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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEC001 it is the complementary color #013FFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEC001. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEC001 shade: #FFC000, #FFD20F, #FFE422, #FFF635 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEC001. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEC001 shade: #FEC001, #EDAE00, #DC9C00, #CB8A00 and #BA7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEC001 shade: #FEC001, #FE7C01, #FE3801 and #FE0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEC001 shade: #FEC001, #F7FE01, #B3FE01, #6FFE01 and #2BFE01

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEC001 shade matches the following richer shades: #FEC001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEC001 shade: #FEC001, #E9B516, #D4AB2B, #C0A03F and #AB9654

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEC001 shade: #FE3801, #FE7B01, #FEBF01, #FAFE01 and #B6FE01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEC001 shade: #AC8201, #D5A101, #FEC001, #FECA2A and #FED453

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEC001 shade: #FEC001, #0EFE01 and #5A01FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEC001 shade: #FEC001, #01FEBF and #BF01FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEC001 shade: #FEC001, #0EFE01, #0140FE and #F101FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEC001 shade: #FEC001, #01FE40, #0140FE and #FE01BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

Complementary color

CMYK 100 / 75 / 0 / 0

HEX #013FFE

RGB 1 63 254

HSL 225.3, 0.99%, 0.5%

LAB 39.1, 58.3, -95.97

 

CMYK 0 / 25 / 100 / 0

HEX #FFC000

RGB 255 192 0

HSL 45.18, 1%, 0.5%

LAB 81.27, 9.87, 83.2

 

CMYK 0 / 18 / 94 / 0

HEX #FFD20F

RGB 255 210 15

HSL 48.75, 1%, 0.53%

LAB 85.7, 0.74, 84.91

 

CMYK 0 / 11 / 87 / 0

HEX #FFE422

RGB 255 228 34

HSL 52.67, 1%, 0.57%

LAB 90.26, -8.05, 85.49

 

CMYK 0 / 4 / 79 / 0

HEX #FFF635

RGB 255 246 53

HSL 57.33, 1%, 0.6%

LAB 94.92, -16.4, 85.05

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

CMYK 0 / 27 / 100 / 7

HEX #EDAE00

RGB 237 174 0

HSL 44.05, 1%, 0.46%

LAB 75, 11.55, 78.02

 

CMYK 0 / 29 / 100 / 14

HEX #DC9C00

RGB 220 156 0

HSL 42.55, 1%, 0.43%

LAB 68.75, 13.74, 72.89

 

CMYK 0 / 32 / 100 / 20

HEX #CB8A00

RGB 203 138 0

HSL 40.79, 1%, 0.4%

LAB 62.4, 16.01, 67.69

 

CMYK 0 / 35 / 100 / 27

HEX #BA7800

RGB 186 120 0

HSL 38.71, 1%, 0.36%

LAB 55.96, 18.38, 62.43

 

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

CMYK 0 / 51 / 100 / 0

HEX #FE7C01

RGB 254 124 1

HSL 29.17, 0.99%, 0.5%

LAB 66.13, 44.41, 73.26

 

CMYK 0 / 78 / 100 / 0

HEX #FE3801

RGB 254 56 1

HSL 13.04, 0.99%, 0.5%

LAB 55.99, 71.42, 67.94

 

CMYK 0 / 100 / 100 / 0

HEX #FE0101

RGB 254 1 1

HSL 0, 0.99%, 0.5%

LAB 53.05, 79.81, 66.77

 

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

CMYK 3 / 0 / 100 / 0

HEX #F7FE01

RGB 247 254 1

HSL 61.66, 0.99%, 0.5%

LAB 96.27, -24.35, 93.5

 

CMYK 30 / 0 / 100 / 0

HEX #B3FE01

RGB 179 254 1

HSL 77.79, 0.99%, 0.5%

LAB 91.9, -50.85, 88.27

 

CMYK 56 / 0 / 100 / 0

HEX #6FFE01

RGB 111 254 1

HSL 93.91, 0.99%, 0.5%

LAB 89.05, -71.95, 84.83

 

CMYK 83 / 0 / 100 / 0

HEX #2BFE01

RGB 43 254 1

HSL 110.04, 0.99%, 0.5%

LAB 87.68, -83.65, 83.16

 

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

CMYK 0 / 22 / 91 / 9

HEX #E9B516

RGB 233 181 22

HSL 45.21, 0.83%, 0.5%

LAB 76.33, 6.38, 75.98

 

CMYK 0 / 19 / 80 / 17

HEX #D4AB2B

RGB 212 171 43

HSL 45.44, 0.66%, 0.5%

LAB 71.76, 3.03, 66.09

 

CMYK 0 / 17 / 67 / 25

HEX #C0A03F

RGB 192 160 63

HSL 45.12, 0.51%, 0.5%

LAB 67.06, 1.08, 53.17

 

CMYK 0 / 12 / 51 / 33

HEX #AB9654

RGB 171 150 84

HSL 45.52, 0.34%, 0.5%

LAB 62.6, -1.03, 37.42

 

CMYK 0 / 78 / 100 / 0

HEX #FE3801

RGB 254 56 1

HSL 13.04, 0.99%, 0.5%

LAB 55.99, 71.42, 67.94

 

CMYK 0 / 52 / 100 / 0

HEX #FE7B01

RGB 254 123 1

HSL 28.93, 0.99%, 0.5%

LAB 65.93, 44.9, 73.14

 

CMYK 0 / 25 / 100 / 0

HEX #FEBF01

RGB 254 191 1

HSL 45.06, 0.99%, 0.5%

LAB 80.92, 9.97, 82.82

 

CMYK 2 / 0 / 100 / 0

HEX #FAFE01

RGB 250 254 1

HSL 60.95, 0.99%, 0.5%

LAB 96.5, -23.12, 93.77

 

CMYK 28 / 0 / 100 / 0

HEX #B6FE01

RGB 182 254 1

HSL 77.08, 0.99%, 0.5%

LAB 92.06, -49.76, 88.47

 

CMYK 0 / 24 / 99 / 33

HEX #AC8201

RGB 172 130 1

HSL 45.26, 0.99%, 0.34%

LAB 56.82, 6.49, 62.04

 

CMYK 0 / 24 / 100 / 16

HEX #D5A101

RGB 213 161 1

HSL 45.28, 0.99%, 0.42%

LAB 69.21, 8, 72.71

 

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

CMYK 0 / 20 / 83 / 0

HEX #FECA2A

RGB 254 202 42

HSL 45.28, 0.99%, 0.58%

LAB 83.69, 4.87, 78.31

 

CMYK 0 / 17 / 67 / 0

HEX #FED453

RGB 254 212 83

HSL 45.26, 0.99%, 0.66%

LAB 86.4, 1.35, 66.81

 

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

CMYK 94 / 0 / 100 / 0

HEX #0EFE01

RGB 14 254 1

HSL 116.92, 0.99%, 0.5%

LAB 87.47, -85.5, 82.91

 

CMYK 65 / 100 / 0 / 0

HEX #5A01FE

RGB 90 1 254

HSL 261.11, 0.99%, 0.5%

LAB 36.65, 80.59, -99.93

 

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

CMYK 100 / 0 / 25 / 0

HEX #01FEBF

RGB 1 254 191

HSL 165.06, 0.99%, 0.5%

LAB 89.23, -64.29, 16.25

 

CMYK 25 / 100 / 0 / 0

HEX #BF01FE

RGB 191 1 254

HSL 285.06, 0.99%, 0.5%

LAB 49.8, 89.14, -77.8

 

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

CMYK 94 / 0 / 100 / 0

HEX #0EFE01

RGB 14 254 1

HSL 116.92, 0.99%, 0.5%

LAB 87.47, -85.5, 82.91

 

CMYK 100 / 75 / 0 / 0

HEX #0140FE

RGB 1 64 254

HSL 225.06, 0.99%, 0.5%

LAB 39.29, 57.75, -95.66

 

CMYK 5 / 100 / 0 / 0

HEX #F101FE

RGB 241 1 254

HSL 296.92, 0.99%, 0.5%

LAB 57.92, 95.94, -64.27

 

CMYK 0 / 24 / 100 / 0

HEX #FEC001

RGB 254 192 1

HSL 45.3, 0.99%, 0.5%

LAB 81.17, 9.45, 82.98

 

CMYK 100 / 0 / 75 / 0

HEX #01FE40

RGB 1 254 64

HSL 134.94, 0.99%, 0.5%

LAB 87.61, -83.57, 71.61

 

CMYK 100 / 75 / 0 / 0

HEX #0140FE

RGB 1 64 254

HSL 225.06, 0.99%, 0.5%

LAB 39.29, 57.75, -95.66

 

CMYK 0 / 100 / 25 / 0

HEX #FE01BF

RGB 254 1 191

HSL 314.94, 0.99%, 0.5%

LAB 56.93, 90.03, -30.02

 

Description

Color code: HEX #FEC001 | qconv.com Color code: HEX #FEC001 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 192 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 192 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 100% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - CESDE - Formación té...
Link: http://www.cesde.edu.co

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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