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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE63243F it is the complementary color #019CDB3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE63243F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE63243F shade: #FF631F3F, #FF75323F, #FF87453F, #FF99583F and #FFAB6B3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE63243F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE63243F shade: #FE63243F, #ED51113F, #DC3F003F, #CB2D003F and #BA1B003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE63243F shade: #FE6425, #FE2925 and #FE2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE63243F shade: #FE6425, #FE9E25, #FED925, #E9FE25 and #AEFE25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE63243F shade matches the following richer shades: #FE6425

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE63243F shade: #FE6425, #EC6B37, #DA7348, #C97A5A and #B7816C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE63243F shade: #FE255B, #FE2825, #FE6225, #FE9C25 and #FED625

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE63243F shade: #CF3D01, #F84901, #FE6425, #FE814E and #FE9E77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE63243F shade: #FE6324, #95FE25 and #253EFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE63243F shade: #FE6324, #25FE62 and #6225FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE63243F shade: #FE6324, #95FE25, #25C0FE and #8E25FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE63243F shade: #FE6324, #54FE25, #25C0FE and #CF25FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 21 / 0

HEX #FE63243F

RGBA 254 99 36 0.25

HSLA 17.34, 0.99%, 0.57%, 0.25

LABA 61.76, 56.41, 62.08, 0.25

 

Complementary color

CMYK 25 / 7 / 0 / 4

HEX #019CDB3F

RGBA 1 156 219 0.25

HSLA 197.34, 0.99%, 0.43%, 0.25

LABA 60.69, -11.55, -41.45, 0.25

 

CMYK 0 / 15 / 22 / 0

HEX #FF631F3F

RGBA 255 99 31 0.25

HSLA 18.21, 1%, 0.56%, 0.25

LABA 61.9, 56.65, 64.05, 0.25

 

CMYK 0 / 14 / 20 / 0

HEX #FF75323F

RGBA 255 117 50 0.25

HSLA 19.61, 1%, 0.6%, 0.25

LABA 65.13, 48.96, 59.45, 0.25

 

CMYK 0 / 12 / 18 / 0

HEX #FF87453F

RGBA 255 135 69 0.25

HSLA 21.29, 1%, 0.64%, 0.25

LABA 68.76, 40.88, 54.5, 0.25

 

CMYK 0 / 10 / 16 / 0

HEX #FF99583F

RGBA 255 153 88 0.25

HSLA 23.35, 1%, 0.67%, 0.25

LABA 72.73, 32.68, 49.67, 0.25

 

CMYK 0 / 8 / 15 / 0

HEX #FFAB6B3F

RGBA 255 171 107 0.25

HSLA 25.95, 1%, 0.71%, 0.25

LABA 76.95, 24.57, 45.15, 0.25

 

CMYK 0 / 15 / 21 / 0

HEX #FE63243F

RGBA 254 99 36 0.25

HSLA 17.34, 0.99%, 0.57%, 0.25

LABA 61.76, 56.41, 62.08, 0.25

 

CMYK 0 / 16 / 23 / 2

HEX #ED51113F

RGBA 237 81 17 0.25

HSLA 17.45, 0.87%, 0.5%, 0.25

LABA 56.02, 57.82, 62.78, 0.25

 

CMYK 0 / 18 / 25 / 3

HEX #DC3F003F

RGBA 220 63 0 0.25

HSLA 17.18, 1%, 0.43%, 0.25

LABA 50.42, 58.97, 61.98, 0.25

 

CMYK 0 / 19 / 25 / 5

HEX #CB2D003F

RGBA 203 45 0 0.25

HSLA 13.3, 1%, 0.4%, 0.25

LABA 45.04, 59.64, 57.68, 0.25

 

CMYK 0 / 21 / 25 / 7

HEX #BA1B003F

RGBA 186 27 0 0.25

HSLA 8.71, 1%, 0.36%, 0.25

LABA 39.95, 59.36, 53.52, 0.25

 

CMYK 0 / 61 / 85 / 0

HEX #FE6425

RGB 254 100 37

HSL 17.42, 0.99%, 0.57%

LAB 61.93, 55.99, 61.84

 

CMYK 0 / 84 / 85 / 0

HEX #FE2925

RGB 254 41 37

HSL 1.11, 0.99%, 0.57%

LAB 54.86, 75.43, 56.04

 

CMYK 0 / 85 / 85 / 0

HEX #FE2525

RGB 254 37 37

HSL 0, 0.99%, 0.57%

LAB 54.58, 76.21, 55.81

 

CMYK 0 / 61 / 85 / 0

HEX #FE6425

RGB 254 100 37

HSL 17.42, 0.99%, 0.57%

LAB 61.93, 55.99, 61.84

 

CMYK 0 / 38 / 85 / 0

HEX #FE9E25

RGB 254 158 37

HSL 33.46, 0.99%, 0.57%

LAB 73.32, 27.65, 71.13

 

CMYK 0 / 15 / 85 / 0

HEX #FED925

RGB 254 217 37

HSL 49.77, 0.99%, 0.57%

LAB 87.4, -2.89, 82.54

 

CMYK 8 / 0 / 85 / 0

HEX #E9FE25

RGB 233 254 37

HSL 65.81, 0.99%, 0.57%

LAB 95.3, -29.56, 88.28

 

CMYK 31 / 0 / 85 / 0

HEX #AEFE25

RGB 174 254 37

HSL 82.12, 0.99%, 0.57%

LAB 91.69, -52.05, 83.8

 

CMYK 0 / 61 / 85 / 0

HEX #FE6425

RGB 254 100 37

HSL 17.42, 0.99%, 0.57%

LAB 61.93, 55.99, 61.84

 

CMYK 0 / 61 / 85 / 0

HEX #FE6425

RGB 254 100 37

HSL 17.42, 0.99%, 0.57%

LAB 61.93, 55.99, 61.84

 

CMYK 0 / 55 / 77 / 7

HEX #EC6B37

RGB 236 107 55

HSL 17.24, 0.83%, 0.57%

LAB 60.45, 46.85, 51.68

 

CMYK 0 / 47 / 67 / 15

HEX #DA7348

RGB 218 115 72

HSL 17.67, 0.66%, 0.57%

LAB 59.56, 36.8, 41.39

 

CMYK 0 / 39 / 55 / 21

HEX #C97A5A

RGB 201 122 90

HSL 17.3, 0.51%, 0.57%

LAB 59.04, 27.58, 30.49

 

CMYK 0 / 30 / 41 / 28

HEX #B7816C

RGB 183 129 108

HSL 16.8, 0.34%, 0.57%

LAB 58.84, 18.19, 19.7

 

CMYK 0 / 85 / 64 / 0

HEX #FE255B

RGB 254 37 91

HSL 345.07, 0.99%, 0.57%

LAB 55.23, 78.08, 26.71

 

CMYK 0 / 84 / 85 / 0

HEX #FE2825

RGB 254 40 37

HSL 0.83, 0.99%, 0.57%

LAB 54.78, 75.63, 55.98

 

CMYK 0 / 61 / 85 / 0

HEX #FE6225

RGB 254 98 37

HSL 16.87, 0.99%, 0.57%

LAB 61.6, 56.86, 61.57

 

CMYK 0 / 39 / 85 / 0

HEX #FE9C25

RGB 254 156 37

HSL 32.9, 0.99%, 0.57%

LAB 72.88, 28.69, 70.77

 

CMYK 0 / 16 / 85 / 0

HEX #FED625

RGB 254 214 37

HSL 48.94, 0.99%, 0.57%

LAB 86.65, -1.37, 81.94

 

CMYK 0 / 71 / 100 / 19

HEX #CF3D01

RGB 207 61 1

HSL 17.48, 0.99%, 0.41%

LAB 47.76, 55.5, 59.08

 

CMYK 0 / 71 / 100 / 3

HEX #F84901

RGB 248 73 1

HSL 17.49, 0.99%, 0.49%

LAB 56.81, 64.28, 67.68

 

CMYK 0 / 61 / 85 / 0

HEX #FE6425

RGB 254 100 37

HSL 17.42, 0.99%, 0.57%

LAB 61.93, 55.99, 61.84

 

CMYK 0 / 49 / 69 / 0

HEX #FE814E

RGB 254 129 78

HSL 17.39, 0.99%, 0.65%

LAB 67.52, 43.9, 48.72

 

CMYK 0 / 38 / 53 / 0

HEX #FE9E77

RGB 254 158 119

HSL 17.33, 0.99%, 0.73%

LAB 74.1, 31.88, 35.33

 

CMYK 0 / 61 / 86 / 0

HEX #FE6324

RGB 254 99 36

HSL 17.34, 0.99%, 0.57%

LAB 61.76, 56.41, 62.08

 

CMYK 41 / 0 / 85 / 0

HEX #95FE25

RGB 149 254 37

HSL 89.03, 0.99%, 0.57%

LAB 90.51, -60.45, 82.33

 

CMYK 85 / 76 / 0 / 0

HEX #253EFE

RGB 37 62 254

HSL 233.09, 0.99%, 0.57%

LAB 39.57, 59.71, -95.17

 

CMYK 0 / 61 / 86 / 0

HEX #FE6324

RGB 254 99 36

HSL 17.34, 0.99%, 0.57%

LAB 61.76, 56.41, 62.08

 

CMYK 85 / 0 / 61 / 0

HEX #25FE62

RGB 37 254 98

HSL 136.87, 0.99%, 0.57%

LAB 88.04, -78.81, 59.49

 

CMYK 61 / 85 / 0 / 0

HEX #6225FE

RGB 98 37 254

HSL 256.87, 0.99%, 0.57%

LAB 39.71, 74.09, -94.84

 

CMYK 0 / 61 / 86 / 0

HEX #FE6324

RGB 254 99 36

HSL 17.34, 0.99%, 0.57%

LAB 61.76, 56.41, 62.08

 

CMYK 41 / 0 / 85 / 0

HEX #95FE25

RGB 149 254 37

HSL 89.03, 0.99%, 0.57%

LAB 90.51, -60.45, 82.33

 

CMYK 85 / 24 / 0 / 0

HEX #25C0FE

RGB 37 192 254

HSL 197.14, 0.99%, 0.57%

LAB 73.06, -17.13, -41.2

 

CMYK 44 / 85 / 0 / 0

HEX #8E25FE

RGB 142 37 254

HSL 269.03, 0.99%, 0.57%

LAB 44.56, 78.28, -86.66

 

CMYK 0 / 61 / 86 / 0

HEX #FE6324

RGB 254 99 36

HSL 17.34, 0.99%, 0.57%

LAB 61.76, 56.41, 62.08

 

CMYK 67 / 0 / 85 / 0

HEX #54FE25

RGB 84 254 37

HSL 107, 0.99%, 0.57%

LAB 88.4, -77.09, 79.68

 

CMYK 85 / 24 / 0 / 0

HEX #25C0FE

RGB 37 192 254

HSL 197.14, 0.99%, 0.57%

LAB 73.06, -17.13, -41.2

 

CMYK 19 / 85 / 0 / 0

HEX #CF25FE

RGB 207 37 254

HSL 287, 0.99%, 0.57%

LAB 53.75, 86.95, -71.26

 

Description

Color code: HEX #FE63243F | qconv.com Color code: HEX #FE63243F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 99 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 99 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 21 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 21% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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