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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEBA7F it is the complementary color #014580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEBA7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEBA7F shade: #FFBA7A, #FFCC8D, #FFDEA0, #FFF0B3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEBA7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEBA7F shade: #FEBA7F, #EDA86C, #DC9659, #CB8446 and #BA7233

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEBA7F shade: #FEBB81, #FE9981 and #FE8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEBA7F shade: #FEBB81, #FEDD81, #FDFE81, #DCFE81 and #BAFE81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEBA7F shade matches the following richer shades: #FEBB81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEBA7F shade: #FEBB81, #F3BC8B, #E9BC95, #DFBDA0 and #D4BEAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEBA7F shade: #FE818B, #FE9881, #FEB981, #FEDA81 and #FEFC81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEBA7F shade: #FD8F2F, #FDA558, #FEBB81, #FED1AA and #FFE7D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEBA7F shade: #FEBA7F, #ADFE81 and #8781FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEBA7F shade: #FEBA7F, #81FEB9 and #B981FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEBA7F shade: #FEBA7F, #ADFE81, #81C5FE and #D281FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEBA7F shade: #FEBA7F, #87FE81, #81C5FE and #F781FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 50 / 0

HEX #FEBA7F

RGB 254 186 127

HSL 27.87, 0.98%, 0.75%

LAB 80.58, 17.94, 39.43

 

Complementary color

CMYK 99 / 46 / 0 / 50

HEX #014580

RGB 1 69 128

HSL 207.87, 0.98%, 0.25%

LAB 28.96, 5.71, -38.46

 

CMYK 0 / 27 / 52 / 0

HEX #FFBA7A

RGB 255 186 122

HSL 28.87, 1%, 0.74%

LAB 80.62, 17.9, 42.06

 

CMYK 0 / 20 / 45 / 0

HEX #FFCC8D

RGB 255 204 141

HSL 33.16, 1%, 0.78%

LAB 85.18, 10.26, 38.18

 

CMYK 0 / 13 / 37 / 0

HEX #FFDEA0

RGB 255 222 160

HSL 39.16, 1%, 0.81%

LAB 89.88, 2.99, 34.63

 

CMYK 0 / 6 / 30 / 0

HEX #FFF0B3

RGB 255 240 179

HSL 48.16, 1%, 0.85%

LAB 94.67, -3.88, 31.37

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 27 / 50 / 0

HEX #FEBA7F

RGB 254 186 127

HSL 27.87, 0.98%, 0.75%

LAB 80.58, 17.94, 39.43

 

CMYK 0 / 29 / 54 / 7

HEX #EDA86C

RGB 237 168 108

HSL 27.91, 0.78%, 0.68%

LAB 74.25, 18.97, 40.87

 

CMYK 0 / 32 / 60 / 14

HEX #DC9659

RGB 220 150 89

HSL 27.94, 0.65%, 0.61%

LAB 67.84, 20.16, 42.38

 

CMYK 0 / 35 / 66 / 20

HEX #CB8446

RGB 203 132 70

HSL 27.97, 0.56%, 0.54%

LAB 61.34, 21.51, 43.95

 

CMYK 0 / 39 / 73 / 27

HEX #BA7233

RGB 186 114 51

HSL 28, 0.57%, 0.46%

LAB 54.78, 23.07, 45.5

 

CMYK 0 / 26 / 49 / 0

HEX #FEBB81

RGB 254 187 129

HSL 27.84, 0.98%, 0.75%

LAB 80.85, 17.59, 38.74

 

CMYK 0 / 40 / 49 / 0

HEX #FE9981

RGB 254 153 129

HSL 11.52, 0.98%, 0.75%

LAB 73.18, 35.34, 28.77

 

CMYK 0 / 49 / 49 / 0

HEX #FE8181

RGB 254 129 129

HSL 0, 0.98%, 0.75%

LAB 68.28, 47.44, 22.2

 

CMYK 0 / 26 / 49 / 0

HEX #FEBB81

RGB 254 187 129

HSL 27.84, 0.98%, 0.75%

LAB 80.85, 17.59, 38.74

 

CMYK 0 / 13 / 49 / 0

HEX #FEDD81

RGB 254 221 129

HSL 44.16, 0.98%, 0.75%

LAB 89.1, 0.01, 49.07

 

CMYK 0 / 0 / 49 / 0

HEX #FDFE81

RGB 253 254 129

HSL 60.48, 0.98%, 0.75%

LAB 97.37, -16.75, 59.02

 

CMYK 13 / 0 / 49 / 0

HEX #DCFE81

RGB 220 254 129

HSL 76.32, 0.98%, 0.75%

LAB 95.03, -29.37, 55.66

 

CMYK 27 / 0 / 49 / 0

HEX #BAFE81

RGB 186 254 129

HSL 92.64, 0.98%, 0.75%

LAB 92.97, -41.62, 52.7

 

CMYK 0 / 26 / 49 / 0

HEX #FEBB81

RGB 254 187 129

HSL 27.84, 0.98%, 0.75%

LAB 80.85, 17.59, 38.74

 

CMYK 0 / 26 / 49 / 0

HEX #FEBB81

RGB 254 187 129

HSL 27.84, 0.98%, 0.75%

LAB 80.85, 17.59, 38.74

 

CMYK 0 / 23 / 43 / 5

HEX #F3BC8B

RGB 243 188 139

HSL 28.27, 0.81%, 0.75%

LAB 80.11, 13.69, 32.38

 

CMYK 0 / 19 / 36 / 9

HEX #E9BC95

RGB 233 188 149

HSL 27.86, 0.66%, 0.75%

LAB 79.31, 10.88, 25.85

 

CMYK 0 / 15 / 28 / 13

HEX #DFBDA0

RGB 223 189 160

HSL 27.62, 0.5%, 0.75%

LAB 78.82, 7.87, 19.18

 

CMYK 0 / 10 / 20 / 17

HEX #D4BEAA

RGB 212 190 170

HSL 28.57, 0.33%, 0.75%

LAB 78.3, 4.61, 12.94

 

CMYK 0 / 49 / 45 / 0

HEX #FE818B

RGB 254 129 139

HSL 355.2, 0.98%, 0.75%

LAB 68.49, 48.37, 16.88

 

CMYK 0 / 40 / 49 / 0

HEX #FE9881

RGB 254 152 129

HSL 11.04, 0.98%, 0.75%

LAB 72.97, 35.85, 28.49

 

CMYK 0 / 27 / 49 / 0

HEX #FEB981

RGB 254 185 129

HSL 26.88, 0.98%, 0.75%

LAB 80.38, 18.64, 38.14

 

CMYK 0 / 14 / 49 / 0

HEX #FEDA81

RGB 254 218 129

HSL 42.72, 0.98%, 0.75%

LAB 88.35, 1.54, 48.15

 

CMYK 0 / 1 / 49 / 0

HEX #FEFC81

RGB 254 252 129

HSL 59.04, 0.98%, 0.75%

LAB 96.93, -15.39, 58.52

 

CMYK 0 / 43 / 81 / 1

HEX #FD8F2F

RGB 253 143 47

HSL 27.96, 0.98%, 0.59%

LAB 69.99, 35.25, 64.94

 

CMYK 0 / 35 / 65 / 1

HEX #FDA558

RGB 253 165 88

HSL 28, 0.98%, 0.67%

LAB 75.14, 25.64, 52.35

 

CMYK 0 / 26 / 49 / 0

HEX #FEBB81

RGB 254 187 129

HSL 27.84, 0.98%, 0.75%

LAB 80.85, 17.59, 38.74

 

CMYK 0 / 18 / 33 / 0

HEX #FED1AA

RGB 254 209 170

HSL 27.86, 0.98%, 0.83%

LAB 86.79, 10.47, 25.3

 

CMYK 0 / 9 / 18 / 0

HEX #FFE7D2

RGB 255 231 210

HSL 28, 1%, 0.91%

LAB 93.04, 4.91, 13.19

 

CMYK 0 / 27 / 50 / 0

HEX #FEBA7F

RGB 254 186 127

HSL 27.87, 0.98%, 0.75%

LAB 80.58, 17.94, 39.43

 

CMYK 32 / 0 / 49 / 0

HEX #ADFE81

RGB 173 254 129

HSL 98.88, 0.98%, 0.75%

LAB 92.29, -46.01, 51.7

 

CMYK 47 / 49 / 0 / 0

HEX #8781FE

RGB 135 129 254

HSL 242.88, 0.98%, 0.75%

LAB 59.9, 33.73, -61.78

 

CMYK 0 / 27 / 50 / 0

HEX #FEBA7F

RGB 254 186 127

HSL 27.87, 0.98%, 0.75%

LAB 80.58, 17.94, 39.43

 

CMYK 49 / 0 / 27 / 0

HEX #81FEB9

RGB 129 254 185

HSL 146.88, 0.98%, 0.75%

LAB 91.26, -50.13, 22.48

 

CMYK 27 / 49 / 0 / 0

HEX #B981FE

RGB 185 129 254

HSL 266.88, 0.98%, 0.75%

LAB 64.3, 45.73, -54.5

 

CMYK 0 / 27 / 50 / 0

HEX #FEBA7F

RGB 254 186 127

HSL 27.87, 0.98%, 0.75%

LAB 80.58, 17.94, 39.43

 

CMYK 32 / 0 / 49 / 0

HEX #ADFE81

RGB 173 254 129

HSL 98.88, 0.98%, 0.75%

LAB 92.29, -46.01, 51.7

 

CMYK 49 / 22 / 0 / 0

HEX #81C5FE

RGB 129 197 254

HSL 207.36, 0.98%, 0.75%

LAB 77.13, -6.31, -34.66

 

CMYK 17 / 49 / 0 / 0

HEX #D281FE

RGB 210 129 254

HSL 278.88, 0.98%, 0.75%

LAB 66.94, 52.25, -50.14

 

CMYK 0 / 27 / 50 / 0

HEX #FEBA7F

RGB 254 186 127

HSL 27.87, 0.98%, 0.75%

LAB 80.58, 17.94, 39.43

 

CMYK 47 / 0 / 49 / 0

HEX #87FE81

RGB 135 254 129

HSL 117.12, 0.98%, 0.75%

LAB 90.61, -57.51, 49.26

 

CMYK 49 / 22 / 0 / 0

HEX #81C5FE

RGB 129 197 254

HSL 207.36, 0.98%, 0.75%

LAB 77.13, -6.31, -34.66

 

CMYK 3 / 49 / 0 / 0

HEX #F781FE

RGB 247 129 254

HSL 296.64, 0.98%, 0.75%

LAB 71.3, 62.16, -42.98

 

Description

Color code: HEX #FEBA7F | qconv.com Color code: HEX #FEBA7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 186 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 186 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 50 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 50% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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