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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE4B6300 it is the complementary color #01B49C00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE4B6300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE4B6300 shade: #FF4B5E00, #FF5D7100, #FF6F8400, #FF819700 and #FF93AA00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE4B6300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE4B6300 shade: #FE4B6300, #ED395000, #DC273D00, #CB152A00 and #BA031700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE4B6300 shade: #FE4D65 and #FE4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE4B6300 shade: #FE4D65, #FE4D95, #FE4DC4, #FE4DF4 and #D94DFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE4B6300 shade matches the following richer shades: #FE4D65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE4B6300 shade: #FE4D65, #F05C70, #E16A7A, #D37985 and #C4878F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE4B6300 shade: #FE4DC6, #FE4D97, #FE4D68, #FE624D and #FE914D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE4B6300 shade: #F80122, #FE2441, #FE4D65, #FE7689 and #FF9FAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE4B6300 shade: #FE4B63, #F5FE4D and #4DAFFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE4B6300 shade: #FE4B63, #68FE4D and #4D68FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE4B6300 shade: #FE4B63, #F5FE4D, #4DFEE4 and #564DFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE4B6300 shade: #FE4B63, #C0FE4D, #4DFEE4 and #8B4DFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FE4B6300

RGBA 254 75 99 0

HSLA 351.96, 0.99%, 0.65%, 0

LABA 58.98, 68.36, 26.88, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #01B49C00

RGBA 1 180 156 0

HSLA 171.96, 0.99%, 0.35%, 0

LABA 65.79, -43.99, 1.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF4B5E00

RGBA 255 75 94 0

HSLA 353.67, 1%, 0.65%, 0

LABA 59.07, 68.36, 29.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF5D7100

RGBA 255 93 113 0

HSLA 352.59, 1%, 0.68%, 0

LABA 61.9, 62.79, 22.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF6F8400

RGBA 255 111 132 0

HSLA 351.25, 1%, 0.72%, 0

LABA 65.2, 56.56, 16.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF819700

RGBA 255 129 151 0

HSLA 349.52, 1%, 0.75%, 0

LABA 68.89, 49.92, 10.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF93AA00

RGBA 255 147 170 0

HSLA 347.22, 1%, 0.79%, 0

LABA 72.91, 43.11, 5.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FE4B6300

RGBA 254 75 99 0

HSLA 351.96, 0.99%, 0.65%, 0

LABA 58.98, 68.36, 26.88, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ED395000

RGBA 237 57 80 0

HSLA 352.33, 0.83%, 0.58%, 0

LABA 53.5, 68.23, 30.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DC273D00

RGBA 220 39 61 0

HSLA 352.71, 0.72%, 0.51%, 0

LABA 48.26, 67.48, 34.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CB152A00

RGBA 203 21 42 0

HSLA 353.08, 0.81%, 0.44%, 0

LABA 43.36, 65.84, 39.1, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BA031700

RGBA 186 3 23 0

HSLA 353.44, 0.97%, 0.37%, 0

LABA 38.84, 63.17, 43.86, 0

 

CMYK 0 / 70 / 60 / 0

HEX #FE4D65

RGB 254 77 101

HSL 351.86, 0.99%, 0.65%

LAB 59.27, 67.78, 26.1

 

CMYK 0 / 70 / 70 / 0

HEX #FE4D4D

RGB 254 77 77

HSL 0, 0.99%, 0.65%

LAB 58.9, 66.49, 39.34

 

CMYK 0 / 70 / 60 / 0

HEX #FE4D65

RGB 254 77 101

HSL 351.86, 0.99%, 0.65%

LAB 59.27, 67.78, 26.1

 

CMYK 0 / 70 / 41 / 0

HEX #FE4D95

RGB 254 77 149

HSL 335.59, 0.99%, 0.65%

LAB 60.38, 71.56, -0.39

 

CMYK 0 / 70 / 23 / 0

HEX #FE4DC4

RGB 254 77 196

HSL 319.66, 0.99%, 0.65%

LAB 61.97, 76.74, -25.11

 

CMYK 0 / 70 / 4 / 0

HEX #FE4DF4

RGB 254 77 244

HSL 303.39, 0.99%, 0.65%

LAB 64.09, 83.37, -48.77

 

CMYK 15 / 70 / 0 / 0

HEX #D94DFE

RGB 217 77 254

HSL 287.46, 0.99%, 0.65%

LAB 59.17, 77.33, -62.45

 

CMYK 0 / 70 / 60 / 0

HEX #FE4D65

RGB 254 77 101

HSL 351.86, 0.99%, 0.65%

LAB 59.27, 67.78, 26.1

 

CMYK 0 / 70 / 60 / 0

HEX #FE4D65

RGB 254 77 101

HSL 351.86, 0.99%, 0.65%

LAB 59.27, 67.78, 26.1

 

CMYK 0 / 62 / 53 / 6

HEX #F05C70

RGB 240 92 112

HSL 351.89, 0.83%, 0.65%

LAB 59.3, 58.35, 19.33

 

CMYK 0 / 53 / 46 / 12

HEX #E16A7A

RGB 225 106 122

HSL 351.93, 0.66%, 0.65%

LAB 59.64, 47.8, 13.64

 

CMYK 0 / 43 / 37 / 17

HEX #D37985

RGB 211 121 133

HSL 352, 0.51%, 0.65%

LAB 60.97, 36.35, 8.9

 

CMYK 0 / 31 / 27 / 23

HEX #C4878F

RGB 196 135 143

HSL 352.13, 0.34%, 0.65%

LAB 62.55, 24.49, 5.2

 

CMYK 0 / 70 / 22 / 0

HEX #FE4DC6

RGB 254 77 198

HSL 318.98, 0.99%, 0.65%

LAB 62.05, 77, -26.13

 

CMYK 0 / 70 / 41 / 0

HEX #FE4D97

RGB 254 77 151

HSL 334.92, 0.99%, 0.65%

LAB 60.44, 71.75, -1.48

 

CMYK 0 / 70 / 59 / 0

HEX #FE4D68

RGB 254 77 104

HSL 350.85, 0.99%, 0.65%

LAB 59.32, 67.97, 24.42

 

CMYK 0 / 61 / 70 / 0

HEX #FE624D

RGB 254 98 77

HSL 7.12, 0.99%, 0.65%

LAB 61.95, 58.22, 42.9

 

CMYK 0 / 43 / 70 / 0

HEX #FE914D

RGB 254 145 77

HSL 23.05, 0.99%, 0.65%

LAB 70.77, 35.8, 52.82

 

CMYK 0 / 100 / 86 / 3

HEX #F80122

RGB 248 1 34

HSL 351.98, 0.99%, 0.49%

LAB 51.94, 78.72, 54.56

 

CMYK 0 / 86 / 74 / 0

HEX #FE2441

RGB 254 36 65

HSL 352.02, 0.99%, 0.57%

LAB 54.78, 77.15, 41.35

 

CMYK 0 / 70 / 60 / 0

HEX #FE4D65

RGB 254 77 101

HSL 351.86, 0.99%, 0.65%

LAB 59.27, 67.78, 26.1

 

CMYK 0 / 54 / 46 / 0

HEX #FE7689

RGB 254 118 137

HSL 351.62, 0.99%, 0.73%

LAB 66.39, 53.45, 15.1

 

CMYK 0 / 38 / 33 / 0

HEX #FF9FAC

RGB 255 159 172

HSL 351.88, 1%, 0.81%

LAB 75.47, 37.21, 8.43

 

CMYK 0 / 70 / 61 / 0

HEX #FE4B63

RGB 254 75 99

HSL 351.96, 0.99%, 0.65%

LAB 58.98, 68.36, 26.88

 

CMYK 4 / 0 / 70 / 0

HEX #F5FE4D

RGB 245 254 77

HSL 63.05, 0.99%, 0.65%

LAB 96.34, -23.35, 78.82

 

CMYK 70 / 31 / 0 / 0

HEX #4DAFFE

RGB 77 175 254

HSL 206.78, 0.99%, 0.65%

LAB 69.04, -3.83, -47.44

 

CMYK 0 / 70 / 61 / 0

HEX #FE4B63

RGB 254 75 99

HSL 351.96, 0.99%, 0.65%

LAB 58.98, 68.36, 26.88

 

CMYK 59 / 0 / 70 / 0

HEX #68FE4D

RGB 104 254 77

HSL 110.85, 0.99%, 0.65%

LAB 89.09, -70.68, 69.17

 

CMYK 70 / 59 / 0 / 0

HEX #4D68FE

RGB 77 104 254

HSL 230.85, 0.99%, 0.65%

LAB 50.26, 38.57, -77.54

 

CMYK 0 / 70 / 61 / 0

HEX #FE4B63

RGB 254 75 99

HSL 351.96, 0.99%, 0.65%

LAB 58.98, 68.36, 26.88

 

CMYK 4 / 0 / 70 / 0

HEX #F5FE4D

RGB 245 254 77

HSL 63.05, 0.99%, 0.65%

LAB 96.34, -23.35, 78.82

 

CMYK 70 / 0 / 10 / 0

HEX #4DFEE4

RGB 77 254 228

HSL 171.19, 0.99%, 0.65%

LAB 90.81, -50.12, -0.51

 

CMYK 66 / 70 / 0 / 0

HEX #564DFE

RGB 86 77 254

HSL 243.05, 0.99%, 0.65%

LAB 44.86, 55.36, -86.36

 

CMYK 0 / 70 / 61 / 0

HEX #FE4B63

RGB 254 75 99

HSL 351.96, 0.99%, 0.65%

LAB 58.98, 68.36, 26.88

 

CMYK 24 / 0 / 70 / 0

HEX #C0FE4D

RGB 192 254 77

HSL 81.02, 0.99%, 0.65%

LAB 92.85, -43.82, 74.2

 

CMYK 70 / 0 / 10 / 0

HEX #4DFEE4

RGB 77 254 228

HSL 171.19, 0.99%, 0.65%

LAB 90.81, -50.12, -0.51

 

CMYK 45 / 70 / 0 / 0

HEX #8B4DFE

RGB 139 77 254

HSL 261.02, 0.99%, 0.65%

LAB 49.44, 62.82, -78.68

 

Description

Color code: HEX #FE4B6300 | qconv.com Color code: HEX #FE4B6300 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 75 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 75 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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