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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE6AC8 it is the complementary color #019537. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE6AC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE6AC8 shade: #FF6AC3, #FF7CD6, #FF8EE9, #FFA0FC and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE6AC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE6AC8 shade: #FE6AC8, #ED58B5, #DC46A2, #CB348F and #BA227C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE6AC8 shade: #FE6CC9, #FE6CA1, #FE6C7A and #FE6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE6AC8 shade: #FE6CC9, #FE6CF0, #E56CFE, #BD6CFE and #966CFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE6AC8 shade matches the following richer shades: #FE6CC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE6AC8 shade: #FE6CC9, #F278C6, #E684C2, #DA90BF and #CE9CBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE6AC8 shade: #E36CFE, #FE6CF2, #FE6CCB, #FE6CA4 and #FE6C7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE6AC8 shade: #FE1AAB, #FE43BA, #FE6CC9, #FE95D8 and #FFBEE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE6AC8 shade: #FE6AC8, #FEBC6C and #6CFEF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE6AC8 shade: #FE6AC8, #CBFE6C and #6CCBFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE6AC8 shade: #FE6AC8, #FEBC6C, #6CFE9F and #6CAEFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE6AC8 shade: #FE6AC8, #FEE86C, #6CFE9F and #6C82FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 21 / 0

HEX #FE6AC8

RGB 254 106 200

HSL 321.89, 0.99%, 0.71%

LAB 66.17, 66.09, -20.94

 

Complementary color

CMYK 99 / 0 / 63 / 42

HEX #019537

RGB 1 149 55

HSL 141.89, 0.99%, 0.29%

LAB 53.79, -53.88, 39.4

 

CMYK 0 / 58 / 24 / 0

HEX #FF6AC3

RGB 255 106 195

HSL 324.16, 1%, 0.71%

LAB 66.14, 65.71, -18.16

 

CMYK 0 / 51 / 16 / 0

HEX #FF7CD6

RGB 255 124 214

HSL 318.78, 1%, 0.74%

LAB 69.85, 60.28, -23.15

 

CMYK 0 / 44 / 9 / 0

HEX #FF8EE9

RGB 255 142 233

HSL 311.68, 1%, 0.78%

LAB 73.86, 54.58, -27.47

 

CMYK 0 / 37 / 1 / 0

HEX #FFA0FC

RGB 255 160 252

HSL 301.89, 1%, 0.81%

LAB 78.13, 48.76, -31.24

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 58 / 21 / 0

HEX #FE6AC8

RGB 254 106 200

HSL 321.89, 0.99%, 0.71%

LAB 66.17, 66.09, -20.94

 

CMYK 0 / 63 / 24 / 7

HEX #ED58B5

RGB 237 88 181

HSL 322.55, 0.81%, 0.64%

LAB 60.18, 66.35, -19.51

 

CMYK 0 / 68 / 26 / 14

HEX #DC46A2

RGB 220 70 162

HSL 323.2, 0.68%, 0.57%

LAB 54.24, 66.3, -17.77

 

CMYK 0 / 74 / 30 / 20

HEX #CB348F

RGB 203 52 143

HSL 323.84, 0.59%, 0.5%

LAB 48.43, 65.77, -15.59

 

CMYK 0 / 82 / 33 / 27

HEX #BA227C

RGB 186 34 124

HSL 324.47, 0.69%, 0.43%

LAB 42.82, 64.5, -12.83

 

CMYK 0 / 57 / 21 / 0

HEX #FE6CC9

RGB 254 108 201

HSL 321.78, 0.99%, 0.71%

LAB 66.53, 65.37, -20.96

 

CMYK 0 / 57 / 37 / 0

HEX #FE6CA1

RGB 254 108 161

HSL 338.22, 0.99%, 0.71%

LAB 65.25, 60.45, -0.19

 

CMYK 0 / 57 / 52 / 0

HEX #FE6C7A

RGB 254 108 122

HSL 354.25, 0.99%, 0.71%

LAB 64.32, 56.73, 20.78

 

CMYK 0 / 57 / 57 / 0

HEX #FE6C6C

RGB 254 108 108

HSL 0, 0.99%, 0.71%

LAB 64.06, 55.66, 28.37

 

CMYK 0 / 57 / 21 / 0

HEX #FE6CC9

RGB 254 108 201

HSL 321.78, 0.99%, 0.71%

LAB 66.53, 65.37, -20.96

 

CMYK 0 / 57 / 6 / 0

HEX #FE6CF0

RGB 254 108 240

HSL 305.75, 0.99%, 0.71%

LAB 68.08, 71.11, -40.27

 

CMYK 10 / 57 / 0 / 0

HEX #E56CFE

RGB 229 108 254

HSL 289.73, 0.99%, 0.71%

LAB 65.39, 67.27, -52.45

 

CMYK 26 / 57 / 0 / 0

HEX #BD6CFE

RGB 189 108 254

HSL 273.29, 0.99%, 0.71%

LAB 60.52, 57.68, -60.5

 

CMYK 41 / 57 / 0 / 0

HEX #966CFE

RGB 150 108 254

HSL 257.26, 0.99%, 0.71%

LAB 56.45, 48.9, -67.25

 

CMYK 0 / 57 / 21 / 0

HEX #FE6CC9

RGB 254 108 201

HSL 321.78, 0.99%, 0.71%

LAB 66.53, 65.37, -20.96

 

CMYK 0 / 57 / 21 / 0

HEX #FE6CC9

RGB 254 108 201

HSL 321.78, 0.99%, 0.71%

LAB 66.53, 65.37, -20.96

 

CMYK 0 / 50 / 18 / 5

HEX #F278C6

RGB 242 120 198

HSL 321.64, 0.82%, 0.71%

LAB 66.81, 55.94, -18.99

 

CMYK 0 / 43 / 16 / 10

HEX #E684C2

RGB 230 132 194

HSL 322.04, 0.66%, 0.71%

LAB 67.44, 45.63, -15.95

 

CMYK 0 / 34 / 12 / 15

HEX #DA90BF

RGB 218 144 191

HSL 321.89, 0.5%, 0.71%

LAB 68.47, 34.88, -12.86

 

CMYK 0 / 24 / 9 / 19

HEX #CE9CBC

RGB 206 156 188

HSL 321.6, 0.34%, 0.71%

LAB 69.85, 23.73, -9.27

 

CMYK 11 / 57 / 0 / 0

HEX #E36CFE

RGB 227 108 254

HSL 288.9, 0.99%, 0.71%

LAB 65.13, 66.78, -52.88

 

CMYK 0 / 57 / 5 / 0

HEX #FE6CF2

RGB 254 108 242

HSL 304.93, 0.99%, 0.71%

LAB 68.17, 71.43, -41.24

 

CMYK 0 / 57 / 20 / 0

HEX #FE6CCB

RGB 254 108 203

HSL 320.96, 0.99%, 0.71%

LAB 66.6, 65.64, -21.97

 

CMYK 0 / 57 / 35 / 0

HEX #FE6CA4

RGB 254 108 164

HSL 336.99, 0.99%, 0.71%

LAB 65.34, 60.78, -1.78

 

CMYK 0 / 57 / 51 / 0

HEX #FE6C7D

RGB 254 108 125

HSL 353.01, 0.99%, 0.71%

LAB 64.38, 56.97, 19.15

 

CMYK 0 / 90 / 33 / 0

HEX #FE1AAB

RGB 254 26 171

HSL 321.84, 0.99%, 0.55%

LAB 56.83, 85.88, -18.55

 

CMYK 0 / 74 / 27 / 0

HEX #FE43BA

RGB 254 67 186

HSL 321.82, 0.99%, 0.63%

LAB 60.45, 78.72, -21.71

 

CMYK 0 / 57 / 21 / 0

HEX #FE6CC9

RGB 254 108 201

HSL 321.78, 0.99%, 0.71%

LAB 66.53, 65.37, -20.96

 

CMYK 0 / 41 / 15 / 0

HEX #FE95D8

RGB 254 149 216

HSL 321.71, 0.98%, 0.79%

LAB 74.52, 48.09, -17.17

 

CMYK 0 / 25 / 9 / 0

HEX #FFBEE7

RGB 255 190 231

HSL 322.15, 1%, 0.87%

LAB 83.89, 29.57, -11.22

 

CMYK 0 / 58 / 21 / 0

HEX #FE6AC8

RGB 254 106 200

HSL 321.89, 0.99%, 0.71%

LAB 66.17, 66.09, -20.94

 

CMYK 0 / 26 / 57 / 0

HEX #FEBC6C

RGB 254 188 108

HSL 32.88, 0.99%, 0.71%

LAB 80.81, 15.35, 49.26

 

CMYK 57 / 0 / 3 / 0

HEX #6CFEF7

RGB 108 254 247

HSL 177.12, 0.99%, 0.71%

LAB 92.04, -40.57, -8.47

 

CMYK 0 / 58 / 21 / 0

HEX #FE6AC8

RGB 254 106 200

HSL 321.89, 0.99%, 0.71%

LAB 66.17, 66.09, -20.94

 

CMYK 20 / 0 / 57 / 0

HEX #CBFE6C

RGB 203 254 108

HSL 80.96, 0.99%, 0.71%

LAB 93.74, -37.57, 63.21

 

CMYK 57 / 20 / 0 / 0

HEX #6CCBFE

RGB 108 203 254

HSL 200.96, 0.99%, 0.71%

LAB 77.91, -13.84, -33.54

 

CMYK 0 / 58 / 21 / 0

HEX #FE6AC8

RGB 254 106 200

HSL 321.89, 0.99%, 0.71%

LAB 66.17, 66.09, -20.94

 

CMYK 0 / 26 / 57 / 0

HEX #FEBC6C

RGB 254 188 108

HSL 32.88, 0.99%, 0.71%

LAB 80.81, 15.35, 49.26

 

CMYK 57 / 0 / 37 / 0

HEX #6CFE9F

RGB 108 254 159

HSL 140.96, 0.99%, 0.71%

LAB 90.13, -59.59, 33.94

 

CMYK 57 / 31 / 0 / 0

HEX #6CAEFE

RGB 108 174 254

HSL 212.88, 0.99%, 0.71%

LAB 69.91, 1.93, -45.99

 

CMYK 0 / 58 / 21 / 0

HEX #FE6AC8

RGB 254 106 200

HSL 321.89, 0.99%, 0.71%

LAB 66.17, 66.09, -20.94

 

CMYK 0 / 9 / 57 / 0

HEX #FEE86C

RGB 254 232 108

HSL 50.96, 0.99%, 0.71%

LAB 91.63, -7.19, 61.82

 

CMYK 57 / 0 / 37 / 0

HEX #6CFE9F

RGB 108 254 159

HSL 140.96, 0.99%, 0.71%

LAB 90.13, -59.59, 33.94

 

CMYK 57 / 49 / 0 / 0

HEX #6C82FE

RGB 108 130 254

HSL 230.96, 0.99%, 0.71%

LAB 58.33, 27.65, -64.39

 

Description

Color code: HEX #FE6AC8 | qconv.com Color code: HEX #FE6AC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 106 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 106 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 21 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 21% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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