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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE8522 it is the complementary color #017ADD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE8522. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE8522 shade: #FF851D, #FF9730, #FFA943, #FFBB56 and #FFCD69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE8522. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE8522 shade: #FE8522, #ED730F, #DC6100, #CB4F00 and #BA3D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE8522 shade: #FE8420, #FE4820 and #FE2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE8522 shade: #FE8420, #FEC020, #FEFC20, #C4FE20 and #88FE20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE8522 shade matches the following richer shades: #FE8420

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE8522 shade: #FE8420, #EC8632, #DA8744, #C78956 and #B58B68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE8522 shade: #FE2032, #FE4820, #FE8420, #FEBF20 and #FEFA20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE8522 shade: #CA5B01, #F36E01, #FE8420, #FE9A49 and #FEB172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE8522 shade: #FE8522, #6DFE20 and #2B20FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE8522 shade: #FE8522, #20FE84 and #8420FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE8522 shade: #FE8522, #6DFE20, #209AFE and #B020FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE8522 shade: #FE8522, #2BFE20, #209AFE and #F320FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 87 / 0

HEX #FE8522

RGB 254 133 34

HSL 27, 0.99%, 0.56%

LAB 67.99, 40.38, 67.75

 

Complementary color

CMYK 100 / 45 / 0 / 13

HEX #017ADD

RGB 1 122 221

HSL 207, 0.99%, 0.44%

LAB 50.86, 9.33, -58.2

 

CMYK 0 / 48 / 89 / 0

HEX #FF851D

RGB 255 133 29

HSL 27.61, 1%, 0.56%

LAB 68.11, 40.67, 69.37

 

CMYK 0 / 41 / 81 / 0

HEX #FF9730

RGB 255 151 48

HSL 29.86, 1%, 0.59%

LAB 71.96, 31.97, 66.43

 

CMYK 0 / 34 / 74 / 0

HEX #FFA943

RGB 255 169 67

HSL 32.55, 1%, 0.63%

LAB 76.09, 23.3, 62.91

 

CMYK 0 / 27 / 66 / 0

HEX #FFBB56

RGB 255 187 86

HSL 35.86, 1%, 0.67%

LAB 80.44, 14.85, 59.23

 

CMYK 0 / 20 / 59 / 0

HEX #FFCD69

RGB 255 205 105

HSL 40, 1%, 0.71%

LAB 84.97, 6.71, 55.6

 

CMYK 0 / 48 / 87 / 0

HEX #FE8522

RGB 254 133 34

HSL 27, 0.99%, 0.56%

LAB 67.99, 40.38, 67.75

 

CMYK 0 / 51 / 94 / 7

HEX #ED730F

RGB 237 115 15

HSL 27.03, 0.88%, 0.49%

LAB 61.91, 42.4, 67.12

 

CMYK 0 / 56 / 100 / 14

HEX #DC6100

RGB 220 97 0

HSL 26.45, 1%, 0.43%

LAB 55.85, 44.5, 64.81

 

CMYK 0 / 61 / 100 / 20

HEX #CB4F00

RGB 203 79 0

HSL 23.35, 1%, 0.4%

LAB 49.84, 46.59, 60.02

 

CMYK 0 / 67 / 100 / 27

HEX #BA3D00

RGB 186 61 0

HSL 19.68, 1%, 0.36%

LAB 43.91, 48.38, 55.31

 

CMYK 0 / 48 / 87 / 0

HEX #FE8420

RGB 254 132 32

HSL 27.03, 0.99%, 0.56%

LAB 67.78, 40.83, 68.19

 

CMYK 0 / 72 / 87 / 0

HEX #FE4820

RGB 254 72 32

HSL 10.81, 0.99%, 0.56%

LAB 57.86, 66.83, 60.53

 

CMYK 0 / 87 / 87 / 0

HEX #FE2020

RGB 254 32 32

HSL 0, 0.99%, 0.56%

LAB 54.25, 76.99, 57.78

 

CMYK 0 / 48 / 87 / 0

HEX #FE8420

RGB 254 132 32

HSL 27.03, 0.99%, 0.56%

LAB 67.78, 40.83, 68.19

 

CMYK 0 / 24 / 87 / 0

HEX #FEC020

RGB 254 192 32

HSL 43.24, 0.99%, 0.56%

LAB 81.22, 9.82, 78.71

 

CMYK 0 / 1 / 87 / 0

HEX #FEFC20

RGB 254 252 32

HSL 59.46, 0.99%, 0.56%

LAB 96.33, -20.19, 90.63

 

CMYK 23 / 0 / 87 / 0

HEX #C4FE20

RGB 196 254 32

HSL 75.68, 0.99%, 0.56%

LAB 92.89, -44.13, 86.2

 

CMYK 46 / 0 / 87 / 0

HEX #88FE20

RGB 136 254 32

HSL 91.89, 0.99%, 0.56%

LAB 89.96, -64.58, 82.57

 

CMYK 0 / 48 / 87 / 0

HEX #FE8420

RGB 254 132 32

HSL 27.03, 0.99%, 0.56%

LAB 67.78, 40.83, 68.19

 

CMYK 0 / 48 / 87 / 0

HEX #FE8420

RGB 254 132 32

HSL 27.03, 0.99%, 0.56%

LAB 67.78, 40.83, 68.19

 

CMYK 0 / 43 / 79 / 7

HEX #EC8632

RGB 236 134 50

HSL 27.1, 0.83%, 0.56%

LAB 65.84, 33.14, 59.14

 

CMYK 0 / 38 / 69 / 15

HEX #DA8744

RGB 218 135 68

HSL 26.8, 0.67%, 0.56%

LAB 63.88, 26.04, 48.29

 

CMYK 0 / 31 / 57 / 22

HEX #C78956

RGB 199 137 86

HSL 27.08, 0.5%, 0.56%

LAB 62.26, 18.24, 36.62

 

CMYK 0 / 23 / 43 / 29

HEX #B58B68

RGB 181 139 104

HSL 27.27, 0.34%, 0.56%

LAB 61.04, 11.34, 24.86

 

CMYK 0 / 87 / 80 / 0

HEX #FE2032

RGB 254 32 50

HSL 355.14, 0.99%, 0.56%

LAB 54.38, 77.37, 49.17

 

CMYK 0 / 72 / 87 / 0

HEX #FE4820

RGB 254 72 32

HSL 10.81, 0.99%, 0.56%

LAB 57.86, 66.83, 60.53

 

CMYK 0 / 48 / 87 / 0

HEX #FE8420

RGB 254 132 32

HSL 27.03, 0.99%, 0.56%

LAB 67.78, 40.83, 68.19

 

CMYK 0 / 25 / 87 / 0

HEX #FEBF20

RGB 254 191 32

HSL 42.97, 0.99%, 0.56%

LAB 80.98, 10.33, 78.52

 

CMYK 0 / 2 / 87 / 0

HEX #FEFA20

RGB 254 250 32

HSL 58.92, 0.99%, 0.56%

LAB 95.81, -19.24, 90.22

 

CMYK 0 / 55 / 100 / 21

HEX #CA5B01

RGB 202 91 1

HSL 26.87, 0.99%, 0.4%

LAB 51.88, 40.5, 60.84

 

CMYK 0 / 55 / 100 / 5

HEX #F36E01

RGB 243 110 1

HSL 27.02, 0.99%, 0.48%

LAB 61.83, 46.98, 69.9

 

CMYK 0 / 48 / 87 / 0

HEX #FE8420

RGB 254 132 32

HSL 27.03, 0.99%, 0.56%

LAB 67.78, 40.83, 68.19

 

CMYK 0 / 39 / 71 / 0

HEX #FE9A49

RGB 254 154 73

HSL 26.85, 0.99%, 0.64%

LAB 72.67, 30.97, 56.73

 

CMYK 0 / 30 / 55 / 0

HEX #FEB172

RGB 254 177 114

HSL 27, 0.99%, 0.72%

LAB 78.3, 21.56, 43.23

 

CMYK 0 / 48 / 87 / 0

HEX #FE8522

RGB 254 133 34

HSL 27, 0.99%, 0.56%

LAB 67.99, 40.38, 67.75

 

CMYK 57 / 0 / 87 / 0

HEX #6DFE20

RGB 109 254 32

HSL 99.19, 0.99%, 0.56%

LAB 89.04, -71.87, 81.41

 

CMYK 83 / 87 / 0 / 0

HEX #2B20FE

RGB 43 32 254

HSL 242.97, 0.99%, 0.56%

LAB 35.4, 72.83, -102.09

 

CMYK 0 / 48 / 87 / 0

HEX #FE8522

RGB 254 133 34

HSL 27, 0.99%, 0.56%

LAB 67.99, 40.38, 67.75

 

CMYK 87 / 0 / 48 / 0

HEX #20FE84

RGB 32 254 132

HSL 147.03, 0.99%, 0.56%

LAB 88.38, -74.59, 44.58

 

CMYK 48 / 87 / 0 / 0

HEX #8420FE

RGB 132 32 254

HSL 267.03, 0.99%, 0.56%

LAB 42.91, 78.48, -89.43

 

CMYK 0 / 48 / 87 / 0

HEX #FE8522

RGB 254 133 34

HSL 27, 0.99%, 0.56%

LAB 67.99, 40.38, 67.75

 

CMYK 57 / 0 / 87 / 0

HEX #6DFE20

RGB 109 254 32

HSL 99.19, 0.99%, 0.56%

LAB 89.04, -71.87, 81.41

 

CMYK 87 / 39 / 0 / 0

HEX #209AFE

RGB 32 154 254

HSL 207.03, 0.99%, 0.56%

LAB 62.15, 3.75, -58.42

 

CMYK 31 / 87 / 0 / 0

HEX #B020FE

RGB 176 32 254

HSL 278.92, 0.99%, 0.56%

LAB 48.78, 83.56, -79.56

 

CMYK 0 / 48 / 87 / 0

HEX #FE8522

RGB 254 133 34

HSL 27, 0.99%, 0.56%

LAB 67.99, 40.38, 67.75

 

CMYK 83 / 0 / 87 / 0

HEX #2BFE20

RGB 43 254 32

HSL 117.03, 0.99%, 0.56%

LAB 87.73, -83.01, 79.77

 

CMYK 87 / 39 / 0 / 0

HEX #209AFE

RGB 32 154 254

HSL 207.03, 0.99%, 0.56%

LAB 62.15, 3.75, -58.42

 

CMYK 4 / 87 / 0 / 0

HEX #F320FE

RGB 243 32 254

HSL 297.03, 0.99%, 0.56%

LAB 59.2, 93.45, -62.2

 

Description

Color code: HEX #FE8522 | qconv.com Color code: HEX #FE8522 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 133 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 133 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 87 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 87% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - http://www.c...
Link: http://www.cresco-hokuriku.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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