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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEAE60 it is the complementary color #01519F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEAE60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEAE60 shade: #FFAE5B, #FFC06E, #FFD281, #FFE494 and #FFF6A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEAE60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEAE60 shade: #FEAE60, #ED9C4D, #DC8A3A, #CB7827 and #BA6614

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEAE60 shade: #FEAF62, #FE8562 and #FE6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEAE60 shade: #FEAF62, #FED962, #F9FE62, #CFFE62 and #A5FE62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEAE60 shade matches the following richer shades: #FEAF62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEAE60 shade: #FEAF62, #F1AF6E, #E5AF7B, #D8AF88 and #CBB095

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEAE60 shade: #FE626A, #FE8462, #FEAD62, #FED762 and #FCFE62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEAE60 shade: #FE8510, #FE9A39, #FEAF62, #FEC48B and #FFD9B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEAE60 shade: #FEAE60, #93FE62 and #6F62FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEAE60 shade: #FEAE60, #62FEAD and #AD62FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEAE60 shade: #FEAE60, #93FE62, #62B3FE and #CD62FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEAE60 shade: #FEAE60, #64FE62, #62B3FE and #FC62FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 62 / 0

HEX #FEAE60

RGB 254 174 96

HSL 29.62, 0.99%, 0.69%

LAB 77.39, 21.84, 51.1

 

Complementary color

CMYK 99 / 49 / 0 / 38

HEX #01519F

RGB 1 81 159

HSL 209.62, 0.99%, 0.31%

LAB 34.79, 10.75, -48.03

 

CMYK 0 / 32 / 64 / 0

HEX #FFAE5B

RGB 255 174 91

HSL 30.37, 1%, 0.68%

LAB 77.45, 21.93, 53.6

 

CMYK 0 / 25 / 57 / 0

HEX #FFC06E

RGB 255 192 110

HSL 33.93, 1%, 0.72%

LAB 81.88, 13.81, 49.6

 

CMYK 0 / 18 / 49 / 0

HEX #FFD281

RGB 255 210 129

HSL 38.57, 1%, 0.75%

LAB 86.47, 6.04, 45.85

 

CMYK 0 / 11 / 42 / 0

HEX #FFE494

RGB 255 228 148

HSL 44.86, 1%, 0.79%

LAB 91.18, -1.34, 42.37

 

CMYK 0 / 4 / 35 / 0

HEX #FFF6A7

RGB 255 246 167

HSL 53.86, 1%, 0.83%

LAB 95.98, -8.3, 39.14

 

CMYK 0 / 31 / 62 / 0

HEX #FEAE60

RGB 254 174 96

HSL 29.62, 0.99%, 0.69%

LAB 77.39, 21.84, 51.1

 

CMYK 0 / 34 / 68 / 7

HEX #ED9C4D

RGB 237 156 77

HSL 29.63, 0.82%, 0.62%

LAB 71.09, 23.21, 52.56

 

CMYK 0 / 37 / 74 / 14

HEX #DC8A3A

RGB 220 138 58

HSL 29.63, 0.7%, 0.55%

LAB 64.72, 24.77, 53.93

 

CMYK 0 / 41 / 81 / 20

HEX #CB7827

RGB 203 120 39

HSL 29.63, 0.68%, 0.47%

LAB 58.3, 26.54, 54.98

 

CMYK 0 / 45 / 89 / 27

HEX #BA6614

RGB 186 102 20

HSL 29.64, 0.81%, 0.4%

LAB 51.83, 28.54, 55.25

 

CMYK 0 / 31 / 61 / 0

HEX #FEAF62

RGB 254 175 98

HSL 29.62, 0.99%, 0.69%

LAB 77.65, 21.44, 50.42

 

CMYK 0 / 48 / 61 / 0

HEX #FE8562

RGB 254 133 98

HSL 13.46, 0.99%, 0.69%

LAB 68.55, 43.08, 39.55

 

CMYK 0 / 61 / 61 / 0

HEX #FE6262

RGB 254 98 98

HSL 0, 0.99%, 0.69%

LAB 62.24, 59.38, 31.66

 

CMYK 0 / 31 / 61 / 0

HEX #FEAF62

RGB 254 175 98

HSL 29.62, 0.99%, 0.69%

LAB 77.65, 21.44, 50.42

 

CMYK 0 / 15 / 61 / 0

HEX #FED962

RGB 254 217 98

HSL 45.77, 0.99%, 0.69%

LAB 87.77, -0.31, 61.92

 

CMYK 2 / 0 / 61 / 0

HEX #F9FE62

RGB 249 254 98

HSL 61.92, 0.99%, 0.69%

LAB 96.78, -20.6, 71.57

 

CMYK 19 / 0 / 61 / 0

HEX #CFFE62

RGB 207 254 98

HSL 78.08, 0.99%, 0.69%

LAB 93.9, -36.87, 67.62

 

CMYK 35 / 0 / 61 / 0

HEX #A5FE62

RGB 165 254 98

HSL 94.23, 0.99%, 0.69%

LAB 91.58, -51.74, 64.42

 

CMYK 0 / 31 / 61 / 0

HEX #FEAF62

RGB 254 175 98

HSL 29.62, 0.99%, 0.69%

LAB 77.65, 21.44, 50.42

 

CMYK 0 / 31 / 61 / 0

HEX #FEAF62

RGB 254 175 98

HSL 29.62, 0.99%, 0.69%

LAB 77.65, 21.44, 50.42

 

CMYK 0 / 27 / 54 / 5

HEX #F1AF6E

RGB 241 175 110

HSL 29.77, 0.82%, 0.69%

LAB 76.37, 17.05, 42.56

 

CMYK 0 / 24 / 46 / 10

HEX #E5AF7B

RGB 229 175 123

HSL 29.43, 0.67%, 0.69%

LAB 75.29, 13.37, 34.21

 

CMYK 0 / 19 / 37 / 15

HEX #D8AF88

RGB 216 175 136

HSL 29.25, 0.51%, 0.69%

LAB 74.21, 9.58, 25.63

 

CMYK 0 / 13 / 27 / 20

HEX #CBB095

RGB 203 176 149

HSL 30, 0.34%, 0.69%

LAB 73.49, 5.62, 17.43

 

CMYK 0 / 61 / 58 / 0

HEX #FE626A

RGB 254 98 106

HSL 356.92, 0.99%, 0.69%

LAB 62.38, 59.9, 27.3

 

CMYK 0 / 48 / 61 / 0

HEX #FE8462

RGB 254 132 98

HSL 13.08, 0.99%, 0.69%

LAB 68.35, 43.57, 39.3

 

CMYK 0 / 32 / 61 / 0

HEX #FEAD62

RGB 254 173 98

HSL 28.85, 0.99%, 0.69%

LAB 77.18, 22.49, 49.88

 

CMYK 0 / 15 / 61 / 0

HEX #FED762

RGB 254 215 98

HSL 45, 0.99%, 0.69%

LAB 87.27, 0.7, 61.36

 

CMYK 1 / 0 / 61 / 0

HEX #FCFE62

RGB 252 254 98

HSL 60.77, 0.99%, 0.69%

LAB 97.01, -19.4, 71.88

 

CMYK 0 / 48 / 94 / 0

HEX #FE8510

RGB 254 133 16

HSL 29.5, 0.99%, 0.53%

LAB 67.93, 40.1, 72.15

 

CMYK 0 / 39 / 78 / 0

HEX #FE9A39

RGB 254 154 57

HSL 29.54, 0.99%, 0.61%

LAB 72.55, 30.31, 63.48

 

CMYK 0 / 31 / 61 / 0

HEX #FEAF62

RGB 254 175 98

HSL 29.62, 0.99%, 0.69%

LAB 77.65, 21.44, 50.42

 

CMYK 0 / 23 / 45 / 0

HEX #FEC48B

RGB 254 196 139

HSL 29.74, 0.98%, 0.77%

LAB 83.13, 13.83, 36.53

 

CMYK 0 / 15 / 29 / 0

HEX #FFD9B4

RGB 255 217 180

HSL 29.6, 1%, 0.85%

LAB 89.01, 7.96, 23.15

 

CMYK 0 / 31 / 62 / 0

HEX #FEAE60

RGB 254 174 96

HSL 29.62, 0.99%, 0.69%

LAB 77.39, 21.84, 51.1

 

CMYK 42 / 0 / 61 / 0

HEX #93FE62

RGB 147 254 98

HSL 101.15, 0.99%, 0.69%

LAB 90.77, -57.43, 63.29

 

CMYK 56 / 61 / 0 / 0

HEX #6F62FE

RGB 111 98 254

HSL 245, 0.99%, 0.69%

LAB 51, 47.08, -76.24

 

CMYK 0 / 31 / 62 / 0

HEX #FEAE60

RGB 254 174 96

HSL 29.62, 0.99%, 0.69%

LAB 77.39, 21.84, 51.1

 

CMYK 61 / 0 / 32 / 0

HEX #62FEAD

RGB 98 254 173

HSL 148.85, 0.99%, 0.69%

LAB 90.09, -59.05, 26.81

 

CMYK 32 / 61 / 0 / 0

HEX #AD62FE

RGB 173 98 254

HSL 268.85, 0.99%, 0.69%

LAB 56.86, 59.06, -66.48

 

CMYK 0 / 31 / 62 / 0

HEX #FEAE60

RGB 254 174 96

HSL 29.62, 0.99%, 0.69%

LAB 77.39, 21.84, 51.1

 

CMYK 42 / 0 / 61 / 0

HEX #93FE62

RGB 147 254 98

HSL 101.15, 0.99%, 0.69%

LAB 90.77, -57.43, 63.29

 

CMYK 61 / 30 / 0 / 0

HEX #62B3FE

RGB 98 179 254

HSL 208.85, 0.99%, 0.69%

LAB 70.87, -2.73, -44.52

 

CMYK 19 / 61 / 0 / 0

HEX #CD62FE

RGB 205 98 254

HSL 281.15, 0.99%, 0.69%

LAB 60.67, 66.14, -60.15

 

CMYK 0 / 31 / 62 / 0

HEX #FEAE60

RGB 254 174 96

HSL 29.62, 0.99%, 0.69%

LAB 77.39, 21.84, 51.1

 

CMYK 61 / 0 / 61 / 0

HEX #64FE62

RGB 100 254 98

HSL 119.23, 0.99%, 0.69%

LAB 89.15, -69.67, 61.03

 

CMYK 61 / 30 / 0 / 0

HEX #62B3FE

RGB 98 179 254

HSL 208.85, 0.99%, 0.69%

LAB 70.87, -2.73, -44.52

 

CMYK 1 / 61 / 0 / 0

HEX #FC62FE

RGB 252 98 254

HSL 299.23, 0.99%, 0.69%

LAB 66.97, 76.96, -49.75

 

Description

Color code: HEX #FEAE60 | qconv.com Color code: HEX #FEAE60 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 174 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 174 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 62 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 62% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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