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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEBDF03F it is the complementary color #01420F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEBDF03F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEBDF03F shade: #FFBDEB3F, #FFCFFE3F, #FFE1FF3F, #FFF3FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEBDF03F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEBDF03F shade: #FEBDF03F, #EDABDD3F, #DC99CA3F, #CB87B73F and #BA75A43F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEBDF03F shade: #FEBEF0, #FEBEDF, #FEBECD and #FEBEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEBDF03F shade: #FEBEF0, #FBBEFE, #E9BEFE, #D8BEFE and #C6BEFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEBDF03F shade matches the following richer shades: #FEBEF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEBDF03F shade: #FEBEF0, #F9C3ED, #F3C8EA, #EECEE7 and #E9D3E4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEBDF03F shade: #E9BEFE, #FABEFE, #FEBEF1, #FEBEE0 and #FEBECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEBDF03F shade: #FD6CDE, #FD95E7, #FEBEF0, #FFE6F9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEBDF03F shade: #FEBDF0, #FED7BE and #BEFEF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEBDF03F shade: #FEBDF0, #F1FEBE and #BEF1FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEBDF03F shade: #FEBDF0, #FED7BE, #BEFECB and #BEE4FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEBDF03F shade: #FEBDF0, #FEEBBE, #BEFECB and #BED1FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 1 / 0

HEX #FEBDF03F

RGBA 254 189 240 0.25

HSLA 312.92, 0.97%, 0.87%, 0.25

LABA 83.84, 31.28, -16.12, 0.25

 

Complementary color

CMYK 25 / 0 / 19 / 19

HEX #01420F3F

RGBA 1 66 15 0.25

HSLA 132.92, 0.97%, 0.13%, 0.25

LABA 23.46, -30.99, 24.75, 0.25

 

CMYK 0 / 6 / 2 / 0

HEX #FFBDEB3F

RGBA 255 189 235 0.25

HSLA 318.18, 1%, 0.87%, 0.25

LABA 83.78, 30.76, -13.52, 0.25

 

CMYK 0 / 5 / 0 / 0

HEX #FFCFFE3F

RGBA 255 207 254 0.25

HSLA 301.25, 1%, 0.91%, 0.25

LABA 88.47, 24.61, -16.58, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE1FF3F

RGBA 255 225 255 0.25

HSLA 300, 1%, 0.94%, 0.25

LABA 92.72, 15.38, -10.74, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 0 / 6 / 1 / 0

HEX #FEBDF03F

RGBA 254 189 240 0.25

HSLA 312.92, 0.97%, 0.87%, 0.25

LABA 83.84, 31.28, -16.12, 0.25

 

CMYK 0 / 7 / 2 / 2

HEX #EDABDD3F

RGBA 237 171 221 0.25

HSLA 314.55, 0.65%, 0.8%, 0.25

LABA 77.49, 31.91, -15.61, 0.25

 

CMYK 0 / 8 / 2 / 3

HEX #DC99CA3F

RGBA 220 153 202 0.25

HSLA 316.12, 0.49%, 0.73%, 0.25

LABA 71.05, 32.58, -15.07, 0.25

 

CMYK 0 / 8 / 2 / 5

HEX #CB87B73F

RGBA 203 135 183 0.25

HSLA 317.65, 0.4%, 0.66%, 0.25

LABA 64.52, 33.29, -14.49, 0.25

 

CMYK 0 / 9 / 3 / 7

HEX #BA75A43F

RGBA 186 117 164 0.25

HSLA 319.13, 0.33%, 0.59%, 0.25

LABA 57.89, 34.05, -13.86, 0.25

 

CMYK 0 / 25 / 6 / 0

HEX #FEBEF0

RGB 254 190 240

HSL 313.13, 0.97%, 0.87%

LAB 84.06, 30.76, -15.78

 

CMYK 0 / 25 / 12 / 0

HEX #FEBEDF

RGB 254 190 223

HSL 329.06, 0.97%, 0.87%

LAB 83.56, 27.93, -7.44

 

CMYK 0 / 25 / 19 / 0

HEX #FEBECD

RGB 254 190 205

HSL 345.94, 0.97%, 0.87%

LAB 83.08, 25.14, 1.49

 

CMYK 0 / 25 / 25 / 0

HEX #FEBEBE

RGB 254 190 190

HSL 0, 0.97%, 0.87%

LAB 82.71, 22.99, 9

 

CMYK 0 / 25 / 6 / 0

HEX #FEBEF0

RGB 254 190 240

HSL 313.13, 0.97%, 0.87%

LAB 84.06, 30.76, -15.78

 

CMYK 1 / 25 / 0 / 0

HEX #FBBEFE

RGB 251 190 254

HSL 297.19, 0.97%, 0.87%

LAB 84.22, 32.27, -23.03

 

CMYK 8 / 25 / 0 / 0

HEX #E9BEFE

RGB 233 190 254

HSL 280.31, 0.97%, 0.87%

LAB 82.54, 26.58, -25.74

 

CMYK 15 / 25 / 0 / 0

HEX #D8BEFE

RGB 216 190 254

HSL 264.38, 0.97%, 0.87%

LAB 81.06, 21.29, -28.13

 

CMYK 22 / 25 / 0 / 0

HEX #C6BEFE

RGB 198 190 254

HSL 247.5, 0.97%, 0.87%

LAB 79.61, 15.84, -30.49

 

CMYK 0 / 25 / 6 / 0

HEX #FEBEF0

RGB 254 190 240

HSL 313.13, 0.97%, 0.87%

LAB 84.06, 30.76, -15.78

 

CMYK 0 / 25 / 6 / 0

HEX #FEBEF0

RGB 254 190 240

HSL 313.13, 0.97%, 0.87%

LAB 84.06, 30.76, -15.78

 

CMYK 0 / 22 / 5 / 2

HEX #F9C3ED

RGB 249 195 237

HSL 313.33, 0.82%, 0.87%

LAB 84.63, 25.95, -13.38

 

CMYK 0 / 18 / 4 / 5

HEX #F3C8EA

RGB 243 200 234

HSL 312.56, 0.64%, 0.87%

LAB 85.15, 20.78, -11.06

 

CMYK 0 / 13 / 3 / 7

HEX #EECEE7

RGB 238 206 231

HSL 313.13, 0.48%, 0.87%

LAB 86.05, 15.4, -8.18

 

CMYK 0 / 9 / 2 / 9

HEX #E9D3E4

RGB 233 211 228

HSL 313.64, 0.33%, 0.87%

LAB 86.76, 10.54, -5.59

 

CMYK 8 / 25 / 0 / 0

HEX #E9BEFE

RGB 233 190 254

HSL 280.31, 0.97%, 0.87%

LAB 82.54, 26.58, -25.74

 

CMYK 2 / 25 / 0 / 0

HEX #FABEFE

RGB 250 190 254

HSL 296.25, 0.97%, 0.87%

LAB 84.13, 31.95, -23.18

 

CMYK 0 / 25 / 5 / 0

HEX #FEBEF1

RGB 254 190 241

HSL 312.19, 0.97%, 0.87%

LAB 84.1, 30.93, -16.27

 

CMYK 0 / 25 / 12 / 0

HEX #FEBEE0

RGB 254 190 224

HSL 328.13, 0.97%, 0.87%

LAB 83.59, 28.09, -7.94

 

CMYK 0 / 25 / 19 / 0

HEX #FEBECF

RGB 254 190 207

HSL 344.06, 0.97%, 0.87%

LAB 83.13, 25.44, 0.49

 

CMYK 0 / 57 / 12 / 1

HEX #FD6CDE

RGB 253 108 222

HSL 312.83, 0.97%, 0.71%

LAB 67.19, 68.09, -31.71

 

CMYK 0 / 41 / 9 / 1

HEX #FD95E7

RGB 253 149 231

HSL 312.69, 0.96%, 0.79%

LAB 74.92, 50.16, -24.79

 

CMYK 0 / 25 / 6 / 0

HEX #FEBEF0

RGB 254 190 240

HSL 313.13, 0.97%, 0.87%

LAB 84.06, 30.76, -15.78

 

CMYK 0 / 10 / 2 / 0

HEX #FFE6F9

RGB 255 230 249

HSL 314.4, 1%, 0.95%

LAB 93.75, 11.73, -6.09

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 26 / 6 / 0

HEX #FEBDF0

RGB 254 189 240

HSL 312.92, 0.97%, 0.87%

LAB 83.84, 31.28, -16.12

 

CMYK 0 / 15 / 25 / 0

HEX #FED7BE

RGB 254 215 190

HSL 23.44, 0.97%, 0.87%

LAB 88.63, 9.94, 17.39

 

CMYK 25 / 0 / 5 / 0

HEX #BEFEF1

RGB 190 254 241

HSL 167.81, 0.97%, 0.87%

LAB 95.24, -22.51, -0.27

 

CMYK 0 / 26 / 6 / 0

HEX #FEBDF0

RGB 254 189 240

HSL 312.92, 0.97%, 0.87%

LAB 83.84, 31.28, -16.12

 

CMYK 5 / 0 / 25 / 0

HEX #F1FEBE

RGB 241 254 190

HSL 72.19, 0.97%, 0.87%

LAB 97.35, -14.51, 29.26

 

CMYK 25 / 5 / 0 / 0

HEX #BEF1FE

RGB 190 241 254

HSL 192.19, 0.97%, 0.87%

LAB 92.14, -13.33, -11.58

 

CMYK 0 / 26 / 6 / 0

HEX #FEBDF0

RGB 254 189 240

HSL 312.92, 0.97%, 0.87%

LAB 83.84, 31.28, -16.12

 

CMYK 0 / 15 / 25 / 0

HEX #FED7BE

RGB 254 215 190

HSL 23.44, 0.97%, 0.87%

LAB 88.63, 9.94, 17.39

 

CMYK 25 / 0 / 20 / 0

HEX #BEFECB

RGB 190 254 203

HSL 132.19, 0.97%, 0.87%

LAB 94.37, -29.75, 18.04

 

CMYK 25 / 10 / 0 / 0

HEX #BEE4FE

RGB 190 228 254

HSL 204.38, 0.97%, 0.87%

LAB 88.73, -6.72, -16.68

 

CMYK 0 / 26 / 6 / 0

HEX #FEBDF0

RGB 254 189 240

HSL 312.92, 0.97%, 0.87%

LAB 83.84, 31.28, -16.12

 

CMYK 0 / 7 / 25 / 0

HEX #FEEBBE

RGB 254 235 190

HSL 42.19, 0.97%, 0.87%

LAB 93.54, -0.31, 24.2

 

CMYK 25 / 0 / 20 / 0

HEX #BEFECB

RGB 190 254 203

HSL 132.19, 0.97%, 0.87%

LAB 94.37, -29.75, 18.04

 

CMYK 25 / 18 / 0 / 0

HEX #BED1FE

RGB 190 209 254

HSL 222.19, 0.97%, 0.87%

LAB 83.81, 3.24, -24.11

 

Description

Color code: HEX #FEBDF03F | qconv.com Color code: HEX #FEBDF03F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 189 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 189 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 1 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 1% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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