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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEB77CCE it is the complementary color #014883CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEB77CCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEB77CCE shade: #FFB777CE, #FFC98ACE, #FFDB9DCE, #FFEDB0CE and #FFFFC3CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEB77CCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEB77CCE shade: #FEB77CCE, #EDA569CE, #DC9356CE, #CB8143CE and #BA6F30CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEB77CCE shade: #FEB77C, #FE947C and #FE7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEB77CCE shade: #FEB77C, #FEDA7C, #FEFD7C, #DCFE7C and #B8FE7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEB77CCE shade matches the following richer shades: #FEB77C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEB77CCE shade: #FEB77C, #F3B886, #E8B991, #DDBA9C and #D3BBA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEB77CCE shade: #FE7C87, #FE947C, #FEB67C, #FED97C and #FEFC7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEB77CCE shade: #FD8A2A, #FDA053, #FEB77C, #FECDA5 and #FEE4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEB77CCE shade: #FEB77C, #A9FE7C and #827CFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEB77CCE shade: #FEB77C, #7CFEB6 and #B67CFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEB77CCE shade: #FEB77C, #A9FE7C, #7CC3FE and #D07CFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEB77CCE shade: #FEB77C, #82FE7C, #7CC3FE and #F77CFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 41 / 0

HEX #FEB77CCE

RGBA 254 183 124 0.81

HSLA 27.23, 0.98%, 0.74%, 0.81

LABA 79.84, 19.24, 40.03, 0.81

 

Complementary color

CMYK 80 / 36 / 0 / 39

HEX #014883CE

RGBA 1 72 131 0.81

HSLA 207.23, 0.98%, 0.26%, 0.81

LABA 30.11, 4.96, -38.48, 0.81

 

CMYK 0 / 23 / 43 / 0

HEX #FFB777CE

RGBA 255 183 119 0.81

HSLA 28.24, 1%, 0.73%, 0.81

LABA 79.87, 19.22, 42.65, 0.81

 

CMYK 0 / 17 / 37 / 0

HEX #FFC98ACE

RGBA 255 201 138 0.81

HSLA 32.31, 1%, 0.77%, 0.81

LABA 84.42, 11.53, 38.72, 0.81

 

CMYK 0 / 11 / 31 / 0

HEX #FFDB9DCE

RGBA 255 219 157 0.81

HSLA 37.96, 1%, 0.81%, 0.81

LABA 89.09, 4.2, 35.12, 0.81

 

CMYK 0 / 6 / 25 / 0

HEX #FFEDB0CE

RGBA 255 237 176 0.81

HSLA 46.33, 1%, 0.85%, 0.81

LABA 93.87, -2.74, 31.81, 0.81

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFC3CE

RGBA 255 255 195 0.81

HSLA 60, 1%, 0.88%, 0.81

LABA 98.72, -9.28, 28.77, 0.81

 

CMYK 0 / 23 / 41 / 0

HEX #FEB77CCE

RGBA 254 183 124 0.81

HSLA 27.23, 0.98%, 0.74%, 0.81

LABA 79.84, 19.24, 40.03, 0.81

 

CMYK 0 / 25 / 45 / 6

HEX #EDA569CE

RGBA 237 165 105 0.81

HSLA 27.27, 0.79%, 0.67%, 0.81

LABA 73.5, 20.32, 41.49, 0.81

 

CMYK 0 / 27 / 49 / 11

HEX #DC9356CE

RGBA 220 147 86 0.81

HSLA 27.31, 0.66%, 0.6%, 0.81

LABA 67.09, 21.55, 43.03, 0.81

 

CMYK 0 / 30 / 54 / 17

HEX #CB8143CE

RGBA 203 129 67 0.81

HSLA 27.35, 0.57%, 0.53%, 0.81

LABA 60.61, 22.96, 44.62, 0.81

 

CMYK 0 / 33 / 60 / 22

HEX #BA6F30CE

RGBA 186 111 48 0.81

HSLA 27.39, 0.59%, 0.46%, 0.81

LABA 54.05, 24.57, 46.17, 0.81

 

CMYK 0 / 28 / 51 / 0

HEX #FEB77C

RGB 254 183 124

HSL 27.23, 0.98%, 0.74%

LAB 79.84, 19.24, 40.03

 

CMYK 0 / 42 / 51 / 0

HEX #FE947C

RGB 254 148 124

HSL 11.08, 0.98%, 0.74%

LAB 72.03, 37.47, 29.97

 

CMYK 0 / 51 / 51 / 0

HEX #FE7C7C

RGB 254 124 124

HSL 0, 0.98%, 0.74%

LAB 67.23, 49.44, 23.58

 

CMYK 0 / 28 / 51 / 0

HEX #FEB77C

RGB 254 183 124

HSL 27.23, 0.98%, 0.74%

LAB 79.84, 19.24, 40.03

 

CMYK 0 / 14 / 51 / 0

HEX #FEDA7C

RGB 254 218 124

HSL 43.38, 0.98%, 0.74%

LAB 88.29, 1.11, 50.5

 

CMYK 0 / 0 / 51 / 0

HEX #FEFD7C

RGB 254 253 124

HSL 59.54, 0.98%, 0.74%

LAB 97.14, -16.29, 61.02

 

CMYK 13 / 0 / 51 / 0

HEX #DCFE7C

RGB 220 254 124

HSL 75.69, 0.98%, 0.74%

LAB 94.97, -29.84, 57.87

 

CMYK 28 / 0 / 51 / 0

HEX #B8FE7C

RGB 184 254 124

HSL 92.31, 0.98%, 0.74%

LAB 92.81, -42.85, 54.77

 

CMYK 0 / 28 / 51 / 0

HEX #FEB77C

RGB 254 183 124

HSL 27.23, 0.98%, 0.74%

LAB 79.84, 19.24, 40.03

 

CMYK 0 / 28 / 51 / 0

HEX #FEB77C

RGB 254 183 124

HSL 27.23, 0.98%, 0.74%

LAB 79.84, 19.24, 40.03

 

CMYK 0 / 24 / 45 / 5

HEX #F3B886

RGB 243 184 134

HSL 27.52, 0.82%, 0.74%

LAB 79.07, 15.28, 33.63

 

CMYK 0 / 20 / 38 / 9

HEX #E8B991

RGB 232 185 145

HSL 27.59, 0.65%, 0.74%

LAB 78.4, 11.61, 26.74

 

CMYK 0 / 16 / 29 / 13

HEX #DDBA9C

RGB 221 186 156

HSL 27.69, 0.49%, 0.74%

LAB 77.81, 8.17, 19.89

 

CMYK 0 / 11 / 21 / 17

HEX #D3BBA7

RGB 211 187 167

HSL 27.27, 0.33%, 0.74%

LAB 77.39, 5.38, 13.25

 

CMYK 0 / 51 / 47 / 0

HEX #FE7C87

RGB 254 124 135

HSL 354.92, 0.98%, 0.74%

LAB 67.45, 50.41, 17.7

 

CMYK 0 / 42 / 51 / 0

HEX #FE947C

RGB 254 148 124

HSL 11.08, 0.98%, 0.74%

LAB 72.03, 37.47, 29.97

 

CMYK 0 / 28 / 51 / 0

HEX #FEB67C

RGB 254 182 124

HSL 26.77, 0.98%, 0.74%

LAB 79.6, 19.77, 39.73

 

CMYK 0 / 15 / 51 / 0

HEX #FED97C

RGB 254 217 124

HSL 42.92, 0.98%, 0.74%

LAB 88.04, 1.62, 50.2

 

CMYK 0 / 1 / 51 / 0

HEX #FEFC7C

RGB 254 252 124

HSL 59.08, 0.98%, 0.74%

LAB 96.88, -15.81, 60.72

 

CMYK 0 / 45 / 83 / 1

HEX #FD8A2A

RGB 253 138 42

HSL 27.3, 0.98%, 0.58%

LAB 68.92, 37.65, 65.81

 

CMYK 0 / 37 / 67 / 1

HEX #FDA053

RGB 253 160 83

HSL 27.18, 0.98%, 0.66%

LAB 73.96, 27.97, 53.43

 

CMYK 0 / 28 / 51 / 0

HEX #FEB77C

RGB 254 183 124

HSL 27.23, 0.98%, 0.74%

LAB 79.84, 19.24, 40.03

 

CMYK 0 / 19 / 35 / 0

HEX #FECDA5

RGB 254 205 165

HSL 26.97, 0.98%, 0.82%

LAB 85.73, 11.95, 26.47

 

CMYK 0 / 10 / 19 / 0

HEX #FEE4CD

RGB 254 228 205

HSL 28.16, 0.96%, 0.9%

LAB 92.12, 5.35, 14.46

 

CMYK 0 / 28 / 51 / 0

HEX #FEB77C

RGB 254 183 124

HSL 27.23, 0.98%, 0.74%

LAB 79.84, 19.24, 40.03

 

CMYK 33 / 0 / 51 / 0

HEX #A9FE7C

RGB 169 254 124

HSL 99.23, 0.98%, 0.74%

LAB 92.03, -47.88, 53.65

 

CMYK 49 / 51 / 0 / 0

HEX #827CFE

RGB 130 124 254

HSL 242.77, 0.98%, 0.74%

LAB 58.34, 35.57, -64.3

 

CMYK 0 / 28 / 51 / 0

HEX #FEB77C

RGB 254 183 124

HSL 27.23, 0.98%, 0.74%

LAB 79.84, 19.24, 40.03

 

CMYK 51 / 0 / 28 / 0

HEX #7CFEB6

RGB 124 254 182

HSL 146.77, 0.98%, 0.74%

LAB 91.03, -51.87, 23.66

 

CMYK 28 / 51 / 0 / 0

HEX #B67CFE

RGB 182 124 254

HSL 266.77, 0.98%, 0.74%

LAB 62.94, 47.66, -56.67

 

CMYK 0 / 28 / 51 / 0

HEX #FEB77C

RGB 254 183 124

HSL 27.23, 0.98%, 0.74%

LAB 79.84, 19.24, 40.03

 

CMYK 33 / 0 / 51 / 0

HEX #A9FE7C

RGB 169 254 124

HSL 99.23, 0.98%, 0.74%

LAB 92.03, -47.88, 53.65

 

CMYK 51 / 23 / 0 / 0

HEX #7CC3FE

RGB 124 195 254

HSL 207.23, 0.98%, 0.74%

LAB 76.36, -6.34, -35.88

 

CMYK 18 / 51 / 0 / 0

HEX #D07CFE

RGB 208 124 254

HSL 278.77, 0.98%, 0.74%

LAB 65.73, 54.29, -52.07

 

CMYK 0 / 28 / 51 / 0

HEX #FEB77C

RGB 254 183 124

HSL 27.23, 0.98%, 0.74%

LAB 79.84, 19.24, 40.03

 

CMYK 49 / 0 / 51 / 0

HEX #82FE7C

RGB 130 254 124

HSL 117.23, 0.98%, 0.74%

LAB 90.36, -59.49, 51.24

 

CMYK 51 / 23 / 0 / 0

HEX #7CC3FE

RGB 124 195 254

HSL 207.23, 0.98%, 0.74%

LAB 76.36, -6.34, -35.88

 

CMYK 3 / 51 / 0 / 0

HEX #F77CFE

RGB 247 124 254

HSL 296.77, 0.98%, 0.74%

LAB 70.42, 64.51, -44.37

 

Description

Color code: HEX #FEB77CCE | qconv.com Color code: HEX #FEB77CCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 183 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 183 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 41 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 41% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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