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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE4869CE it is the complementary color #01B796CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE4869CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE4869CE shade: #FF4864CE, #FF5A77CE, #FF6C8ACE, #FF7E9DCE and #FF90B0CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE4869CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE4869CE shade: #FE4869CE, #ED3656CE, #DC2443CE, #CB1230CE and #BA001DCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE4869CE shade: #FE4869 and #FE4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE4869CE shade: #FE4869, #FE489A, #FE48CB, #FE48FC and #CF48FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE4869CE shade matches the following richer shades: #FE4869

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE4869CE shade: #FE4869, #EF5773, #E0667C, #D27586 and #C3848F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE4869CE shade: #FE48CB, #FE489A, #FE486A, #FE5748 and #FE8848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE4869CE shade: #F3012D, #FE1F48, #FE4869, #FE718B and #FE9AAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE4869CE shade: #FE4869, #FBFE48 and #48B2FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE4869CE shade: #FE4869, #6AFE48 and #486AFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE4869CE shade: #FE4869, #FBFE48, #48FEDD and #4B48FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE4869CE shade: #FE4869, #C5FE48, #48FEDD and #8248FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 48 / 0

HEX #FE4869CE

RGBA 254 72 105 0.81

HSLA 349.12, 0.99%, 0.64%, 0.81

LABA 58.72, 69.76, 23.04, 0.81

 

Complementary color

CMYK 81 / 0 / 15 / 23

HEX #01B796CE

RGBA 1 183 150 0.81

HSLA 169.12, 0.99%, 0.36%, 0.81

LABA 66.58, -46.86, 5.85, 0.81

 

CMYK 0 / 58 / 49 / 0

HEX #FF4864CE

RGBA 255 72 100 0.81

HSLA 350.82, 1%, 0.64%, 0.81

LABA 58.8, 69.73, 26.1, 0.81

 

CMYK 0 / 52 / 43 / 0

HEX #FF5A77CE

RGBA 255 90 119 0.81

HSLA 349.45, 1%, 0.68%, 0.81

LABA 61.57, 64.44, 18.77, 0.81

 

CMYK 0 / 47 / 37 / 0

HEX #FF6C8ACE

RGBA 255 108 138 0.81

HSLA 347.76, 1%, 0.71%, 0.81

LABA 64.82, 58.44, 12.35, 0.81

 

CMYK 0 / 41 / 31 / 0

HEX #FF7E9DCE

RGBA 255 126 157 0.81

HSLA 345.58, 1%, 0.75%, 0.81

LABA 68.47, 52.01, 6.75, 0.81

 

CMYK 0 / 35 / 25 / 0

HEX #FF90B0CE

RGBA 255 144 176 0.81

HSLA 342.7, 1%, 0.78%, 0.81

LABA 72.46, 45.37, 1.88, 0.81

 

CMYK 0 / 58 / 48 / 0

HEX #FE4869CE

RGBA 254 72 105 0.81

HSLA 349.12, 0.99%, 0.64%, 0.81

LABA 58.72, 69.76, 23.04, 0.81

 

CMYK 0 / 63 / 52 / 6

HEX #ED3656CE

RGBA 237 54 86 0.81

HSLA 349.51, 0.84%, 0.57%, 0.81

LABA 53.29, 69.42, 26.55, 0.81

 

CMYK 0 / 68 / 56 / 11

HEX #DC2443CE

RGBA 220 36 67 0.81

HSLA 349.89, 0.72%, 0.5%, 0.81

LABA 48.11, 68.42, 30.7, 0.81

 

CMYK 0 / 74 / 62 / 17

HEX #CB1230CE

RGBA 203 18 48 0.81

HSLA 350.27, 0.84%, 0.43%, 0.81

LABA 43.27, 66.47, 35.52, 0.81

 

CMYK 0 / 81 / 68 / 22

HEX #BA001DCE

RGBA 186 0 29 0.81

HSLA 350.65, 1%, 0.36%, 0.81

LABA 38.77, 63.62, 40.67, 0.81

 

CMYK 0 / 72 / 59 / 0

HEX #FE4869

RGB 254 72 105

HSL 349.12, 0.99%, 0.64%

LAB 58.72, 69.76, 23.04

 

CMYK 0 / 72 / 72 / 0

HEX #FE4848

RGB 254 72 72

HSL 0, 0.99%, 0.64%

LAB 58.2, 68.01, 41.32

 

CMYK 0 / 72 / 59 / 0

HEX #FE4869

RGB 254 72 105

HSL 349.12, 0.99%, 0.64%

LAB 58.72, 69.76, 23.04

 

CMYK 0 / 72 / 39 / 0

HEX #FE489A

RGB 254 72 154

HSL 332.97, 0.99%, 0.64%

LAB 59.92, 73.72, -3.98

 

CMYK 0 / 72 / 20 / 0

HEX #FE48CB

RGB 254 72 203

HSL 316.81, 0.99%, 0.64%

LAB 61.67, 79.26, -29.55

 

CMYK 0 / 72 / 1 / 0

HEX #FE48FC

RGB 254 72 252

HSL 300.66, 0.99%, 0.64%

LAB 63.94, 86.13, -53.42

 

CMYK 19 / 72 / 0 / 0

HEX #CF48FE

RGB 207 72 254

HSL 284.51, 0.99%, 0.64%

LAB 57.13, 77.17, -65.81

 

CMYK 0 / 72 / 59 / 0

HEX #FE4869

RGB 254 72 105

HSL 349.12, 0.99%, 0.64%

LAB 58.72, 69.76, 23.04

 

CMYK 0 / 72 / 59 / 0

HEX #FE4869

RGB 254 72 105

HSL 349.12, 0.99%, 0.64%

LAB 58.72, 69.76, 23.04

 

CMYK 0 / 64 / 52 / 6

HEX #EF5773

RGB 239 87 115

HSL 348.95, 0.83%, 0.64%

LAB 58.42, 60.36, 16.36

 

CMYK 0 / 54 / 45 / 12

HEX #E0667C

RGB 224 102 124

HSL 349.18, 0.66%, 0.64%

LAB 58.79, 49.57, 11.28

 

CMYK 0 / 44 / 36 / 18

HEX #D27586

RGB 210 117 134

HSL 349.03, 0.51%, 0.64%

LAB 60.02, 38.21, 6.95

 

CMYK 0 / 32 / 27 / 24

HEX #C3848F

RGB 195 132 143

HSL 349.52, 0.34%, 0.64%

LAB 61.73, 25.76, 4

 

CMYK 0 / 72 / 20 / 0

HEX #FE48CB

RGB 254 72 203

HSL 316.81, 0.99%, 0.64%

LAB 61.67, 79.26, -29.55

 

CMYK 0 / 72 / 39 / 0

HEX #FE489A

RGB 254 72 154

HSL 332.97, 0.99%, 0.64%

LAB 59.92, 73.72, -3.98

 

CMYK 0 / 72 / 58 / 0

HEX #FE486A

RGB 254 72 106

HSL 348.79, 0.99%, 0.64%

LAB 58.74, 69.82, 22.48

 

CMYK 0 / 66 / 72 / 0

HEX #FE5748

RGB 254 87 72

HSL 4.95, 0.99%, 0.64%

LAB 60.21, 62.51, 43.6

 

CMYK 0 / 46 / 72 / 0

HEX #FE8848

RGB 254 136 72

HSL 21.1, 0.99%, 0.64%

LAB 68.86, 40.13, 53.14

 

CMYK 0 / 100 / 81 / 5

HEX #F3012D

RGB 243 1 45

HSL 349.09, 0.99%, 0.48%

LAB 51, 77.77, 47.79

 

CMYK 0 / 88 / 72 / 0

HEX #FE1F48

RGB 254 31 72

HSL 348.97, 0.99%, 0.56%

LAB 54.57, 78.25, 37.1

 

CMYK 0 / 72 / 59 / 0

HEX #FE4869

RGB 254 72 105

HSL 349.12, 0.99%, 0.64%

LAB 58.72, 69.76, 23.04

 

CMYK 0 / 56 / 45 / 0

HEX #FE718B

RGB 254 113 139

HSL 348.94, 0.99%, 0.72%

LAB 65.55, 55.95, 12.79

 

CMYK 0 / 39 / 32 / 0

HEX #FE9AAD

RGB 254 154 173

HSL 348.6, 0.98%, 0.8%

LAB 74.32, 39.55, 6.21

 

CMYK 0 / 72 / 59 / 0

HEX #FE4869

RGB 254 72 105

HSL 349.12, 0.99%, 0.64%

LAB 58.72, 69.76, 23.04

 

CMYK 1 / 0 / 72 / 0

HEX #FBFE48

RGB 251 254 72

HSL 60.99, 0.99%, 0.64%

LAB 96.76, -21.16, 81.04

 

CMYK 72 / 30 / 0 / 0

HEX #48B2FE

RGB 72 178 254

HSL 205.05, 0.99%, 0.64%

LAB 69.74, -6.18, -46.35

 

CMYK 0 / 72 / 59 / 0

HEX #FE4869

RGB 254 72 105

HSL 349.12, 0.99%, 0.64%

LAB 58.72, 69.76, 23.04

 

CMYK 58 / 0 / 72 / 0

HEX #6AFE48

RGB 106 254 72

HSL 108.79, 0.99%, 0.64%

LAB 89.12, -70.59, 70.96

 

CMYK 72 / 58 / 0 / 0

HEX #486AFE

RGB 72 106 254

HSL 228.79, 0.99%, 0.64%

LAB 50.5, 36.74, -77.15

 

CMYK 0 / 72 / 59 / 0

HEX #FE4869

RGB 254 72 105

HSL 349.12, 0.99%, 0.64%

LAB 58.72, 69.76, 23.04

 

CMYK 1 / 0 / 72 / 0

HEX #FBFE48

RGB 251 254 72

HSL 60.99, 0.99%, 0.64%

LAB 96.76, -21.16, 81.04

 

CMYK 72 / 0 / 13 / 0

HEX #48FEDD

RGB 72 254 221

HSL 169.12, 0.99%, 0.64%

LAB 90.54, -52.5, 2.73

 

CMYK 70 / 72 / 0 / 0

HEX #4B48FE

RGB 75 72 254

HSL 240.99, 0.99%, 0.64%

LAB 43.19, 56.93, -89.13

 

CMYK 0 / 72 / 59 / 0

HEX #FE4869

RGB 254 72 105

HSL 349.12, 0.99%, 0.64%

LAB 58.72, 69.76, 23.04

 

CMYK 22 / 0 / 72 / 0

HEX #C5FE48

RGB 197 254 72

HSL 78.79, 0.99%, 0.64%

LAB 93.11, -42.26, 76.26

 

CMYK 72 / 0 / 13 / 0

HEX #48FEDD

RGB 72 254 221

HSL 169.12, 0.99%, 0.64%

LAB 90.54, -52.5, 2.73

 

CMYK 49 / 72 / 0 / 0

HEX #8248FE

RGB 130 72 254

HSL 259.12, 0.99%, 0.64%

LAB 47.67, 63.75, -81.61

 

Description

Color code: HEX #FE4869CE | qconv.com Color code: HEX #FE4869CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 72 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 72 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 48 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 48% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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