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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEC76F it is the complementary color #013890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEC76F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEC76F shade: #FFC76A, #FFD97D, #FFEB90, #FFFDA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEC76F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEC76F shade: #FEC76F, #EDB55C, #DCA349, #CB9136 and #BA7F23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEC76F shade: #FEC871, #FEA271, #FE7C71 and #FE7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEC76F shade: #FEC871, #FEEE71, #E8FE71, #C2FE71 and #9CFE71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEC76F shade matches the following richer shades: #FEC871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEC76F shade: #FEC871, #F3C57C, #E7C388, #DCC094 and #D0BD9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEC76F shade: #FE7A71, #FEA071, #FEC671, #FEEB71 and #EBFE71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEC76F shade: #FEA81F, #FEB848, #FEC871, #FED89A and #FFE8C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEC76F shade: #FEC76F, #8DFE71 and #8D71FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEC76F shade: #FEC76F, #71FEC6 and #C671FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEC76F shade: #FEC76F, #8DFE71, #71A9FE and #E271FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEC76F shade: #FEC76F, #71FE7F, #71A9FE and #FE71F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 56 / 0

HEX #FEC76F

RGB 254 199 111

HSL 36.92, 0.99%, 0.72%

LAB 83.48, 9.84, 50.98

 

Complementary color

CMYK 99 / 61 / 0 / 44

HEX #013890

RGB 1 56 144

HSL 216.92, 0.99%, 0.28%

LAB 26.3, 21.74, -52.69

 

CMYK 0 / 22 / 58 / 0

HEX #FFC76A

RGB 255 199 106

HSL 37.45, 1%, 0.71%

LAB 83.52, 9.88, 53.45

 

CMYK 0 / 15 / 51 / 0

HEX #FFD97D

RGB 255 217 125

HSL 42.46, 1%, 0.75%

LAB 88.14, 2.11, 49.86

 

CMYK 0 / 8 / 44 / 0

HEX #FFEB90

RGB 255 235 144

HSL 49.19, 1%, 0.78%

LAB 92.88, -5.26, 46.49

 

CMYK 0 / 1 / 36 / 0

HEX #FFFDA3

RGB 255 253 163

HSL 58.7, 1%, 0.82%

LAB 97.69, -12.19, 43.33

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 22 / 56 / 0

HEX #FEC76F

RGB 254 199 111

HSL 36.92, 0.99%, 0.72%

LAB 83.48, 9.84, 50.98

 

CMYK 0 / 24 / 61 / 7

HEX #EDB55C

RGB 237 181 92

HSL 36.83, 0.8%, 0.65%

LAB 77.18, 10.91, 52.29

 

CMYK 0 / 26 / 67 / 14

HEX #DCA349

RGB 220 163 73

HSL 36.73, 0.68%, 0.57%

LAB 70.8, 12.13, 53.55

 

CMYK 0 / 29 / 73 / 20

HEX #CB9136

RGB 203 145 54

HSL 36.64, 0.59%, 0.5%

LAB 64.33, 13.54, 54.62

 

CMYK 0 / 32 / 81 / 27

HEX #BA7F23

RGB 186 127 35

HSL 36.56, 0.68%, 0.43%

LAB 57.79, 15.2, 55.25

 

CMYK 0 / 21 / 56 / 0

HEX #FEC871

RGB 254 200 113

HSL 37.02, 0.99%, 0.72%

LAB 83.74, 9.48, 50.33

HEX #FEC871

CMYK 0 / 36 / 56 / 0

HEX #FEA271

RGB 254 162 113

HSL 20.85, 0.99%, 0.72%

LAB 74.89, 29.32, 39.5

HEX #FEA271

CMYK 0 / 51 / 56 / 0

HEX #FE7C71

RGB 254 124 113

HSL 4.68, 0.99%, 0.72%

LAB 67.04, 48.55, 29.45

HEX #FE7C71

CMYK 0 / 56 / 56 / 0

HEX #FE7171

RGB 254 113 113

HSL 0, 0.99%, 0.72%

LAB 65.02, 53.75, 26.81

HEX #FE7171

CMYK 0 / 21 / 56 / 0

HEX #FEC871

RGB 254 200 113

HSL 37.02, 0.99%, 0.72%

LAB 83.74, 9.48, 50.33

HEX #FEC871

CMYK 0 / 6 / 56 / 0

HEX #FEEE71

RGB 254 238 113

HSL 53.19, 0.99%, 0.72%

LAB 93.19, -9.81, 61.39

HEX #FEEE71

CMYK 9 / 0 / 56 / 0

HEX #E8FE71

RGB 232 254 113

HSL 69.36, 0.99%, 0.72%

LAB 95.68, -26.21, 63.77

HEX #E8FE71

CMYK 24 / 0 / 56 / 0

HEX #C2FE71

RGB 194 254 113

HSL 85.53, 0.99%, 0.72%

LAB 93.25, -40.41, 60.35

HEX #C2FE71

CMYK 39 / 0 / 56 / 0

HEX #9CFE71

RGB 156 254 113

HSL 101.7, 0.99%, 0.72%

LAB 91.3, -53.21, 57.59

HEX #9CFE71

CMYK 0 / 21 / 56 / 0

HEX #FEC871

RGB 254 200 113

HSL 37.02, 0.99%, 0.72%

LAB 83.74, 9.48, 50.33

HEX #FEC871

CMYK 0 / 21 / 56 / 0

HEX #FEC871

RGB 254 200 113

HSL 37.02, 0.99%, 0.72%

LAB 83.74, 9.48, 50.33

HEX #FEC871

CMYK 0 / 19 / 49 / 5

HEX #F3C57C

RGB 243 197 124

HSL 36.81, 0.83%, 0.72%

LAB 82.08, 7.51, 42.61

HEX #F3C57C

CMYK 0 / 16 / 41 / 9

HEX #E7C388

RGB 231 195 136

HSL 37.26, 0.66%, 0.72%

LAB 80.63, 4.94, 34.39

HEX #E7C388

CMYK 0 / 13 / 33 / 14

HEX #DCC094

RGB 220 192 148

HSL 36.67, 0.51%, 0.72%

LAB 79.07, 3.58, 25.86

HEX #DCC094

CMYK 0 / 9 / 24 / 18

HEX #D0BD9F

RGB 208 189 159

HSL 36.73, 0.34%, 0.72%

LAB 77.46, 2.02, 17.62

HEX #D0BD9F

CMYK 0 / 52 / 56 / 0

HEX #FE7A71

RGB 254 122 113

HSL 3.83, 0.99%, 0.72%

LAB 66.66, 49.52, 28.96

 

CMYK 0 / 37 / 56 / 0

HEX #FEA071

RGB 254 160 113

HSL 20, 0.99%, 0.72%

LAB 74.45, 30.36, 38.94

 

CMYK 0 / 22 / 56 / 0

HEX #FEC671

RGB 254 198 113

HSL 36.17, 0.99%, 0.72%

LAB 83.26, 10.52, 49.75

 

CMYK 0 / 7 / 56 / 0

HEX #FEEB71

RGB 254 235 113

HSL 51.91, 0.99%, 0.72%

LAB 92.43, -8.32, 60.52

 

CMYK 7 / 0 / 56 / 0

HEX #EBFE71

RGB 235 254 113

HSL 68.09, 0.99%, 0.72%

LAB 95.89, -25.04, 64.06

 

CMYK 0 / 34 / 88 / 0

HEX #FEA81F

RGB 254 168 31

HSL 36.86, 0.99%, 0.56%

LAB 75.56, 22.31, 74.51

 

CMYK 0 / 28 / 72 / 0

HEX #FEB848

RGB 254 184 72

HSL 36.92, 0.99%, 0.64%

LAB 79.51, 15.28, 64.25

 

CMYK 0 / 21 / 56 / 0

HEX #FEC871

RGB 254 200 113

HSL 37.02, 0.99%, 0.72%

LAB 83.74, 9.48, 50.33

HEX #FEC871

CMYK 0 / 15 / 39 / 0

HEX #FED89A

RGB 254 216 154

HSL 37.2, 0.98%, 0.8%

LAB 88.22, 5.02, 35.48

HEX #FED89A

CMYK 0 / 9 / 24 / 0

HEX #FFE8C3

RGB 255 232 195

HSL 37, 1%, 0.88%

LAB 92.98, 2.25, 20.86

HEX #FFE8C3

CMYK 0 / 22 / 56 / 0

HEX #FEC76F

RGB 254 199 111

HSL 36.92, 0.99%, 0.72%

LAB 83.48, 9.84, 50.98

 

CMYK 44 / 0 / 56 / 0

HEX #8DFE71

RGB 141 254 113

HSL 108.09, 0.99%, 0.72%

LAB 90.66, -57.72, 56.68

 

CMYK 44 / 56 / 0 / 0

HEX #8D71FE

RGB 141 113 254

HSL 251.91, 0.99%, 0.72%

LAB 56.71, 44.21, -66.87

 

CMYK 0 / 22 / 56 / 0

HEX #FEC76F

RGB 254 199 111

HSL 36.92, 0.99%, 0.72%

LAB 83.48, 9.84, 50.98

 

CMYK 56 / 0 / 22 / 0

HEX #71FEC6

RGB 113 254 198

HSL 156.17, 0.99%, 0.72%

LAB 90.99, -51.08, 15.38

 

CMYK 22 / 56 / 0 / 0

HEX #C671FE

RGB 198 113 254

HSL 276.17, 0.99%, 0.72%

LAB 62.48, 57.33, -57.3

 

CMYK 0 / 22 / 56 / 0

HEX #FEC76F

RGB 254 199 111

HSL 36.92, 0.99%, 0.72%

LAB 83.48, 9.84, 50.98

 

CMYK 44 / 0 / 56 / 0

HEX #8DFE71

RGB 141 254 113

HSL 108.09, 0.99%, 0.72%

LAB 90.66, -57.72, 56.68

 

CMYK 56 / 33 / 0 / 0

HEX #71A9FE

RGB 113 169 254

HSL 216.17, 0.99%, 0.72%

LAB 68.78, 5.75, -47.74

 

CMYK 11 / 56 / 0 / 0

HEX #E271FE

RGB 226 113 254

HSL 288.09, 0.99%, 0.72%

LAB 65.85, 64.24, -51.74

 

CMYK 0 / 22 / 56 / 0

HEX #FEC76F

RGB 254 199 111

HSL 36.92, 0.99%, 0.72%

LAB 83.48, 9.84, 50.98

 

CMYK 56 / 0 / 50 / 0

HEX #71FE7F

RGB 113 254 127

HSL 125.96, 0.99%, 0.72%

LAB 89.83, -63.35, 49.06

 

CMYK 56 / 33 / 0 / 0

HEX #71A9FE

RGB 113 169 254

HSL 216.17, 0.99%, 0.72%

LAB 68.78, 5.75, -47.74

 

CMYK 0 / 56 / 6 / 0

HEX #FE71F0

RGB 254 113 240

HSL 305.96, 0.99%, 0.72%

LAB 68.88, 68.96, -39.04

 

Description

Color code: HEX #FEC76F | qconv.com Color code: HEX #FEC76F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 199 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 199 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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