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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE76AF it is the complementary color #018950. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE76AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE76AF shade: #FF76AA, #FF88BD, #FF9AD0, #FFACE3 and #FFBEF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE76AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE76AF shade: #FE76AF, #ED649C, #DC5289, #CB4076 and #BA2E63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE76AF shade: #FE76AF, #FE768A and #FE7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE76AF shade: #FE76AF, #FE76D4, #FE76F9, #DF76FE and #BA76FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE76AF shade matches the following richer shades: #FE76AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE76AF shade: #FE76AF, #F381B1, #E88CB3, #DD97B5 and #D2A3B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE76AF shade: #FE76FA, #FE76D5, #FE76B1, #FE768D and #FE8476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE76AF shade: #FE247F, #FE4D97, #FE76AF, #FF9FC7 and #FFC8DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE76AF shade: #FE76AF, #FEDF76 and #76E8FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE76AF shade: #FE76AF, #B1FE76 and #76B1FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE76AF shade: #FE76AF, #FEDF76, #76FEC3 and #7696FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE76AF shade: #FE76AF, #F5FE76, #76FEC3 and #7F76FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

Complementary color

CMYK 99 / 0 / 42 / 46

HEX #018950

RGB 1 137 80

HSL 154.85, 0.99%, 0.27%

LAB 50.07, -45.59, 21.89

 

CMYK 0 / 54 / 33 / 0

HEX #FF76AA

RGB 255 118 170

HSL 337.23, 1%, 0.73%

LAB 67.37, 57.25, -2.2

 

CMYK 0 / 47 / 26 / 0

HEX #FF88BD

RGB 255 136 189

HSL 333.28, 1%, 0.77%

LAB 71.24, 51.03, -7.14

 

CMYK 0 / 40 / 18 / 0

HEX #FF9AD0

RGB 255 154 208

HSL 327.92, 1%, 0.8%

LAB 75.4, 44.67, -11.44

 

CMYK 0 / 33 / 11 / 0

HEX #FFACE3

RGB 255 172 227

HSL 320.24, 1%, 0.84%

LAB 79.79, 38.34, -15.21

 

CMYK 0 / 25 / 4 / 0

HEX #FFBEF6

RGB 255 190 246

HSL 308.31, 1%, 0.87%

LAB 84.35, 32.12, -18.54

 

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

CMYK 0 / 58 / 34 / 7

HEX #ED649C

RGB 237 100 156

HSL 335.47, 0.79%, 0.66%

LAB 61.24, 58.17, -3.51

 

CMYK 0 / 63 / 38 / 14

HEX #DC5289

RGB 220 82 137

HSL 336.09, 0.66%, 0.59%

LAB 55.13, 58.64, -1.7

 

CMYK 0 / 68 / 42 / 20

HEX #CB4076

RGB 203 64 118

HSL 336.69, 0.57%, 0.52%

LAB 49.09, 58.83, 0.5

 

CMYK 0 / 75 / 47 / 27

HEX #BA2E63

RGB 186 46 99

HSL 337.29, 0.6%, 0.45%

LAB 43.2, 58.54, 3.26

 

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

CMYK 0 / 54 / 46 / 0

HEX #FE768A

RGB 254 118 138

HSL 351.18, 0.99%, 0.73%

LAB 66.41, 53.54, 14.57

 

CMYK 0 / 54 / 54 / 0

HEX #FE7676

RGB 254 118 118

HSL 0, 0.99%, 0.73%

LAB 66.01, 51.8, 25.31

 

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

CMYK 0 / 54 / 17 / 0

HEX #FE76D4

RGB 254 118 212

HSL 318.53, 0.99%, 0.73%

LAB 68.59, 62.47, -23.97

 

CMYK 0 / 54 / 2 / 0

HEX #FE76F9

RGB 254 118 249

HSL 302.21, 0.99%, 0.73%

LAB 70.08, 68.22, -42.1

 

CMYK 12 / 54 / 0 / 0

HEX #DF76FE

RGB 223 118 254

HSL 286.32, 0.99%, 0.73%

LAB 66.37, 61.12, -50.95

 

CMYK 27 / 54 / 0 / 0

HEX #BA76FE

RGB 186 118 254

HSL 270, 0.99%, 0.73%

LAB 62.13, 51.83, -57.95

 

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

CMYK 0 / 47 / 27 / 5

HEX #F381B1

RGB 243 129 177

HSL 334.74, 0.83%, 0.73%

LAB 67.97, 48.96, -5.44

 

CMYK 0 / 40 / 23 / 9

HEX #E88CB3

RGB 232 140 179

HSL 334.57, 0.67%, 0.73%

LAB 68.87, 39.92, -5.39

 

CMYK 0 / 32 / 18 / 13

HEX #DD97B5

RGB 221 151 181

HSL 334.29, 0.51%, 0.73%

LAB 70.06, 30.56, -4.88

 

CMYK 0 / 22 / 13 / 18

HEX #D2A3B6

RGB 210 163 182

HSL 335.74, 0.34%, 0.73%

LAB 71.74, 20.31, -3.1

 

CMYK 0 / 54 / 2 / 0

HEX #FE76FA

RGB 254 118 250

HSL 301.76, 0.99%, 0.73%

LAB 70.13, 68.39, -42.57

 

CMYK 0 / 54 / 16 / 0

HEX #FE76D5

RGB 254 118 213

HSL 318.09, 0.99%, 0.73%

LAB 68.63, 62.61, -24.47

 

CMYK 0 / 54 / 30 / 0

HEX #FE76B1

RGB 254 118 177

HSL 333.97, 0.99%, 0.73%

LAB 67.43, 57.78, -6.08

 

CMYK 0 / 54 / 44 / 0

HEX #FE768D

RGB 254 118 141

HSL 349.85, 0.99%, 0.73%

LAB 66.48, 53.83, 12.96

 

CMYK 0 / 48 / 54 / 0

HEX #FE8476

RGB 254 132 118

HSL 6.18, 0.99%, 0.73%

LAB 68.67, 45.03, 28.82

 

CMYK 0 / 86 / 50 / 0

HEX #FE247F

RGB 254 36 127

HSL 334.95, 0.99%, 0.57%

LAB 55.95, 80.52, 6.17

 

CMYK 0 / 70 / 41 / 0

HEX #FE4D97

RGB 254 77 151

HSL 334.92, 0.99%, 0.65%

LAB 60.44, 71.75, -1.48

 

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

CMYK 0 / 38 / 22 / 0

HEX #FF9FC7

RGB 255 159 199

HSL 335, 1%, 0.81%

LAB 76.18, 40.8, -5.35

 

CMYK 0 / 22 / 13 / 0

HEX #FFC8DF

RGB 255 200 223

HSL 334.91, 1%, 0.89%

LAB 85.95, 23.02, -3.9

 

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

CMYK 0 / 12 / 54 / 0

HEX #FEDF76

RGB 254 223 118

HSL 46.32, 0.99%, 0.73%

LAB 89.47, -1.92, 54.76

 

CMYK 54 / 9 / 0 / 0

HEX #76E8FE

RGB 118 232 254

HSL 189.71, 0.99%, 0.73%

LAB 86.37, -26.56, -20.58

 

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

CMYK 30 / 0 / 54 / 0

HEX #B1FE76

RGB 177 254 118

HSL 93.97, 0.99%, 0.73%

LAB 92.37, -45.86, 56.88

 

CMYK 54 / 30 / 0 / 0

HEX #76B1FE

RGB 118 177 254

HSL 213.97, 0.99%, 0.73%

LAB 71.18, 2.26, -43.96

 

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

CMYK 0 / 12 / 54 / 0

HEX #FEDF76

RGB 254 223 118

HSL 46.32, 0.99%, 0.73%

LAB 89.47, -1.92, 54.76

 

CMYK 54 / 0 / 23 / 0

HEX #76FEC3

RGB 118 254 195

HSL 153.97, 0.99%, 0.73%

LAB 91.09, -50.65, 17.07

 

CMYK 54 / 41 / 0 / 0

HEX #7696FE

RGB 118 150 254

HSL 225.88, 0.99%, 0.73%

LAB 64.01, 17.76, -55.27

 

CMYK 0 / 54 / 31 / 0

HEX #FE76AF

RGB 254 118 175

HSL 334.85, 0.99%, 0.73%

LAB 67.37, 57.53, -5.04

 

CMYK 4 / 0 / 54 / 0

HEX #F5FE76

RGB 245 254 118

HSL 63.97, 0.99%, 0.73%

LAB 96.66, -20.77, 62.96

 

CMYK 54 / 0 / 23 / 0

HEX #76FEC3

RGB 118 254 195

HSL 153.97, 0.99%, 0.73%

LAB 91.09, -50.65, 17.07

 

CMYK 50 / 54 / 0 / 0

HEX #7F76FE

RGB 127 118 254

HSL 243.97, 0.99%, 0.73%

LAB 56.71, 38.45, -66.93

 

Description

Color code: HEX #FE76AF | qconv.com Color code: HEX #FE76AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 118 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 118 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 31 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 31% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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