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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE79CC it is the complementary color #018633. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE79CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE79CC shade: #FF79C7, #FF8BDA, #FF9DED, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE79CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE79CC shade: #FE79CC, #ED67B9, #DC55A6, #CB4393 and #BA3180

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE79CC shade: #FE7BCD, #FE7BAA, #FE7B86 and #FE7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE79CC shade: #FE7BCD, #FE7BF0, #E97BFE, #C57BFE and #A27BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE79CC shade matches the following richer shades: #FE7BCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE79CC shade: #FE7BCD, #F486CA, #E991C8, #DE9BC5 and #D3A6C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE79CC shade: #E87BFE, #FE7BF1, #FE7BCE, #FE7BAB and #FE7B88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE79CC shade: #FE29AE, #FE52BD, #FE7BCD, #FFA4DD and #FFCDEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE79CC shade: #FE79CC, #FEC57B and #7BFEFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE79CC shade: #FE79CC, #CEFE7B and #7BCEFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE79CC shade: #FE79CC, #FEC57B, #7BFEAB and #7BB4FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE79CC shade: #FE79CC, #FEED7B, #7BFEAB and #7B8DFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 20 / 0

HEX #FE79CC

RGB 254 121 204

HSL 322.56, 0.99%, 0.74%

LAB 68.83, 59.94, -19.15

 

Complementary color

CMYK 99 / 0 / 62 / 47

HEX #018633

RGB 1 134 51

HSL 142.56, 0.99%, 0.26%

LAB 48.63, -49.55, 35.37

 

CMYK 0 / 53 / 22 / 0

HEX #FF79C7

RGB 255 121 199

HSL 325.07, 1%, 0.74%

LAB 68.79, 59.55, -16.39

 

CMYK 0 / 45 / 15 / 0

HEX #FF8BDA

RGB 255 139 218

HSL 319.14, 1%, 0.77%

LAB 72.75, 53.69, -20.94

 

CMYK 0 / 38 / 7 / 0

HEX #FF9DED

RGB 255 157 237

HSL 311.02, 1%, 0.81%

LAB 76.97, 47.72, -24.89

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 52 / 20 / 0

HEX #FE79CC

RGB 254 121 204

HSL 322.56, 0.99%, 0.74%

LAB 68.83, 59.94, -19.15

 

CMYK 0 / 57 / 22 / 7

HEX #ED67B9

RGB 237 103 185

HSL 323.28, 0.79%, 0.67%

LAB 62.68, 60.49, -17.98

 

CMYK 0 / 61 / 25 / 14

HEX #DC55A6

RGB 220 85 166

HSL 324, 0.66%, 0.6%

LAB 56.55, 60.87, -16.59

 

CMYK 0 / 67 / 28 / 20

HEX #CB4393

RGB 203 67 147

HSL 324.71, 0.57%, 0.53%

LAB 50.47, 60.96, -14.89

 

CMYK 0 / 74 / 31 / 27

HEX #BA3180

RGB 186 49 128

HSL 325.4, 0.58%, 0.46%

LAB 44.51, 60.58, -12.73

 

CMYK 0 / 52 / 19 / 0

HEX #FE7BCD

RGB 254 123 205

HSL 322.44, 0.98%, 0.74%

LAB 69.22, 59.15, -19.12

 

CMYK 0 / 52 / 33 / 0

HEX #FE7BAA

RGB 254 123 170

HSL 338.47, 0.98%, 0.74%

LAB 68.12, 54.59, -1.1

 

CMYK 0 / 52 / 47 / 0

HEX #FE7B86

RGB 254 123 134

HSL 354.96, 0.98%, 0.74%

LAB 67.25, 50.8, 17.98

 

CMYK 0 / 52 / 52 / 0

HEX #FE7B7B

RGB 254 123 123

HSL 0, 0.98%, 0.74%

LAB 67.03, 49.83, 23.86

 

CMYK 0 / 52 / 19 / 0

HEX #FE7BCD

RGB 254 123 205

HSL 322.44, 0.98%, 0.74%

LAB 69.22, 59.15, -19.12

 

CMYK 0 / 52 / 6 / 0

HEX #FE7BF0

RGB 254 123 240

HSL 306.41, 0.98%, 0.74%

LAB 70.54, 64.49, -36.44

 

CMYK 8 / 52 / 0 / 0

HEX #E97BFE

RGB 233 123 254

HSL 290.38, 0.98%, 0.74%

LAB 68.49, 61.3, -47.51

 

CMYK 22 / 52 / 0 / 0

HEX #C57BFE

RGB 197 123 254

HSL 273.89, 0.98%, 0.74%

LAB 64.32, 51.98, -54.39

 

CMYK 36 / 52 / 0 / 0

HEX #A27BFE

RGB 162 123 254

HSL 257.86, 0.98%, 0.74%

LAB 60.78, 43.33, -60.23

 

CMYK 0 / 52 / 19 / 0

HEX #FE7BCD

RGB 254 123 205

HSL 322.44, 0.98%, 0.74%

LAB 69.22, 59.15, -19.12

 

CMYK 0 / 52 / 19 / 0

HEX #FE7BCD

RGB 254 123 205

HSL 322.44, 0.98%, 0.74%

LAB 69.22, 59.15, -19.12

 

CMYK 0 / 45 / 17 / 4

HEX #F486CA

RGB 244 134 202

HSL 322.91, 0.83%, 0.74%

LAB 69.86, 50.32, -16.6

 

CMYK 0 / 38 / 14 / 9

HEX #E991C8

RGB 233 145 200

HSL 322.5, 0.67%, 0.74%

LAB 70.69, 40.83, -14.36

 

CMYK 0 / 30 / 11 / 13

HEX #DE9BC5

RGB 222 155 197

HSL 322.39, 0.5%, 0.74%

LAB 71.56, 31.34, -11.52

 

CMYK 0 / 21 / 8 / 17

HEX #D3A6C2

RGB 211 166 194

HSL 322.67, 0.34%, 0.74%

LAB 72.9, 21.07, -7.98

 

CMYK 9 / 52 / 0 / 0

HEX #E87BFE

RGB 232 123 254

HSL 289.92, 0.98%, 0.74%

LAB 68.37, 61.04, -47.71

 

CMYK 0 / 52 / 5 / 0

HEX #FE7BF1

RGB 254 123 241

HSL 305.95, 0.98%, 0.74%

LAB 70.59, 64.65, -36.93

 

CMYK 0 / 52 / 19 / 0

HEX #FE7BCE

RGB 254 123 206

HSL 321.98, 0.98%, 0.74%

LAB 69.25, 59.3, -19.62

 

CMYK 0 / 52 / 33 / 0

HEX #FE7BAB

RGB 254 123 171

HSL 338.02, 0.98%, 0.74%

LAB 68.15, 54.71, -1.63

 

CMYK 0 / 52 / 46 / 0

HEX #FE7B88

RGB 254 123 136

HSL 354.05, 0.98%, 0.74%

LAB 67.29, 50.99, 16.91

 

CMYK 0 / 84 / 31 / 0

HEX #FE29AE

RGB 254 41 174

HSL 322.54, 0.99%, 0.58%

LAB 57.76, 83.81, -18.88

 

CMYK 0 / 68 / 26 / 0

HEX #FE52BD

RGB 254 82 189

HSL 322.67, 0.99%, 0.66%

LAB 62.32, 74.15, -20.58

 

CMYK 0 / 52 / 19 / 0

HEX #FE7BCD

RGB 254 123 205

HSL 322.44, 0.98%, 0.74%

LAB 69.22, 59.15, -19.12

 

CMYK 0 / 36 / 13 / 0

HEX #FFA4DD

RGB 255 164 221

HSL 322.42, 1%, 0.82%

LAB 77.89, 41.53, -14.81

 

CMYK 0 / 20 / 7 / 0

HEX #FFCDEC

RGB 255 205 236

HSL 322.8, 1%, 0.9%

LAB 87.47, 22.53, -8.55

 

CMYK 0 / 52 / 20 / 0

HEX #FE79CC

RGB 254 121 204

HSL 322.56, 0.99%, 0.74%

LAB 68.83, 59.94, -19.15

 

CMYK 0 / 22 / 52 / 0

HEX #FEC57B

RGB 254 197 123

HSL 33.89, 0.98%, 0.74%

LAB 83.14, 11.85, 44.68

 

CMYK 52 / 0 / 2 / 0

HEX #7BFEFA

RGB 123 254 250

HSL 178.17, 0.98%, 0.74%

LAB 92.57, -37.02, -9.17

 

CMYK 0 / 52 / 20 / 0

HEX #FE79CC

RGB 254 121 204

HSL 322.56, 0.99%, 0.74%

LAB 68.83, 59.94, -19.15

 

CMYK 19 / 0 / 52 / 0

HEX #CEFE7B

RGB 206 254 123

HSL 81.98, 0.98%, 0.74%

LAB 94.07, -35.12, 57.04

 

CMYK 52 / 19 / 0 / 0

HEX #7BCEFE

RGB 123 206 254

HSL 201.98, 0.98%, 0.74%

LAB 79.33, -12.39, -31.29

 

CMYK 0 / 52 / 20 / 0

HEX #FE79CC

RGB 254 121 204

HSL 322.56, 0.99%, 0.74%

LAB 68.83, 59.94, -19.15

 

CMYK 0 / 22 / 52 / 0

HEX #FEC57B

RGB 254 197 123

HSL 33.89, 0.98%, 0.74%

LAB 83.14, 11.85, 44.68

 

CMYK 52 / 0 / 33 / 0

HEX #7BFEAB

RGB 123 254 171

HSL 141.98, 0.98%, 0.74%

LAB 90.8, -54.13, 28.91

 

CMYK 52 / 29 / 0 / 0

HEX #7BB4FE

RGB 123 180 254

HSL 213.89, 0.98%, 0.74%

LAB 72.23, 1.66, -42.29

 

CMYK 0 / 52 / 20 / 0

HEX #FE79CC

RGB 254 121 204

HSL 322.56, 0.99%, 0.74%

LAB 68.83, 59.94, -19.15

 

CMYK 0 / 7 / 52 / 0

HEX #FEED7B

RGB 254 237 123

HSL 52.21, 0.98%, 0.74%

LAB 93.04, -8.53, 56.67

 

CMYK 52 / 0 / 33 / 0

HEX #7BFEAB

RGB 123 254 171

HSL 141.98, 0.98%, 0.74%

LAB 90.8, -54.13, 28.91

 

CMYK 52 / 44 / 0 / 0

HEX #7B8DFE

RGB 123 141 254

HSL 231.76, 0.98%, 0.74%

LAB 62.01, 24.1, -58.44

 

Description

Color code: HEX #FE79CC | qconv.com Color code: HEX #FE79CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 121 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 121 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 20 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 20% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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