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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE8918 it is the complementary color #0176E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE8918. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE8918 shade: #FF8913, #FF9B26, #FFAD39, #FFBF4C and #FFD15F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE8918. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE8918 shade: #FE8918, #ED7705, #DC6500, #CB5300 and #BA4100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE8918 shade: #FE8A1B, #FE4D1B and #FE1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE8918 shade: #FE8A1B, #FEC81B, #F7FE1B, #BAFE1B and #7CFE1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE8918 shade matches the following richer shades: #FE8A1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE8918 shade: #FE8A1B, #EB8B2D, #D98B40, #C68B52 and #B48C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE8918 shade: #FE1B26, #FE4C1B, #FE881B, #FEC51B and #FAFE1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE8918 shade: #C56101, #EE7601, #FE8A1B, #FE9F44 and #FEB46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE8918 shade: #FE8918, #63FE1B and #2E1BFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE8918 shade: #FE8918, #1BFE88 and #881BFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE8918 shade: #FE8918, #63FE1B, #1B90FE and #B61BFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE8918 shade: #FE8918, #1EFE1B, #1B90FE and #FA1BFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 91 / 0

HEX #FE8918

RGB 254 137 24

HSL 29.48, 0.99%, 0.55%

LAB 68.77, 38.19, 71.07

 

Complementary color

CMYK 100 / 49 / 0 / 9

HEX #0176E7

RGB 1 118 231

HSL 209.48, 0.99%, 0.45%

LAB 50.37, 15.77, -64.61

 

CMYK 0 / 46 / 93 / 0

HEX #FF8913

RGB 255 137 19

HSL 30, 1%, 0.54%

LAB 68.89, 38.52, 72.3

 

CMYK 0 / 39 / 85 / 0

HEX #FF9B26

RGB 255 155 38

HSL 32.35, 1%, 0.57%

LAB 72.79, 29.64, 70.45

 

CMYK 0 / 32 / 78 / 0

HEX #FFAD39

RGB 255 173 57

HSL 35.15, 1%, 0.61%

LAB 76.95, 20.82, 67.67

 

CMYK 0 / 25 / 70 / 0

HEX #FFBF4C

RGB 255 191 76

HSL 38.55, 1%, 0.65%

LAB 81.32, 12.24, 64.47

 

CMYK 0 / 18 / 63 / 0

HEX #FFD15F

RGB 255 209 95

HSL 42.75, 1%, 0.69%

LAB 85.85, 3.99, 61.15

 

CMYK 0 / 46 / 91 / 0

HEX #FE8918

RGB 254 137 24

HSL 29.48, 0.99%, 0.55%

LAB 68.77, 38.19, 71.07

 

CMYK 0 / 50 / 98 / 7

HEX #ED7705

RGB 237 119 5

HSL 29.48, 0.96%, 0.47%

LAB 62.68, 40.32, 69.3

 

CMYK 0 / 54 / 100 / 14

HEX #DC6500

RGB 220 101 0

HSL 27.55, 1%, 0.43%

LAB 56.61, 42.56, 65.24

 

CMYK 0 / 59 / 100 / 20

HEX #CB5300

RGB 203 83 0

HSL 24.53, 1%, 0.4%

LAB 50.55, 44.73, 60.4

 

CMYK 0 / 65 / 100 / 27

HEX #BA4100

RGB 186 65 0

HSL 20.97, 1%, 0.36%

LAB 44.55, 46.67, 55.63

 

CMYK 0 / 46 / 89 / 0

HEX #FE8A1B

RGB 254 138 27

HSL 29.34, 0.99%, 0.55%

LAB 68.99, 37.73, 70.49

 

CMYK 0 / 70 / 89 / 0

HEX #FE4D1B

RGB 254 77 27

HSL 13.22, 0.99%, 0.55%

LAB 58.47, 64.99, 62.81

 

CMYK 0 / 89 / 89 / 0

HEX #FE1B1B

RGB 254 27 27

HSL 0, 0.99%, 0.55%

LAB 53.96, 77.67, 59.64

 

CMYK 0 / 46 / 89 / 0

HEX #FE8A1B

RGB 254 138 27

HSL 29.34, 0.99%, 0.55%

LAB 68.99, 37.73, 70.49

 

CMYK 0 / 21 / 89 / 0

HEX #FEC81B

RGB 254 200 27

HSL 45.73, 0.99%, 0.55%

LAB 83.16, 5.59, 81.21

 

CMYK 3 / 0 / 89 / 0

HEX #F7FE1B

RGB 247 254 27

HSL 61.85, 0.99%, 0.55%

LAB 96.3, -24.09, 91.14

 

CMYK 27 / 0 / 89 / 0

HEX #BAFE1B

RGB 186 254 27

HSL 77.97, 0.99%, 0.55%

LAB 92.31, -47.96, 86.27

 

CMYK 51 / 0 / 89 / 0

HEX #7CFE1B

RGB 124 254 27

HSL 94.36, 0.99%, 0.55%

LAB 89.51, -68.13, 82.82

 

CMYK 0 / 46 / 89 / 0

HEX #FE8A1B

RGB 254 138 27

HSL 29.34, 0.99%, 0.55%

LAB 68.99, 37.73, 70.49

 

CMYK 0 / 46 / 89 / 0

HEX #FE8A1B

RGB 254 138 27

HSL 29.34, 0.99%, 0.55%

LAB 68.99, 37.73, 70.49

 

CMYK 0 / 41 / 81 / 8

HEX #EB8B2D

RGB 235 139 45

HSL 29.68, 0.83%, 0.55%

LAB 66.76, 29.96, 61.91

 

CMYK 0 / 36 / 71 / 15

HEX #D98B40

RGB 217 139 64

HSL 29.41, 0.67%, 0.55%

LAB 64.63, 23.27, 50.98

 

CMYK 0 / 30 / 59 / 22

HEX #C68B52

RGB 198 139 82

HSL 29.48, 0.5%, 0.55%

LAB 62.58, 16.4, 39.09

 

CMYK 0 / 22 / 44 / 29

HEX #B48C65

RGB 180 140 101

HSL 29.62, 0.34%, 0.55%

LAB 61.13, 10.03, 26.63

 

CMYK 0 / 89 / 85 / 0

HEX #FE1B26

RGB 254 27 38

HSL 357.09, 0.99%, 0.55%

LAB 54.02, 77.85, 54.88

 

CMYK 0 / 70 / 89 / 0

HEX #FE4C1B

RGB 254 76 27

HSL 12.95, 0.99%, 0.55%

LAB 58.34, 65.35, 62.72

 

CMYK 0 / 46 / 89 / 0

HEX #FE881B

RGB 254 136 27

HSL 28.81, 0.99%, 0.55%

LAB 68.58, 38.74, 70.18

 

CMYK 0 / 22 / 89 / 0

HEX #FEC51B

RGB 254 197 27

HSL 44.93, 0.99%, 0.55%

LAB 82.42, 7.14, 80.65

 

CMYK 2 / 0 / 89 / 0

HEX #FAFE1B

RGB 250 254 27

HSL 61.06, 0.99%, 0.55%

LAB 96.53, -22.87, 91.41

 

CMYK 0 / 51 / 99 / 23

HEX #C56101

RGB 197 97 1

HSL 29.39, 0.99%, 0.39%

LAB 52.31, 35.48, 60.7

 

CMYK 0 / 50 / 100 / 7

HEX #EE7601

RGB 238 118 1

HSL 29.62, 0.99%, 0.47%

LAB 62.62, 41.17, 69.98

 

CMYK 0 / 46 / 89 / 0

HEX #FE8A1B

RGB 254 138 27

HSL 29.34, 0.99%, 0.55%

LAB 68.99, 37.73, 70.49

 

CMYK 0 / 37 / 73 / 0

HEX #FE9F44

RGB 254 159 68

HSL 29.35, 0.99%, 0.63%

LAB 73.73, 28.15, 60.06

 

CMYK 0 / 29 / 57 / 0

HEX #FEB46D

RGB 254 180 109

HSL 29.38, 0.99%, 0.71%

LAB 78.94, 19.6, 46.52

 

CMYK 0 / 46 / 91 / 0

HEX #FE8918

RGB 254 137 24

HSL 29.48, 0.99%, 0.55%

LAB 68.77, 38.19, 71.07

 

CMYK 61 / 0 / 89 / 0

HEX #63FE1B

RGB 99 254 27

HSL 100.97, 0.99%, 0.55%

LAB 88.74, -74.34, 81.86

 

CMYK 82 / 89 / 0 / 0

HEX #2E1BFE

RGB 46 27 254

HSL 245.02, 0.99%, 0.55%

LAB 35.04, 74.41, -102.69

 

CMYK 0 / 46 / 91 / 0

HEX #FE8918

RGB 254 137 24

HSL 29.48, 0.99%, 0.55%

LAB 68.77, 38.19, 71.07

 

CMYK 89 / 0 / 46 / 0

HEX #1BFE88

RGB 27 254 136

HSL 148.81, 0.99%, 0.55%

LAB 88.4, -74.24, 42.68

 

CMYK 46 / 89 / 0 / 0

HEX #881BFE

RGB 136 27 254

HSL 268.81, 0.99%, 0.55%

LAB 43.02, 79.99, -89.22

 

CMYK 0 / 46 / 91 / 0

HEX #FE8918

RGB 254 137 24

HSL 29.48, 0.99%, 0.55%

LAB 68.77, 38.19, 71.07

 

CMYK 61 / 0 / 89 / 0

HEX #63FE1B

RGB 99 254 27

HSL 100.97, 0.99%, 0.55%

LAB 88.74, -74.34, 81.86

 

CMYK 89 / 43 / 0 / 0

HEX #1B90FE

RGB 27 144 254

HSL 209.07, 0.99%, 0.55%

LAB 59.28, 9.44, -63.01

 

CMYK 28 / 89 / 0 / 0

HEX #B61BFE

RGB 182 27 254

HSL 280.97, 0.99%, 0.55%

LAB 49.36, 85.25, -78.59

 

CMYK 0 / 46 / 91 / 0

HEX #FE8918

RGB 254 137 24

HSL 29.48, 0.99%, 0.55%

LAB 68.77, 38.19, 71.07

 

CMYK 88 / 0 / 89 / 0

HEX #1EFE1B

RGB 30 254 27

HSL 119.21, 0.99%, 0.55%

LAB 87.6, -84.21, 80.44

 

CMYK 89 / 43 / 0 / 0

HEX #1B90FE

RGB 27 144 254

HSL 209.07, 0.99%, 0.55%

LAB 59.28, 9.44, -63.01

 

CMYK 2 / 89 / 0 / 0

HEX #FA1BFE

RGB 250 27 254

HSL 298.94, 0.99%, 0.55%

LAB 60.13, 95.25, -60.65

 

Description

Color code: HEX #FE8918 | qconv.com Color code: HEX #FE8918 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 137 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 137 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 91 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 91% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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