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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE8F9D it is the complementary color #017062. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE8F9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE8F9D shade: #FF8F98, #FFA1AB, #FFB3BE, #FFC5D1 and #FFD7E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE8F9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE8F9D shade: #FE8F9D, #ED7D8A, #DC6B77, #CB5964 and #BA4751

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE8F9D shade: #FE909E and #FE9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE8F9D shade: #FE909E, #FE90BB, #FE90D9, #FE90F7 and #E790FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE8F9D shade matches the following richer shades: #FE909E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE8F9D shade: #FE909E, #F599A5, #ECA2AB, #E3ABB2 and #DAB4B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE8F9D shade: #FE90D9, #FE90BC, #FE909F, #FE9F90 and #FEBC90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE8F9D shade: #FD3E56, #FD677A, #FE909E, #FEB9C2 and #FFE2E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE8F9D shade: #FE8F9D, #F7FE90 and #90CBFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE8F9D shade: #FE8F9D, #9FFE90 and #909FFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE8F9D shade: #FE8F9D, #F7FE90, #90FEEF and #9790FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE8F9D shade: #FE8F9D, #D6FE90, #90FEEF and #B890FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 38 / 0

HEX #FE8F9D

RGB 254 143 157

HSL 352.43, 0.98%, 0.78%

LAB 71.66, 43.28, 11.27

 

Complementary color

CMYK 99 / 0 / 13 / 56

HEX #017062

RGB 1 112 98

HSL 172.43, 0.98%, 0.22%

LAB 41.96, -30.62, 0.11

 

CMYK 0 / 44 / 40 / 0

HEX #FF8F98

RGB 255 143 152

HSL 355.18, 1%, 0.78%

LAB 71.67, 43.09, 14.09

 

CMYK 0 / 37 / 33 / 0

HEX #FFA1AB

RGB 255 161 171

HSL 353.62, 1%, 0.82%

LAB 75.88, 36.05, 9.56

 

CMYK 0 / 30 / 25 / 0

HEX #FFB3BE

RGB 255 179 190

HSL 351.32, 1%, 0.85%

LAB 80.3, 29.13, 5.56

 

CMYK 0 / 23 / 18 / 0

HEX #FFC5D1

RGB 255 197 209

HSL 347.59, 1%, 0.89%

LAB 84.89, 22.42, 2.01

 

CMYK 0 / 16 / 11 / 0

HEX #FFD7E4

RGB 255 215 228

HSL 340.5, 1%, 0.92%

LAB 89.61, 15.98, -1.18

 

CMYK 0 / 44 / 38 / 0

HEX #FE8F9D

RGB 254 143 157

HSL 352.43, 0.98%, 0.78%

LAB 71.66, 43.28, 11.27

 

CMYK 0 / 47 / 42 / 7

HEX #ED7D8A

RGB 237 125 138

HSL 353.04, 0.76%, 0.71%

LAB 65.36, 44.25, 12.74

 

CMYK 0 / 51 / 46 / 14

HEX #DC6B77

RGB 220 107 119

HSL 353.63, 0.62%, 0.64%

LAB 59.03, 45.26, 14.42

 

CMYK 0 / 56 / 51 / 20

HEX #CB5964

RGB 203 89 100

HSL 354.21, 0.52%, 0.57%

LAB 52.69, 46.25, 16.4

 

CMYK 0 / 62 / 56 / 27

HEX #BA4751

RGB 186 71 81

HSL 354.78, 0.45%, 0.5%

LAB 46.36, 47.16, 18.76

 

CMYK 0 / 43 / 38 / 0

HEX #FE909E

RGB 254 144 158

HSL 352.36, 0.98%, 0.78%

LAB 71.88, 42.88, 11.04

 

CMYK 0 / 43 / 43 / 0

HEX #FE9090

RGB 254 144 144

HSL 0, 0.98%, 0.78%

LAB 71.58, 41.39, 18.37

 

CMYK 0 / 43 / 38 / 0

HEX #FE909E

RGB 254 144 158

HSL 352.36, 0.98%, 0.78%

LAB 71.88, 42.88, 11.04

 

CMYK 0 / 43 / 26 / 0

HEX #FE90BB

RGB 254 144 187

HSL 336.55, 0.98%, 0.78%

LAB 72.63, 46.45, -3.99

 

CMYK 0 / 43 / 15 / 0

HEX #FE90D9

RGB 254 144 217

HSL 320.18, 0.98%, 0.78%

LAB 73.56, 50.76, -19.17

 

CMYK 0 / 43 / 3 / 0

HEX #FE90F7

RGB 254 144 247

HSL 303.82, 0.98%, 0.78%

LAB 74.66, 55.63, -33.89

 

CMYK 9 / 43 / 0 / 0

HEX #E790FE

RGB 231 144 254

HSL 287.45, 0.98%, 0.78%

LAB 72.29, 50.3, -41.58

 

CMYK 0 / 43 / 38 / 0

HEX #FE909E

RGB 254 144 158

HSL 352.36, 0.98%, 0.78%

LAB 71.88, 42.88, 11.04

 

CMYK 0 / 43 / 38 / 0

HEX #FE909E

RGB 254 144 158

HSL 352.36, 0.98%, 0.78%

LAB 71.88, 42.88, 11.04

 

CMYK 0 / 38 / 33 / 4

HEX #F599A5

RGB 245 153 165

HSL 352.17, 0.82%, 0.78%

LAB 72.83, 35.86, 8.36

 

CMYK 0 / 31 / 28 / 7

HEX #ECA2AB

RGB 236 162 171

HSL 352.7, 0.66%, 0.78%

LAB 73.94, 28.63, 6.5

 

CMYK 0 / 25 / 22 / 11

HEX #E3ABB2

RGB 227 171 178

HSL 352.5, 0.5%, 0.78%

LAB 75.25, 21.52, 4.42

 

CMYK 0 / 17 / 15 / 15

HEX #DAB4B9

RGB 218 180 185

HSL 352.11, 0.34%, 0.78%

LAB 76.71, 14.48, 2.61

 

CMYK 0 / 43 / 15 / 0

HEX #FE90D9

RGB 254 144 217

HSL 320.18, 0.98%, 0.78%

LAB 73.56, 50.76, -19.17

 

CMYK 0 / 43 / 26 / 0

HEX #FE90BC

RGB 254 144 188

HSL 336, 0.98%, 0.78%

LAB 72.66, 46.58, -4.5

 

CMYK 0 / 43 / 37 / 0

HEX #FE909F

RGB 254 144 159

HSL 351.82, 0.98%, 0.78%

LAB 71.91, 42.99, 10.52

 

CMYK 0 / 37 / 43 / 0

HEX #FE9F90

RGB 254 159 144

HSL 8.18, 0.98%, 0.78%

LAB 74.75, 33.68, 22.73

 

CMYK 0 / 26 / 43 / 0

HEX #FEBC90

RGB 254 188 144

HSL 24, 0.98%, 0.78%

LAB 81.32, 18.51, 31.55

 

CMYK 0 / 75 / 66 / 1

HEX #FD3E56

RGB 253 62 86

HSL 352.46, 0.98%, 0.62%

LAB 57.08, 71.55, 31.96

 

CMYK 0 / 59 / 52 / 1

HEX #FD677A

RGB 253 103 122

HSL 352.4, 0.97%, 0.7%

LAB 63.33, 58.61, 19.4

 

CMYK 0 / 43 / 38 / 0

HEX #FE909E

RGB 254 144 158

HSL 352.36, 0.98%, 0.78%

LAB 71.88, 42.88, 11.04

 

CMYK 0 / 27 / 24 / 0

HEX #FEB9C2

RGB 254 185 194

HSL 352.17, 0.97%, 0.86%

LAB 81.66, 26.18, 5.34

 

CMYK 0 / 11 / 10 / 0

HEX #FFE2E5

RGB 255 226 229

HSL 353.79, 1%, 0.94%

LAB 92.27, 10.43, 2.18

 

CMYK 0 / 44 / 38 / 0

HEX #FE8F9D

RGB 254 143 157

HSL 352.43, 0.98%, 0.78%

LAB 71.66, 43.28, 11.27

 

CMYK 3 / 0 / 43 / 0

HEX #F7FE90

RGB 247 254 144

HSL 63.82, 0.98%, 0.78%

LAB 97.09, -17.69, 51.61

 

CMYK 43 / 20 / 0 / 0

HEX #90CBFE

RGB 144 203 254

HSL 207.82, 0.98%, 0.78%

LAB 79.5, -6, -30.95

 

CMYK 0 / 44 / 38 / 0

HEX #FE8F9D

RGB 254 143 157

HSL 352.43, 0.98%, 0.78%

LAB 71.66, 43.28, 11.27

 

CMYK 37 / 0 / 43 / 0

HEX #9FFE90

RGB 159 254 144

HSL 111.82, 0.98%, 0.78%

LAB 91.81, -48.59, 43.84

 

CMYK 43 / 37 / 0 / 0

HEX #909FFE

RGB 144 159 254

HSL 231.82, 0.98%, 0.78%

LAB 67.93, 18.42, -48.96

 

CMYK 0 / 44 / 38 / 0

HEX #FE8F9D

RGB 254 143 157

HSL 352.43, 0.98%, 0.78%

LAB 71.66, 43.28, 11.27

 

CMYK 3 / 0 / 43 / 0

HEX #F7FE90

RGB 247 254 144

HSL 63.82, 0.98%, 0.78%

LAB 97.09, -17.69, 51.61

 

CMYK 43 / 0 / 6 / 0

HEX #90FEEF

RGB 144 254 239

HSL 171.82, 0.98%, 0.78%

LAB 93.03, -35.13, -2.71

 

CMYK 41 / 43 / 0 / 0

HEX #9790FE

RGB 151 144 254

HSL 243.82, 0.98%, 0.78%

LAB 64.71, 28.75, -54.03

 

CMYK 0 / 44 / 38 / 0

HEX #FE8F9D

RGB 254 143 157

HSL 352.43, 0.98%, 0.78%

LAB 71.66, 43.28, 11.27

 

CMYK 16 / 0 / 43 / 0

HEX #D6FE90

RGB 214 254 144

HSL 81.82, 0.98%, 0.78%

LAB 94.82, -30.03, 48.28

 

CMYK 43 / 0 / 6 / 0

HEX #90FEEF

RGB 144 254 239

HSL 171.82, 0.98%, 0.78%

LAB 93.03, -35.13, -2.71

 

CMYK 28 / 43 / 0 / 0

HEX #B890FE

RGB 184 144 254

HSL 261.82, 0.98%, 0.78%

LAB 67.5, 37.25, -49.44

 

Description

Color code: HEX #FE8F9D | qconv.com Color code: HEX #FE8F9D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 143 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 143 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 38 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 38% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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