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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE7AB7 it is the complementary color #018548. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE7AB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE7AB7 shade: #FF7AB2, #FF8CC5, #FF9ED8, #FFB0EB and #FFC2FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE7AB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE7AB7 shade: #FE7AB7, #ED68A4, #DC5691, #CB447E and #BA326B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE7AB7 shade: #FE7BB7, #FE7B94 and #FE7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE7AB7 shade: #FE7BB7, #FE7BDB, #FE7BFE, #DA7BFE and #B77BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE7AB7 shade matches the following richer shades: #FE7BB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE7AB7 shade: #FE7BB7, #F385B8, #E890B9, #DE9BBA and #D3A5BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE7AB7 shade: #FE7BFE, #FE7BDB, #FE7BB8, #FE7B95 and #FE837B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE7AB7 shade: #FD288B, #FE52A1, #FE7BB7, #FEA4CD and #FECDE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE7AB7 shade: #FE7AB7, #FEDB7B and #7BECFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE7AB7 shade: #FE7AB7, #B8FE7B and #7BB8FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE7AB7 shade: #FE7AB7, #FEDB7B, #7BFEC1 and #7B9EFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE7AB7 shade: #FE7AB7, #F9FE7B, #7BFEC1 and #7F7BFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 28 / 0

HEX #FE7AB7

RGB 254 122 183

HSL 332.27, 0.99%, 0.74%

LAB 68.32, 56.66, -8.14

 

Complementary color

CMYK 99 / 0 / 46 / 48

HEX #018548

RGB 1 133 72

HSL 152.27, 0.99%, 0.26%

LAB 48.57, -45.72, 24.35

 

CMYK 0 / 52 / 30 / 0

HEX #FF7AB2

RGB 255 122 178

HSL 334.74, 1%, 0.74%

LAB 68.31, 56.35, -5.32

 

CMYK 0 / 45 / 23 / 0

HEX #FF8CC5

RGB 255 140 197

HSL 330.26, 1%, 0.77%

LAB 72.26, 50.14, -10.07

 

CMYK 0 / 38 / 15 / 0

HEX #FF9ED8

RGB 255 158 216

HSL 324.12, 1%, 0.81%

LAB 76.48, 43.83, -14.21

 

CMYK 0 / 31 / 8 / 0

HEX #FFB0EB

RGB 255 176 235

HSL 315.19, 1%, 0.85%

LAB 80.91, 37.57, -17.84

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FE

RGB 255 194 254

HSL 300.98, 1%, 0.88%

LAB 85.5, 31.44, -21.05

 

CMYK 0 / 52 / 28 / 0

HEX #FE7AB7

RGB 254 122 183

HSL 332.27, 0.99%, 0.74%

LAB 68.32, 56.66, -8.14

 

CMYK 0 / 56 / 31 / 7

HEX #ED68A4

RGB 237 104 164

HSL 332.93, 0.79%, 0.67%

LAB 62.16, 57.32, -6.76

 

CMYK 0 / 61 / 34 / 14

HEX #DC5691

RGB 220 86 145

HSL 333.58, 0.66%, 0.6%

LAB 56, 57.83, -5.13

 

CMYK 0 / 67 / 38 / 20

HEX #CB447E

RGB 203 68 126

HSL 334.22, 0.56%, 0.53%

LAB 49.9, 58.11, -3.15

 

CMYK 0 / 73 / 42 / 27

HEX #BA326B

RGB 186 50 107

HSL 334.85, 0.58%, 0.46%

LAB 43.92, 57.95, -0.68

 

CMYK 0 / 52 / 28 / 0

HEX #FE7BB7

RGB 254 123 183

HSL 332.52, 0.98%, 0.74%

LAB 68.5, 56.19, -7.87

 

CMYK 0 / 52 / 42 / 0

HEX #FE7B94

RGB 254 123 148

HSL 348.55, 0.98%, 0.74%

LAB 67.56, 52.16, 10.51

 

CMYK 0 / 52 / 52 / 0

HEX #FE7B7B

RGB 254 123 123

HSL 0, 0.98%, 0.74%

LAB 67.03, 49.83, 23.86

 

CMYK 0 / 52 / 28 / 0

HEX #FE7BB7

RGB 254 123 183

HSL 332.52, 0.98%, 0.74%

LAB 68.5, 56.19, -7.87

 

CMYK 0 / 52 / 14 / 0

HEX #FE7BDB

RGB 254 123 219

HSL 316.03, 0.98%, 0.74%

LAB 69.72, 61.2, -26.13

 

CMYK 0 / 52 / 0 / 0

HEX #FE7BFE

RGB 254 123 254

HSL 300, 0.98%, 0.74%

LAB 71.14, 66.81, -43.17

 

CMYK 14 / 52 / 0 / 0

HEX #DA7BFE

RGB 218 123 254

HSL 283.51, 0.98%, 0.74%

LAB 66.69, 57.39, -50.47

 

CMYK 28 / 52 / 0 / 0

HEX #B77BFE

RGB 183 123 254

HSL 267.48, 0.98%, 0.74%

LAB 62.83, 48.45, -56.84

 

CMYK 0 / 52 / 28 / 0

HEX #FE7BB7

RGB 254 123 183

HSL 332.52, 0.98%, 0.74%

LAB 68.5, 56.19, -7.87

 

CMYK 0 / 52 / 28 / 0

HEX #FE7BB7

RGB 254 123 183

HSL 332.52, 0.98%, 0.74%

LAB 68.5, 56.19, -7.87

 

CMYK 0 / 45 / 24 / 5

HEX #F385B8

RGB 243 133 184

HSL 332.18, 0.82%, 0.74%

LAB 68.96, 47.91, -7.9

 

CMYK 0 / 38 / 20 / 9

HEX #E890B9

RGB 232 144 185

HSL 332.05, 0.66%, 0.74%

LAB 69.9, 38.71, -7.22

 

CMYK 0 / 30 / 16 / 13

HEX #DE9BBA

RGB 222 155 186

HSL 332.24, 0.5%, 0.74%

LAB 71.23, 29.55, -5.93

 

CMYK 0 / 22 / 12 / 17

HEX #D3A5BA

RGB 211 165 186

HSL 332.61, 0.34%, 0.74%

LAB 72.43, 20.24, -4.28

 

CMYK 0 / 52 / 0 / 0

HEX #FE7BFE

RGB 254 123 254

HSL 300, 0.98%, 0.74%

LAB 71.14, 66.81, -43.17

 

CMYK 0 / 52 / 14 / 0

HEX #FE7BDB

RGB 254 123 219

HSL 316.03, 0.98%, 0.74%

LAB 69.72, 61.2, -26.13

 

CMYK 0 / 52 / 28 / 0

HEX #FE7BB8

RGB 254 123 184

HSL 332.06, 0.98%, 0.74%

LAB 68.53, 56.32, -8.38

 

CMYK 0 / 52 / 41 / 0

HEX #FE7B95

RGB 254 123 149

HSL 348.09, 0.98%, 0.74%

LAB 67.58, 52.26, 9.98

 

CMYK 0 / 48 / 52 / 0

HEX #FE837B

RGB 254 131 123

HSL 3.66, 0.98%, 0.74%

LAB 68.56, 45.94, 25.92

 

CMYK 0 / 84 / 45 / 1

HEX #FD288B

RGB 253 40 139

HSL 332.11, 0.98%, 0.57%

LAB 56.35, 80.5, -0.42

 

CMYK 0 / 68 / 37 / 0

HEX #FE52A1

RGB 254 82 161

HSL 332.44, 0.99%, 0.66%

LAB 61.38, 70.98, -5.9

 

CMYK 0 / 52 / 28 / 0

HEX #FE7BB7

RGB 254 123 183

HSL 332.52, 0.98%, 0.74%

LAB 68.5, 56.19, -7.87

 

CMYK 0 / 35 / 19 / 0

HEX #FEA4CD

RGB 254 164 205

HSL 332.67, 0.98%, 0.82%

LAB 77.3, 38.75, -6.99

 

CMYK 0 / 19 / 10 / 0

HEX #FECDE4

RGB 254 205 228

HSL 331.84, 0.96%, 0.9%

LAB 87.16, 20.86, -4.79

 

CMYK 0 / 52 / 28 / 0

HEX #FE7AB7

RGB 254 122 183

HSL 332.27, 0.99%, 0.74%

LAB 68.32, 56.66, -8.14

 

CMYK 0 / 14 / 52 / 0

HEX #FEDB7B

RGB 254 219 123

HSL 43.97, 0.98%, 0.74%

LAB 88.53, 0.52, 51.27

 

CMYK 52 / 7 / 0 / 0

HEX #7BECFE

RGB 123 236 254

HSL 188.24, 0.98%, 0.74%

LAB 87.66, -27.5, -18.61

 

CMYK 0 / 52 / 28 / 0

HEX #FE7AB7

RGB 254 122 183

HSL 332.27, 0.99%, 0.74%

LAB 68.32, 56.66, -8.14

 

CMYK 28 / 0 / 52 / 0

HEX #B8FE7B

RGB 184 254 123

HSL 92.06, 0.98%, 0.74%

LAB 92.8, -42.95, 55.21

 

CMYK 52 / 28 / 0 / 0

HEX #7BB8FE

RGB 123 184 254

HSL 212.06, 0.98%, 0.74%

LAB 73.32, -0.56, -40.61

 

CMYK 0 / 52 / 28 / 0

HEX #FE7AB7

RGB 254 122 183

HSL 332.27, 0.99%, 0.74%

LAB 68.32, 56.66, -8.14

 

CMYK 0 / 14 / 52 / 0

HEX #FEDB7B

RGB 254 219 123

HSL 43.97, 0.98%, 0.74%

LAB 88.53, 0.52, 51.27

 

CMYK 52 / 0 / 24 / 0

HEX #7BFEC1

RGB 123 254 193

HSL 152.06, 0.98%, 0.74%

LAB 91.21, -49.96, 18.29

 

CMYK 52 / 38 / 0 / 0

HEX #7B9EFE

RGB 123 158 254

HSL 223.97, 0.98%, 0.74%

LAB 66.38, 14.16, -51.5

 

CMYK 0 / 52 / 28 / 0

HEX #FE7AB7

RGB 254 122 183

HSL 332.27, 0.99%, 0.74%

LAB 68.32, 56.66, -8.14

 

CMYK 2 / 0 / 52 / 0

HEX #F9FE7B

RGB 249 254 123

HSL 62.29, 0.98%, 0.74%

LAB 97.01, -18.81, 61.22

 

CMYK 52 / 0 / 24 / 0

HEX #7BFEC1

RGB 123 254 193

HSL 152.06, 0.98%, 0.74%

LAB 91.21, -49.96, 18.29

 

CMYK 50 / 52 / 0 / 0

HEX #7F7BFE

RGB 127 123 254

HSL 241.83, 0.98%, 0.74%

LAB 57.88, 35.53, -65.05

 

Description

Color code: HEX #FE7AB7 | qconv.com Color code: HEX #FE7AB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 122 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 122 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 28 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 28% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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