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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE4C71 it is the complementary color #01B38E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE4C71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE4C71 shade: #FF4C6C, #FF5E7F, #FF7092, #FF82A5 and #FF94B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE4C71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE4C71 shade: #FE4C71, #ED3A5E, #DC284B, #CB1638 and #BA0425

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE4C71 shade: #FE4D72 and #FE4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE4C71 shade: #FE4D72, #FE4DA2, #FE4DD1, #FB4DFE and #CB4DFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE4C71 shade matches the following richer shades: #FE4D72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE4C71 shade: #FE4D72, #F05C7B, #E16A83, #D3798B and #C48794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE4C71 shade: #FE4DD2, #FE4DA3, #FE4D74, #FE564D and #FE854D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE4C71 shade: #F80134, #FE2452, #FE4D72, #FE7693 and #FF9FB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE4C71 shade: #FE4C71, #FEFB4D and #4DBAFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE4C71 shade: #FE4C71, #74FE4D and #4D74FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE4C71 shade: #FE4C71, #FEFB4D, #4DFED8 and #4D50FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE4C71 shade: #FE4C71, #CCFE4D, #4DFED8 and #7F4DFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 56 / 0

HEX #FE4C71

RGB 254 76 113

HSL 347.53, 0.99%, 0.65%

LAB 59.37, 68.93, 19.24

 

Complementary color

CMYK 99 / 0 / 21 / 30

HEX #01B38E

RGB 1 179 142

HSL 167.53, 0.99%, 0.35%

LAB 65.12, -47.31, 8.17

 

CMYK 0 / 70 / 58 / 0

HEX #FF4C6C

RGB 255 76 108

HSL 349.27, 1%, 0.65%

LAB 59.44, 68.88, 22.29

 

CMYK 0 / 63 / 50 / 0

HEX #FF5E7F

RGB 255 94 127

HSL 347.7, 1%, 0.68%

LAB 62.34, 63.46, 15.2

 

CMYK 0 / 56 / 43 / 0

HEX #FF7092

RGB 255 112 146

HSL 345.73, 1%, 0.72%

LAB 65.69, 57.41, 9.01

 

CMYK 0 / 49 / 35 / 0

HEX #FF82A5

RGB 255 130 165

HSL 343.2, 1%, 0.75%

LAB 69.43, 50.98, 3.63

 

CMYK 0 / 42 / 28 / 0

HEX #FF94B8

RGB 255 148 184

HSL 339.81, 1%, 0.79%

LAB 73.48, 44.37, -1.06

 

CMYK 0 / 70 / 56 / 0

HEX #FE4C71

RGB 254 76 113

HSL 347.53, 0.99%, 0.65%

LAB 59.37, 68.93, 19.24

 

CMYK 0 / 76 / 60 / 7

HEX #ED3A5E

RGB 237 58 94

HSL 347.93, 0.83%, 0.58%

LAB 53.86, 68.72, 22.52

 

CMYK 0 / 82 / 66 / 14

HEX #DC284B

RGB 220 40 75

HSL 348.33, 0.72%, 0.51%

LAB 48.56, 67.89, 26.44

 

CMYK 0 / 89 / 72 / 20

HEX #CB1638

RGB 203 22 56

HSL 348.73, 0.8%, 0.44%

LAB 43.59, 66.18, 31.09

 

CMYK 0 / 98 / 80 / 27

HEX #BA0425

RGB 186 4 37

HSL 349.12, 0.96%, 0.37%

LAB 39, 63.4, 36.36

 

CMYK 0 / 70 / 55 / 0

HEX #FE4D72

RGB 254 77 114

HSL 347.46, 0.99%, 0.65%

LAB 59.52, 68.65, 18.85

 

CMYK 0 / 70 / 70 / 0

HEX #FE4D4D

RGB 254 77 77

HSL 0, 0.99%, 0.65%

LAB 58.9, 66.49, 39.34

 

CMYK 0 / 70 / 55 / 0

HEX #FE4D72

RGB 254 77 114

HSL 347.46, 0.99%, 0.65%

LAB 59.52, 68.65, 18.85

 

CMYK 0 / 70 / 36 / 0

HEX #FE4DA2

RGB 254 77 162

HSL 331.19, 0.99%, 0.65%

LAB 60.77, 72.85, -7.38

 

CMYK 0 / 70 / 18 / 0

HEX #FE4DD1

RGB 254 77 209

HSL 315.25, 0.99%, 0.65%

LAB 62.49, 78.42, -31.68

 

CMYK 1 / 70 / 0 / 0

HEX #FB4DFE

RGB 251 77 254

HSL 298.98, 0.99%, 0.65%

LAB 64.14, 84.27, -54.24

 

CMYK 20 / 70 / 0 / 0

HEX #CB4DFE

RGB 203 77 254

HSL 282.71, 0.99%, 0.65%

LAB 57.23, 74.54, -65.68

 

CMYK 0 / 70 / 55 / 0

HEX #FE4D72

RGB 254 77 114

HSL 347.46, 0.99%, 0.65%

LAB 59.52, 68.65, 18.85

 

CMYK 0 / 70 / 55 / 0

HEX #FE4D72

RGB 254 77 114

HSL 347.46, 0.99%, 0.65%

LAB 59.52, 68.65, 18.85

 

CMYK 0 / 62 / 49 / 6

HEX #F05C7B

RGB 240 92 123

HSL 347.43, 0.83%, 0.65%

LAB 59.53, 59.26, 13.26

 

CMYK 0 / 53 / 42 / 12

HEX #E16A83

RGB 225 106 131

HSL 347.39, 0.66%, 0.65%

LAB 59.85, 48.71, 8.72

 

CMYK 0 / 43 / 34 / 17

HEX #D3798B

RGB 211 121 139

HSL 348, 0.51%, 0.65%

LAB 61.12, 37.08, 5.67

 

CMYK 0 / 31 / 24 / 23

HEX #C48794

RGB 196 135 148

HSL 347.21, 0.34%, 0.65%

LAB 62.68, 25.21, 2.54

 

CMYK 0 / 70 / 17 / 0

HEX #FE4DD2

RGB 254 77 210

HSL 314.92, 0.99%, 0.65%

LAB 62.53, 78.55, -32.18

 

CMYK 0 / 70 / 36 / 0

HEX #FE4DA3

RGB 254 77 163

HSL 330.85, 0.99%, 0.65%

LAB 60.8, 72.96, -7.91

 

CMYK 0 / 70 / 54 / 0

HEX #FE4D74

RGB 254 77 116

HSL 346.78, 0.99%, 0.65%

LAB 59.56, 68.79, 17.74

 

CMYK 0 / 66 / 70 / 0

HEX #FE564D

RGB 254 86 77

HSL 3.05, 0.99%, 0.65%

LAB 60.12, 63.13, 40.79

 

CMYK 0 / 48 / 70 / 0

HEX #FE854D

RGB 254 133 77

HSL 18.98, 0.99%, 0.65%

LAB 68.3, 41.87, 50.09

 

CMYK 0 / 100 / 79 / 3

HEX #F80134

RGB 248 1 52

HSL 347.61, 0.99%, 0.49%

LAB 52.09, 79.13, 45.4

 

CMYK 0 / 86 / 68 / 0

HEX #FE2452

RGB 254 36 82

HSL 347.34, 0.99%, 0.57%

LAB 55.01, 77.83, 31.77

 

CMYK 0 / 70 / 55 / 0

HEX #FE4D72

RGB 254 77 114

HSL 347.46, 0.99%, 0.65%

LAB 59.52, 68.65, 18.85

 

CMYK 0 / 54 / 42 / 0

HEX #FE7693

RGB 254 118 147

HSL 347.21, 0.99%, 0.73%

LAB 66.62, 54.42, 9.75

 

CMYK 0 / 38 / 30 / 0

HEX #FF9FB3

RGB 255 159 179

HSL 347.5, 1%, 0.81%

LAB 75.64, 38.09, 4.84

 

CMYK 0 / 70 / 56 / 0

HEX #FE4C71

RGB 254 76 113

HSL 347.53, 0.99%, 0.65%

LAB 59.37, 68.93, 19.24

 

CMYK 0 / 1 / 70 / 0

HEX #FEFB4D

RGB 254 251 77

HSL 58.98, 0.99%, 0.65%

LAB 96.25, -18.29, 78.96

 

CMYK 70 / 27 / 0 / 0

HEX #4DBAFE

RGB 77 186 254

HSL 203.05, 0.99%, 0.65%

LAB 72.13, -9.89, -42.59

 

CMYK 0 / 70 / 56 / 0

HEX #FE4C71

RGB 254 76 113

HSL 347.53, 0.99%, 0.65%

LAB 59.37, 68.93, 19.24

 

CMYK 54 / 0 / 70 / 0

HEX #74FE4D

RGB 116 254 77

HSL 106.78, 0.99%, 0.65%

LAB 89.45, -67.81, 69.66

 

CMYK 70 / 54 / 0 / 0

HEX #4D74FE

RGB 77 116 254

HSL 226.78, 0.99%, 0.65%

LAB 53.19, 31.22, -72.76

 

CMYK 0 / 70 / 56 / 0

HEX #FE4C71

RGB 254 76 113

HSL 347.53, 0.99%, 0.65%

LAB 59.37, 68.93, 19.24

 

CMYK 0 / 1 / 70 / 0

HEX #FEFB4D

RGB 254 251 77

HSL 58.98, 0.99%, 0.65%

LAB 96.25, -18.29, 78.96

 

CMYK 70 / 0 / 15 / 0

HEX #4DFED8

RGB 77 254 216

HSL 167.12, 0.99%, 0.65%

LAB 90.51, -53.09, 5.28

 

CMYK 70 / 69 / 0 / 0

HEX #4D50FE

RGB 77 80 254

HSL 238.98, 0.99%, 0.65%

LAB 44.9, 52.73, -86.31

 

CMYK 0 / 70 / 56 / 0

HEX #FE4C71

RGB 254 76 113

HSL 347.53, 0.99%, 0.65%

LAB 59.37, 68.93, 19.24

 

CMYK 20 / 0 / 70 / 0

HEX #CCFE4D

RGB 204 254 77

HSL 76.95, 0.99%, 0.65%

LAB 93.56, -39.36, 75.15

 

CMYK 70 / 0 / 15 / 0

HEX #4DFED8

RGB 77 254 216

HSL 167.12, 0.99%, 0.65%

LAB 90.51, -53.09, 5.28

 

CMYK 50 / 70 / 0 / 0

HEX #7F4DFE

RGB 127 77 254

HSL 256.95, 0.99%, 0.65%

LAB 48.23, 60.9, -80.7

 

Description

Color code: HEX #FE4C71 | qconv.com Color code: HEX #FE4C71 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 76 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 76 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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