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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE5D6ACE it is the complementary color #01A295CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE5D6ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE5D6ACE shade: #FF5D65CE, #FF6F78CE, #FF818BCE, #FF939ECE and #FFA5B1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE5D6ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE5D6ACE shade: #FE5D6ACE, #ED4B57CE, #DC3944CE, #CB2731CE and #BA151ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE5D6ACE shade: #FE5D6A and #FE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE5D6ACE shade: #FE5D6A, #FE5D95, #FE5DC1, #FE5DEC and #E45DFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE5D6ACE shade matches the following richer shades: #FE5D6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE5D6ACE shade: #FE5D6A, #F16A75, #E47780, #D7848B and #C99196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE5D6ACE shade: #FE5DC0, #FE5D95, #FE5D6A, #FE7A5D and #FEA55D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE5D6ACE shade: #FE0B1E, #FE3444, #FE5D6A, #FE868F and #FFAFB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE5D6ACE shade: #FE5D6A, #EBFE5D and #5DABFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE5D6ACE shade: #FE5D6A, #6AFE5D and #5D6AFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE5D6ACE shade: #FE5D6A, #EBFE5D, #5DFEF1 and #6F5DFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE5D6ACE shade: #FE5D6A, #BBFE5D, #5DFEF1 and #A05DFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 47 / 0

HEX #FE5D6ACE

RGBA 254 93 106 0.81

HSLA 355.16, 0.99%, 0.68%, 0.81

LABA 61.6, 61.98, 26.28, 0.81

 

Complementary color

CMYK 81 / 0 / 6 / 30

HEX #01A295CE

RGBA 1 162 149 0.81

HSLA 175.16, 0.99%, 0.32%, 0.81

LABA 59.9, -38.15, -3.3, 0.81

 

CMYK 0 / 51 / 49 / 0

HEX #FF5D65CE

RGBA 255 93 101 0.81

HSLA 357.04, 1%, 0.68%, 0.81

LABA 61.68, 61.97, 29.27, 0.81

 

CMYK 0 / 46 / 43 / 0

HEX #FF6F78CE

RGBA 255 111 120 0.81

HSLA 356.25, 1%, 0.72%, 0.81

LABA 64.95, 55.55, 22.79, 0.81

 

CMYK 0 / 40 / 37 / 0

HEX #FF818BCE

RGBA 255 129 139 0.81

HSLA 355.24, 1%, 0.75%, 0.81

LABA 68.62, 48.72, 17.1, 0.81

 

CMYK 0 / 34 / 31 / 0

HEX #FF939ECE

RGBA 255 147 158 0.81

HSLA 353.89, 1%, 0.79%, 0.81

LABA 72.63, 41.72, 12.11, 0.81

 

CMYK 0 / 29 / 25 / 0

HEX #FFA5B1CE

RGBA 255 165 177 0.81

HSLA 352, 1%, 0.82%, 0.81

LABA 76.89, 34.72, 7.72, 0.81

 

CMYK 0 / 51 / 47 / 0

HEX #FE5D6ACE

RGBA 254 93 106 0.81

HSLA 355.16, 0.99%, 0.68%, 0.81

LABA 61.6, 61.98, 26.28, 0.81

 

CMYK 0 / 55 / 51 / 6

HEX #ED4B57CE

RGBA 237 75 87 0.81

HSLA 355.56, 0.82%, 0.61%, 0.81

LABA 55.81, 62.53, 29.19, 0.81

 

CMYK 0 / 60 / 56 / 11

HEX #DC3944CE

RGBA 220 57 68 0.81

HSLA 355.95, 0.7%, 0.54%, 0.81

LABA 50.17, 62.71, 32.6, 0.81

 

CMYK 0 / 65 / 61 / 17

HEX #CB2731CE

RGBA 203 39 49 0.81

HSLA 356.34, 0.68%, 0.47%, 0.81

LABA 44.76, 62.31, 36.57, 0.81

 

CMYK 0 / 72 / 68 / 22

HEX #BA151ECE

RGBA 186 21 30 0.81

HSLA 356.73, 0.8%, 0.41%, 0.81

LABA 39.7, 61.01, 40.97, 0.81

 

CMYK 0 / 63 / 58 / 0

HEX #FE5D6A

RGB 254 93 106

HSL 355.16, 0.99%, 0.68%

LAB 61.6, 61.98, 26.28

 

CMYK 0 / 63 / 63 / 0

HEX #FE5D5D

RGB 254 93 93

HSL 0, 0.99%, 0.68%

LAB 61.39, 61.16, 33.4

 

CMYK 0 / 63 / 58 / 0

HEX #FE5D6A

RGB 254 93 106

HSL 355.16, 0.99%, 0.68%

LAB 61.6, 61.98, 26.28

 

CMYK 0 / 63 / 41 / 0

HEX #FE5D95

RGB 254 93 149

HSL 339.13, 0.99%, 0.68%

LAB 62.57, 65.55, 2.79

 

CMYK 0 / 63 / 24 / 0

HEX #FE5DC1

RGB 254 93 193

HSL 322.73, 0.99%, 0.68%

LAB 63.96, 70.52, -20.36

 

CMYK 0 / 63 / 7 / 0

HEX #FE5DEC

RGB 254 93 236

HSL 306.71, 0.99%, 0.68%

LAB 65.71, 76.53, -41.77

 

CMYK 10 / 63 / 0 / 0

HEX #E45DFE

RGB 228 93 254

HSL 290.31, 0.99%, 0.68%

LAB 62.91, 73.47, -56.4

 

CMYK 0 / 63 / 58 / 0

HEX #FE5D6A

RGB 254 93 106

HSL 355.16, 0.99%, 0.68%

LAB 61.6, 61.98, 26.28

 

CMYK 0 / 63 / 58 / 0

HEX #FE5D6A

RGB 254 93 106

HSL 355.16, 0.99%, 0.68%

LAB 61.6, 61.98, 26.28

 

CMYK 0 / 56 / 51 / 5

HEX #F16A75

RGB 241 106 117

HSL 355.11, 0.83%, 0.68%

LAB 61.91, 52.85, 20.02

 

CMYK 0 / 48 / 44 / 11

HEX #E47780

RGB 228 119 128

HSL 355.05, 0.67%, 0.68%

LAB 62.71, 43.02, 14.54

 

CMYK 0 / 39 / 35 / 16

HEX #D7848B

RGB 215 132 139

HSL 354.94, 0.51%, 0.68%

LAB 64.01, 32.72, 9.86

 

CMYK 0 / 28 / 25 / 21

HEX #C99196

RGB 201 145 150

HSL 354.64, 0.34%, 0.68%

LAB 65.65, 21.88, 5.77

 

CMYK 0 / 63 / 24 / 0

HEX #FE5DC0

RGB 254 93 192

HSL 323.11, 0.99%, 0.68%

LAB 63.92, 70.4, -19.85

 

CMYK 0 / 63 / 41 / 0

HEX #FE5D95

RGB 254 93 149

HSL 339.13, 0.99%, 0.68%

LAB 62.57, 65.55, 2.79

 

CMYK 0 / 63 / 58 / 0

HEX #FE5D6A

RGB 254 93 106

HSL 355.16, 0.99%, 0.68%

LAB 61.6, 61.98, 26.28

 

CMYK 0 / 52 / 63 / 0

HEX #FE7A5D

RGB 254 122 93

HSL 10.81, 0.99%, 0.68%

LAB 66.35, 48.15, 39.53

 

CMYK 0 / 35 / 63 / 0

HEX #FEA55D

RGB 254 165 93

HSL 26.83, 0.99%, 0.68%

LAB 75.31, 26.35, 50.15

 

CMYK 0 / 96 / 88 / 0

HEX #FE0B1E

RGB 254 11 30

HSL 355.31, 0.99%, 0.52%

LAB 53.39, 79.4, 58

 

CMYK 0 / 80 / 73 / 0

HEX #FE3444

RGB 254 52 68

HSL 355.25, 0.99%, 0.6%

LAB 56.03, 73.78, 41.07

 

CMYK 0 / 63 / 58 / 0

HEX #FE5D6A

RGB 254 93 106

HSL 355.16, 0.99%, 0.68%

LAB 61.6, 61.98, 26.28

 

CMYK 0 / 47 / 44 / 0

HEX #FE868F

RGB 254 134 143

HSL 355.5, 0.98%, 0.76%

LAB 69.54, 46.3, 16.11

 

CMYK 0 / 31 / 29 / 0

HEX #FFAFB5

RGB 255 175 181

HSL 355.5, 1%, 0.84%

LAB 79.19, 30.02, 8.84

 

CMYK 0 / 63 / 58 / 0

HEX #FE5D6A

RGB 254 93 106

HSL 355.16, 0.99%, 0.68%

LAB 61.6, 61.98, 26.28

 

CMYK 7 / 0 / 63 / 0

HEX #EBFE5D

RGB 235 254 93

HSL 67.08, 0.99%, 0.68%

LAB 95.72, -26.44, 72.11

 

CMYK 63 / 33 / 0 / 0

HEX #5DABFE

RGB 93 171 254

HSL 210.93, 0.99%, 0.68%

LAB 68.47, 0.89, -48.3

 

CMYK 0 / 63 / 58 / 0

HEX #FE5D6A

RGB 254 93 106

HSL 355.16, 0.99%, 0.68%

LAB 61.6, 61.98, 26.28

 

CMYK 58 / 0 / 63 / 0

HEX #6AFE5D

RGB 106 254 93

HSL 115.16, 0.99%, 0.68%

LAB 89.27, -68.84, 63.26

 

CMYK 63 / 58 / 0 / 0

HEX #5D6AFE

RGB 93 106 254

HSL 235.16, 0.99%, 0.68%

LAB 51.6, 39.55, -75.32

 

CMYK 0 / 63 / 58 / 0

HEX #FE5D6A

RGB 254 93 106

HSL 355.16, 0.99%, 0.68%

LAB 61.6, 61.98, 26.28

 

CMYK 7 / 0 / 63 / 0

HEX #EBFE5D

RGB 235 254 93

HSL 67.08, 0.99%, 0.68%

LAB 95.72, -26.44, 72.11

 

CMYK 63 / 0 / 5 / 0

HEX #5DFEF1

RGB 93 254 241

HSL 175.16, 0.99%, 0.68%

LAB 91.49, -44.56, -6.21

 

CMYK 56 / 63 / 0 / 0

HEX #6F5DFE

RGB 111 93 254

HSL 246.71, 0.99%, 0.68%

LAB 49.93, 49.91, -77.98

 

CMYK 0 / 63 / 58 / 0

HEX #FE5D6A

RGB 254 93 106

HSL 355.16, 0.99%, 0.68%

LAB 61.6, 61.98, 26.28

 

CMYK 26 / 0 / 63 / 0

HEX #BBFE5D

RGB 187 254 93

HSL 84.97, 0.99%, 0.68%

LAB 92.68, -44.57, 67.96

 

CMYK 63 / 0 / 5 / 0

HEX #5DFEF1

RGB 93 254 241

HSL 175.16, 0.99%, 0.68%

LAB 91.49, -44.56, -6.21

 

CMYK 37 / 63 / 0 / 0

HEX #A05DFE

RGB 160 93 254

HSL 264.97, 0.99%, 0.68%

LAB 54.51, 58.85, -70.34

 

Description

Color code: HEX #FE5D6ACE | qconv.com Color code: HEX #FE5D6ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 93 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 93 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 47 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 47% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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