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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE9F70 it is the complementary color #01608F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE9F70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE9F70 shade: #FF9F6B, #FFB17E, #FFC391, #FFD5A4 and #FFE7B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE9F70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE9F70 shade: #FE9F70, #ED8D5D, #DC7B4A, #CB6937 and #BA5724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE9F70 shade: #FE9F70, #FE7970 and #FE7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE9F70 shade: #FE9F70, #FEC570, #FEEB70, #EAFE70 and #C4FE70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE9F70 shade matches the following richer shades: #FE9F70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE9F70 shade: #FE9F70, #F2A37C, #E7A788, #DBAB93 and #D0AF9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE9F70 shade: #FE708F, #FE7770, #FE9D70, #FEC370 and #FEE970

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE9F70 shade: #FD681E, #FE8447, #FE9F70, #FEBB99 and #FED6C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE9F70 shade: #FE9F70, #B5FE70 and #707CFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE9F70 shade: #FE9F70, #70FE9D and #9D70FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE9F70 shade: #FE9F70, #B5FE70, #70D1FE and #B970FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE9F70 shade: #FE9F70, #8AFE70, #70D1FE and #E470FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

Complementary color

CMYK 99 / 33 / 0 / 44

HEX #01608F

RGB 1 96 143

HSL 199.86, 0.99%, 0.28%

LAB 38.47, -5.61, -32.51

 

CMYK 0 / 38 / 58 / 0

HEX #FF9F6B

RGB 255 159 107

HSL 21.08, 1%, 0.71%

LAB 74.27, 30.82, 41.87

 

CMYK 0 / 31 / 51 / 0

HEX #FFB17E

RGB 255 177 126

HSL 23.72, 1%, 0.75%

LAB 78.58, 22.95, 37.42

 

CMYK 0 / 24 / 43 / 0

HEX #FFC391

RGB 255 195 145

HSL 27.27, 1%, 0.78%

LAB 83.09, 15.35, 33.39

 

CMYK 0 / 16 / 36 / 0

HEX #FFD5A4

RGB 255 213 164

HSL 32.31, 1%, 0.82%

LAB 87.74, 8.07, 29.73

 

CMYK 0 / 9 / 28 / 0

HEX #FFE7B7

RGB 255 231 183

HSL 40, 1%, 0.86%

LAB 92.5, 1.17, 26.39

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 0 / 41 / 61 / 7

HEX #ED8D5D

RGB 237 141 93

HSL 20, 0.8%, 0.65%

LAB 67.91, 32.11, 40.88

 

CMYK 0 / 44 / 66 / 14

HEX #DC7B4A

RGB 220 123 74

HSL 20.14, 0.68%, 0.58%

LAB 61.55, 33.55, 42.72

 

CMYK 0 / 48 / 73 / 20

HEX #CB6937

RGB 203 105 55

HSL 20.27, 0.59%, 0.51%

LAB 55.15, 35.14, 44.64

 

CMYK 0 / 53 / 81 / 27

HEX #BA5724

RGB 186 87 36

HSL 20.4, 0.68%, 0.44%

LAB 48.74, 36.88, 46.49

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 0 / 52 / 56 / 0

HEX #FE7970

RGB 254 121 112

HSL 3.8, 0.99%, 0.72%

LAB 66.46, 49.92, 29.25

 

CMYK 0 / 56 / 56 / 0

HEX #FE7070

RGB 254 112 112

HSL 0, 0.99%, 0.72%

LAB 64.83, 54.14, 27.12

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 0 / 7 / 56 / 0

HEX #FEEB70

RGB 254 235 112

HSL 51.97, 0.99%, 0.72%

LAB 92.42, -8.39, 60.95

 

CMYK 8 / 0 / 56 / 0

HEX #EAFE70

RGB 234 254 112

HSL 68.45, 0.99%, 0.72%

LAB 95.81, -25.51, 64.39

 

CMYK 23 / 0 / 56 / 0

HEX #C4FE70

RGB 196 254 112

HSL 84.51, 0.99%, 0.72%

LAB 93.36, -39.78, 60.94

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 0 / 33 / 49 / 5

HEX #F2A37C

RGB 242 163 124

HSL 19.83, 0.82%, 0.72%

LAB 73.89, 25.02, 32.12

 

CMYK 0 / 28 / 41 / 9

HEX #E7A788

RGB 231 167 136

HSL 19.58, 0.66%, 0.72%

LAB 73.81, 19.78, 25.35

 

CMYK 0 / 22 / 33 / 14

HEX #DBAB93

RGB 219 171 147

HSL 20, 0.5%, 0.72%

LAB 73.73, 14.25, 19.09

 

CMYK 0 / 16 / 24 / 18

HEX #D0AF9F

RGB 208 175 159

HSL 19.59, 0.34%, 0.72%

LAB 73.92, 9.5, 12.65

 

CMYK 0 / 56 / 44 / 0

HEX #FE708F

RGB 254 112 143

HSL 346.9, 0.99%, 0.72%

LAB 65.47, 56.79, 10.39

 

CMYK 0 / 53 / 56 / 0

HEX #FE7770

RGB 254 119 112

HSL 2.96, 0.99%, 0.72%

LAB 66.09, 50.87, 28.77

 

CMYK 0 / 38 / 56 / 0

HEX #FE9D70

RGB 254 157 112

HSL 19.01, 0.99%, 0.72%

LAB 73.78, 31.84, 38.62

 

CMYK 0 / 23 / 56 / 0

HEX #FEC370

RGB 254 195 112

HSL 35.07, 0.99%, 0.72%

LAB 82.52, 12, 49.36

 

CMYK 0 / 8 / 56 / 0

HEX #FEE970

RGB 254 233 112

HSL 51.13, 0.99%, 0.72%

LAB 91.92, -7.4, 60.37

 

CMYK 0 / 59 / 88 / 1

HEX #FD681E

RGB 253 104 30

HSL 19.91, 0.98%, 0.55%

LAB 62.4, 53.74, 64.63

 

CMYK 0 / 48 / 72 / 0

HEX #FE8447

RGB 254 132 71

HSL 20, 0.99%, 0.64%

LAB 68.04, 42.08, 52.74

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 0 / 26 / 40 / 0

HEX #FEBB99

RGB 254 187 153

HSL 20.2, 0.98%, 0.8%

LAB 81.24, 19.99, 26.71

 

CMYK 0 / 16 / 23 / 0

HEX #FED6C3

RGB 254 214 195

HSL 19.32, 0.97%, 0.88%

LAB 88.5, 11.15, 14.58

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 29 / 0 / 56 / 0

HEX #B5FE70

RGB 181 254 112

HSL 90.85, 0.99%, 0.72%

LAB 92.52, -45.08, 59.76

 

CMYK 56 / 51 / 0 / 0

HEX #707CFE

RGB 112 124 254

HSL 234.93, 0.99%, 0.72%

LAB 57.09, 31.99, -66.37

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 56 / 0 / 38 / 0

HEX #70FE9D

RGB 112 254 157

HSL 139.01, 0.99%, 0.72%

LAB 90.21, -59.06, 35.07

 

CMYK 38 / 56 / 0 / 0

HEX #9D70FE

RGB 157 112 254

HSL 259.01, 0.99%, 0.72%

LAB 57.95, 48.24, -64.79

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 29 / 0 / 56 / 0

HEX #B5FE70

RGB 181 254 112

HSL 90.85, 0.99%, 0.72%

LAB 92.52, -45.08, 59.76

 

CMYK 56 / 18 / 0 / 0

HEX #70D1FE

RGB 112 209 254

HSL 199.01, 0.99%, 0.72%

LAB 79.73, -16.19, -30.72

 

CMYK 27 / 56 / 0 / 0

HEX #B970FE

RGB 185 112 254

HSL 270.85, 0.99%, 0.72%

LAB 60.83, 54.71, -60.02

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 46 / 0 / 56 / 0

HEX #8AFE70

RGB 138 254 112

HSL 109.01, 0.99%, 0.72%

LAB 90.53, -58.68, 56.94

 

CMYK 56 / 18 / 0 / 0

HEX #70D1FE

RGB 112 209 254

HSL 199.01, 0.99%, 0.72%

LAB 79.73, -16.19, -30.72

 

CMYK 10 / 56 / 0 / 0

HEX #E470FE

RGB 228 112 254

HSL 289.01, 0.99%, 0.72%

LAB 65.93, 65.2, -51.6

 

Description

Color code: HEX #FE9F70 | qconv.com Color code: HEX #FE9F70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 159 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 159 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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