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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE99D9 it is the complementary color #016626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE99D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE99D9 shade: #FF99D4, #FFABE7, #FFBDFA, #FFCFFF and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE99D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE99D9 shade: #FE99D9, #ED87C6, #DC75B3, #CB63A0 and #BA518D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE99D9 shade: #FD9AD9, #FD9ABE, #FD9AA3 and #FD9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE99D9 shade: #FD9AD9, #FD9AF4, #EC9AFD, #D19AFD and #B69AFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE99D9 shade matches the following richer shades: #FD9AD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE99D9 shade: #FD9AD9, #F5A2D7, #EDAAD4, #E5B2D2 and #DCBBD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE99D9 shade: #EB9AFD, #FD9AF5, #FD9ADA, #FD9AC0 and #FD9AA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE99D9 shade: #FD48BA, #FD71CA, #FD9AD9, #FEC2E8 and #FEEBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE99D9 shade: #FE99D9, #FDD09A and #9AFDF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE99D9 shade: #FE99D9, #DAFD9A and #9ADAFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE99D9 shade: #FE99D9, #FDD09A, #9AFDBD and #9AC7FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE99D9 shade: #FE99D9, #FDEE9A, #9AFDBD and #9AA9FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 15 / 0

HEX #FE99D9

RGB 254 153 217

HSL 321.98, 0.98%, 0.8%

LAB 75.37, 46.22, -16.44

 

Complementary color

CMYK 99 / 0 / 63 / 60

HEX #016626

RGB 1 102 38

HSL 141.98, 0.98%, 0.2%

LAB 37.21, -40.58, 28.59

 

CMYK 0 / 40 / 17 / 0

HEX #FF99D4

RGB 255 153 212

HSL 325.29, 1%, 0.8%

LAB 75.32, 45.78, -13.75

 

CMYK 0 / 33 / 9 / 0

HEX #FFABE7

RGB 255 171 231

HSL 317.14, 1%, 0.84%

LAB 79.7, 39.51, -17.5

 

CMYK 0 / 26 / 2 / 0

HEX #FFBDFA

RGB 255 189 250

HSL 304.55, 1%, 0.87%

LAB 84.26, 33.35, -20.81

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 40 / 15 / 0

HEX #FE99D9

RGB 254 153 217

HSL 321.98, 0.98%, 0.8%

LAB 75.37, 46.22, -16.44

 

CMYK 0 / 43 / 16 / 7

HEX #ED87C6

RGB 237 135 198

HSL 322.94, 0.74%, 0.73%

LAB 69.05, 46.98, -15.68

 

CMYK 0 / 47 / 19 / 14

HEX #DC75B3

RGB 220 117 179

HSL 323.88, 0.6%, 0.66%

LAB 62.67, 47.73, -14.81

 

CMYK 0 / 51 / 21 / 20

HEX #CB63A0

RGB 203 99 160

HSL 324.81, 0.5%, 0.59%

LAB 56.25, 48.46, -13.8

 

CMYK 0 / 56 / 24 / 27

HEX #BA518D

RGB 186 81 141

HSL 325.71, 0.43%, 0.52%

LAB 49.79, 49.1, -12.59

 

CMYK 0 / 39 / 14 / 1

HEX #FD9AD9

RGB 253 154 217

HSL 321.82, 0.96%, 0.8%

LAB 75.45, 45.39, -16.32

 

CMYK 0 / 39 / 25 / 1

HEX #FD9ABE

RGB 253 154 190

HSL 338.18, 0.96%, 0.8%

LAB 74.64, 41.43, -2.7

 

CMYK 0 / 39 / 36 / 1

HEX #FD9AA3

RGB 253 154 163

HSL 354.55, 0.96%, 0.8%

LAB 73.96, 37.99, 11.19

 

CMYK 0 / 39 / 39 / 1

HEX #FD9A9A

RGB 253 154 154

HSL 0, 0.96%, 0.8%

LAB 73.76, 36.96, 15.87

 

CMYK 0 / 39 / 14 / 1

HEX #FD9AD9

RGB 253 154 217

HSL 321.82, 0.96%, 0.8%

LAB 75.45, 45.39, -16.32

 

CMYK 0 / 39 / 4 / 1

HEX #FD9AF4

RGB 253 154 244

HSL 305.45, 0.96%, 0.8%

LAB 76.39, 49.82, -29.6

 

CMYK 7 / 39 / 0 / 1

HEX #EC9AFD

RGB 236 154 253

HSL 289.7, 0.96%, 0.8%

LAB 74.85, 46.38, -37.01

 

CMYK 17 / 39 / 0 / 1

HEX #D19AFD

RGB 209 154 253

HSL 273.33, 0.96%, 0.8%

LAB 72.07, 38.52, -41.55

 

CMYK 28 / 39 / 0 / 1

HEX #B69AFD

RGB 182 154 253

HSL 256.97, 0.96%, 0.8%

LAB 69.57, 30.9, -45.64

 

CMYK 0 / 39 / 14 / 1

HEX #FD9AD9

RGB 253 154 217

HSL 321.82, 0.96%, 0.8%

LAB 75.45, 45.39, -16.32

 

CMYK 0 / 39 / 14 / 1

HEX #FD9AD9

RGB 253 154 217

HSL 321.82, 0.96%, 0.8%

LAB 75.45, 45.39, -16.32

 

CMYK 0 / 34 / 12 / 4

HEX #F5A2D7

RGB 245 162 215

HSL 321.69, 0.81%, 0.8%

LAB 76.17, 38.31, -14.25

 

CMYK 0 / 28 / 11 / 7

HEX #EDAAD4

RGB 237 170 212

HSL 322.39, 0.65%, 0.8%

LAB 76.99, 30.92, -11.47

 

CMYK 0 / 22 / 8 / 10

HEX #E5B2D2

RGB 229 178 210

HSL 322.35, 0.5%, 0.8%

LAB 77.96, 23.58, -9.01

 

CMYK 0 / 15 / 5 / 14

HEX #DCBBD0

RGB 220 187 208

HSL 321.82, 0.32%, 0.8%

LAB 79.22, 15.3, -6.16

 

CMYK 7 / 39 / 0 / 1

HEX #EB9AFD

RGB 235 154 253

HSL 289.09, 0.96%, 0.8%

LAB 74.74, 46.09, -37.19

 

CMYK 0 / 39 / 3 / 1

HEX #FD9AF5

RGB 253 154 245

HSL 304.85, 0.96%, 0.8%

LAB 76.43, 49.99, -30.09

 

CMYK 0 / 39 / 14 / 1

HEX #FD9ADA

RGB 253 154 218

HSL 321.21, 0.96%, 0.8%

LAB 75.49, 45.54, -16.82

 

CMYK 0 / 39 / 24 / 1

HEX #FD9AC0

RGB 253 154 192

HSL 336.97, 0.96%, 0.8%

LAB 74.7, 41.7, -3.72

 

CMYK 0 / 39 / 35 / 1

HEX #FD9AA5

RGB 253 154 165

HSL 353.33, 0.96%, 0.8%

LAB 74, 38.22, 10.16

 

CMYK 0 / 72 / 26 / 1

HEX #FD48BA

RGB 253 72 186

HSL 322.21, 0.98%, 0.64%

LAB 60.84, 76.93, -21.14

 

CMYK 0 / 55 / 20 / 1

HEX #FD71CA

RGB 253 113 202

HSL 321.86, 0.97%, 0.72%

LAB 67.24, 63.01, -20.45

 

CMYK 0 / 39 / 14 / 1

HEX #FD9AD9

RGB 253 154 217

HSL 321.82, 0.96%, 0.8%

LAB 75.45, 45.39, -16.32

 

CMYK 0 / 24 / 9 / 0

HEX #FEC2E8

RGB 254 194 232

HSL 322, 0.97%, 0.88%

LAB 84.73, 27.3, -10.51

 

CMYK 0 / 7 / 3 / 0

HEX #FEEBF7

RGB 254 235 247

HSL 322.11, 0.9%, 0.96%

LAB 94.82, 8.47, -3.47

 

CMYK 0 / 40 / 15 / 0

HEX #FE99D9

RGB 254 153 217

HSL 321.98, 0.98%, 0.8%

LAB 75.37, 46.22, -16.44

 

CMYK 0 / 18 / 39 / 1

HEX #FDD09A

RGB 253 208 154

HSL 32.73, 0.96%, 0.8%

LAB 86.17, 8.76, 32.76

 

CMYK 39 / 0 / 2 / 1

HEX #9AFDF8

RGB 154 253 248

HSL 176.97, 0.96%, 0.8%

LAB 93.41, -30.17, -6.78

 

CMYK 0 / 40 / 15 / 0

HEX #FE99D9

RGB 254 153 217

HSL 321.98, 0.98%, 0.8%

LAB 75.37, 46.22, -16.44

 

CMYK 14 / 0 / 39 / 1

HEX #DAFD9A

RGB 218 253 154

HSL 81.21, 0.96%, 0.8%

LAB 94.95, -26.96, 43.67

 

CMYK 39 / 14 / 0 / 1

HEX #9ADAFD

RGB 154 218 253

HSL 201.21, 0.96%, 0.8%

LAB 84.02, -11.64, -23.46

 

CMYK 0 / 40 / 15 / 0

HEX #FE99D9

RGB 254 153 217

HSL 321.98, 0.98%, 0.8%

LAB 75.37, 46.22, -16.44

 

CMYK 0 / 18 / 39 / 1

HEX #FDD09A

RGB 253 208 154

HSL 32.73, 0.96%, 0.8%

LAB 86.17, 8.76, 32.76

 

CMYK 39 / 0 / 25 / 1

HEX #9AFDBD

RGB 154 253 189

HSL 141.21, 0.96%, 0.8%

LAB 92.04, -42.48, 21.67

 

CMYK 39 / 21 / 0 / 1

HEX #9AC7FD

RGB 154 199 253

HSL 212.73, 0.96%, 0.8%

LAB 78.93, -1.62, -31.25

 

CMYK 0 / 40 / 15 / 0

HEX #FE99D9

RGB 254 153 217

HSL 321.98, 0.98%, 0.8%

LAB 75.37, 46.22, -16.44

 

CMYK 0 / 6 / 39 / 1

HEX #FDEE9A

RGB 253 238 154

HSL 50.91, 0.96%, 0.8%

LAB 93.61, -6.51, 42.47

 

CMYK 39 / 0 / 25 / 1

HEX #9AFDBD

RGB 154 253 189

HSL 141.21, 0.96%, 0.8%

LAB 92.04, -42.48, 21.67

 

CMYK 39 / 33 / 0 / 1

HEX #9AA9FD

RGB 154 169 253

HSL 230.91, 0.96%, 0.8%

LAB 71.1, 14.96, -43.39

 

Description

Color code: HEX #FE99D9 | qconv.com Color code: HEX #FE99D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 153 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 153 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 15 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 15% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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