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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE74E3 it is the complementary color #018B1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE74E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE74E3 shade: #FF74DE, #FF86F1, #FF98FF, #FFAAFF and #FFBCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE74E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE74E3 shade: #FE74E3, #ED62D0, #DC50BD, #CB3EAA and #BA2C97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE74E3 shade: #FE76E4, #FE76BF, #FE769A and #FE7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE74E3 shade: #FE76E4, #F476FE, #CF76FE, #AB76FE and #8676FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE74E3 shade matches the following richer shades: #FE76E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE74E3 shade: #FE76E4, #F381DD, #E88CD6, #DD97CF and #D2A3C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE74E3 shade: #CF76FE, #F376FE, #FE76E5, #FE76C1 and #FE769D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE74E3 shade: #FE24D3, #FE4DDB, #FE76E4, #FF9FEC and #FFC8F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE74E3 shade: #FE74E3, #FEAA76 and #76FEE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE74E3 shade: #FE74E3, #E5FE76 and #76E5FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE74E3 shade: #FE74E3, #FEAA76, #76FE8F and #76CAFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE74E3 shade: #FE74E3, #FED376, #76FE8F and #76A1FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 11 / 0

HEX #FE74E3

RGB 254 116 227

HSL 311.74, 0.99%, 0.73%

LAB 68.83, 65.61, -31.93

 

Complementary color

CMYK 99 / 0 / 80 / 45

HEX #018B1C

RGB 1 139 28

HSL 131.74, 0.99%, 0.27%

LAB 50.16, -53.51, 46.6

 

CMYK 0 / 55 / 13 / 0

HEX #FF74DE

RGB 255 116 222

HSL 314.24, 1%, 0.73%

LAB 68.77, 65.12, -29.24

 

CMYK 0 / 47 / 5 / 0

HEX #FF86F1

RGB 255 134 241

HSL 306.94, 1%, 0.76%

LAB 72.67, 59.77, -33.69

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 54 / 11 / 0

HEX #FE74E3

RGB 254 116 227

HSL 311.74, 0.99%, 0.73%

LAB 68.83, 65.61, -31.93

 

CMYK 0 / 59 / 12 / 7

HEX #ED62D0

RGB 237 98 208

HSL 312.52, 0.79%, 0.66%

LAB 62.76, 65.98, -30.91

 

CMYK 0 / 64 / 14 / 14

HEX #DC50BD

RGB 220 80 189

HSL 313.29, 0.67%, 0.59%

LAB 56.71, 66.13, -29.66

 

CMYK 0 / 69 / 16 / 20

HEX #CB3EAA

RGB 203 62 170

HSL 314.04, 0.58%, 0.52%

LAB 50.74, 65.9, -28.1

 

CMYK 0 / 76 / 19 / 27

HEX #BA2C97

RGB 186 44 151

HSL 314.79, 0.62%, 0.45%

LAB 44.91, 65.08, -26.08

 

CMYK 0 / 54 / 10 / 0

HEX #FE76E4

RGB 254 118 228

HSL 311.47, 0.99%, 0.73%

LAB 69.2, 64.86, -31.91

 

CMYK 0 / 54 / 25 / 0

HEX #FE76BF

RGB 254 118 191

HSL 327.79, 0.99%, 0.73%

LAB 67.87, 59.56, -13.32

 

CMYK 0 / 54 / 39 / 0

HEX #FE769A

RGB 254 118 154

HSL 344.12, 0.99%, 0.73%

LAB 66.79, 55.15, 6.02

 

CMYK 0 / 54 / 54 / 0

HEX #FE7676

RGB 254 118 118

HSL 0, 0.99%, 0.73%

LAB 66.01, 51.8, 25.31

 

CMYK 0 / 54 / 10 / 0

HEX #FE76E4

RGB 254 118 228

HSL 311.47, 0.99%, 0.73%

LAB 69.2, 64.86, -31.91

 

CMYK 4 / 54 / 0 / 0

HEX #F476FE

RGB 244 118 254

HSL 295.59, 0.99%, 0.73%

LAB 69, 66.49, -46.62

 

CMYK 19 / 54 / 0 / 0

HEX #CF76FE

RGB 207 118 254

HSL 279.26, 0.99%, 0.73%

LAB 64.47, 57.06, -54.08

 

CMYK 33 / 54 / 0 / 0

HEX #AB76FE

RGB 171 118 254

HSL 263.38, 0.99%, 0.73%

LAB 60.58, 48.21, -60.51

 

CMYK 47 / 54 / 0 / 0

HEX #8676FE

RGB 134 118 254

HSL 247.06, 0.99%, 0.73%

LAB 57.25, 39.89, -66.03

 

CMYK 0 / 54 / 10 / 0

HEX #FE76E4

RGB 254 118 228

HSL 311.47, 0.99%, 0.73%

LAB 69.2, 64.86, -31.91

 

CMYK 0 / 54 / 10 / 0

HEX #FE76E4

RGB 254 118 228

HSL 311.47, 0.99%, 0.73%

LAB 69.2, 64.86, -31.91

 

CMYK 0 / 47 / 9 / 5

HEX #F381DD

RGB 243 129 221

HSL 311.58, 0.83%, 0.73%

LAB 69.45, 55.44, -27.77

 

CMYK 0 / 40 / 8 / 9

HEX #E88CD6

RGB 232 140 214

HSL 311.74, 0.67%, 0.73%

LAB 70.01, 45.39, -23.16

 

CMYK 0 / 32 / 6 / 13

HEX #DD97CF

RGB 221 151 207

HSL 312, 0.51%, 0.73%

LAB 70.88, 34.85, -18.09

 

CMYK 0 / 22 / 4 / 18

HEX #D2A3C9

RGB 210 163 201

HSL 311.49, 0.34%, 0.73%

LAB 72.3, 23.59, -12.74

 

CMYK 19 / 54 / 0 / 0

HEX #CF76FE

RGB 207 118 254

HSL 279.26, 0.99%, 0.73%

LAB 64.47, 57.06, -54.08

 

CMYK 4 / 54 / 0 / 0

HEX #F376FE

RGB 243 118 254

HSL 295.15, 0.99%, 0.73%

LAB 68.87, 66.24, -46.83

 

CMYK 0 / 54 / 10 / 0

HEX #FE76E5

RGB 254 118 229

HSL 311.03, 0.99%, 0.73%

LAB 69.24, 65.02, -32.4

 

CMYK 0 / 54 / 24 / 0

HEX #FE76C1

RGB 254 118 193

HSL 326.91, 0.99%, 0.73%

LAB 67.93, 59.82, -14.34

 

CMYK 0 / 54 / 38 / 0

HEX #FE769D

RGB 254 118 157

HSL 342.79, 0.99%, 0.73%

LAB 66.87, 55.47, 4.43

 

CMYK 0 / 86 / 17 / 0

HEX #FE24D3

RGB 254 36 211

HSL 311.83, 0.99%, 0.57%

LAB 59.01, 88.91, -38.25

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 0 / 54 / 10 / 0

HEX #FE76E4

RGB 254 118 228

HSL 311.47, 0.99%, 0.73%

LAB 69.2, 64.86, -31.91

 

CMYK 0 / 38 / 7 / 0

HEX #FF9FEC

RGB 255 159 236

HSL 311.88, 1%, 0.81%

LAB 77.35, 46.53, -23.78

 

CMYK 0 / 22 / 4 / 0

HEX #FFC8F4

RGB 255 200 244

HSL 312, 1%, 0.89%

LAB 86.55, 26.52, -14.16

 

CMYK 0 / 54 / 11 / 0

HEX #FE74E3

RGB 254 116 227

HSL 311.74, 0.99%, 0.73%

LAB 68.83, 65.61, -31.93

 

CMYK 0 / 33 / 54 / 0

HEX #FEAA76

RGB 254 170 118

HSL 22.94, 0.99%, 0.73%

LAB 76.76, 25.54, 39.24

 

CMYK 54 / 0 / 11 / 0

HEX #76FEE1

RGB 118 254 225

HSL 167.21, 0.99%, 0.73%

LAB 91.76, -44.07, 2.56

 

CMYK 0 / 54 / 11 / 0

HEX #FE74E3

RGB 254 116 227

HSL 311.74, 0.99%, 0.73%

LAB 68.83, 65.61, -31.93

 

CMYK 10 / 0 / 54 / 0

HEX #E5FE76

RGB 229 254 118

HSL 71.03, 0.99%, 0.73%

LAB 95.52, -26.95, 61.35

 

CMYK 54 / 10 / 0 / 0

HEX #76E5FE

RGB 118 229 254

HSL 191.03, 0.99%, 0.73%

LAB 85.53, -25.09, -21.85

 

CMYK 0 / 54 / 11 / 0

HEX #FE74E3

RGB 254 116 227

HSL 311.74, 0.99%, 0.73%

LAB 68.83, 65.61, -31.93

 

CMYK 0 / 33 / 54 / 0

HEX #FEAA76

RGB 254 170 118

HSL 22.94, 0.99%, 0.73%

LAB 76.76, 25.54, 39.24

 

CMYK 54 / 0 / 44 / 0

HEX #76FE8F

RGB 118 254 143

HSL 131.03, 0.99%, 0.73%

LAB 90.19, -59.91, 41.94

 

CMYK 54 / 20 / 0 / 0

HEX #76CAFE

RGB 118 202 254

HSL 202.94, 0.99%, 0.73%

LAB 78.02, -11.34, -33.33

 

CMYK 0 / 54 / 11 / 0

HEX #FE74E3

RGB 254 116 227

HSL 311.74, 0.99%, 0.73%

LAB 68.83, 65.61, -31.93

 

CMYK 0 / 17 / 54 / 0

HEX #FED376

RGB 254 211 118

HSL 41.03, 0.99%, 0.73%

LAB 86.49, 4.2, 51.21

 

CMYK 54 / 0 / 44 / 0

HEX #76FE8F

RGB 118 254 143

HSL 131.03, 0.99%, 0.73%

LAB 90.19, -59.91, 41.94

 

CMYK 54 / 37 / 0 / 0

HEX #76A1FE

RGB 118 161 254

HSL 221.03, 0.99%, 0.73%

LAB 66.9, 11.36, -50.7

 

Description

Color code: HEX #FE74E3 | qconv.com Color code: HEX #FE74E3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 116 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 116 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 11 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 11% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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