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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE7061CE it is the complementary color #018F9ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE7061CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE7061CE shade: #FF705CCE, #FF826FCE, #FF9482CE, #FFA695CE and #FFB8A8CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE7061CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE7061CE shade: #FE7061CE, #ED5E4ECE, #DC4C3BCE, #CB3A28CE and #BA2815CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE7061CE shade: #FE7162 and #FE6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE7061CE shade: #FE7162, #FE9B62, #FEC562, #FEEF62 and #E3FE62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE7061CE shade matches the following richer shades: #FE7162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE7061CE shade: #FE7162, #F17B6E, #E5857B, #D89088 and #CB9A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE7061CE shade: #FE62A8, #FE627E, #FE6F62, #FE9862 and #FEC262

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE7061CE shade: #FE2610, #FE4B39, #FE7162, #FE968B and #FFBBB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE7061CE shade: #FE7061, #D2FE62 and #6293FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE7061CE shade: #FE7061, #62FE6F and #6F62FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE7061CE shade: #FE7061, #D2FE62, #62F1FE and #8E62FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE7061CE shade: #FE7061, #A3FE62, #62F1FE and #BD62FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 50 / 0

HEX #FE7061CE

RGBA 254 112 97 0.81

HSLA 5.73, 0.99%, 0.69%, 0.81

LABA 64.58, 53.11, 35.17, 0.81

 

Complementary color

CMYK 80 / 8 / 0 / 31

HEX #018F9ECE

RGBA 1 143 158 0.81

HSLA 185.73, 0.99%, 0.31%, 0.81

LABA 54.15, -26.27, -17.05, 0.81

 

CMYK 0 / 45 / 52 / 0

HEX #FF705CCE

RGBA 255 112 92 0.81

HSLA 7.36, 1%, 0.68%, 0.81

LABA 64.66, 53.15, 38.04, 0.81

 

CMYK 0 / 40 / 46 / 0

HEX #FF826FCE

RGBA 255 130 111 0.81

HSLA 7.92, 1%, 0.72%, 0.81

LABA 68.29, 45.84, 32.22, 0.81

 

CMYK 0 / 34 / 40 / 0

HEX #FF9482CE

RGBA 255 148 130 0.81

HSLA 8.64, 1%, 0.75%, 0.81

LABA 72.26, 38.37, 27.03, 0.81

 

CMYK 0 / 28 / 34 / 0

HEX #FFA695CE

RGBA 255 166 149 0.81

HSLA 9.62, 1%, 0.79%, 0.81

LABA 76.5, 30.93, 22.42, 0.81

 

CMYK 0 / 23 / 28 / 0

HEX #FFB8A8CE

RGBA 255 184 168 0.81

HSLA 11.03, 1%, 0.83%, 0.81

LABA 80.94, 23.67, 18.32, 0.81

 

CMYK 0 / 45 / 50 / 0

HEX #FE7061CE

RGBA 254 112 97 0.81

HSLA 5.73, 0.99%, 0.69%, 0.81

LABA 64.58, 53.11, 35.17, 0.81

 

CMYK 0 / 49 / 54 / 6

HEX #ED5E4ECE

RGBA 237 94 78 0.81

HSLA 6.04, 0.82%, 0.62%, 0.81

LABA 58.56, 54.24, 37.7, 0.81

 

CMYK 0 / 53 / 59 / 11

HEX #DC4C3BCE

RGBA 220 76 59 0.81

HSLA 6.34, 0.7%, 0.55%, 0.81

LABA 52.62, 55.25, 40.55, 0.81

 

CMYK 0 / 58 / 65 / 17

HEX #CB3A28CE

RGBA 203 58 40 0.81

HSLA 6.63, 0.67%, 0.48%, 0.81

LABA 46.81, 56.01, 43.67, 0.81

 

CMYK 0 / 64 / 72 / 22

HEX #BA2815CE

RGBA 186 40 21 0.81

HSLA 6.91, 0.8%, 0.41%, 0.81

LABA 41.23, 56.26, 46.68, 0.81

 

CMYK 0 / 56 / 61 / 0

HEX #FE7162

RGB 254 113 98

HSL 5.77, 0.99%, 0.69%

LAB 64.77, 52.71, 34.86

 

CMYK 0 / 61 / 61 / 0

HEX #FE6262

RGB 254 98 98

HSL 0, 0.99%, 0.69%

LAB 62.24, 59.38, 31.66

 

CMYK 0 / 56 / 61 / 0

HEX #FE7162

RGB 254 113 98

HSL 5.77, 0.99%, 0.69%

LAB 64.77, 52.71, 34.86

 

CMYK 0 / 39 / 61 / 0

HEX #FE9B62

RGB 254 155 98

HSL 21.92, 0.99%, 0.69%

LAB 73.15, 31.87, 45.12

 

CMYK 0 / 22 / 61 / 0

HEX #FEC562

RGB 254 197 98

HSL 38.08, 0.99%, 0.69%

LAB 82.85, 9.96, 56.41

 

CMYK 0 / 6 / 61 / 0

HEX #FEEF62

RGB 254 239 98

HSL 54.23, 0.99%, 0.69%

LAB 93.31, -11.32, 67.98

 

CMYK 11 / 0 / 61 / 0

HEX #E3FE62

RGB 227 254 98

HSL 70.38, 0.99%, 0.69%

LAB 95.2, -29.24, 69.41

 

CMYK 0 / 56 / 61 / 0

HEX #FE7162

RGB 254 113 98

HSL 5.77, 0.99%, 0.69%

LAB 64.77, 52.71, 34.86

 

CMYK 0 / 56 / 61 / 0

HEX #FE7162

RGB 254 113 98

HSL 5.77, 0.99%, 0.69%

LAB 64.77, 52.71, 34.86

 

CMYK 0 / 49 / 54 / 5

HEX #F17B6E

RGB 241 123 110

HSL 5.95, 0.82%, 0.69%

LAB 64.96, 44.1, 28.06

 

CMYK 0 / 42 / 46 / 10

HEX #E5857B

RGB 229 133 123

HSL 5.66, 0.67%, 0.69%

LAB 65.64, 35.69, 21.42

 

CMYK 0 / 33 / 37 / 15

HEX #D89088

RGB 216 144 136

HSL 6, 0.51%, 0.69%

LAB 66.77, 26.3, 15.44

 

CMYK 0 / 24 / 27 / 20

HEX #CB9A95

RGB 203 154 149

HSL 5.56, 0.34%, 0.69%

LAB 68, 17.57, 9.72

 

CMYK 0 / 61 / 34 / 0

HEX #FE62A8

RGB 254 98 168

HSL 333.08, 0.99%, 0.69%

LAB 63.86, 65.51, -6.24

 

CMYK 0 / 61 / 50 / 0

HEX #FE627E

RGB 254 98 126

HSL 349.23, 0.99%, 0.69%

LAB 62.77, 61.41, 16.36

 

CMYK 0 / 56 / 61 / 0

HEX #FE6F62

RGB 254 111 98

HSL 5, 0.99%, 0.69%

LAB 64.42, 53.63, 34.41

 

CMYK 0 / 40 / 61 / 0

HEX #FE9862

RGB 254 152 98

HSL 20.77, 0.99%, 0.69%

LAB 72.5, 33.43, 44.34

 

CMYK 0 / 24 / 61 / 0

HEX #FEC262

RGB 254 194 98

HSL 36.92, 0.99%, 0.69%

LAB 82.13, 11.52, 55.59

 

CMYK 0 / 85 / 94 / 0

HEX #FE2610

RGB 254 38 16

HSL 5.55, 0.99%, 0.53%

LAB 54.55, 75.72, 63.77

 

CMYK 0 / 70 / 78 / 0

HEX #FE4B39

RGB 254 75 57

HSL 5.48, 0.99%, 0.61%

LAB 58.41, 66.42, 49.57

 

CMYK 0 / 56 / 61 / 0

HEX #FE7162

RGB 254 113 98

HSL 5.77, 0.99%, 0.69%

LAB 64.77, 52.71, 34.86

 

CMYK 0 / 41 / 45 / 0

HEX #FE968B

RGB 254 150 139

HSL 5.74, 0.98%, 0.77%

LAB 72.73, 37.82, 22.71

 

CMYK 0 / 27 / 29 / 0

HEX #FFBBB4

RGB 255 187 180

HSL 5.6, 1%, 0.85%

LAB 81.89, 23.6, 13.22

HEX #FFBBB4

CMYK 0 / 56 / 62 / 0

HEX #FE7061

RGB 254 112 97

HSL 5.73, 0.99%, 0.69%

LAB 64.58, 53.11, 35.17

 

CMYK 17 / 0 / 61 / 0

HEX #D2FE62

RGB 210 254 98

HSL 76.92, 0.99%, 0.69%

LAB 94.08, -35.74, 67.88

 

CMYK 61 / 42 / 0 / 0

HEX #6293FE

RGB 98 147 254

HSL 221.15, 0.99%, 0.69%

LAB 62.19, 15.69, -58.24

 

CMYK 0 / 56 / 62 / 0

HEX #FE7061

RGB 254 112 97

HSL 5.73, 0.99%, 0.69%

LAB 64.58, 53.11, 35.17

 

CMYK 61 / 0 / 56 / 0

HEX #62FE6F

RGB 98 254 111

HSL 125, 0.99%, 0.69%

LAB 89.22, -68.66, 55.51

 

CMYK 56 / 61 / 0 / 0

HEX #6F62FE

RGB 111 98 254

HSL 245, 0.99%, 0.69%

LAB 51, 47.08, -76.24

 

CMYK 0 / 56 / 62 / 0

HEX #FE7061

RGB 254 112 97

HSL 5.73, 0.99%, 0.69%

LAB 64.58, 53.11, 35.17

 

CMYK 17 / 0 / 61 / 0

HEX #D2FE62

RGB 210 254 98

HSL 76.92, 0.99%, 0.69%

LAB 94.08, -35.74, 67.88

 

CMYK 61 / 5 / 0 / 0

HEX #62F1FE

RGB 98 241 254

HSL 185, 0.99%, 0.69%

LAB 88.29, -34.42, -17.74

 

CMYK 44 / 61 / 0 / 0

HEX #8E62FE

RGB 142 98 254

HSL 256.92, 0.99%, 0.69%

LAB 53.64, 52.69, -71.82

 

CMYK 0 / 56 / 62 / 0

HEX #FE7061

RGB 254 112 97

HSL 5.73, 0.99%, 0.69%

LAB 64.58, 53.11, 35.17

 

CMYK 36 / 0 / 61 / 0

HEX #A3FE62

RGB 163 254 98

HSL 95, 0.99%, 0.69%

LAB 91.48, -52.39, 64.29

 

CMYK 61 / 5 / 0 / 0

HEX #62F1FE

RGB 98 241 254

HSL 185, 0.99%, 0.69%

LAB 88.29, -34.42, -17.74

 

CMYK 26 / 61 / 0 / 0

HEX #BD62FE

RGB 189 98 254

HSL 275, 0.99%, 0.69%

LAB 58.7, 62.56, -63.4

 

Description

Color code: HEX #FE7061CE | qconv.com Color code: HEX #FE7061CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 112 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 112 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 50 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 50% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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