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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEBC60 it is the complementary color #01439F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEBC60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEBC60 shade: #FFBC5B, #FFCE6E, #FFE081, #FFF294 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEBC60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEBC60 shade: #FEBC60, #EDAA4D, #DC983A, #CB8627 and #BA7414

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEBC60 shade: #FEBD62, #FE9362, #FE6862 and #FE6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEBC60 shade: #FEBD62, #FEE762, #EBFE62, #C1FE62 and #97FE62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEBC60 shade matches the following richer shades: #FEBD62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEBC60 shade: #FEBD62, #F1BB6E, #E5B97B, #D8B788 and #CBB495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEBC60 shade: #FE6762, #FE9162, #FEBA62, #FEE462 and #EFFE62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEBC60 shade: #FE9A10, #FEAC39, #FEBD62, #FECE8B and #FFDFB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEBC60 shade: #FEBC60, #86FE62 and #7C62FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEBC60 shade: #FEBC60, #62FEBA and #BA62FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEBC60 shade: #FEBC60, #86FE62, #62A6FE and #DA62FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEBC60 shade: #FEBC60, #62FE6C, #62A6FE and #FE62F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 62 / 0

HEX #FEBC60

RGB 254 188 96

HSL 34.94, 0.99%, 0.69%

LAB 80.67, 14.52, 54.87

 

Complementary color

CMYK 99 / 58 / 0 / 38

HEX #01439F

RGB 1 67 159

HSL 214.94, 0.99%, 0.31%

LAB 30.7, 20.35, -54.67

 

CMYK 0 / 26 / 64 / 0

HEX #FFBC5B

RGB 255 188 91

HSL 35.49, 1%, 0.68%

LAB 80.73, 14.62, 57.28

 

CMYK 0 / 19 / 57 / 0

HEX #FFCE6E

RGB 255 206 110

HSL 39.72, 1%, 0.72%

LAB 85.27, 6.56, 53.6

 

CMYK 0 / 12 / 49 / 0

HEX #FFE081

RGB 255 224 129

HSL 45.24, 1%, 0.75%

LAB 89.93, -1.11, 50.11

 

CMYK 0 / 5 / 42 / 0

HEX #FFF294

RGB 255 242 148

HSL 52.71, 1%, 0.79%

LAB 94.7, -8.35, 46.83

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 26 / 62 / 0

HEX #FEBC60

RGB 254 188 96

HSL 34.94, 0.99%, 0.69%

LAB 80.67, 14.52, 54.87

 

CMYK 0 / 28 / 68 / 7

HEX #EDAA4D

RGB 237 170 77

HSL 34.88, 0.82%, 0.62%

LAB 74.37, 15.79, 56.14

 

CMYK 0 / 31 / 74 / 14

HEX #DC983A

RGB 220 152 58

HSL 34.81, 0.7%, 0.55%

LAB 68, 17.26, 57.25

 

CMYK 0 / 34 / 81 / 20

HEX #CB8627

RGB 203 134 39

HSL 34.76, 0.68%, 0.47%

LAB 61.56, 18.94, 57.95

 

CMYK 0 / 38 / 89 / 27

HEX #BA7414

RGB 186 116 20

HSL 34.7, 0.81%, 0.4%

LAB 55.05, 20.88, 57.76

 

CMYK 0 / 26 / 61 / 0

HEX #FEBD62

RGB 254 189 98

HSL 35, 0.99%, 0.69%

LAB 80.93, 14.13, 54.22

 

CMYK 0 / 42 / 61 / 0

HEX #FE9362

RGB 254 147 98

HSL 18.85, 0.99%, 0.69%

LAB 71.43, 36, 43.05

 

CMYK 0 / 59 / 61 / 0

HEX #FE6862

RGB 254 104 98

HSL 2.31, 0.99%, 0.69%

LAB 63.22, 56.78, 32.9

 

CMYK 0 / 61 / 61 / 0

HEX #FE6262

RGB 254 98 98

HSL 0, 0.99%, 0.69%

LAB 62.24, 59.38, 31.66

 

CMYK 0 / 26 / 61 / 0

HEX #FEBD62

RGB 254 189 98

HSL 35, 0.99%, 0.69%

LAB 80.93, 14.13, 54.22

 

CMYK 0 / 9 / 61 / 0

HEX #FEE762

RGB 254 231 98

HSL 51.15, 0.99%, 0.69%

LAB 91.28, -7.36, 65.78

 

CMYK 7 / 0 / 61 / 0

HEX #EBFE62

RGB 235 254 98

HSL 67.31, 0.99%, 0.69%

LAB 95.76, -26.12, 70.18

 

CMYK 24 / 0 / 61 / 0

HEX #C1FE62

RGB 193 254 98

HSL 83.46, 0.99%, 0.69%

LAB 93.06, -42.03, 66.47

 

CMYK 41 / 0 / 61 / 0

HEX #97FE62

RGB 151 254 98

HSL 99.62, 0.99%, 0.69%

LAB 90.94, -56.21, 63.53

 

CMYK 0 / 26 / 61 / 0

HEX #FEBD62

RGB 254 189 98

HSL 35, 0.99%, 0.69%

LAB 80.93, 14.13, 54.22

 

CMYK 0 / 26 / 61 / 0

HEX #FEBD62

RGB 254 189 98

HSL 35, 0.99%, 0.69%

LAB 80.93, 14.13, 54.22

 

CMYK 0 / 22 / 54 / 5

HEX #F1BB6E

RGB 241 187 110

HSL 35.27, 0.82%, 0.69%

LAB 79.25, 10.73, 46.09

 

CMYK 0 / 19 / 46 / 10

HEX #E5B97B

RGB 229 185 123

HSL 35.09, 0.67%, 0.69%

LAB 77.75, 8.07, 37.36

 

CMYK 0 / 15 / 37 / 15

HEX #D8B788

RGB 216 183 136

HSL 35.25, 0.51%, 0.69%

LAB 76.22, 5.32, 28.32

 

CMYK 0 / 11 / 27 / 20

HEX #CBB495

RGB 203 180 149

HSL 34.44, 0.34%, 0.69%

LAB 74.51, 3.48, 18.85

 

CMYK 0 / 59 / 61 / 0

HEX #FE6762

RGB 254 103 98

HSL 1.92, 0.99%, 0.69%

LAB 63.06, 57.22, 32.69

 

CMYK 0 / 43 / 61 / 0

HEX #FE9162

RGB 254 145 98

HSL 18.08, 0.99%, 0.69%

LAB 71.01, 37.02, 42.54

 

CMYK 0 / 27 / 61 / 0

HEX #FEBA62

RGB 254 186 98

HSL 33.85, 0.99%, 0.69%

LAB 80.22, 15.69, 53.4

 

CMYK 0 / 10 / 61 / 0

HEX #FEE462

RGB 254 228 98

HSL 50, 0.99%, 0.69%

LAB 90.52, -5.86, 64.95

 

CMYK 6 / 0 / 61 / 0

HEX #EFFE62

RGB 239 254 98

HSL 65.77, 0.99%, 0.69%

LAB 96.04, -24.55, 70.57

 

CMYK 0 / 39 / 94 / 0

HEX #FE9A10

RGB 254 154 16

HSL 34.79, 0.99%, 0.53%

LAB 72.37, 29.38, 75.19

 

CMYK 0 / 32 / 78 / 0

HEX #FEAC39

RGB 254 172 57

HSL 35.03, 0.99%, 0.61%

LAB 76.6, 20.93, 67.31

 

CMYK 0 / 26 / 61 / 0

HEX #FEBD62

RGB 254 189 98

HSL 35, 0.99%, 0.69%

LAB 80.93, 14.13, 54.22

 

CMYK 0 / 19 / 45 / 0

HEX #FECE8B

RGB 254 206 139

HSL 34.96, 0.98%, 0.77%

LAB 85.54, 8.64, 39.64

 

CMYK 0 / 13 / 29 / 0

HEX #FFDFB4

RGB 255 223 180

HSL 34.4, 1%, 0.85%

LAB 90.47, 4.87, 25.16

 

CMYK 0 / 26 / 62 / 0

HEX #FEBC60

RGB 254 188 96

HSL 34.94, 0.99%, 0.69%

LAB 80.67, 14.52, 54.87

 

CMYK 47 / 0 / 61 / 0

HEX #86FE62

RGB 134 254 98

HSL 106.15, 0.99%, 0.69%

LAB 90.25, -61.23, 62.56

 

CMYK 51 / 61 / 0 / 0

HEX #7C62FE

RGB 124 98 254

HSL 250, 0.99%, 0.69%

LAB 52.04, 49.31, -74.51

 

CMYK 0 / 26 / 62 / 0

HEX #FEBC60

RGB 254 188 96

HSL 34.94, 0.99%, 0.69%

LAB 80.67, 14.52, 54.87

 

CMYK 61 / 0 / 27 / 0

HEX #62FEBA

RGB 98 254 186

HSL 153.85, 0.99%, 0.69%

LAB 90.33, -56.49, 20.54

 

CMYK 27 / 61 / 0 / 0

HEX #BA62FE

RGB 186 98 254

HSL 273.85, 0.99%, 0.69%

LAB 58.35, 61.89, -63.99

 

CMYK 0 / 26 / 62 / 0

HEX #FEBC60

RGB 254 188 96

HSL 34.94, 0.99%, 0.69%

LAB 80.67, 14.52, 54.87

 

CMYK 47 / 0 / 61 / 0

HEX #86FE62

RGB 134 254 98

HSL 106.15, 0.99%, 0.69%

LAB 90.25, -61.23, 62.56

 

CMYK 61 / 35 / 0 / 0

HEX #62A6FE

RGB 98 166 254

HSL 213.85, 0.99%, 0.69%

LAB 67.3, 4.61, -50.13

 

CMYK 14 / 61 / 0 / 0

HEX #DA62FE

RGB 218 98 254

HSL 286.15, 0.99%, 0.69%

LAB 62.34, 69.1, -57.39

 

CMYK 0 / 26 / 62 / 0

HEX #FEBC60

RGB 254 188 96

HSL 34.94, 0.99%, 0.69%

LAB 80.67, 14.52, 54.87

 

CMYK 61 / 0 / 57 / 0

HEX #62FE6C

RGB 98 254 108

HSL 123.85, 0.99%, 0.69%

LAB 89.19, -69.01, 56.8

 

CMYK 61 / 35 / 0 / 0

HEX #62A6FE

RGB 98 166 254

HSL 213.85, 0.99%, 0.69%

LAB 67.3, 4.61, -50.13

 

CMYK 0 / 61 / 4 / 0

HEX #FE62F4

RGB 254 98 244

HSL 303.85, 0.99%, 0.69%

LAB 66.78, 75.83, -44.53

 

Description

Color code: HEX #FEBC60 | qconv.com Color code: HEX #FEBC60 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 188 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 188 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 62 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 62% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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