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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE7C2100 it is the complementary color #0183DE00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE7C2100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE7C2100 shade: #FF7C1C00, #FF8E2F00, #FFA04200, #FFB25500 and #FFC46800

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE7C2100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE7C2100 shade: #FE7C2100, #ED6A0E00, #DC580000, #CB460000 and #BA340000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE7C2100 shade: #FE7B20, #FE3F20 and #FE2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE7C2100 shade: #FE7B20, #FEB720, #FEF320, #CDFE20 and #91FE20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE7C2100 shade matches the following richer shades: #FE7B20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE7C2100 shade: #FE7B20, #EC7E32, #DA8244, #C78556 and #B58868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE7C2100 shade: #FE203D, #FE3D20, #FE7920, #FEB420 and #FEEF20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE7C2100 shade: #CA5401, #F36501, #FE7B20, #FE9349 and #FEAC72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE7C2100 shade: #FE7C21, #79FE20 and #2020FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE7C2100 shade: #FE7C21, #20FE79 and #7920FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE7C2100 shade: #FE7C21, #79FE20, #20A5FE and #A520FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE7C2100 shade: #FE7C21, #36FE20, #20A5FE and #E820FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FE7C2100

RGBA 254 124 33 0

HSLA 24.71, 0.99%, 0.56%, 0

LABA 66.21, 44.8, 66.66, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #0183DE00

RGBA 1 131 222 0

HSLA 204.71, 0.99%, 0.44%, 0

LABA 53.51, 4.17, -54.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF7C1C00

RGBA 255 124 28 0

HSLA 25.37, 1%, 0.55%, 0

LABA 66.34, 45.09, 68.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF8E2F00

RGBA 255 142 47 0

HSLA 27.4, 1%, 0.59%, 0

LABA 70.04, 36.55, 65.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA04200

RGBA 255 160 66 0

HSLA 29.84, 1%, 0.63%, 0

LABA 74.06, 27.95, 61.29, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB25500

RGBA 255 178 85 0

HSLA 32.82, 1%, 0.67%, 0

LABA 78.32, 19.49, 57.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC46800

RGBA 255 196 104 0

HSLA 36.56, 1%, 0.7%, 0

LABA 82.77, 11.3, 53.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FE7C2100

RGBA 254 124 33 0

HSLA 24.71, 0.99%, 0.56%, 0

LABA 66.21, 44.8, 66.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ED6A0E00

RGBA 237 106 14 0

HSLA 24.75, 0.89%, 0.49%, 0

LABA 60.2, 46.75, 66.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DC580000

RGBA 220 88 0 0

HSLA 24, 1%, 0.43%, 0

LABA 54.23, 48.71, 63.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CB460000

RGBA 203 70 0 0

HSLA 20.69, 1%, 0.4%, 0

LABA 48.36, 50.55, 59.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BA340000

RGBA 186 52 0 0

HSLA 16.77, 1%, 0.36%, 0

LABA 42.6, 51.94, 54.67, 0

 

CMYK 0 / 52 / 87 / 0

HEX #FE7B20

RGB 254 123 32

HSL 24.59, 0.99%, 0.56%

LAB 66.01, 45.26, 66.82

 

CMYK 0 / 75 / 87 / 0

HEX #FE3F20

RGB 254 63 32

HSL 8.38, 0.99%, 0.56%

LAB 56.81, 69.73, 59.73

 

CMYK 0 / 87 / 87 / 0

HEX #FE2020

RGB 254 32 32

HSL 0, 0.99%, 0.56%

LAB 54.25, 76.99, 57.78

 

CMYK 0 / 52 / 87 / 0

HEX #FE7B20

RGB 254 123 32

HSL 24.59, 0.99%, 0.56%

LAB 66.01, 45.26, 66.82

 

CMYK 0 / 28 / 87 / 0

HEX #FEB720

RGB 254 183 32

HSL 40.81, 0.99%, 0.56%

LAB 79.07, 14.5, 77.01

 

CMYK 0 / 4 / 87 / 0

HEX #FEF320

RGB 254 243 32

HSL 57.03, 0.99%, 0.56%

LAB 94, -15.87, 88.79

 

CMYK 19 / 0 / 87 / 0

HEX #CDFE20

RGB 205 254 32

HSL 73.24, 0.99%, 0.56%

LAB 93.44, -40.7, 86.87

 

CMYK 43 / 0 / 87 / 0

HEX #91FE20

RGB 145 254 32

HSL 89.46, 0.99%, 0.56%

LAB 90.33, -61.85, 83.02

 

CMYK 0 / 52 / 87 / 0

HEX #FE7B20

RGB 254 123 32

HSL 24.59, 0.99%, 0.56%

LAB 66.01, 45.26, 66.82

 

CMYK 0 / 52 / 87 / 0

HEX #FE7B20

RGB 254 123 32

HSL 24.59, 0.99%, 0.56%

LAB 66.01, 45.26, 66.82

 

CMYK 0 / 47 / 79 / 7

HEX #EC7E32

RGB 236 126 50

HSL 24.52, 0.83%, 0.56%

LAB 64.15, 37.26, 57.55

 

CMYK 0 / 40 / 69 / 15

HEX #DA8244

RGB 218 130 68

HSL 24.8, 0.67%, 0.56%

LAB 62.75, 28.71, 47.04

 

CMYK 0 / 33 / 57 / 22

HEX #C78556

RGB 199 133 86

HSL 24.96, 0.5%, 0.56%

LAB 61.3, 20.43, 35.44

 

CMYK 0 / 25 / 43 / 29

HEX #B58868

RGB 181 136 104

HSL 24.94, 0.34%, 0.56%

LAB 60.28, 13.01, 23.85

 

CMYK 0 / 87 / 76 / 0

HEX #FE203D

RGB 254 32 61

HSL 352.16, 0.99%, 0.56%

LAB 54.49, 77.69, 43.29

 

CMYK 0 / 76 / 87 / 0

HEX #FE3D20

RGB 254 61 32

HSL 7.84, 0.99%, 0.56%

LAB 56.6, 70.33, 59.57

 

CMYK 0 / 52 / 87 / 0

HEX #FE7920

RGB 254 121 32

HSL 24.05, 0.99%, 0.56%

LAB 65.63, 46.23, 66.52

 

CMYK 0 / 29 / 87 / 0

HEX #FEB420

RGB 254 180 32

HSL 40, 0.99%, 0.56%

LAB 78.36, 16.06, 76.45

 

CMYK 0 / 6 / 87 / 0

HEX #FEEF20

RGB 254 239 32

HSL 55.95, 0.99%, 0.56%

LAB 92.97, -13.92, 87.97

 

CMYK 0 / 58 / 100 / 21

HEX #CA5401

RGB 202 84 1

HSL 24.78, 0.99%, 0.4%

LAB 50.57, 43.9, 60.09

 

CMYK 0 / 58 / 100 / 5

HEX #F36501

RGB 243 101 1

HSL 24.79, 0.99%, 0.48%

LAB 60.22, 51.17, 68.99

 

CMYK 0 / 52 / 87 / 0

HEX #FE7B20

RGB 254 123 32

HSL 24.59, 0.99%, 0.56%

LAB 66.01, 45.26, 66.82

 

CMYK 0 / 42 / 71 / 0

HEX #FE9349

RGB 254 147 73

HSL 24.53, 0.99%, 0.64%

LAB 71.16, 34.58, 55.13

 

CMYK 0 / 32 / 55 / 0

HEX #FEAC72

RGB 254 172 114

HSL 24.86, 0.99%, 0.72%

LAB 77.16, 24.18, 41.81

 

CMYK 0 / 51 / 87 / 0

HEX #FE7C21

RGB 254 124 33

HSL 24.71, 0.99%, 0.56%

LAB 66.21, 44.8, 66.66

 

CMYK 52 / 0 / 87 / 0

HEX #79FE20

RGB 121 254 32

HSL 95.95, 0.99%, 0.56%

LAB 89.42, -68.81, 81.89

 

CMYK 87 / 87 / 0 / 0

HEX #2020FE

RGB 32 32 254

HSL 240, 0.99%, 0.56%

LAB 34.99, 72.56, -102.79

 

CMYK 0 / 51 / 87 / 0

HEX #FE7C21

RGB 254 124 33

HSL 24.71, 0.99%, 0.56%

LAB 66.21, 44.8, 66.66

 

CMYK 87 / 0 / 52 / 0

HEX #20FE79

RGB 32 254 121

HSL 144.05, 0.99%, 0.56%

LAB 88.24, -76.23, 49.56

 

CMYK 52 / 87 / 0 / 0

HEX #7920FE

RGB 121 32 254

HSL 264.05, 0.99%, 0.56%

LAB 41.62, 77.43, -91.6

 

CMYK 0 / 51 / 87 / 0

HEX #FE7C21

RGB 254 124 33

HSL 24.71, 0.99%, 0.56%

LAB 66.21, 44.8, 66.66

 

CMYK 52 / 0 / 87 / 0

HEX #79FE20

RGB 121 254 32

HSL 95.95, 0.99%, 0.56%

LAB 89.42, -68.81, 81.89

 

CMYK 87 / 35 / 0 / 0

HEX #20A5FE

RGB 32 165 254

HSL 204.05, 0.99%, 0.56%

LAB 65.26, -2.63, -53.47

 

CMYK 35 / 87 / 0 / 0

HEX #A520FE

RGB 165 32 254

HSL 275.95, 0.99%, 0.56%

LAB 47.22, 82.17, -82.18

 

CMYK 0 / 51 / 87 / 0

HEX #FE7C21

RGB 254 124 33

HSL 24.71, 0.99%, 0.56%

LAB 66.21, 44.8, 66.66

 

CMYK 79 / 0 / 87 / 0

HEX #36FE20

RGB 54 254 32

HSL 114.05, 0.99%, 0.56%

LAB 87.86, -81.85, 79.94

 

CMYK 87 / 35 / 0 / 0

HEX #20A5FE

RGB 32 165 254

HSL 204.05, 0.99%, 0.56%

LAB 65.26, -2.63, -53.47

 

CMYK 9 / 87 / 0 / 0

HEX #E820FE

RGB 232 32 254

HSL 294.05, 0.99%, 0.56%

LAB 57.41, 91.69, -65.17

 

Description

Color code: HEX #FE7C2100 | qconv.com Color code: HEX #FE7C2100 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 124 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 124 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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