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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEBC7F it is the complementary color #014380. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEBC7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEBC7F shade: #FFBC7A, #FFCE8D, #FFE0A0, #FFF2B3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEBC7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEBC7F shade: #FEBC7F, #EDAA6C, #DC9859, #CB8646 and #BA7433

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEBC7F shade: #FEBD81, #FE9B81 and #FE8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEBC7F shade: #FEBD81, #FEDE81, #FBFE81, #DAFE81 and #B8FE81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEBC7F shade matches the following richer shades: #FEBD81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEBC7F shade: #FEBD81, #F3BD8B, #E9BE95, #DFBEA0 and #D4BEAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEBC7F shade: #FE8189, #FE9A81, #FEBB81, #FEDC81 and #FEFE81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEBC7F shade: #FD922F, #FDA758, #FEBD81, #FED2AA and #FFE8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEBC7F shade: #FEBC7F, #AAFE81 and #8981FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEBC7F shade: #FEBC7F, #81FEBB and #BB81FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEBC7F shade: #FEBC7F, #AAFE81, #81C3FE and #D481FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEBC7F shade: #FEBC7F, #85FE81, #81C3FE and #FA81FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 50 / 0

HEX #FEBC7F

RGB 254 188 127

HSL 28.82, 0.98%, 0.75%

LAB 81.05, 16.89, 40.03

 

Complementary color

CMYK 99 / 48 / 0 / 50

HEX #014380

RGB 1 67 128

HSL 208.82, 0.98%, 0.25%

LAB 28.33, 7.1, -39.47

 

CMYK 0 / 26 / 52 / 0

HEX #FFBC7A

RGB 255 188 122

HSL 29.77, 1%, 0.74%

LAB 81.09, 16.86, 42.65

 

CMYK 0 / 19 / 45 / 0

HEX #FFCE8D

RGB 255 206 141

HSL 34.21, 1%, 0.78%

LAB 85.67, 9.23, 38.8

 

CMYK 0 / 12 / 37 / 0

HEX #FFE0A0

RGB 255 224 160

HSL 40.42, 1%, 0.81%

LAB 90.37, 1.97, 35.28

 

CMYK 0 / 5 / 30 / 0

HEX #FFF2B3

RGB 255 242 179

HSL 49.74, 1%, 0.85%

LAB 95.17, -4.88, 32.04

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 26 / 50 / 0

HEX #FEBC7F

RGB 254 188 127

HSL 28.82, 0.98%, 0.75%

LAB 81.05, 16.89, 40.03

 

CMYK 0 / 28 / 54 / 7

HEX #EDAA6C

RGB 237 170 108

HSL 28.84, 0.78%, 0.68%

LAB 74.72, 17.91, 41.45

 

CMYK 0 / 31 / 60 / 14

HEX #DC9859

RGB 220 152 89

HSL 28.85, 0.65%, 0.61%

LAB 68.31, 19.08, 42.95

 

CMYK 0 / 34 / 66 / 20

HEX #CB8646

RGB 203 134 70

HSL 28.87, 0.56%, 0.54%

LAB 61.82, 20.42, 44.49

 

CMYK 0 / 38 / 73 / 27

HEX #BA7433

RGB 186 116 51

HSL 28.89, 0.57%, 0.46%

LAB 55.25, 21.97, 45.99

 

CMYK 0 / 26 / 49 / 0

HEX #FEBD81

RGB 254 189 129

HSL 28.8, 0.98%, 0.75%

LAB 81.32, 16.55, 39.34

 

CMYK 0 / 39 / 49 / 0

HEX #FE9B81

RGB 254 155 129

HSL 12.48, 0.98%, 0.75%

LAB 73.61, 34.3, 29.34

 

CMYK 0 / 49 / 49 / 0

HEX #FE8181

RGB 254 129 129

HSL 0, 0.98%, 0.75%

LAB 68.28, 47.44, 22.2

 

CMYK 0 / 26 / 49 / 0

HEX #FEBD81

RGB 254 189 129

HSL 28.8, 0.98%, 0.75%

LAB 81.32, 16.55, 39.34

 

CMYK 0 / 13 / 49 / 0

HEX #FEDE81

RGB 254 222 129

HSL 44.64, 0.98%, 0.75%

LAB 89.35, -0.49, 49.37

 

CMYK 1 / 0 / 49 / 0

HEX #FBFE81

RGB 251 254 129

HSL 61.44, 0.98%, 0.75%

LAB 97.22, -17.53, 58.8

 

CMYK 14 / 0 / 49 / 0

HEX #DAFE81

RGB 218 254 129

HSL 77.28, 0.98%, 0.75%

LAB 94.9, -30.12, 55.47

 

CMYK 28 / 0 / 49 / 0

HEX #B8FE81

RGB 184 254 129

HSL 93.6, 0.98%, 0.75%

LAB 92.86, -42.31, 52.54

 

CMYK 0 / 26 / 49 / 0

HEX #FEBD81

RGB 254 189 129

HSL 28.8, 0.98%, 0.75%

LAB 81.32, 16.55, 39.34

 

CMYK 0 / 26 / 49 / 0

HEX #FEBD81

RGB 254 189 129

HSL 28.8, 0.98%, 0.75%

LAB 81.32, 16.55, 39.34

 

CMYK 0 / 22 / 43 / 5

HEX #F3BD8B

RGB 243 189 139

HSL 28.85, 0.81%, 0.75%

LAB 80.36, 13.16, 32.7

 

CMYK 0 / 18 / 36 / 9

HEX #E9BE95

RGB 233 190 149

HSL 29.29, 0.66%, 0.75%

LAB 79.8, 9.82, 26.51

 

CMYK 0 / 15 / 28 / 13

HEX #DFBEA0

RGB 223 190 160

HSL 28.57, 0.5%, 0.75%

LAB 79.07, 7.34, 19.52

 

CMYK 0 / 10 / 20 / 17

HEX #D4BEAA

RGB 212 190 170

HSL 28.57, 0.33%, 0.75%

LAB 78.3, 4.61, 12.94

 

CMYK 0 / 49 / 46 / 0

HEX #FE8189

RGB 254 129 137

HSL 356.16, 0.98%, 0.75%

LAB 68.44, 48.18, 17.95

 

CMYK 0 / 39 / 49 / 0

HEX #FE9A81

RGB 254 154 129

HSL 12, 0.98%, 0.75%

LAB 73.39, 34.82, 29.05

 

CMYK 0 / 26 / 49 / 0

HEX #FEBB81

RGB 254 187 129

HSL 27.84, 0.98%, 0.75%

LAB 80.85, 17.59, 38.74

 

CMYK 0 / 13 / 49 / 0

HEX #FEDC81

RGB 254 220 129

HSL 43.68, 0.98%, 0.75%

LAB 88.85, 0.52, 48.76

 

CMYK 0 / 0 / 49 / 0

HEX #FEFE81

RGB 254 254 129

HSL 60, 0.98%, 0.75%

LAB 97.45, -16.36, 59.13

 

CMYK 0 / 42 / 81 / 1

HEX #FD922F

RGB 253 146 47

HSL 28.83, 0.98%, 0.59%

LAB 70.63, 33.71, 65.5

 

CMYK 0 / 34 / 65 / 1

HEX #FDA758

RGB 253 167 88

HSL 28.73, 0.98%, 0.67%

LAB 75.59, 24.6, 52.87

 

CMYK 0 / 26 / 49 / 0

HEX #FEBD81

RGB 254 189 129

HSL 28.8, 0.98%, 0.75%

LAB 81.32, 16.55, 39.34

 

CMYK 0 / 17 / 33 / 0

HEX #FED2AA

RGB 254 210 170

HSL 28.57, 0.98%, 0.83%

LAB 87.03, 9.95, 25.63

 

CMYK 0 / 9 / 18 / 0

HEX #FFE8D2

RGB 255 232 210

HSL 29.33, 1%, 0.91%

LAB 93.29, 4.39, 13.54

 

CMYK 0 / 26 / 50 / 0

HEX #FEBC7F

RGB 254 188 127

HSL 28.82, 0.98%, 0.75%

LAB 81.05, 16.89, 40.03

 

CMYK 33 / 0 / 49 / 0

HEX #AAFE81

RGB 170 254 129

HSL 100.32, 0.98%, 0.75%

LAB 92.14, -46.99, 51.49

 

CMYK 46 / 49 / 0 / 0

HEX #8981FE

RGB 137 129 254

HSL 243.84, 0.98%, 0.75%

LAB 60.05, 34.17, -61.53

 

CMYK 0 / 26 / 50 / 0

HEX #FEBC7F

RGB 254 188 127

HSL 28.82, 0.98%, 0.75%

LAB 81.05, 16.89, 40.03

 

CMYK 49 / 0 / 26 / 0

HEX #81FEBB

RGB 129 254 187

HSL 147.84, 0.98%, 0.75%

LAB 91.3, -49.74, 21.51

 

CMYK 26 / 49 / 0 / 0

HEX #BB81FE

RGB 187 129 254

HSL 267.84, 0.98%, 0.75%

LAB 64.5, 46.24, -54.16

 

CMYK 0 / 26 / 50 / 0

HEX #FEBC7F

RGB 254 188 127

HSL 28.82, 0.98%, 0.75%

LAB 81.05, 16.89, 40.03

 

CMYK 33 / 0 / 49 / 0

HEX #AAFE81

RGB 170 254 129

HSL 100.32, 0.98%, 0.75%

LAB 92.14, -46.99, 51.49

 

CMYK 49 / 23 / 0 / 0

HEX #81C3FE

RGB 129 195 254

HSL 208.32, 0.98%, 0.75%

LAB 76.59, -5.23, -35.5

 

CMYK 17 / 49 / 0 / 0

HEX #D481FE

RGB 212 129 254

HSL 279.84, 0.98%, 0.75%

LAB 67.17, 52.78, -49.77

 

CMYK 0 / 26 / 50 / 0

HEX #FEBC7F

RGB 254 188 127

HSL 28.82, 0.98%, 0.75%

LAB 81.05, 16.89, 40.03

 

CMYK 48 / 0 / 49 / 0

HEX #85FE81

RGB 133 254 129

HSL 118.08, 0.98%, 0.75%

LAB 90.53, -58.06, 49.15

 

CMYK 49 / 23 / 0 / 0

HEX #81C3FE

RGB 129 195 254

HSL 208.32, 0.98%, 0.75%

LAB 76.59, -5.23, -35.5

 

CMYK 2 / 49 / 0 / 0

HEX #FA81FE

RGB 250 129 254

HSL 298.08, 0.98%, 0.75%

LAB 71.68, 62.97, -42.37

 

Description

Color code: HEX #FEBC7F | qconv.com Color code: HEX #FEBC7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 188 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 188 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 50 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 50% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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