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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE89EC it is the complementary color #017613. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE89EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE89EC shade: #FF89E7, #FF9BFA, #FFADFF, #FFBFFF and #FFD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE89EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE89EC shade: #FE89EC, #ED77D9, #DC65C6, #CB53B3 and #BA41A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE89EC shade: #FD8AEC, #FD8ACD, #FD8AAE, #FD8A8F and #FD8A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE89EC shade: #FD8AEC, #F08AFD, #D18AFD, #B28AFD and #938AFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE89EC shade matches the following richer shades: #FD8AEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE89EC shade: #FD8AEC, #F494E5, #EA9DDF, #E1A7D8 and #D7B0D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE89EC shade: #D18AFD, #F08AFD, #FD8AEC, #FD8ACD and #FD8AAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE89EC shade: #FD39DE, #FD62E5, #FD8AEC, #FEB3F2 and #FEDCF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE89EC shade: #FE89EC, #FDB38A and #8AFDE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE89EC shade: #FE89EC, #ECFD8A and #8AECFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE89EC shade: #FE89EC, #FDB38A, #8AFD9C and #8AD5FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE89EC shade: #FE89EC, #FDD58A, #8AFD9C and #8AB3FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 7 / 0

HEX #FE89EC

RGB 254 137 236

HSL 309.23, 0.98%, 0.77%

LAB 72.9, 57.22, -30.6

 

Complementary color

CMYK 99 / 0 / 84 / 54

HEX #017613

RGB 1 118 19

HSL 129.23, 0.98%, 0.23%

LAB 42.78, -47.76, 42.46

 

CMYK 0 / 46 / 9 / 0

HEX #FF89E7

RGB 255 137 231

HSL 312.2, 1%, 0.77%

LAB 72.84, 56.7, -27.95

 

CMYK 0 / 39 / 2 / 0

HEX #FF9BFA

RGB 255 155 250

HSL 303, 1%, 0.8%

LAB 77.04, 50.95, -31.82

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 46 / 7 / 0

HEX #FE89EC

RGB 254 137 236

HSL 309.23, 0.98%, 0.77%

LAB 72.9, 57.22, -30.6

 

CMYK 0 / 50 / 8 / 7

HEX #ED77D9

RGB 237 119 217

HSL 310.17, 0.77%, 0.7%

LAB 66.68, 57.86, -29.89

 

CMYK 0 / 54 / 10 / 14

HEX #DC65C6

RGB 220 101 198

HSL 311.09, 0.63%, 0.63%

LAB 60.43, 58.42, -29.05

 

CMYK 0 / 59 / 12 / 20

HEX #CB53B3

RGB 203 83 179

HSL 312, 0.54%, 0.56%

LAB 54.17, 58.82, -28.02

 

CMYK 0 / 65 / 14 / 27

HEX #BA41A0

RGB 186 65 160

HSL 312.89, 0.48%, 0.49%

LAB 47.95, 58.94, -26.73

 

CMYK 0 / 45 / 7 / 1

HEX #FD8AEC

RGB 253 138 236

HSL 308.87, 0.97%, 0.77%

LAB 72.97, 56.44, -30.51

 

CMYK 0 / 45 / 19 / 1

HEX #FD8ACD

RGB 253 138 205

HSL 325.04, 0.97%, 0.77%

LAB 71.87, 51.63, -15.11

 

CMYK 0 / 45 / 31 / 1

HEX #FD8AAE

RGB 253 138 174

HSL 341.22, 0.97%, 0.77%

LAB 70.95, 47.44, 0.77

 

CMYK 0 / 45 / 43 / 1

HEX #FD8A8F

RGB 253 138 143

HSL 357.39, 0.97%, 0.77%

LAB 70.21, 43.95, 17.01

 

CMYK 0 / 45 / 45 / 1

HEX #FD8A8A

RGB 253 138 138

HSL 0, 0.97%, 0.77%

LAB 70.1, 43.46, 19.65

 

CMYK 0 / 45 / 7 / 1

HEX #FD8AEC

RGB 253 138 236

HSL 308.87, 0.97%, 0.77%

LAB 72.97, 56.44, -30.51

 

CMYK 5 / 45 / 0 / 1

HEX #F08AFD

RGB 240 138 253

HSL 293.22, 0.97%, 0.77%

LAB 72.09, 55.68, -41.27

 

CMYK 17 / 45 / 0 / 1

HEX #D18AFD

RGB 209 138 253

HSL 277.04, 0.97%, 0.77%

LAB 68.62, 47.08, -46.95

 

CMYK 30 / 45 / 0 / 1

HEX #B28AFD

RGB 178 138 253

HSL 260.87, 0.97%, 0.77%

LAB 65.54, 38.74, -52.02

 

CMYK 42 / 45 / 0 / 1

HEX #938AFD

RGB 147 138 253

HSL 244.7, 0.97%, 0.77%

LAB 62.9, 30.97, -56.37

 

CMYK 0 / 45 / 7 / 1

HEX #FD8AEC

RGB 253 138 236

HSL 308.87, 0.97%, 0.77%

LAB 72.97, 56.44, -30.51

 

CMYK 0 / 45 / 7 / 1

HEX #FD8AEC

RGB 253 138 236

HSL 308.87, 0.97%, 0.77%

LAB 72.97, 56.44, -30.51

 

CMYK 0 / 39 / 6 / 4

HEX #F494E5

RGB 244 148 229

HSL 309.38, 0.81%, 0.77%

LAB 73.59, 47.56, -25.82

 

CMYK 0 / 33 / 5 / 8

HEX #EA9DDF

RGB 234 157 223

HSL 308.57, 0.65%, 0.77%

LAB 74.15, 38.7, -21.79

 

CMYK 0 / 26 / 4 / 12

HEX #E1A7D8

RGB 225 167 216

HSL 309.31, 0.49%, 0.77%

LAB 75.2, 29.18, -16.45

 

CMYK 0 / 18 / 3 / 16

HEX #D7B0D1

RGB 215 176 209

HSL 309.23, 0.33%, 0.77%

LAB 76.13, 19.69, -11.34

 

CMYK 17 / 45 / 0 / 1

HEX #D18AFD

RGB 209 138 253

HSL 277.04, 0.97%, 0.77%

LAB 68.62, 47.08, -46.95

 

CMYK 5 / 45 / 0 / 1

HEX #F08AFD

RGB 240 138 253

HSL 293.22, 0.97%, 0.77%

LAB 72.09, 55.68, -41.27

 

CMYK 0 / 45 / 7 / 1

HEX #FD8AEC

RGB 253 138 236

HSL 308.87, 0.97%, 0.77%

LAB 72.97, 56.44, -30.51

 

CMYK 0 / 45 / 19 / 1

HEX #FD8ACD

RGB 253 138 205

HSL 325.04, 0.97%, 0.77%

LAB 71.87, 51.63, -15.11

 

CMYK 0 / 45 / 31 / 1

HEX #FD8AAF

RGB 253 138 175

HSL 340.7, 0.97%, 0.77%

LAB 70.98, 47.57, 0.25

 

CMYK 0 / 77 / 12 / 1

HEX #FD39DE

RGB 253 57 222

HSL 309.49, 0.98%, 0.61%

LAB 60.85, 85.78, -41.58

 

CMYK 0 / 61 / 9 / 1

HEX #FD62E5

RGB 253 98 229

HSL 309.29, 0.97%, 0.69%

LAB 65.96, 73.28, -37.51

 

CMYK 0 / 45 / 7 / 1

HEX #FD8AEC

RGB 253 138 236

HSL 308.87, 0.97%, 0.77%

LAB 72.97, 56.44, -30.51

 

CMYK 0 / 30 / 5 / 0

HEX #FEB3F2

RGB 254 179 242

HSL 309.6, 0.97%, 0.85%

LAB 81.69, 36.87, -20.43

 

CMYK 0 / 13 / 2 / 0

HEX #FEDCF9

RGB 254 220 249

HSL 308.82, 0.94%, 0.93%

LAB 91.28, 16.59, -9.76

 

CMYK 0 / 46 / 7 / 0

HEX #FE89EC

RGB 254 137 236

HSL 309.23, 0.98%, 0.77%

LAB 72.9, 57.22, -30.6

 

CMYK 0 / 29 / 45 / 1

HEX #FDB38A

RGB 253 179 138

HSL 21.39, 0.97%, 0.77%

LAB 79.02, 22.24, 31.65

 

CMYK 45 / 0 / 11 / 1

HEX #8AFDE1

RGB 138 253 225

HSL 165.39, 0.97%, 0.77%

LAB 92.17, -39.26, 3.24

 

CMYK 0 / 46 / 7 / 0

HEX #FE89EC

RGB 254 137 236

HSL 309.23, 0.98%, 0.77%

LAB 72.9, 57.22, -30.6

 

CMYK 7 / 0 / 45 / 1

HEX #ECFD8A

RGB 236 253 138

HSL 68.87, 0.97%, 0.77%

LAB 95.96, -21.99, 52.87

 

CMYK 45 / 7 / 0 / 1

HEX #8AECFD

RGB 138 236 253

HSL 188.87, 0.97%, 0.77%

LAB 88.2, -24.55, -17.21

 

CMYK 0 / 46 / 7 / 0

HEX #FE89EC

RGB 254 137 236

HSL 309.23, 0.98%, 0.77%

LAB 72.9, 57.22, -30.6

 

CMYK 0 / 29 / 45 / 1

HEX #FDB38A

RGB 253 179 138

HSL 21.39, 0.97%, 0.77%

LAB 79.02, 22.24, 31.65

 

CMYK 45 / 0 / 38 / 1

HEX #8AFD9C

RGB 138 253 156

HSL 129.39, 0.97%, 0.77%

LAB 90.8, -52.46, 36.51

 

CMYK 45 / 16 / 0 / 1

HEX #8AD5FD

RGB 138 213 253

HSL 200.87, 0.97%, 0.77%

LAB 81.88, -12.96, -26.79

 

CMYK 0 / 46 / 7 / 0

HEX #FE89EC

RGB 254 137 236

HSL 309.23, 0.98%, 0.77%

LAB 72.9, 57.22, -30.6

 

CMYK 0 / 16 / 45 / 1

HEX #FDD58A

RGB 253 213 138

HSL 39.13, 0.97%, 0.77%

LAB 87.15, 4.54, 42.17

 

CMYK 45 / 0 / 38 / 1

HEX #8AFD9C

RGB 138 253 156

HSL 129.39, 0.97%, 0.77%

LAB 90.8, -52.46, 36.51

 

CMYK 45 / 29 / 0 / 1

HEX #8AB3FD

RGB 138 179 253

HSL 218.61, 0.97%, 0.77%

LAB 72.72, 5.35, -40.94

 

Description

Color code: HEX #FE89EC | qconv.com Color code: HEX #FE89EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 137 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 137 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 7 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 7% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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