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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE44AF it is the complementary color #01BB50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE44AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE44AF shade: #FF44AA, #FF56BD, #FF68D0, #FF7AE3 and #FF8CF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE44AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE44AF shade: #FE44AF, #ED329C, #DC2089, #CB0E76 and #BA0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE44AF shade: #FE43AF, #FE437C, #FE434A and #FE4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE44AF shade: #FE43AF, #FE43E1, #E943FE, #B643FE and #8443FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE44AF shade matches the following richer shades: #FE43AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE44AF shade: #FE43AF, #EF53AC, #E062AA, #D071A8 and #C180A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE44AF shade: #E843FE, #FE43E2, #FE43B0, #FE437E and #FE434D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE44AF shade: #EE0189, #FE1A9D, #FE43AF, #FE6CC0 and #FE95D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE44AF shade: #FE44AF, #FEB643 and #43FBFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE44AF shade: #FE44AF, #B0FE43 and #43B0FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE44AF shade: #FE44AF, #FEB643, #43FE91 and #438BFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE44AF shade: #FE44AF, #FEEE43, #43FE91 and #4353FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 31 / 0

HEX #FE44AF

RGB 254 68 175

HSL 325.48, 0.99%, 0.63%

LAB 60.16, 77.17, -15.82

 

Complementary color

CMYK 99 / 0 / 57 / 27

HEX #01BB50

RGB 1 187 80

HSL 145.48, 0.99%, 0.37%

LAB 66.62, -62.57, 42.59

 

CMYK 0 / 73 / 33 / 0

HEX #FF44AA

RGB 255 68 170

HSL 327.27, 1%, 0.63%

LAB 60.16, 76.88, -12.92

 

CMYK 0 / 66 / 26 / 0

HEX #FF56BD

RGB 255 86 189

HSL 323.43, 1%, 0.67%

LAB 63, 72.96, -19.52

 

CMYK 0 / 59 / 18 / 0

HEX #FF68D0

RGB 255 104 208

HSL 318.68, 1%, 0.7%

LAB 66.3, 68.31, -25.23

 

CMYK 0 / 52 / 11 / 0

HEX #FF7AE3

RGB 255 122 227

HSL 312.63, 1%, 0.74%

LAB 69.98, 63.17, -30.14

 

CMYK 0 / 45 / 4 / 0

HEX #FF8CF6

RGB 255 140 246

HSL 304.7, 1%, 0.77%

LAB 73.98, 57.71, -34.39

 

CMYK 0 / 73 / 31 / 0

HEX #FE44AF

RGB 254 68 175

HSL 325.48, 0.99%, 0.63%

LAB 60.16, 77.17, -15.82

 

CMYK 0 / 79 / 34 / 7

HEX #ED329C

RGB 237 50 156

HSL 325.99, 0.84%, 0.56%

LAB 54.75, 76.09, -13.19

 

CMYK 0 / 85 / 38 / 14

HEX #DC2089

RGB 220 32 137

HSL 326.49, 0.75%, 0.49%

LAB 49.56, 74.23, -9.97

 

CMYK 0 / 93 / 42 / 20

HEX #CB0E76

RGB 203 14 118

HSL 326.98, 0.87%, 0.43%

LAB 44.69, 71.33, -5.99

 

CMYK 0 / 100 / 47 / 27

HEX #BA0063

RGB 186 0 99

HSL 328.06, 1%, 0.36%

LAB 40.15, 67.3, -1.19

 

CMYK 0 / 74 / 31 / 0

HEX #FE43AF

RGB 254 67 175

HSL 325.35, 0.99%, 0.63%

LAB 60.05, 77.48, -15.98

 

CMYK 0 / 74 / 51 / 0

HEX #FE437C

RGB 254 67 124

HSL 341.71, 0.99%, 0.63%

LAB 58.55, 72.71, 11.63

 

CMYK 0 / 74 / 71 / 0

HEX #FE434A

RGB 254 67 74

HSL 357.75, 0.99%, 0.63%

LAB 57.64, 69.73, 39.55

 

CMYK 0 / 74 / 74 / 0

HEX #FE4343

RGB 254 67 67

HSL 0, 0.99%, 0.63%

LAB 57.55, 69.45, 43.33

 

CMYK 0 / 74 / 31 / 0

HEX #FE43AF

RGB 254 67 175

HSL 325.35, 0.99%, 0.63%

LAB 60.05, 77.48, -15.98

 

CMYK 0 / 74 / 11 / 0

HEX #FE43E1

RGB 254 67 225

HSL 309.3, 0.99%, 0.63%

LAB 62.1, 83.69, -41.3

 

CMYK 8 / 74 / 0 / 0

HEX #E943FE

RGB 233 67 254

HSL 293.26, 0.99%, 0.63%

LAB 60.33, 83.82, -60.47

 

CMYK 28 / 74 / 0 / 0

HEX #B643FE

RGB 182 67 254

HSL 276.9, 0.99%, 0.63%

LAB 53.08, 74.4, -72.53

 

CMYK 48 / 74 / 0 / 0

HEX #8443FE

RGB 132 67 254

HSL 260.86, 0.99%, 0.63%

LAB 47.07, 66.33, -82.58

 

CMYK 0 / 74 / 31 / 0

HEX #FE43AF

RGB 254 67 175

HSL 325.35, 0.99%, 0.63%

LAB 60.05, 77.48, -15.98

 

CMYK 0 / 74 / 31 / 0

HEX #FE43AF

RGB 254 67 175

HSL 325.35, 0.99%, 0.63%

LAB 60.05, 77.48, -15.98

 

CMYK 0 / 65 / 28 / 6

HEX #EF53AC

RGB 239 83 172

HSL 325.77, 0.83%, 0.63%

LAB 59.45, 67.74, -15.4

 

CMYK 0 / 56 / 24 / 12

HEX #E062AA

RGB 224 98 170

HSL 325.71, 0.67%, 0.63%

LAB 59.42, 56.85, -14.51

 

CMYK 0 / 46 / 19 / 18

HEX #D071A8

RGB 208 113 168

HSL 325.26, 0.5%, 0.63%

LAB 59.93, 44.21, -12.8

 

CMYK 0 / 34 / 14 / 24

HEX #C180A6

RGB 193 128 166

HSL 324.92, 0.34%, 0.63%

LAB 61.25, 30.79, -9.88

 

CMYK 9 / 74 / 0 / 0

HEX #E843FE

RGB 232 67 254

HSL 292.94, 0.99%, 0.63%

LAB 60.18, 83.63, -60.72

 

CMYK 0 / 74 / 11 / 0

HEX #FE43E2

RGB 254 67 226

HSL 308.98, 0.99%, 0.63%

LAB 62.15, 83.83, -41.79

 

CMYK 0 / 74 / 31 / 0

HEX #FE43B0

RGB 254 67 176

HSL 325.03, 0.99%, 0.63%

LAB 60.09, 77.59, -16.51

 

CMYK 0 / 74 / 50 / 0

HEX #FE437E

RGB 254 67 126

HSL 341.07, 0.99%, 0.63%

LAB 58.59, 72.87, 10.52

 

CMYK 0 / 74 / 70 / 0

HEX #FE434D

RGB 254 67 77

HSL 356.79, 0.99%, 0.63%

LAB 57.68, 69.87, 37.9

 

CMYK 0 / 100 / 42 / 7

HEX #EE0189

RGB 238 1 137

HSL 325.57, 0.99%, 0.47%

LAB 51.84, 81.6, -6.2

 

CMYK 0 / 90 / 38 / 0

HEX #FE1A9D

RGB 254 26 157

HSL 325.53, 0.99%, 0.55%

LAB 56.33, 84.53, -11.09

 

CMYK 0 / 74 / 31 / 0

HEX #FE43AF

RGB 254 67 175

HSL 325.35, 0.99%, 0.63%

LAB 60.05, 77.48, -15.98

 

CMYK 0 / 57 / 24 / 0

HEX #FE6CC0

RGB 254 108 192

HSL 325.48, 0.99%, 0.71%

LAB 66.21, 64.17, -16.37

 

CMYK 0 / 41 / 17 / 0

HEX #FE95D2

RGB 254 149 210

HSL 325.14, 0.98%, 0.79%

LAB 74.33, 47.18, -14.16

 

CMYK 0 / 73 / 31 / 0

HEX #FE44AF

RGB 254 68 175

HSL 325.48, 0.99%, 0.63%

LAB 60.16, 77.17, -15.82

 

CMYK 0 / 28 / 74 / 0

HEX #FEB643

RGB 254 182 67

HSL 36.9, 0.99%, 0.63%

LAB 79, 16.1, 65.76

 

CMYK 74 / 1 / 0 / 0

HEX #43FBFE

RGB 67 251 254

HSL 180.96, 0.99%, 0.63%

LAB 90.48, -43.06, -14.52

 

CMYK 0 / 73 / 31 / 0

HEX #FE44AF

RGB 254 68 175

HSL 325.48, 0.99%, 0.63%

LAB 60.16, 77.17, -15.82

 

CMYK 31 / 0 / 74 / 0

HEX #B0FE43

RGB 176 254 67

HSL 85.03, 0.99%, 0.63%

LAB 91.92, -50.13, 76.32

 

CMYK 74 / 31 / 0 / 0

HEX #43B0FE

RGB 67 176 254

HSL 205.03, 0.99%, 0.63%

LAB 69.04, -5.7, -47.45

 

CMYK 0 / 73 / 31 / 0

HEX #FE44AF

RGB 254 68 175

HSL 325.48, 0.99%, 0.63%

LAB 60.16, 77.17, -15.82

 

CMYK 0 / 28 / 74 / 0

HEX #FEB643

RGB 254 182 67

HSL 36.9, 0.99%, 0.63%

LAB 79, 16.1, 65.76

 

CMYK 74 / 0 / 43 / 0

HEX #43FE91

RGB 67 254 145

HSL 145.03, 0.99%, 0.63%

LAB 88.98, -69.06, 39.16

 

CMYK 74 / 45 / 0 / 0

HEX #438BFE

RGB 67 139 254

HSL 216.9, 0.99%, 0.63%

LAB 58.8, 15.87, -63.73

 

CMYK 0 / 73 / 31 / 0

HEX #FE44AF

RGB 254 68 175

HSL 325.48, 0.99%, 0.63%

LAB 60.16, 77.17, -15.82

 

CMYK 0 / 6 / 74 / 0

HEX #FEEE43

RGB 254 238 67

HSL 54.87, 0.99%, 0.63%

LAB 92.85, -12.42, 79.06

 

CMYK 74 / 0 / 43 / 0

HEX #43FE91

RGB 67 254 145

HSL 145.03, 0.99%, 0.63%

LAB 88.98, -69.06, 39.16

 

CMYK 74 / 67 / 0 / 0

HEX #4353FE

RGB 67 83 254

HSL 234.87, 0.99%, 0.63%

LAB 44.99, 50.02, -86.18

 

Description

Color code: HEX #FE44AF | qconv.com Color code: HEX #FE44AF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 68 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 68 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 31 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 31% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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