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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE8C5E it is the complementary color #0173A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE8C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE8C5E shade: #FF8C59, #FF9E6C, #FFB07F, #FFC292 and #FFD4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE8C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE8C5E shade: #FE8C5E, #ED7A4B, #DC6838, #CB5625 and #BA4412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE8C5E shade: #FE8B5D, #FE5F5D and #FE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE8C5E shade: #FE8B5D, #FEB75D, #FEE25D, #EFFE5D and #C3FE5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE8C5E shade matches the following richer shades: #FE8B5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE8C5E shade: #FE8B5D, #F1916A, #E49677, #D79C84 and #C9A291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE8C5E shade: #FE5D85, #FE5F5D, #FE8A5D, #FEB55D and #FEE15D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE8C5E shade: #FE500B, #FE6E34, #FE8B5D, #FEA886 and #FFC6AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE8C5E shade: #FE8C5E, #B0FE5D and #5D6FFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE8C5E shade: #FE8C5E, #5DFE8A and #8A5DFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE8C5E shade: #FE8C5E, #B0FE5D, #5DD0FE and #AB5DFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE8C5E shade: #FE8C5E, #80FE5D, #5DD0FE and #DB5DFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 63 / 0

HEX #FE8C5E

RGB 254 140 94

HSL 17.25, 0.99%, 0.68%

LAB 69.92, 39.31, 43.31

 

Complementary color

CMYK 99 / 29 / 0 / 37

HEX #0173A1

RGB 1 115 161

HSL 197.25, 0.99%, 0.32%

LAB 45.42, -9.94, -32.3

 

CMYK 0 / 45 / 65 / 0

HEX #FF8C59

RGB 255 140 89

HSL 18.43, 1%, 0.67%

LAB 69.99, 39.39, 46.01

 

CMYK 0 / 38 / 58 / 0

HEX #FF9E6C

RGB 255 158 108

HSL 20.41, 1%, 0.71%

LAB 74.06, 31.41, 41.1

 

CMYK 0 / 31 / 50 / 0

HEX #FFB07F

RGB 255 176 127

HSL 22.97, 1%, 0.75%

LAB 78.37, 23.57, 36.63

 

CMYK 0 / 24 / 43 / 0

HEX #FFC292

RGB 255 194 146

HSL 26.42, 1%, 0.79%

LAB 82.87, 15.97, 32.58

 

CMYK 0 / 17 / 35 / 0

HEX #FFD4A5

RGB 255 212 165

HSL 31.33, 1%, 0.82%

LAB 87.52, 8.71, 28.91

 

CMYK 0 / 45 / 63 / 0

HEX #FE8C5E

RGB 254 140 94

HSL 17.25, 0.99%, 0.68%

LAB 69.92, 39.31, 43.31

 

CMYK 0 / 49 / 68 / 7

HEX #ED7A4B

RGB 237 122 75

HSL 17.41, 0.82%, 0.61%

LAB 63.7, 40.77, 45.28

 

CMYK 0 / 53 / 75 / 14

HEX #DC6838

RGB 220 104 56

HSL 17.56, 0.7%, 0.54%

LAB 57.46, 42.33, 47.35

 

CMYK 0 / 58 / 82 / 20

HEX #CB5625

RGB 203 86 37

HSL 17.71, 0.69%, 0.47%

LAB 51.25, 43.97, 49.35

 

CMYK 0 / 63 / 90 / 27

HEX #BA4412

RGB 186 68 18

HSL 17.86, 0.82%, 0.4%

LAB 45.11, 45.58, 50.78

 

CMYK 0 / 45 / 63 / 0

HEX #FE8B5D

RGB 254 139 93

HSL 17.14, 0.99%, 0.68%

LAB 69.7, 39.75, 43.57

 

CMYK 0 / 63 / 63 / 0

HEX #FE5F5D

RGB 254 95 93

HSL 0.75, 0.99%, 0.68%

LAB 61.69, 60.34, 33.78

 

CMYK 0 / 63 / 63 / 0

HEX #FE5D5D

RGB 254 93 93

HSL 0, 0.99%, 0.68%

LAB 61.39, 61.16, 33.4

 

CMYK 0 / 45 / 63 / 0

HEX #FE8B5D

RGB 254 139 93

HSL 17.14, 0.99%, 0.68%

LAB 69.7, 39.75, 43.57

 

CMYK 0 / 28 / 63 / 0

HEX #FEB75D

RGB 254 183 93

HSL 33.54, 0.99%, 0.68%

LAB 79.46, 16.94, 54.9

 

CMYK 0 / 11 / 63 / 0

HEX #FEE25D

RGB 254 226 93

HSL 49.57, 0.99%, 0.68%

LAB 89.98, -5.17, 66.47

 

CMYK 6 / 0 / 63 / 0

HEX #EFFE5D

RGB 239 254 93

HSL 65.59, 0.99%, 0.68%

LAB 96.01, -24.87, 72.5

 

CMYK 23 / 0 / 63 / 0

HEX #C3FE5D

RGB 195 254 93

HSL 81.99, 0.99%, 0.68%

LAB 93.14, -41.68, 68.59

 

CMYK 0 / 45 / 63 / 0

HEX #FE8B5D

RGB 254 139 93

HSL 17.14, 0.99%, 0.68%

LAB 69.7, 39.75, 43.57

 

CMYK 0 / 45 / 63 / 0

HEX #FE8B5D

RGB 254 139 93

HSL 17.14, 0.99%, 0.68%

LAB 69.7, 39.75, 43.57

 

CMYK 0 / 40 / 56 / 5

HEX #F1916A

RGB 241 145 106

HSL 17.33, 0.83%, 0.68%

LAB 69.46, 32.55, 36.04

 

CMYK 0 / 34 / 48 / 11

HEX #E49677

RGB 228 150 119

HSL 17.06, 0.67%, 0.68%

LAB 69.21, 25.93, 28.38

 

CMYK 0 / 27 / 39 / 16

HEX #D79C84

RGB 215 156 132

HSL 17.35, 0.51%, 0.68%

LAB 69.39, 18.95, 21.26

 

CMYK 0 / 19 / 28 / 21

HEX #C9A291

RGB 201 162 145

HSL 18.21, 0.34%, 0.68%

LAB 69.68, 11.87, 14.28

 

CMYK 0 / 63 / 48 / 0

HEX #FE5D85

RGB 254 93 133

HSL 345.09, 0.99%, 0.68%

LAB 62.16, 64.07, 11.46

 

CMYK 0 / 63 / 63 / 0

HEX #FE5F5D

RGB 254 95 93

HSL 0.75, 0.99%, 0.68%

LAB 61.69, 60.34, 33.78

 

CMYK 0 / 46 / 63 / 0

HEX #FE8A5D

RGB 254 138 93

HSL 16.77, 0.99%, 0.68%

LAB 69.5, 40.25, 43.32

 

CMYK 0 / 29 / 63 / 0

HEX #FEB55D

RGB 254 181 93

HSL 32.8, 0.99%, 0.68%

LAB 78.99, 17.98, 54.36

 

CMYK 0 / 11 / 63 / 0

HEX #FEE15D

RGB 254 225 93

HSL 49.19, 0.99%, 0.68%

LAB 89.73, -4.67, 66.2

 

CMYK 0 / 69 / 96 / 0

HEX #FE500B

RGB 254 80 11

HSL 17.04, 0.99%, 0.52%

LAB 58.82, 63.71, 67.36

 

CMYK 0 / 57 / 80 / 0

HEX #FE6E34

RGB 254 110 52

HSL 17.23, 0.99%, 0.6%

LAB 63.73, 51.92, 57.21

 

CMYK 0 / 45 / 63 / 0

HEX #FE8B5D

RGB 254 139 93

HSL 17.14, 0.99%, 0.68%

LAB 69.7, 39.75, 43.57

 

CMYK 0 / 34 / 47 / 0

HEX #FEA886

RGB 254 168 134

HSL 17, 0.98%, 0.76%

LAB 76.56, 28, 30.55

 

CMYK 0 / 22 / 31 / 0

HEX #FFC6AF

RGB 255 198 175

HSL 17.25, 1%, 0.84%

LAB 84.35, 17.2, 19.33

 

CMYK 0 / 45 / 63 / 0

HEX #FE8C5E

RGB 254 140 94

HSL 17.25, 0.99%, 0.68%

LAB 69.92, 39.31, 43.31

 

CMYK 31 / 0 / 63 / 0

HEX #B0FE5D

RGB 176 254 93

HSL 89.07, 0.99%, 0.68%

LAB 92.09, -48.43, 67.15

 

CMYK 63 / 56 / 0 / 0

HEX #5D6FFE

RGB 93 111 254

HSL 233.29, 0.99%, 0.68%

LAB 52.79, 36.55, -73.39

 

CMYK 0 / 45 / 63 / 0

HEX #FE8C5E

RGB 254 140 94

HSL 17.25, 0.99%, 0.68%

LAB 69.92, 39.31, 43.31

 

CMYK 63 / 0 / 46 / 0

HEX #5DFE8A

RGB 93 254 138

HSL 136.77, 0.99%, 0.68%

LAB 89.41, -66, 43.22

 

CMYK 46 / 63 / 0 / 0

HEX #8A5DFE

RGB 138 93 254

HSL 256.77, 0.99%, 0.68%

LAB 52.27, 54.59, -74.07

 

CMYK 0 / 45 / 63 / 0

HEX #FE8C5E

RGB 254 140 94

HSL 17.25, 0.99%, 0.68%

LAB 69.92, 39.31, 43.31

 

CMYK 31 / 0 / 63 / 0

HEX #B0FE5D

RGB 176 254 93

HSL 89.07, 0.99%, 0.68%

LAB 92.09, -48.43, 67.15

 

CMYK 63 / 18 / 0 / 0

HEX #5DD0FE

RGB 93 208 254

HSL 197.14, 0.99%, 0.68%

LAB 78.81, -19.07, -32.19

 

CMYK 33 / 63 / 0 / 0

HEX #AB5DFE

RGB 171 93 254

HSL 269.07, 0.99%, 0.68%

LAB 55.73, 61.09, -68.31

 

CMYK 0 / 45 / 63 / 0

HEX #FE8C5E

RGB 254 140 94

HSL 17.25, 0.99%, 0.68%

LAB 69.92, 39.31, 43.31

 

CMYK 50 / 0 / 63 / 0

HEX #80FE5D

RGB 128 254 93

HSL 106.96, 0.99%, 0.68%

LAB 89.98, -63.35, 64.25

 

CMYK 63 / 18 / 0 / 0

HEX #5DD0FE

RGB 93 208 254

HSL 197.14, 0.99%, 0.68%

LAB 78.81, -19.07, -32.19

 

CMYK 14 / 63 / 0 / 0

HEX #DB5DFE

RGB 219 93 254

HSL 286.96, 0.99%, 0.68%

LAB 61.69, 71.46, -58.41

 

Description

Color code: HEX #FE8C5E | qconv.com Color code: HEX #FE8C5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 140 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 140 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 63 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 63% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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