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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE9C01 it is the complementary color #0163FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE9C01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE9C01 shade: #FF9C00, #FFAE0F, #FFC022, #FFD235 and #FFE448

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE9C01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE9C01 shade: #FE9C01, #ED8A00, #DC7800, #CB6600 and #BA5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE9C01 shade: #FE9C01, #FE5801, #FE1401 and #FE0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE9C01 shade: #FE9C01, #FEE001, #D7FE01, #93FE01 and #4FFE01

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE9C01 shade matches the following richer shades: #FE9C01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE9C01 shade: #FE9C01, #E99716, #D4932B, #C08E3F and #AB8954

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE9C01 shade: #FE1201, #FE5501, #FE9901, #FEDC01 and #DCFE01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE9C01 shade: #AC6901, #D58301, #FE9C01, #FEAC2A and #FEBC53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE9C01 shade: #FE9C01, #34FE01 and #3401FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE9C01 shade: #FE9C01, #01FE99 and #9901FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE9C01 shade: #FE9C01, #34FE01, #0166FE and #CB01FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE9C01 shade: #FE9C01, #01FE1B, #0166FE and #FE01E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

Complementary color

CMYK 100 / 61 / 0 / 0

HEX #0163FE

RGB 1 99 254

HSL 216.76, 0.99%, 0.5%

LAB 47.09, 36.75, -82.8

 

CMYK 0 / 39 / 100 / 0

HEX #FF9C00

RGB 255 156 0

HSL 36.71, 1%, 0.5%

LAB 72.92, 28.62, 77.65

HEX #FF9C00

CMYK 0 / 32 / 94 / 0

HEX #FFAE0F

RGB 255 174 15

HSL 39.75, 1%, 0.53%

LAB 77.02, 19.36, 78.65

HEX #FFAE0F

CMYK 0 / 25 / 87 / 0

HEX #FFC022

RGB 255 192 34

HSL 42.9, 1%, 0.57%

LAB 81.33, 10.28, 78.39

HEX #FFC022

CMYK 0 / 18 / 79 / 0

HEX #FFD235

RGB 255 210 53

HSL 46.63, 1%, 0.6%

LAB 85.81, 1.51, 77.06

HEX #FFD235

CMYK 0 / 11 / 72 / 0

HEX #FFE448

RGB 255 228 72

HSL 51.15, 1%, 0.64%

LAB 90.42, -6.85, 75.08

HEX #FFE448

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

CMYK 0 / 42 / 100 / 7

HEX #ED8A00

RGB 237 138 0

HSL 34.94, 1%, 0.46%

LAB 66.66, 30.54, 72.54

 

CMYK 0 / 45 / 100 / 14

HEX #DC7800

RGB 220 120 0

HSL 32.73, 1%, 0.43%

LAB 60.47, 32.92, 67.53

 

CMYK 0 / 50 / 100 / 20

HEX #CB6600

RGB 203 102 0

HSL 30.15, 1%, 0.4%

LAB 54.24, 35.32, 62.52

 

CMYK 0 / 55 / 100 / 27

HEX #BA5400

RGB 186 84 0

HSL 27.1, 1%, 0.36%

LAB 47.98, 37.68, 57.5

 

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

CMYK 0 / 65 / 100 / 0

HEX #FE5801

RGB 254 88 1

HSL 20.63, 0.99%, 0.5%

LAB 59.94, 60.55, 69.82

 

CMYK 0 / 92 / 100 / 0

HEX #FE1401

RGB 254 20 1

HSL 4.51, 0.99%, 0.5%

LAB 53.57, 78.31, 66.96

 

CMYK 0 / 100 / 100 / 0

HEX #FE0101

RGB 254 1 1

HSL 0, 0.99%, 0.5%

LAB 53.05, 79.81, 66.77

 

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

CMYK 0 / 12 / 100 / 0

HEX #FEE001

RGB 254 224 1

HSL 52.89, 0.99%, 0.5%

LAB 89.1, -6.87, 88.56

 

CMYK 15 / 0 / 100 / 0

HEX #D7FE01

RGB 215 254 1

HSL 69.25, 0.99%, 0.5%

LAB 94.03, -37.22, 90.83

 

CMYK 42 / 0 / 100 / 0

HEX #93FE01

RGB 147 254 1

HSL 85.38, 0.99%, 0.5%

LAB 90.36, -61.73, 86.43

 

CMYK 69 / 0 / 100 / 0

HEX #4FFE01

RGB 79 254 1

HSL 101.5, 0.99%, 0.5%

LAB 88.23, -78.77, 83.84

 

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

CMYK 0 / 35 / 91 / 9

HEX #E99716

RGB 233 151 22

HSL 36.68, 0.83%, 0.5%

LAB 69.12, 22.26, 70.55

 

CMYK 0 / 31 / 80 / 17

HEX #D4932B

RGB 212 147 43

HSL 36.92, 0.66%, 0.5%

LAB 65.78, 15.92, 60.71

 

CMYK 0 / 26 / 67 / 25

HEX #C08E3F

RGB 192 142 63

HSL 36.74, 0.51%, 0.5%

LAB 62.43, 10.88, 48.22

 

CMYK 0 / 20 / 51 / 33

HEX #AB8954

RGB 171 137 84

HSL 36.55, 0.34%, 0.5%

LAB 59.15, 6.14, 33.16

 

CMYK 0 / 93 / 100 / 0

HEX #FE1201

RGB 254 18 1

HSL 4.03, 0.99%, 0.5%

LAB 53.5, 78.52, 66.93

 

CMYK 0 / 67 / 100 / 0

HEX #FE5501

RGB 254 85 1

HSL 19.92, 0.99%, 0.5%

LAB 59.5, 61.74, 69.6

 

CMYK 0 / 40 / 100 / 0

HEX #FE9901

RGB 254 153 1

HSL 36.05, 0.99%, 0.5%

LAB 72.13, 29.77, 76.96

 

CMYK 0 / 13 / 100 / 0

HEX #FEDC01

RGB 254 220 1

HSL 51.94, 0.99%, 0.5%

LAB 88.09, -4.86, 87.84

 

CMYK 13 / 0 / 100 / 0

HEX #DCFE01

RGB 220 254 1

HSL 68.06, 0.99%, 0.5%

LAB 94.36, -35.24, 91.22

 

CMYK 0 / 39 / 99 / 33

HEX #AC6901

RGB 172 105 1

HSL 36.49, 0.99%, 0.34%

LAB 50.54, 20.5, 57.82

 

CMYK 0 / 38 / 100 / 16

HEX #D58301

RGB 213 131 1

HSL 36.79, 0.99%, 0.42%

LAB 61.98, 24.16, 67.86

 

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

CMYK 0 / 32 / 83 / 0

HEX #FEAC2A

RGB 254 172 42

HSL 36.79, 0.99%, 0.58%

LAB 76.52, 20.47, 72.3

 

CMYK 0 / 26 / 67 / 0

HEX #FEBC53

RGB 254 188 83

HSL 36.84, 0.99%, 0.66%

LAB 80.55, 13.75, 60.64

 

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

CMYK 80 / 0 / 100 / 0

HEX #34FE01

RGB 52 254 1

HSL 107.91, 0.99%, 0.5%

LAB 87.78, -82.71, 83.29

 

CMYK 80 / 100 / 0 / 0

HEX #3401FE

RGB 52 1 254

HSL 252.09, 0.99%, 0.5%

LAB 33.79, 79.36, -104.78

 

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

CMYK 100 / 0 / 40 / 0

HEX #01FE99

RGB 1 254 153

HSL 156.05, 0.99%, 0.5%

LAB 88.54, -72.18, 34.54

 

CMYK 40 / 100 / 0 / 0

HEX #9901FE

RGB 153 1 254

HSL 276.05, 0.99%, 0.5%

LAB 44.16, 85, -87.27

 

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

CMYK 80 / 0 / 100 / 0

HEX #34FE01

RGB 52 254 1

HSL 107.91, 0.99%, 0.5%

LAB 87.78, -82.71, 83.29

 

CMYK 100 / 60 / 0 / 0

HEX #0166FE

RGB 1 102 254

HSL 216.05, 0.99%, 0.5%

LAB 47.84, 34.85, -81.58

 

CMYK 20 / 100 / 0 / 0

HEX #CB01FE

RGB 203 1 254

HSL 287.91, 0.99%, 0.5%

LAB 51.69, 90.64, -74.64

 

CMYK 0 / 39 / 100 / 0

HEX #FE9C01

RGB 254 156 1

HSL 36.76, 0.99%, 0.5%

LAB 72.79, 28.21, 77.39

 

CMYK 100 / 0 / 89 / 0

HEX #01FE1B

RGB 1 254 27

HSL 126.17, 0.99%, 0.5%

LAB 87.47, -85.4, 80.28

 

CMYK 100 / 60 / 0 / 0

HEX #0166FE

RGB 1 102 254

HSL 216.05, 0.99%, 0.5%

LAB 47.84, 34.85, -81.58

 

CMYK 0 / 100 / 10 / 0

HEX #FE01E4

RGB 254 1 228

HSL 306.17, 0.99%, 0.5%

LAB 58.69, 94.43, -48.37

 

Description

Color code: HEX #FE9C01 | qconv.com Color code: HEX #FE9C01 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 156 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 156 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 100% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

78% - HANDOK
Link: http://readyq.co.kr

27% - AN3 CENTRO AUTMOTIVO
Link: http://www.an3centroautomotivo.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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