, 0.79%

LAB 92.91, -41.25, 43.04

 

CMYK 41 / 21 / 0 / 0

HEX #95C9FE

RGB 149 201 254

HSL 210.29, 0.98%, 0.79%

LAB 79.22, -3.7, -31.35

 

CMYK 13 / 41 / 0 / 0

HEX #DE95FE

RGB 222 149 254

HSL 281.71, 0.98%, 0.79%

LAB 72.35, 45.13, -41.56

 

CMYK 0 / 20 / 41 / 0

HEX #FECB95

RGB 254 203 149

HSL 30.86, 0.98%, 0.79%

LAB 84.97, 11.21, 33.78

 

CMYK 41 / 0 / 41 / 0

HEX #95FE95

RGB 149 254 149

HSL 120, 0.98%, 0.79%

LAB 91.43, -50.86, 40.85

 

CMYK 41 / 21 / 0 / 0

HEX #95C9FE

RGB 149 201 254

HSL 210.29, 0.98%, 0.79%

LAB 79.22, -3.7, -31.35

 

CMYK 0 / 41 / 0 / 0

HEX #FE95FE

RGB 254 149 254

HSL 300, 0.98%, 0.79%

LAB 75.9, 54.37, -35.77

 

Description

Color code: HEX #FECB954C | qconv.com Color code: HEX #FECB954C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 203 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 203 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 12 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 12% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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