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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE938ACE it is the complementary color #016C75CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE938ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE938ACE shade: #FF9385CE, #FFA598CE, #FFB7ABCE, #FFC9BECE and #FFDBD1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE938ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE938ACE shade: #FE938ACE, #ED8177CE, #DC6F64CE, #CB5D51CE and #BA4B3ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE938ACE shade: #FE948B and #FE8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE938ACE shade: #FE948B, #FEB38B, #FED28B, #FEF18B and #ECFE8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE938ACE shade matches the following richer shades: #FE948B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE938ACE shade: #FE948B, #F49C94, #EBA49E, #E1ACA7 and #D8B4B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE938ACE shade: #FE8BC1, #FE8BA2, #FE938B, #FEB18B and #FED08B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE938ACE shade: #FD4839, #FD6E62, #FE948B, #FEBAB4 and #FFDFDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE938ACE shade: #FE938A, #DFFE8B and #8BB1FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE938ACE shade: #FE938A, #8BFE93 and #938BFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE938ACE shade: #FE938A, #DFFE8B, #8BF6FE and #AA8BFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE938ACE shade: #FE938A, #BDFE8B, #8BF6FE and #CC8BFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 37 / 0

HEX #FE938ACE

RGBA 254 147 138 0.81

HSLA 4.66, 0.98%, 0.77%, 0.81

LABA 72.08, 39.26, 22.37, 0.81

 

Complementary color

CMYK 80 / 6 / 0 / 44

HEX #016C75CE

RGBA 1 108 117 0.81

HSLA 184.66, 0.98%, 0.23%, 0.81

LABA 41.24, -22.38, -12.47, 0.81

 

CMYK 0 / 34 / 39 / 0

HEX #FF9385CE

RGBA 255 147 133 0.81

HSLA 6.89, 1%, 0.76%, 0.81

LABA 72.11, 39.16, 25.18, 0.81

 

CMYK 0 / 29 / 33 / 0

HEX #FFA598CE

RGBA 255 165 152 0.81

HSLA 7.57, 1%, 0.8%, 0.81

LABA 76.34, 31.78, 20.57, 0.81

 

CMYK 0 / 23 / 27 / 0

HEX #FFB7ABCE

RGBA 255 183 171 0.81

HSLA 8.57, 1%, 0.84%, 0.81

LABA 80.78, 24.56, 16.48, 0.81

 

CMYK 0 / 17 / 21 / 0

HEX #FFC9BECE

RGBA 255 201 190 0.81

HSLA 10.15, 1%, 0.87%, 0.81

LABA 85.38, 17.59, 12.82, 0.81

 

CMYK 0 / 11 / 15 / 0

HEX #FFDBD1CE

RGBA 255 219 209 0.81

HSLA 13.04, 1%, 0.91%, 0.81

LABA 90.1, 10.94, 9.52, 0.81

 

CMYK 0 / 34 / 37 / 0

HEX #FE938ACE

RGBA 254 147 138 0.81

HSLA 4.66, 0.98%, 0.77%, 0.81

LABA 72.08, 39.26, 22.37, 0.81

 

CMYK 0 / 37 / 40 / 6

HEX #ED8177CE

RGBA 237 129 119 0.81

HSLA 5.08, 0.77%, 0.7%, 0.81

LABA 65.78, 40.37, 24.02, 0.81

 

CMYK 0 / 40 / 44 / 11

HEX #DC6F64CE

RGBA 220 111 100 0.81

HSLA 5.5, 0.63%, 0.63%, 0.81

LABA 59.44, 41.55, 25.89, 0.81

 

CMYK 0 / 44 / 49 / 17

HEX #CB5D51CE

RGBA 203 93 81 0.81

HSLA 5.9, 0.54%, 0.56%, 0.81

LABA 53.08, 42.78, 28.04, 0.81

 

CMYK 0 / 48 / 54 / 22

HEX #BA4B3ECE

RGBA 186 75 62 0.81

HSLA 6.29, 0.5%, 0.49%, 0.81

LABA 46.74, 44.01, 30.55, 0.81

 

CMYK 0 / 42 / 45 / 0

HEX #FE948B

RGB 254 148 139

HSL 4.7, 0.98%, 0.77%

LAB 72.31, 38.85, 22.13

 

CMYK 0 / 45 / 45 / 0

HEX #FE8B8B

RGB 254 139 139

HSL 0, 0.98%, 0.77%

LAB 70.46, 43.41, 19.6

 

CMYK 0 / 42 / 45 / 0

HEX #FE948B

RGB 254 148 139

HSL 4.7, 0.98%, 0.77%

LAB 72.31, 38.85, 22.13

 

CMYK 0 / 30 / 45 / 0

HEX #FEB38B

RGB 254 179 139

HSL 20.87, 0.98%, 0.77%

LAB 79.14, 22.73, 31.31

 

CMYK 0 / 17 / 45 / 0

HEX #FED28B

RGB 254 210 139

HSL 37.04, 0.98%, 0.77%

LAB 86.52, 6.57, 40.89

 

CMYK 0 / 5 / 45 / 0

HEX #FEF18B

RGB 254 241 139

HSL 53.22, 0.98%, 0.77%

LAB 94.25, -9.11, 50.59

 

CMYK 7 / 0 / 45 / 0

HEX #ECFE8B

RGB 236 254 139

HSL 69.39, 0.98%, 0.77%

LAB 96.24, -22.37, 52.73

 

CMYK 0 / 42 / 45 / 0

HEX #FE948B

RGB 254 148 139

HSL 4.7, 0.98%, 0.77%

LAB 72.31, 38.85, 22.13

 

CMYK 0 / 42 / 45 / 0

HEX #FE948B

RGB 254 148 139

HSL 4.7, 0.98%, 0.77%

LAB 72.31, 38.85, 22.13

 

CMYK 0 / 36 / 39 / 4

HEX #F49C94

RGB 244 156 148

HSL 5, 0.81%, 0.77%

LAB 72.99, 31.92, 17.93

 

CMYK 0 / 30 / 33 / 8

HEX #EBA49E

RGB 235 164 158

HSL 4.68, 0.66%, 0.77%

LAB 73.99, 25.5, 13.69

 

CMYK 0 / 24 / 26 / 12

HEX #E1ACA7

RGB 225 172 167

HSL 5.17, 0.49%, 0.77%

LAB 75.02, 18.66, 10.07

 

CMYK 0 / 17 / 18 / 15

HEX #D8B4B1

RGB 216 180 177

HSL 4.62, 0.33%, 0.77%

LAB 76.32, 12.5, 6.38

 

CMYK 0 / 45 / 24 / 0

HEX #FE8BC1

RGB 254 139 193

HSL 331.83, 0.98%, 0.77%

LAB 71.82, 49.76, -8.53

 

CMYK 0 / 45 / 36 / 0

HEX #FE8BA2

RGB 254 139 162

HSL 348, 0.98%, 0.77%

LAB 70.97, 45.85, 7.51

 

CMYK 0 / 42 / 45 / 0

HEX #FE938B

RGB 254 147 139

HSL 4.17, 0.98%, 0.77%

LAB 72.1, 39.36, 21.85

 

CMYK 0 / 30 / 45 / 0

HEX #FEB18B

RGB 254 177 139

HSL 19.83, 0.98%, 0.77%

LAB 78.68, 23.78, 30.7

 

CMYK 0 / 18 / 45 / 0

HEX #FED08B

RGB 254 208 139

HSL 36, 0.98%, 0.77%

LAB 86.03, 7.6, 40.26

 

CMYK 0 / 72 / 77 / 1

HEX #FD4839

RGB 253 72 57

HSL 4.59, 0.98%, 0.61%

LAB 57.86, 67.15, 48.95

 

CMYK 0 / 57 / 61 / 1

HEX #FD6E62

RGB 253 110 98

HSL 4.65, 0.97%, 0.69%

LAB 64.09, 53.74, 33.97

 

CMYK 0 / 42 / 45 / 0

HEX #FE948B

RGB 254 148 139

HSL 4.7, 0.98%, 0.77%

LAB 72.31, 38.85, 22.13

 

CMYK 0 / 27 / 29 / 0

HEX #FEBAB4

RGB 254 186 180

HSL 4.86, 0.97%, 0.85%

LAB 81.56, 23.75, 12.73

 

CMYK 0 / 13 / 13 / 0

HEX #FFDFDD

RGB 255 223 221

HSL 3.53, 1%, 0.93%

LAB 91.35, 10.7, 5.03

 

CMYK 0 / 42 / 46 / 0

HEX #FE938A

RGB 254 147 138

HSL 4.66, 0.98%, 0.77%

LAB 72.08, 39.26, 22.37

 

CMYK 12 / 0 / 45 / 0

HEX #DFFE8B

RGB 223 254 139

HSL 76.17, 0.98%, 0.77%

LAB 95.34, -27.25, 51.44

 

CMYK 45 / 30 / 0 / 0

HEX #8BB1FE

RGB 139 177 254

HSL 220.17, 0.98%, 0.77%

LAB 72.29, 7, -42.15

 

CMYK 0 / 42 / 46 / 0

HEX #FE938A

RGB 254 147 138

HSL 4.66, 0.98%, 0.77%

LAB 72.08, 39.26, 22.37

 

CMYK 45 / 0 / 42 / 0

HEX #8BFE93

RGB 139 254 147

HSL 124.17, 0.98%, 0.77%

LAB 91, -53.96, 41.19

 

CMYK 42 / 45 / 0 / 0

HEX #938BFE

RGB 147 139 254

HSL 244.17, 0.98%, 0.77%

LAB 63.2, 30.67, -56.45

 

CMYK 0 / 42 / 46 / 0

HEX #FE938A

RGB 254 147 138

HSL 4.66, 0.98%, 0.77%

LAB 72.08, 39.26, 22.37

 

CMYK 12 / 0 / 45 / 0

HEX #DFFE8B

RGB 223 254 139

HSL 76.17, 0.98%, 0.77%

LAB 95.34, -27.25, 51.44

 

CMYK 45 / 3 / 0 / 0

HEX #8BF6FE

RGB 139 246 254

HSL 184.17, 0.98%, 0.77%

LAB 91.03, -28.9, -13.48

 

CMYK 33 / 45 / 0 / 0

HEX #AA8BFE

RGB 170 139 254

HSL 256.17, 0.98%, 0.77%

LAB 65.09, 36.36, -53.32

 

CMYK 0 / 42 / 46 / 0

HEX #FE938A

RGB 254 147 138

HSL 4.66, 0.98%, 0.77%

LAB 72.08, 39.26, 22.37

 

CMYK 26 / 0 / 45 / 0

HEX #BDFE8B

RGB 189 254 139

HSL 93.91, 0.98%, 0.77%

LAB 93.26, -39.46, 48.4

 

CMYK 45 / 3 / 0 / 0

HEX #8BF6FE

RGB 139 246 254

HSL 184.17, 0.98%, 0.77%

LAB 91.03, -28.9, -13.48

 

CMYK 20 / 45 / 0 / 0

HEX #CC8BFE

RGB 204 139 254

HSL 273.91, 0.98%, 0.77%

LAB 68.36, 45.39, -47.95

 

Description

Color code: HEX #FE938ACE | qconv.com Color code: HEX #FE938ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 147 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 147 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 37 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 37% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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