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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE95754C it is the complementary color #016A8A4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE95754C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE95754C shade: #FF95704C, #FFA7834C, #FFB9964C, #FFCBA94C and #FFDDBC4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE95754C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE95754C shade: #FE95754C, #ED83624C, #DC714F4C, #CB5F3C4C and #BA4D294C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE95754C shade: #FE9676 and #FE7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE95754C shade: #FE9676, #FEBB76, #FEDF76, #F9FE76 and #D4FE76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE95754C shade matches the following richer shades: #FE9676

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE95754C shade: #FE9676, #F39C81, #E8A28C, #DDA897 and #D2AEA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE95754C shade: #FE769F, #FE767B, #FE9676, #FEBA76 and #FEDF76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE95754C shade: #FE5724, #FE764D, #FE9676, #FFB59F and #FFD5C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE95754C shade: #FE9575, #C3FE76 and #768DFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE95754C shade: #FE9575, #76FE96 and #9676FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE95754C shade: #FE9575, #C3FE76, #76DFFE and #B176FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE95754C shade: #FE9575, #9AFE76, #76DFFE and #DA76FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 16 / 0

HEX #FE95754C

RGBA 254 149 117 0.3

HSLA 14.01, 0.99%, 0.73%, 0.3

LABA 72.13, 36.37, 33.87, 0.3

 

Complementary color

CMYK 30 / 7 / 0 / 14

HEX #016A8A4C

RGBA 1 106 138 0.3

HSLA 194.01, 0.99%, 0.27%, 0.3

LABA 41.45, -13.55, -24.83, 0.3

 

CMYK 0 / 12 / 17 / 0

HEX #FF95704C

RGBA 255 149 112 0.3

HSLA 15.52, 1%, 0.72%, 0.3

LABA 72.18, 36.36, 36.64, 0.3

 

CMYK 0 / 10 / 15 / 0

HEX #FFA7834C

RGBA 255 167 131 0.3

HSLA 17.42, 1%, 0.76%, 0.3

LABA 76.4, 28.63, 31.96, 0.3

 

CMYK 0 / 8 / 12 / 0

HEX #FFB9964C

RGBA 255 185 150 0.3

HSLA 20, 1%, 0.79%, 0.3

LABA 80.83, 21.1, 27.75, 0.3

 

CMYK 0 / 6 / 10 / 0

HEX #FFCBA94C

RGBA 255 203 169 0.3

HSLA 23.72, 1%, 0.83%, 0.3

LABA 85.42, 13.85, 23.97, 0.3

 

CMYK 0 / 4 / 8 / 0

HEX #FFDDBC4C

RGBA 255 221 188 0.3

HSLA 29.55, 1%, 0.87%, 0.3

LABA 90.14, 6.94, 20.55, 0.3

 

CMYK 0 / 12 / 16 / 0

HEX #FE95754C

RGBA 254 149 117 0.3

HSLA 14.01, 0.99%, 0.73%, 0.3

LABA 72.13, 36.37, 33.87, 0.3

 

CMYK 0 / 13 / 18 / 2

HEX #ED83624C

RGBA 237 131 98 0.3

HSLA 14.24, 0.79%, 0.66%, 0.3

LABA 65.84, 37.64, 35.68, 0.3

 

CMYK 0 / 15 / 19 / 4

HEX #DC714F4C

RGBA 220 113 79 0.3

HSLA 14.47, 0.67%, 0.59%, 0.3

LABA 59.52, 39.02, 37.67, 0.3

 

CMYK 0 / 16 / 21 / 6

HEX #CB5F3C4C

RGBA 203 95 60 0.3

HSLA 14.69, 0.58%, 0.52%, 0.3

LABA 53.18, 40.5, 39.87, 0.3

 

CMYK 0 / 18 / 23 / 8

HEX #BA4D294C

RGBA 186 77 41 0.3

HSLA 14.9, 0.64%, 0.45%, 0.3

LABA 46.85, 42.03, 42.21, 0.3

 

CMYK 0 / 41 / 54 / 0

HEX #FE9676

RGB 254 150 118

HSL 14.12, 0.99%, 0.73%

LAB 72.36, 35.93, 33.63

 

CMYK 0 / 54 / 54 / 0

HEX #FE7676

RGB 254 118 118

HSL 0, 0.99%, 0.73%

LAB 66.01, 51.8, 25.31

 

CMYK 0 / 41 / 54 / 0

HEX #FE9676

RGB 254 150 118

HSL 14.12, 0.99%, 0.73%

LAB 72.36, 35.93, 33.63

 

CMYK 0 / 26 / 54 / 0

HEX #FEBB76

RGB 254 187 118

HSL 30.44, 0.99%, 0.73%

LAB 80.69, 16.65, 44.15

 

CMYK 0 / 12 / 54 / 0

HEX #FEDF76

RGB 254 223 118

HSL 46.32, 0.99%, 0.73%

LAB 89.47, -1.92, 54.76

 

CMYK 2 / 0 / 54 / 0

HEX #F9FE76

RGB 249 254 118

HSL 62.21, 0.99%, 0.73%

LAB 96.96, -19.2, 63.37

 

CMYK 17 / 0 / 54 / 0

HEX #D4FE76

RGB 212 254 118

HSL 78.53, 0.99%, 0.73%

LAB 94.39, -33.37, 59.75

 

CMYK 0 / 41 / 54 / 0

HEX #FE9676

RGB 254 150 118

HSL 14.12, 0.99%, 0.73%

LAB 72.36, 35.93, 33.63

 

CMYK 0 / 41 / 54 / 0

HEX #FE9676

RGB 254 150 118

HSL 14.12, 0.99%, 0.73%

LAB 72.36, 35.93, 33.63

 

CMYK 0 / 36 / 47 / 5

HEX #F39C81

RGB 243 156 129

HSL 14.21, 0.83%, 0.73%

LAB 72.51, 29.57, 27.63

 

CMYK 0 / 30 / 40 / 9

HEX #E8A28C

RGB 232 162 140

HSL 14.35, 0.67%, 0.73%

LAB 72.82, 23.28, 21.86

 

CMYK 0 / 24 / 32 / 13

HEX #DDA897

RGB 221 168 151

HSL 14.57, 0.51%, 0.73%

LAB 73.29, 17.14, 16.33

 

CMYK 0 / 17 / 22 / 18

HEX #D2AEA3

RGB 210 174 163

HSL 14.04, 0.34%, 0.73%

LAB 73.94, 11.38, 10.53

 

CMYK 0 / 54 / 37 / 0

HEX #FE769F

RGB 254 118 159

HSL 341.91, 0.99%, 0.73%

LAB 66.92, 55.69, 3.37

 

CMYK 0 / 54 / 52 / 0

HEX #FE767B

RGB 254 118 123

HSL 357.79, 0.99%, 0.73%

LAB 66.1, 52.21, 22.62

 

CMYK 0 / 41 / 54 / 0

HEX #FE9676

RGB 254 150 118

HSL 14.12, 0.99%, 0.73%

LAB 72.36, 35.93, 33.63

 

CMYK 0 / 27 / 54 / 0

HEX #FEBA76

RGB 254 186 118

HSL 30, 0.99%, 0.73%

LAB 80.46, 17.17, 43.86

 

CMYK 0 / 12 / 54 / 0

HEX #FEDF76

RGB 254 223 118

HSL 46.32, 0.99%, 0.73%

LAB 89.47, -1.92, 54.76

 

CMYK 0 / 66 / 86 / 0

HEX #FE5724

RGB 254 87 36

HSL 14.04, 0.99%, 0.57%

LAB 59.9, 61.38, 60.58

 

CMYK 0 / 54 / 70 / 0

HEX #FE764D

RGB 254 118 77

HSL 13.9, 0.99%, 0.65%

LAB 65.41, 49.18, 46.85

 

CMYK 0 / 41 / 54 / 0

HEX #FE9676

RGB 254 150 118

HSL 14.12, 0.99%, 0.73%

LAB 72.36, 35.93, 33.63

 

CMYK 0 / 29 / 38 / 0

HEX #FFB59F

RGB 255 181 159

HSL 13.75, 1%, 0.81%

LAB 80.07, 24.19, 21.94

 

CMYK 0 / 16 / 22 / 0

HEX #FFD5C8

RGB 255 213 200

HSL 14.18, 1%, 0.89%

LAB 88.46, 12.74, 11.9

 

CMYK 0 / 41 / 54 / 0

HEX #FE9575

RGB 254 149 117

HSL 14.01, 0.99%, 0.73%

LAB 72.13, 36.37, 33.87

 

CMYK 23 / 0 / 54 / 0

HEX #C3FE76

RGB 195 254 118

HSL 86.03, 0.99%, 0.73%

LAB 93.36, -39.58, 58.29

 

CMYK 54 / 44 / 0 / 0

HEX #768DFE

RGB 118 141 254

HSL 229.85, 0.99%, 0.73%

LAB 61.7, 23.06, -58.95

 

CMYK 0 / 41 / 54 / 0

HEX #FE9575

RGB 254 149 117

HSL 14.01, 0.99%, 0.73%

LAB 72.13, 36.37, 33.87

 

CMYK 54 / 0 / 41 / 0

HEX #76FE96

RGB 118 254 150

HSL 134.12, 0.99%, 0.73%

LAB 90.29, -58.83, 38.66

 

CMYK 41 / 54 / 0 / 0

HEX #9676FE

RGB 150 118 254

HSL 254.12, 0.99%, 0.73%

LAB 58.6, 43.36, -63.79

 

CMYK 0 / 41 / 54 / 0

HEX #FE9575

RGB 254 149 117

HSL 14.01, 0.99%, 0.73%

LAB 72.13, 36.37, 33.87

 

CMYK 23 / 0 / 54 / 0

HEX #C3FE76

RGB 195 254 118

HSL 86.03, 0.99%, 0.73%

LAB 93.36, -39.58, 58.29

 

CMYK 54 / 12 / 0 / 0

HEX #76DFFE

RGB 118 223 254

HSL 193.68, 0.99%, 0.73%

LAB 83.85, -22.12, -24.39

 

CMYK 30 / 54 / 0 / 0

HEX #B176FE

RGB 177 118 254

HSL 266.03, 0.99%, 0.73%

LAB 61.19, 49.65, -59.5

 

CMYK 0 / 41 / 54 / 0

HEX #FE9575

RGB 254 149 117

HSL 14.01, 0.99%, 0.73%

LAB 72.13, 36.37, 33.87

 

CMYK 39 / 0 / 54 / 0

HEX #9AFE76

RGB 154 254 118

HSL 104.12, 0.99%, 0.73%

LAB 91.26, -53.3, 55.29

 

CMYK 54 / 12 / 0 / 0

HEX #76DFFE

RGB 118 223 254

HSL 193.68, 0.99%, 0.73%

LAB 83.85, -22.12, -24.39

 

CMYK 14 / 54 / 0 / 0

HEX #DA76FE

RGB 218 118 254

HSL 284.12, 0.99%, 0.73%

LAB 65.76, 59.84, -51.95

 

Description

Color code: HEX #FE95754C | qconv.com Color code: HEX #FE95754C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 149 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 149 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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