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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE5FDE it is the complementary color #01A021. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE5FDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE5FDE shade: #FF5FD9, #FF71EC, #FF83FF, #FF95FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE5FDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE5FDE shade: #FE5FDE, #ED4DCB, #DC3BB8, #CB29A5 and #BA1792

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE5FDE shade: #FE5DDE, #FE5DB2, #FE5D87 and #FE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE5FDE shade: #FE5DDE, #F35DFE, #C85DFE, #9C5DFE and #705DFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE5FDE shade matches the following richer shades: #FE5DDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE5FDE shade: #FE5DDE, #F16AD6, #E477CE, #D784C6 and #C991BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE5FDE shade: #C85DFE, #F35DFE, #FE5DDE, #FE5DB3 and #FE5D88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE5FDE shade: #FE0BCD, #FE34D5, #FE5DDE, #FE86E6 and #FFAFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE5FDE shade: #FE5FDE, #FE9D5D and #5DFEDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE5FDE shade: #FE5FDE, #DEFE5D and #5DDEFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE5FDE shade: #FE5FDE, #FE9D5D, #5DFE7D and #5DBEFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE5FDE shade: #FE5FDE, #FECE5D, #5DFE7D and #5D8DFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 13 / 0

HEX #FE5FDE

RGB 254 95 222

HSL 312.08, 0.99%, 0.68%

LAB 65.38, 73.69, -34.5

 

Complementary color

CMYK 99 / 0 / 79 / 37

HEX #01A021

RGB 1 160 33

HSL 132.08, 0.99%, 0.32%

LAB 57.33, -59.39, 51.89

 

CMYK 0 / 63 / 15 / 0

HEX #FF5FD9

RGB 255 95 217

HSL 314.25, 1%, 0.69%

LAB 65.32, 73.22, -31.78

 

CMYK 0 / 56 / 7 / 0

HEX #FF71EC

RGB 255 113 236

HSL 308.03, 1%, 0.72%

LAB 68.84, 68.59, -36.88

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 63 / 13 / 0

HEX #FE5FDE

RGB 254 95 222

HSL 312.08, 0.99%, 0.68%

LAB 65.38, 73.69, -34.5

 

CMYK 0 / 68 / 14 / 7

HEX #ED4DCB

RGB 237 77 203

HSL 312.75, 0.82%, 0.62%

LAB 59.55, 73.52, -33.06

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB8

RGB 220 59 184

HSL 313.42, 0.7%, 0.55%

LAB 53.82, 72.91, -31.27

 

CMYK 0 / 80 / 19 / 20

HEX #CB29A5

RGB 203 41 165

HSL 314.07, 0.66%, 0.48%

LAB 48.26, 71.63, -29

 

CMYK 0 / 88 / 22 / 27

HEX #BA1792

RGB 186 23 146

HSL 314.72, 0.78%, 0.41%

LAB 42.95, 69.39, -26.1

 

CMYK 0 / 63 / 13 / 0

HEX #FE5DDE

RGB 254 93 222

HSL 311.93, 0.99%, 0.68%

LAB 65.1, 74.46, -34.94

 

CMYK 0 / 63 / 30 / 0

HEX #FE5DB2

RGB 254 93 178

HSL 328.32, 0.99%, 0.68%

LAB 63.44, 68.69, -12.6

 

CMYK 0 / 63 / 47 / 0

HEX #FE5D87

RGB 254 93 135

HSL 344.35, 0.99%, 0.68%

LAB 62.21, 64.24, 10.37

 

CMYK 0 / 63 / 63 / 0

HEX #FE5D5D

RGB 254 93 93

HSL 0, 0.99%, 0.68%

LAB 61.39, 61.16, 33.4

 

CMYK 0 / 63 / 13 / 0

HEX #FE5DDE

RGB 254 93 222

HSL 311.93, 0.99%, 0.68%

LAB 65.1, 74.46, -34.94

 

CMYK 4 / 63 / 0 / 0

HEX #F35DFE

RGB 243 93 254

HSL 295.9, 0.99%, 0.68%

LAB 64.99, 76.85, -52.96

 

CMYK 21 / 63 / 0 / 0

HEX #C85DFE

RGB 200 93 254

HSL 279.88, 0.99%, 0.68%

LAB 59.22, 67.27, -62.51

 

CMYK 39 / 63 / 0 / 0

HEX #9C5DFE

RGB 156 93 254

HSL 263.48, 0.99%, 0.68%

LAB 54.08, 58.05, -71.05

 

CMYK 56 / 63 / 0 / 0

HEX #705DFE

RGB 112 93 254

HSL 247.08, 0.99%, 0.68%

LAB 50.01, 50.07, -77.85

 

CMYK 0 / 63 / 13 / 0

HEX #FE5DDE

RGB 254 93 222

HSL 311.93, 0.99%, 0.68%

LAB 65.1, 74.46, -34.94

 

CMYK 0 / 63 / 13 / 0

HEX #FE5DDE

RGB 254 93 222

HSL 311.93, 0.99%, 0.68%

LAB 65.1, 74.46, -34.94

 

CMYK 0 / 56 / 11 / 5

HEX #F16AD6

RGB 241 106 214

HSL 312, 0.83%, 0.68%

LAB 64.85, 64.5, -30.99

 

CMYK 0 / 48 / 10 / 11

HEX #E477CE

RGB 228 119 206

HSL 312.11, 0.67%, 0.68%

LAB 65.08, 53.44, -26.31

 

CMYK 0 / 39 / 8 / 16

HEX #D784C6

RGB 215 132 198

HSL 312.29, 0.51%, 0.68%

LAB 65.77, 41.44, -20.9

 

CMYK 0 / 28 / 5 / 21

HEX #C991BE

RGB 201 145 190

HSL 311.79, 0.34%, 0.68%

LAB 66.81, 28.38, -14.98

 

CMYK 21 / 63 / 0 / 0

HEX #C85DFE

RGB 200 93 254

HSL 279.88, 0.99%, 0.68%

LAB 59.22, 67.27, -62.51

 

CMYK 4 / 63 / 0 / 0

HEX #F35DFE

RGB 243 93 254

HSL 295.9, 0.99%, 0.68%

LAB 64.99, 76.85, -52.96

 

CMYK 0 / 63 / 13 / 0

HEX #FE5DDE

RGB 254 93 222

HSL 311.93, 0.99%, 0.68%

LAB 65.1, 74.46, -34.94

 

CMYK 0 / 63 / 30 / 0

HEX #FE5DB3

RGB 254 93 179

HSL 327.95, 0.99%, 0.68%

LAB 63.47, 68.8, -13.12

 

CMYK 0 / 63 / 46 / 0

HEX #FE5D88

RGB 254 93 136

HSL 343.98, 0.99%, 0.68%

LAB 62.23, 64.33, 9.83

 

CMYK 0 / 96 / 19 / 0

HEX #FE0BCD

RGB 254 11 205

HSL 312.1, 0.99%, 0.52%

LAB 57.77, 91, -36.76

 

CMYK 0 / 80 / 16 / 0

HEX #FE34D5

RGB 254 52 213

HSL 312.18, 0.99%, 0.6%

LAB 60.19, 86.01, -37.53

 

CMYK 0 / 63 / 13 / 0

HEX #FE5DDE

RGB 254 93 222

HSL 311.93, 0.99%, 0.68%

LAB 65.1, 74.46, -34.94

 

CMYK 0 / 47 / 9 / 0

HEX #FE86E6

RGB 254 134 230

HSL 312, 0.98%, 0.76%

LAB 72.12, 57.7, -28.52

 

CMYK 0 / 31 / 6 / 0

HEX #FFAFEF

RGB 255 175 239

HSL 312, 1%, 0.84%

LAB 80.82, 38.77, -20.12

 

CMYK 0 / 63 / 13 / 0

HEX #FE5FDE

RGB 254 95 222

HSL 312.08, 0.99%, 0.68%

LAB 65.38, 73.69, -34.5

 

CMYK 0 / 38 / 63 / 0

HEX #FE9D5D

RGB 254 157 93

HSL 23.85, 0.99%, 0.68%

LAB 73.53, 30.52, 48.09

 

CMYK 63 / 0 / 13 / 0

HEX #5DFEDE

RGB 93 254 222

HSL 168.07, 0.99%, 0.68%

LAB 91, -49.3, 2.93

 

CMYK 0 / 63 / 13 / 0

HEX #FE5FDE

RGB 254 95 222

HSL 312.08, 0.99%, 0.68%

LAB 65.38, 73.69, -34.5

 

CMYK 13 / 0 / 63 / 0

HEX #DEFE5D

RGB 222 254 93

HSL 71.93, 0.99%, 0.68%

LAB 94.82, -31.51, 70.89

 

CMYK 63 / 13 / 0 / 0

HEX #5DDEFE

RGB 93 222 254

HSL 191.93, 0.99%, 0.68%

LAB 82.77, -26.1, -26.12

 

CMYK 0 / 63 / 13 / 0

HEX #FE5FDE

RGB 254 95 222

HSL 312.08, 0.99%, 0.68%

LAB 65.38, 73.69, -34.5

 

CMYK 0 / 38 / 63 / 0

HEX #FE9D5D

RGB 254 157 93

HSL 23.85, 0.99%, 0.68%

LAB 73.53, 30.52, 48.09

 

CMYK 63 / 0 / 51 / 0

HEX #5DFE7D

RGB 93 254 125

HSL 131.93, 0.99%, 0.68%

LAB 89.25, -67.87, 49.16

 

CMYK 63 / 25 / 0 / 0

HEX #5DBEFE

RGB 93 190 254

HSL 203.85, 0.99%, 0.68%

LAB 73.75, -9.61, -40.03

 

CMYK 0 / 63 / 13 / 0

HEX #FE5FDE

RGB 254 95 222

HSL 312.08, 0.99%, 0.68%

LAB 65.38, 73.69, -34.5

 

CMYK 0 / 19 / 63 / 0

HEX #FECE5D

RGB 254 206 93

HSL 42.11, 0.99%, 0.68%

LAB 85, 5, 61.07

 

CMYK 63 / 0 / 51 / 0

HEX #5DFE7D

RGB 93 254 125

HSL 131.93, 0.99%, 0.68%

LAB 89.25, -67.87, 49.16

 

CMYK 63 / 44 / 0 / 0

HEX #5D8DFE

RGB 93 141 254

HSL 222.11, 0.99%, 0.68%

LAB 60.37, 18.41, -61.16

 

Description

Color code: HEX #FE5FDE | qconv.com Color code: HEX #FE5FDE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 95 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 95 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 13 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 13% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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