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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEAC5B it is the complementary color #0153A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEAC5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEAC5B shade: #FFAC56, #FFBE69, #FFD07C, #FFE28F and #FFF4A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEAC5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEAC5B shade: #FEAC5B, #ED9A48, #DC8835, #CB7622 and #BA640F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEAC5B shade: #FEAD5D, #FE815D and #FE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEAC5B shade: #FEAD5D, #FED85D, #F8FE5D, #CDFE5D and #A1FE5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEAC5B shade matches the following richer shades: #FEAD5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEAC5B shade: #FEAD5D, #F1AD6A, #E4AD77, #D7AD84 and #C9AD91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEAC5B shade: #FE5D65, #FE805D, #FEAB5D, #FED65D and #FBFE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEAC5B shade: #FE830B, #FE9834, #FEAD5D, #FEC286 and #FFD6AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEAC5B shade: #FEAC5B, #90FE5D and #6A5DFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEAC5B shade: #FEAC5B, #5DFEAB and #AB5DFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEAC5B shade: #FEAC5B, #90FE5D, #5DB0FE and #CB5DFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEAC5B shade: #FEAC5B, #5FFE5D, #5DB0FE and #FB5DFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 64 / 0

HEX #FEAC5B

RGB 254 172 91

HSL 29.82, 0.99%, 0.68%

LAB 76.88, 22.57, 52.92

 

Complementary color

CMYK 99 / 49 / 0 / 36

HEX #0153A4

RGB 1 83 164

HSL 209.82, 0.99%, 0.32%

LAB 35.74, 11.5, -49.5

 

CMYK 0 / 33 / 66 / 0

HEX #FFAC56

RGB 255 172 86

HSL 30.53, 1%, 0.67%

LAB 76.94, 22.68, 55.39

 

CMYK 0 / 25 / 59 / 0

HEX #FFBE69

RGB 255 190 105

HSL 34, 1%, 0.71%

LAB 81.35, 14.49, 51.39

 

CMYK 0 / 18 / 51 / 0

HEX #FFD07C

RGB 255 208 124

HSL 38.47, 1%, 0.74%

LAB 85.92, 6.64, 47.63

 

CMYK 0 / 11 / 44 / 0

HEX #FFE28F

RGB 255 226 143

HSL 44.46, 1%, 0.78%

LAB 90.61, -0.82, 44.12

 

CMYK 0 / 4 / 36 / 0

HEX #FFF4A2

RGB 255 244 162

HSL 52.9, 1%, 0.82%

LAB 95.4, -7.87, 40.86

 

CMYK 0 / 32 / 64 / 0

HEX #FEAC5B

RGB 254 172 91

HSL 29.82, 0.99%, 0.68%

LAB 76.88, 22.57, 52.92

 

CMYK 0 / 35 / 70 / 7

HEX #ED9A48

RGB 237 154 72

HSL 29.82, 0.82%, 0.61%

LAB 70.58, 24, 54.34

 

CMYK 0 / 38 / 76 / 14

HEX #DC8835

RGB 220 136 53

HSL 29.82, 0.7%, 0.54%

LAB 64.23, 25.62, 55.62

 

CMYK 0 / 42 / 83 / 20

HEX #CB7622

RGB 203 118 34

HSL 29.82, 0.71%, 0.46%

LAB 57.82, 27.46, 56.46

 

CMYK 0 / 46 / 92 / 27

HEX #BA640F

RGB 186 100 15

HSL 29.82, 0.85%, 0.39%

LAB 51.37, 29.52, 56.28

 

CMYK 0 / 32 / 63 / 0

HEX #FEAD5D

RGB 254 173 93

HSL 29.81, 0.99%, 0.68%

LAB 77.13, 22.17, 52.25

 

CMYK 0 / 49 / 63 / 0

HEX #FE815D

RGB 254 129 93

HSL 13.42, 0.99%, 0.68%

LAB 67.7, 44.74, 41.16

 

CMYK 0 / 63 / 63 / 0

HEX #FE5D5D

RGB 254 93 93

HSL 0, 0.99%, 0.68%

LAB 61.39, 61.16, 33.4

 

CMYK 0 / 32 / 63 / 0

HEX #FEAD5D

RGB 254 173 93

HSL 29.81, 0.99%, 0.68%

LAB 77.13, 22.17, 52.25

 

CMYK 0 / 15 / 63 / 0

HEX #FED85D

RGB 254 216 93

HSL 45.84, 0.99%, 0.68%

LAB 87.47, -0.12, 63.77

 

CMYK 2 / 0 / 63 / 0

HEX #F8FE5D

RGB 248 254 93

HSL 62.24, 0.99%, 0.68%

LAB 96.67, -21.3, 73.39

 

CMYK 19 / 0 / 63 / 0

HEX #CDFE5D

RGB 205 254 93

HSL 78.26, 0.99%, 0.68%

LAB 93.73, -37.98, 69.4

 

CMYK 37 / 0 / 63 / 0

HEX #A1FE5D

RGB 161 254 93

HSL 94.66, 0.99%, 0.68%

LAB 91.35, -53.46, 66.13

 

CMYK 0 / 32 / 63 / 0

HEX #FEAD5D

RGB 254 173 93

HSL 29.81, 0.99%, 0.68%

LAB 77.13, 22.17, 52.25

 

CMYK 0 / 32 / 63 / 0

HEX #FEAD5D

RGB 254 173 93

HSL 29.81, 0.99%, 0.68%

LAB 77.13, 22.17, 52.25

 

CMYK 0 / 28 / 56 / 5

HEX #F1AD6A

RGB 241 173 106

HSL 29.78, 0.83%, 0.68%

LAB 75.84, 17.79, 43.94

 

CMYK 0 / 24 / 48 / 11

HEX #E4AD77

RGB 228 173 119

HSL 29.72, 0.67%, 0.68%

LAB 74.64, 13.64, 35.45

 

CMYK 0 / 20 / 39 / 16

HEX #D7AD84

RGB 215 173 132

HSL 29.64, 0.51%, 0.68%

LAB 73.55, 9.79, 26.87

 

CMYK 0 / 14 / 28 / 21

HEX #C9AD91

RGB 201 173 145

HSL 30, 0.34%, 0.68%

LAB 72.46, 5.91, 18.15

 

CMYK 0 / 63 / 60 / 0

HEX #FE5D65

RGB 254 93 101

HSL 357.02, 0.99%, 0.68%

LAB 61.52, 61.65, 29.02

 

CMYK 0 / 50 / 63 / 0

HEX #FE805D

RGB 254 128 93

HSL 13.04, 0.99%, 0.68%

LAB 67.5, 45.23, 40.93

 

CMYK 0 / 33 / 63 / 0

HEX #FEAB5D

RGB 254 171 93

HSL 29.07, 0.99%, 0.68%

LAB 76.67, 23.22, 51.72

 

CMYK 0 / 16 / 63 / 0

HEX #FED65D

RGB 254 214 93

HSL 45.09, 0.99%, 0.68%

LAB 86.97, 0.9, 63.23

 

CMYK 1 / 0 / 63 / 0

HEX #FBFE5D

RGB 251 254 93

HSL 61.12, 0.99%, 0.68%

LAB 96.9, -20.1, 73.7

 

CMYK 0 / 48 / 96 / 0

HEX #FE830B

RGB 254 131 11

HSL 29.63, 0.99%, 0.52%

LAB 67.52, 41.04, 72.69

 

CMYK 0 / 40 / 80 / 0

HEX #FE9834

RGB 254 152 52

HSL 29.7, 0.99%, 0.6%

LAB 72.08, 31.17, 65

 

CMYK 0 / 32 / 63 / 0

HEX #FEAD5D

RGB 254 173 93

HSL 29.81, 0.99%, 0.68%

LAB 77.13, 22.17, 52.25

 

CMYK 0 / 24 / 47 / 0

HEX #FEC286

RGB 254 194 134

HSL 30, 0.98%, 0.76%

LAB 82.58, 14.4, 38.39

 

CMYK 0 / 16 / 31 / 0

HEX #FFD6AF

RGB 255 214 175

HSL 29.25, 1%, 0.84%

LAB 88.18, 8.88, 24.62

 

CMYK 0 / 32 / 64 / 0

HEX #FEAC5B

RGB 254 172 91

HSL 29.82, 0.99%, 0.68%

LAB 76.88, 22.57, 52.92

 

CMYK 43 / 0 / 63 / 0

HEX #90FE5D

RGB 144 254 93

HSL 100.99, 0.99%, 0.68%

LAB 90.6, -58.78, 65.1

 

CMYK 58 / 63 / 0 / 0

HEX #6A5DFE

RGB 106 93 254

HSL 244.84, 0.99%, 0.68%

LAB 49.56, 49.13, -78.61

 

CMYK 0 / 32 / 64 / 0

HEX #FEAC5B

RGB 254 172 91

HSL 29.82, 0.99%, 0.68%

LAB 76.88, 22.57, 52.92

 

CMYK 63 / 0 / 33 / 0

HEX #5DFEAB

RGB 93 254 171

HSL 149.07, 0.99%, 0.68%

LAB 89.93, -60.35, 27.59

 

CMYK 33 / 63 / 0 / 0

HEX #AB5DFE

RGB 171 93 254

HSL 269.07, 0.99%, 0.68%

LAB 55.73, 61.09, -68.31

 

CMYK 0 / 32 / 64 / 0

HEX #FEAC5B

RGB 254 172 91

HSL 29.82, 0.99%, 0.68%

LAB 76.88, 22.57, 52.92

 

CMYK 43 / 0 / 63 / 0

HEX #90FE5D

RGB 144 254 93

HSL 100.99, 0.99%, 0.68%

LAB 90.6, -58.78, 65.1

 

CMYK 63 / 31 / 0 / 0

HEX #5DB0FE

RGB 93 176 254

HSL 209.07, 0.99%, 0.68%

LAB 69.85, -1.92, -46.13

 

CMYK 20 / 63 / 0 / 0

HEX #CB5DFE

RGB 203 93 254

HSL 280.99, 0.99%, 0.68%

LAB 59.6, 67.93, -61.87

 

CMYK 0 / 32 / 64 / 0

HEX #FEAC5B

RGB 254 172 91

HSL 29.82, 0.99%, 0.68%

LAB 76.88, 22.57, 52.92

 

CMYK 63 / 0 / 63 / 0

HEX #5FFE5D

RGB 95 254 93

HSL 119.25, 0.99%, 0.68%

LAB 88.97, -71.22, 62.85

 

CMYK 63 / 31 / 0 / 0

HEX #5DB0FE

RGB 93 176 254

HSL 209.07, 0.99%, 0.68%

LAB 69.85, -1.92, -46.13

 

CMYK 1 / 63 / 0 / 0

HEX #FB5DFE

RGB 251 93 254

HSL 298.88, 0.99%, 0.68%

LAB 66.13, 78.65, -51.08

 

Description

Color code: HEX #FEAC5B | qconv.com Color code: HEX #FEAC5B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 172 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 172 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 64 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 64% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

57% - 京都のホームページ制作 株式会社Next...
Link: http://nextat.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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